Academic literature on the topic 'Spanish baroque literature'
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Journal articles on the topic "Spanish baroque literature":
Lawrance. "Architecture in Spanish Baroque Literature." Modern Language Review 116, no. 2 (2021): 316. http://dx.doi.org/10.5699/modelangrevi.116.2.0316.
Lawrance, Jeremy. "Architecture in Spanish Baroque Literature." Modern Language Review 116, no. 2 (2021): 316–37. http://dx.doi.org/10.1353/mlr.2021.0086.
Kwon, Misun. "Image of Death in Spanish Literature: Renaissance and Baroque." Estudios Hispánicos 79 (June 30, 2016): 165–83. http://dx.doi.org/10.21811/eh.79.165.
Fiore, Robert L., and Roberto Gonzalez Echevarria. "Celestina's Brood: Continuities of the Baroque in Spanish and Latin American Literature." Hispania 78, no. 3 (September 1995): 497. http://dx.doi.org/10.2307/345266.
Ross, Kathleen, and Roberto Gonzalez Echevarria. "Celestina's Brood: Continuities of the Baroque in Spanish and Latin American Literature." Hispanic Review 64, no. 1 (1996): 103. http://dx.doi.org/10.2307/475047.
Marino, Nancy. "R. González Echevarría, Celestina's Brood: Continuities of the Baroque in Spanish and Spanish American Literature." Celestinesca 18, no. 1 (January 12, 2021): 80. http://dx.doi.org/10.7203/celestinesca.18.19848.
Oropesa, Salvador A. "Obscuritas and the Closet: Queer Neobaroque in Mexico." PMLA/Publications of the Modern Language Association of America 124, no. 1 (January 2009): 172–79. http://dx.doi.org/10.1632/pmla.2009.124.1.172.
ABDULRAZZAQ AL-RUBAIEE, AHMED. "EL ESTILO LITERARIO EN LA EPOCA BARROCA." Al-Adab Journal 1, no. 127 (December 5, 2018): 40–48. http://dx.doi.org/10.31973/aj.v1i127.199.
Luis F. Aviles. "Essays on the Spanish Literary Baroque in Spain and Spanish America (review)." MLN 125, no. 2 (2010): 477–79. http://dx.doi.org/10.1353/mln.0.0242.
Parente, James A. "The Seventeenth-Century Literary Text: Aesthetic Problems and Perspectives." Central European History 18, no. 1 (March 1985): 48–69. http://dx.doi.org/10.1017/s0008938900016903.
Dissertations / Theses on the topic "Spanish baroque literature":
Gascón, Christopher Doherty. "Desire and the woman saint in the Spanish Baroque drama /." Digital version, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9983211.
Willis, Angela Lynn. "El mundo alucinante vis-à-vis Guzmán de Alfarache and El buscón the living traditions of the baroque picaresque /." Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037023.
Medina, Diego. "Trabajos del vicio, afanes del amor vicioso par Simón de Castelblanco : édition critique et étude." Thesis, Rennes 2, 2021. http://www.theses.fr/2021REN20048.
This work proposes the first critical edition, with annotations and introductory study, of Trabajos del vicio, afanes del amor vicioso (Madrid, 1680), written, as well demonstrated, by the Augustinian friar and preacher Simon de Castelblanco. Following ecdotic procedures - in connection with two complementary disciplines such as material bibliography and textual criticism - it has been possible to clarify the history of the text and prove its true author. The phase of the recensio reveals the existence of an edition of 1680, and an issue of 1684, which presents two states of edition. The issue is the product of the commercial strategy orchestrated by the printer-publisher Lorenzo García and the bookseller Juan Fernández with the intention of overcoming the lucrative failure that the commercialization of the novel must have entailed. The critical text, accompanied by an extensive annotation apparatus, has been rigorously fixed from the digitized copy of the BDH (R-8617), after verifying the equality of the rest of the copies. Given the scarcity of philological studies on the author and the novel, the preliminary study has used different documentary sources such as bio-bibliographic sourcebooks and compendia on Augustinian friars, dealing in depth with aspects related to the biography and work of Simon de Castelblanco. Likewise, through the perspective of the reception studies and the comparative analysis with other contemporary novels, Trabajos del vicio is framed within the corpus of the ―long novelǁ of the last quarter of the 17th century, characterized by an exemplary literature of strong ascetic morality
Romero-Díaz, Nieves. "Nueva nobleza, nueva novela : reescribiendo la cultura del Barroco /." view abstract or download file of text, 1999. http://wwwlib.umi.com/cr/uoregon/fullcit?p9947980.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 275-300). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9947980.
Laguna, Fernández Juan Ignacio. ""Historia ejemplar de las dos constantes mujeres españolas" (1635) de Luis Pacheco de Narváez : texto y contextos." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20096.
This thesis present a critical edition of the non-well known novel written and published by the fencing master of Philip IV, Luis Pacheco de Narváez, whose title is Historia ejemplar de las dos constants mujeres españolas, printed for the first time in Madrid by the Imprenta del Reino the year 1635. The work is divided into five chapters. In addition to the section dedicated to the edition of the novel (ch. V), which establishes an annotated text based on the only two known editions (Madrid, 1635 and Seville, 1744) with her list of variants, another four serve as context to it. Thus, we present a biography of Pacheco de Narváez (Baeza, 1560-Madrid, 1640), drafted in accordance with the preserved documentation, which is complemented by a literary list of references of this period about the figure and the work of the author, and an epigraph that wants to be a scientific consideration on his relations with Francisco de Quevedo (ch. I); a history of the text that studies the date of composition, the first edition and the complicated situation to publish novels in these years due to censorship (1625-1635), an aborted publication project and the second edition, as well as the critical trajectory of the novel and the absence of later editions (ch. II); a taxonomic study (although emphasis is placed on the morality present in the story) that implies its attachment to the genre of the so-called “courtly novel” (ch. III); and finally a chapter dedicated to the literary context, divided in two large parts: one dedicated to the sources and materials that the author could use to form the novel, and another that studies, by way of example, one of the literary topics present in the text and in the literature of the time: the descriptio tempestatis. This last part complements, as addition, with a study of the subject of the storm in the Jerusalen conquistada (1609) by Lope de Vega (ch. IV)
El objeto de esta tesis es presentar una edición filológica y anotada de la poco conocida novela escrita y publicada por el maestro de esgrima del monarca Felipe IV, Luis Pacheco de Narváez, cuyo título es Historia ejemplar de las dos constantes mujeres españolas, impresa por vez primera en Madrid por la Imprenta del Reino el año de 1635. El trabajo se divide en cinco capítulos, pues además del específico dedicado a la edición de la obra (Cap. V), que establece un texto anotado sobre la base de las dos únicas ediciones conocidas (Madrid, 1635 y Sevilla, 1744) junto con su aparato de variantes, otros cuatro sirven de contexto a la misma. Así, presentamos una nueva y completa biografía de Luis Pacheco de Narváez (Baeza, ha. 1560-Madrid, 1640), redactada en torno a la documentