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Journal articles on the topic 'Spanish art song'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

de la Rasilla del Moral, Ignacio. "The Swan Song of Universal Jurisdiction in Spain." International Criminal Law Review 9, no. 5 (2009): 777–808. http://dx.doi.org/10.1163/156753609x12507729201354.

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AbstractOn 29 April 2009 the Spanish National Court opened a cause against the "perpetrators, the instigators, the necessary collaborators and accomplices" of alleged tortures at the Guantanamo camp and other overseas detention facilities. Before examining how these and other causes currently opened in Spain under the principle of universal jurisdiction enshrined by Art. 23.4 of the Organic Law of the Judicial Branch (LOPJ) are likely to be affected by the legislative reform of that very provision approved by the Spanish Congress of Deputies on 25 June 2009, we will first examine the sinuous -

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García-García, Lucía, Guzmán Antonio Muñoz-Fernández, José Miguel Valverde-Roda, and Antonio Menor-Campos. "The Cultural Tourism and Flamenco." Journal of Social Sciences Research, no. 61 (January 5, 2020): 32–39. http://dx.doi.org/10.32861//jssr.61.32.39.

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Flamenco is a living art that excites and awakens the senses of those who witness such a dance, singing and guitar show. It is a way of expressing feelings. Flamenco was considered a world intangible heritage of humanity by UNESCO and is a part of the identity and culture of Andalucía, place where it originated. Flamenco is a symbol of Spanish culture around the world. In addition, it has been discovered that there is a typology of flamenco tourists whose motivation is related to the search of experience and authenticity in the tourist destination. A search of published scientific articles on

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García-García, Lucía, Guzmán Antonio Muñoz-Fernández, José Miguel Valverde-Roda, and Antonio Menor-Campos. "The Cultural Tourism and Flamenco." Journal of Social Sciences Research, no. 61 (January 5, 2020): 32–39. http://dx.doi.org/10.32861/jssr.61.32.39.

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Flamenco is a living art that excites and awakens the senses of those who witness such a dance, singing and guitar show. It is a way of expressing feelings. Flamenco was considered a world intangible heritage of humanity by UNESCO and is a part of the identity and culture of Andalucía, place where it originated. Flamenco is a symbol of Spanish culture around the world. In addition, it has been discovered that there is a typology of flamenco tourists whose motivation is related to the search of experience and authenticity in the tourist destination. A search of published scientific articles on

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ABDULSATTAR JABBAR, HABEEB. "LA CORRIENTE ROMANTICO Y LA LITERARTURA ESPANOLA." Al-Adab Journal 1, no. 127 (2018): 57–65. http://dx.doi.org/10.31973/aj.v1i127.201.

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 The romantic movement is regarded as rational and article movement which is appeared. The beginning of ninth century in spite of the start point was in the end of eighteenth century. This movement spreads in the fields of music, literature, drawing and carving. It is a movement which includes all these fields and refused the modern classical method. It is submitted to literary and comedy modes and change the champions of the ascendance in literary works and create an element of exaggeration in irrational describing in order to escape from reality. It used the imagination and reali

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Sierra Fernández, Gustavo. "Épica en el arte: el caso de la canción de autor." Laocoonte. Revista de Estética y Teoría de las Artes, no. 4 (December 12, 2017): 272. http://dx.doi.org/10.7203/laocoonte.0.4.11071.

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Existe el concepto de épica que todo el mundo conoce más o menos: las hazañas heroicas de una persona individual. Pero debajo de él subyacen otras concepciones, como es la lucha cotidiana de héroes anónimos que se enfrentan cada día a su existencia, y que en cuanto dichas luchas tienen rasgos comunes entre personas parecidas, se convierte en una epopeya; también es concebible como la lucha histórica de un grupo marinado por el reconocimiento de sus derechos y su supervivencia. El arte se ha ocupado de estas otras nociones, especialmentea partir del siglo XIX, con el surgimiento de lo social en

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Girón-Negrón, Luis M. "“Your Dove-Eyes Among Your Hairlocks:” Language and Authority in Fray Luis De León's Respuesta Que Desde Su Prisón da a sus Émulos*." Renaissance Quarterly 54, no. 4-Part1 (2001): 1197–250. http://dx.doi.org/10.2307/1261971.

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This essay examines a 16th-century classic of Spanish humanist apologetics: the extant portion of fray Luis de Ledn 's defense of his Spanish translation of the Song of Songs against the Inquisition. The analysis highlights a Christian hebraist's contribution to contemporary debates on the applicability of humanist philology to biblical scholarship. An English translation of fray Luis’ famous respuesta accompanies the article.

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Miranda, M. L. "The Bear and His Sons: Masculinity in Spanish and Mexican Folktales:The Bear and His Sons: Masculinity in Spanish and Mexican Folktales." American Anthropologist 100, no. 1 (1998): 227–28. http://dx.doi.org/10.1525/aa.1998.100.1.227.

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Clarke, Jacqueline. "Bridal Songs: Catullan Epithalamia and Prudentius Peristephanon 3." Antichthon 40 (2006): 89–103. http://dx.doi.org/10.1017/s0066477400001672.

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Prudentius' account of the martyrdom of the young Spanish girl Eulalia in Peristephanon 3 is particularly interesting because not only does it consist of her defiance of an order to pay homage to the pagan gods but also a rejection of pressures to get married. If martyrdom constituted an act of rebellion against the conventions of pagan society, then female martyrdom was doubly so and the ways in which it was presented to a community in which Christianity was still struggling to establish its reputation is worthy of detailed examination. Prudentius was arguably the Christian poet most influenc

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Seipel, Michael M. O. "Social consequences of emerging and re-emerging infectious diseases." International Social Work 48, no. 1 (2005): 35–48. http://dx.doi.org/10.1177/0020872805048707.

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English Infectious diseases are responsible for nearly half of all deaths in developing countries. The re-emergence of old diseases and drug-resistant pathogens is creating enormous public health challenges. New diseases have been and are being detected. This article suggests that if we act quickly widespread outbreak can be averted. French Les maladies infectueuses sont responsables de près de la moitié des mortalités dans les pays en voie de développement. La re-émergence d'anciennes maladies et de pathologies résistantes aux médicaments présentent d'énormes défis aux systèmes de santé publi

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Navarrete, Ignacio. "Juan de Valdés, Diego Hurtado de Mendoza, and the Imperial Style in Spanish Poetry." Renaissance and Reformation 40, no. 3 (2004): 3–25. http://dx.doi.org/10.33137/rr.v40i3.9027.

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Lorsque Valdés et son Diálogo de la lengua sont correctement considérés, la théorie poétique qu'ils impliquent apparaît comme une poétique destinée à l'empire de Charles V, appropriée au courtisan impérial, et ayant la capacité de contribuer à l'unification de la culture impériale. L'exemple le plus éclairant de cette poétique est les divers sonnets pétrarquistes d'un autre acteur de la cour impérial, Mendoza. Bien que ses affirmations directes et prosaïques au sujet de la préoccupation amoureuse manquent souvent d'intérêt pour le lecteur d'aujourd'hui, la poétique impériale de Valdés offre un

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Rodrigues, Louis J. "Rosalía de Castro's Galician poems." Babel. Revue internationale de la traduction / International Journal of Translation 50, no. 1 (2004): 60–75. http://dx.doi.org/10.1075/babel.50.1.07rod.

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Abstract Two Galician poems (one from each of two collections: Cantares Gallegos and Follas novas) by Spain’s most renowned poetess are examined in this critical essay, which includes translations into English, Spanish and Catalan together with an analysis of both poems and a commentary on each with a discussion of such technicalities as metre, rhyme, imagery, lexis and syntax insofar as they aff ect the end-product in each case. The essay discusses the linguistic features of Galician as a preliminary to the appreciation of the poems, draws attention to Rosalia’s statements on her art and work

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Pulido, José Manuel. "Patrick MacGill: Traducción al español de una selección de sus poemas y semblanza crítica." Estudios Irlandeses, no. 16 (March 17, 2021): 205–20. http://dx.doi.org/10.24162/ei2021-10068.

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During the First World War, Patrick MacGill served with the London Irish Rifles, although once in the conflict, he worked as a stretcher-bearer. On the battlefield, he wrote his war novels and his book of poetry, Soldier Songs, where the poems “The Cross”, “I Will Go Back” and “The Trench” are included. In this article, the reader will find the first translation into Spanish of these three poems and a critical profile, overviewing MacGill´s life from his birth in Glenties to his death in the United States and analyzing how all his literary production is related to his own experiences and certa

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Edwards, Gwynne. "Gwyn Thomas's Sap and Theatre Workshop's Oh What a Lovely War." New Theatre Quarterly 27, no. 3 (2011): 272–82. http://dx.doi.org/10.1017/s0266464x11000467.

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In the autumn of 1962 Gwyn Thomas, author of The Keep and Jackie the Jumper, two plays already staged at the Royal Court, delivered to the Theatre Royal, Stratford East, his script of Sap, a play with songs about the First World War. In March 1963, Joan Littlewood premiered at the Theatre Royal Oh What a Lovely War. Subsequently, Thomas felt that his ideas and research had been stolen, and because of the success of Oh What a Lovely War, Sap was not staged for another eleven years. In this article Gwynne Edwards discusses the circumstances surrounding these events and outlines the similarities

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Graham-Jones, Jean. "“The Truth Is . . . My Soul Is with You”: Documenting a Tale of Two Evitas." Theatre Survey 46, no. 1 (2005): 67–78. http://dx.doi.org/10.1017/s0040557405000050.

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One evening in 1973, or so the story goes, Tim Rice caught the last part of a BBC program about Eva Perón on his car radio. Intrigued enough to make a point of tuning into a later rebroadcast, he became fascinated with this woman, whose single saving grace—he later stated—was that “she had style, in spades.” In late 1976, after more than two years spent researching, writing, composing, and recording (and one or two trips to Buenos Aires), Rice and Andrew Lloyd Webber released the studio album of Evita, their rock-opera follow-up to the hugely successful Jesus Christ Superstar. They would not w

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Henke, Robert. "The Italian Mountebank and the Commedia dell'Arte." Theatre Survey 38, no. 2 (1997): 1–29. http://dx.doi.org/10.1017/s0040557400002052.

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The Italian mountebank of the early modern period was a figure of great power and fascination, both to Italians themselves and to English audiences via Thomas Coryate's documentary account and Ben Jonson's fictional portrayal of Scoto of Mantua in Volpone. Italian and Spanish antitheatrical clerics, prompted by San Carlo Borromeo to extend Counter-Reformation cultural critiques to the increasingly successful commedia dell'arte, were quick to identify the mountebank—an itinerant doctor/pharmacist who typically enticed potential patrons with an array of musical and theatrical entertainments—with

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Bidwell-Steiner, Marlen. "Sex Acts in La Celestina: An Ars Combinatoria of Desire." Renaissance and Reformation 38, no. 4 (2016): 121–44. http://dx.doi.org/10.33137/rr.v38i4.26376.

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This article investigates one of the most important and erotically explicit early modern Spanish texts: Fernando de Rojas’s La Celestina (1499/1507). Highlighting the dynamics of the three sex acts depicted in the plot, it argues that intercourse can be read as a negotiation of the text’s main values: (courtly) love, honour, and money. While scholars have elaborated on the metaphor of the wheel of fortune in La Celestina, this article suggests that the wheel was more than a trope for life’s vicissitudes; it operated as a structural tool in the text, a metaphor rendered material via Ramón Llull

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Berzal de Dios, Javier. "Velázquez’s Democritus: Global Disillusion and the Critical Hermeneutics of a Smile." Renaissance and Reformation 39, no. 1 (2016): 35–62. http://dx.doi.org/10.33137/rr.v39i1.26542.

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Velázquez’s Democritus (ca. 1630) presents a unique encounter: not only are there few depictions in which the Greek philosopher appears with a sphere that shows an actual map, but Velázquez used a court jester as a model for Democritus, thus placing the philosopher within a courtly space. When we study the painting in relation to the literary interests of the Spanish Golden Age and its socio-political circumstances, we can see the figure of Democritus as far from just another instantiation of a conventional trope. The philosopher’s smile and his crepuscular globe entrap the viewer in a semioti

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Tomé, Mario. "Prononciation, littérature et apprentissage du français langue étrangère avec les medias sociaux." Anales de Filología Francesa 28, no. 1 (2020): 673–88. http://dx.doi.org/10.6018/analesff.430211.

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Literature can provide all kinds of teaching materials for learning pronunciation of French as a foreign language (FLE), but practice and research in this area are still very little developed. New tools and social media can reverse this trend by promoting the oral production of learners and by integrating effective and motivating teaching tasks. For several years we have been conducting research on the applications of new technologies to teaching / learning FLE at the University of León in Spain and we have developed two pioneering and complementary databases: one on literary resources and the

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De Courcelles, Dominique. "Amour et mort, vie de sainteté dans la littérature et la spiritualité à València au XVème siècle: de saint Vicent Ferrer à Sor Isabel de Villena." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 14 (December 26, 2019): 276. http://dx.doi.org/10.7203/scripta.0.16370.

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Résumé: Le Royaume de València, au XVème siècle, tient une place majeure dans l’histoire de la littérature et de la spiritualité et dans l’histoire religieuse de la péninsule Ibérique, cependant que s’achève la Reconquista et que s’unifient les Espagnes. Une même quête de réforme morale et d’élévation spirituelle s’exprime aussi bien dans les sermons du dominicain Fra Vicent Ferrer que dans les traductions d’auteurs classiques et de la Renaissance effectuées par un autre dominicain, Fra Antoni Canals. La spiritualité valencienne est militante : elle veut convaincre, séduire, donner et parfois

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Ivanova, Yuliia. "Children’s choir in MarkKarminskyi’s creativity." Aspects of Historical Musicology 19, no. 19 (2020): 29–43. http://dx.doi.org/10.34064/khnum2-19.02.

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Background. The article deals with the choral creativity by the famous Ukrainian composer Mark Karminskyi. The weight of M. Karminskyi’s choral works in the legacy of the composer and in choral art in general stimulates research interest in this area of his activity. However, there are relatively few scientific studies that examine the composer’s choral work; most of them are aimed at reconstructing his general creative portrait or at examining other pages of his heritage. The scientific novelty of this research is determined by the comprehensive coverage of children’s choral creativity by M.

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 71, no. 3-4 (1997): 317–91. http://dx.doi.org/10.1163/13822373-90002612.

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-Leslie G. Desmangles, Joan Dayan, Haiti, history, and the Gods. Berkeley: University of California Press, 1995. xxiii + 339 pp.-Barry Chevannes, James T. Houk, Spirits, blood, and drums: The Orisha religion in Trinidad. Philadelphia: Temple University Press, 1995. xvi + 238 pp.-Barry Chevannes, Walter F. Pitts, Jr., Old ship of Zion: The Afro-Baptist ritual in the African Diaspora. New York: Oxford University Press, 1993. xvi + 199 pp.-Robert J. Stewart, Lewin L. Williams, Caribbean theology. New York: Peter Lang, 1994. xiii + 231 pp.-Robert J. Stewart, Barry Chevannes, Rastafari and other Af

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Jim, Danny, Loretta Joseph Case, Rubon Rubon, Connie Joel, Tommy Almet, and Demetria Malachi. "Kanne Lobal: A conceptual framework relating education and leadership partnerships in the Marshall Islands." Waikato Journal of Education 26 (July 5, 2021): 135–47. http://dx.doi.org/10.15663/wje.v26i1.785.

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Education in Oceania continues to reflect the embedded implicit and explicit colonial practices and processes from the past. This paper conceptualises a cultural approach to education and leadership appropriate and relevant to the Republic of the Marshall Islands. As elementary school leaders, we highlight Kanne Lobal, a traditional Marshallese navigation practice based on indigenous language, values and practices. We conceptualise and develop Kanne Lobal in this paper as a framework for understanding the usefulness of our indigenous knowledge in leadership and educational practices within for

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Marín-Viadel, Ricardo, and Joaquín Roldán. "Territorios de las metodologías artísticas de investigación con un fotoensayo a partir de Buñuel." REVISTA IBERO-AMERICANA DE PESQUISA EM EDUCAÇÃO, CULTURA E ARTES, September 30, 2012, 120–37. http://dx.doi.org/10.24981/16470508.3.12.

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Arts based Research (Investigación basada en Artes, in Spanish) uses Artistic Research Methodologies (ARM), which are founded in the forms of inquiry used by professional in literature, visual arts, music, theatre, dance, etc. The main distinctive feature of the ARM is that the final investigation report may consist, essentially, in a poem, a fictional story, a group of drawings or paintings, a song, a dance or a movie. The ARM main objective is to improve the knowledge of phenomena and human events through processes of inquiry, forms of communication and representation systems that put the em

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Furnica, Ioana. "Subverting the “Good, Old Tune”." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2641.

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   “In the performing arts the very absence of a complete score, i.e., of a complete duplicate, enables music, dances and plays to survive. The tension created by the adaptation of a work of yesterday to the style of today is an essential part of the history of the art in progress” (Rudolf Arnheim, “On Duplication”). In his essay “On Duplication”, Rudolf Arnheim proposes the idea that a close look at the life of adaptations indicates that change is not only necessary and inevitable, but also increases our understanding of the adapted work. To Arnheim, the most fruitful approa

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Fernandes, Bruna Karen Cavalcante, Adna Cynthya Muniz Ribeiro, Cintia Lira Borges, Francisca Tereza de Galiza, Emanuella Silva Joventino, and Emanuella Silva Joventino. "Influências do trabalho noturno no sono dos trabalhadores de enfermagem: revisão integrativa." Revista Enfermagem Atual In Derme 81, no. 19 (2019). http://dx.doi.org/10.31011/reaid-2017-v.81-n.19-art.327.

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Objetiva-se identificar as influências do trabalho noturno no sono dos trabalhadores de enfermagem. Trata-se deuma revisão integrativa, realizada em outubro de 2015, nas Bases de dados: Literatura Latino-Americana e do Caribeem Ciências da Saúde (LILACS), Literatura Internacional em Ciências da Saúde (MEDLINE) and Banco de Dados deEnfermagem (BDENF), utilizando os Descritores em Ciências da Saúde: Sono; Enfermagem e Trabalho noturno. Foramincluídos artigos sobre a temática; de livre acesso; nos idiomas: inglês, português e espanhol; publicados na íntegra.Não houve recorte temporal. A amostra f

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Tavares, Ana Paula Cardoso, Eliane da Silva Pereira, and Selma Petra Chaves Sá. "Impacto da úlcera de perna na qualidade de vida de idosos: uma revisão integrativa." Revista Enfermagem Atual In Derme 78, no. 16 (2019). http://dx.doi.org/10.31011/reaid-2016-v.78-n.16-art.360.

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Objetivo: Analisar as evidências científicas acerca do impacto da úlcera de perna na qualidade de vida de idosos.Método: Trata-se de uma revisão integrativa cujo levantamento foi realizado nas bases de dados LILACS, BDENF,IBECS, MEDLINE (via BVS) e na MEDLINE (via PubMed). Os critérios de inclusão foram: artigos em português, inglêse espanhol, na íntegra e on-line, publicados no período de 2010 a 2015. O critério de exclusão estabelecido foi:artigos repetidos em diferentes bases e revisões sistemáticas. Após a análise das publicações na íntegra quanto aoscritérios instituídos, apenas 10 estudo

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Carmo, Flávia Ribeiro do, Harriet Bárbara Maruxo, and Willian Alves dos Santos. "Evidências científicas sobre a qualidade de vida dos pacientes com insuficiência cardíaca: revisão integrativa*." Revista Enfermagem Atual In Derme 82, no. 20 (2019). http://dx.doi.org/10.31011/reaid-2017-v.82-n.20-art.310.

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Objetiva-se identificar evidências científicas sobre a qualidade de vida em pacientes diagnosticados com insuficiênciacardíaca. Revisão integrativa realizada nas bases de dados Literatura Latino-Americana e do Caribe em Ciências da Saúde(LILACS), Base de Dados de Enfermagem (BDENF) e Sistema Online de Busca e Análise de Literatura Médica (MEDLINE)com a seguinte questão norteadora: Como a insuficiência cardíaca interfere na qualidade de vida dos pacientescardiológicos? Foi utilizada a estratégia PICO com recorte temporal de 2011 a 2016, nos idiomas português, inglês eespanhol. As informações fo

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Hutcheon, Linda. "In Defence of Literary Adaptation as Cultural Production." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2620.

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   Biology teaches us that organisms adapt—or don’t; sociology claims that people adapt—or don’t. We know that ideas can adapt; sometimes even institutions can adapt. Or not. Various papers in this issue attest in exciting ways to precisely such adaptations and maladaptations. (See, for example, the articles in this issue by Lelia Green, Leesa Bonniface, and Tami McMahon, by Lexey A. Bartlett, and by Debra Ferreday.) Adaptation is a part of nature and culture, but it’s the latter alone that interests me here. (However, see the article by Hutcheon and Bortolotti for a discussi

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Gibson, Chris. "On the Overland Trail: Sheet Music, Masculinity and Travelling ‘Country’." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.82.

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Introduction One of the ways in which ‘country’ is made to work discursively is in ‘country music’ – defining a genre and sensibility in music production, marketing and consumption. This article seeks to excavate one small niche in the historical geography of country music to explore exactly how discursive antecedents emerged, and crucially, how images associated with ‘country’ surfaced and travelled internationally via one of the new ‘global’ media of the first half of the twentieth century – sheet music. My central arguments are twofold: first, that alongside aural qualities and lyrical cont

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Toutant, Ligia. "Can Stage Directors Make Opera and Popular Culture ‘Equal’?" M/C Journal 11, no. 2 (2008). http://dx.doi.org/10.5204/mcj.34.

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Cultural sociologists (Bourdieu; DiMaggio, “Cultural Capital”, “Classification”; Gans; Lamont & Foumier; Halle; Erickson) wrote about high culture and popular culture in an attempt to explain the growing social and economic inequalities, to find consensus on culture hierarchies, and to analyze cultural complexities. Halle states that this categorisation of culture into “high culture” and “popular culture” underlined most of the debate on culture in the last fifty years. Gans contends that both high culture and popular culture are stereotypes, public forms of culture or taste cultures, each

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Stewart, Jonathan. "If I Had Possession over Judgment Day: Augmenting Robert Johnson." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.715.

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augmentvb [ɔːgˈmɛnt]1. to make or become greater in number, amount, strength, etc.; increase2. Music: to increase (a major or perfect interval) by a semitone (Collins English Dictionary 107) Almost everything associated with Robert Johnson has been subject to some form of augmentation. His talent as a musician and songwriter has been embroidered by myth-making. Johnson’s few remaining artefacts—his photographic images, his grave site, other physical records of his existence—have attained the status of reliquary. Even the integrity of his forty-two surviving recordings is now challenged by audi

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Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2345.

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   From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha

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Callaghan, Michaela. "Dancing Embodied Memory: The Choreography of Place in the Peruvian Andes." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.530.

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This article is concerned with dance as an embodied form of collective remembering in the Andean department of Ayacucho in Peru. Andean dance and fiesta are inextricably linked with notions of identity, cultural heritage and history. Rather than being simply aesthetic —steps to music or a series of movements — dance is readable as being a deeper embodiment of the broader struggles and concerns of a people. As anthropologist Zoila Mendoza writes, in post-colonial countries such as those in Africa and Latin America, dance is and was a means “through which people contested, domesticated and rewor

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De Vos, Gail. "News and Announcements." Deakin Review of Children's Literature 5, no. 3 (2016). http://dx.doi.org/10.20361/g21300.

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AWARDSSome major international children’s literature awards have just been announced as I compile the news for this issue. Several of these have Canadian connections.2016 ALSC (Association for Library Service to Children) Book & Media Award WinnersJohn Newbery Medal"Last Stop on Market Street,” written by Matt de la Peña, illustrated by Christian Robinson and published by G. P. Putnam’s Sons, an imprint of Penguin Books (USA) LLC Newbery Honor Books"The War that Saved My Life," written by Kimberly Brubaker Bradley and published by Dial Books for Young Readers, an imprint of Penguin Books (

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Pace, Steven. "Acquiring Tastes through Online Activity: Neuroplasticity and the Flow Experiences of Web Users." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.773.

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IntroductionCan a person’s tastes in art, music, literature, cinema, sport, humour or other fields be changed through online activity? This article explores that question by comparing recent research findings in the areas of neuroplasticity and flow. Neuroplasticity, also known as brain plasticity, is the idea that the human brain can change its structure and function through thought and activity, even into old age (Doidge). The second concept—flow—comes from the field of psychology, and refers to a deeply satisfying state of focused attention that people sometimes experience while engaging in

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Allatson, Paul. "The Virtualization of Elián González." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2449.

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For seven months in 1999/2000, six-year old Cuban Elián González was embroiled in a family feud plotted along rival national and ideological lines, and relayed televisually as soap opera across the planet. In Miami, apparitions of the Virgin Mary were reported after Elián’s arrival; adherents of Afro-Cuban santería similarly regarded Elián as divinely touched. In Cuba, Elián’s “kidnapping” briefly reinvigorated a torpid revolutionary project. He was hailed by Fidel Castro as the symbolic descendant of José Martí and Che Guevara, and of the patriotic rigour they embodied. Cubans massed to deman

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Lavers, Katie. "Cirque du Soleil and Its Roots in Illegitimate Circus." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.882.

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IntroductionCirque du Soleil, the largest live entertainment company in the world, has eight standing shows in Las Vegas alone, KÀ, Love, Mystère, Zumanity, Believe, Michael Jackson ONE, Zarkana and O. Close to 150 million spectators have seen Cirque du Soleil shows since the company’s beginnings in 1984 and it is estimated that over 15 million spectators will see a Cirque du Soleil show in 2014 (Cirque du Soleil). The Cirque du Soleil concept of circus as a form of theatre, with simple, often archetypal, narrative arcs conveyed without words, virtuoso physicality with the circus artists prese

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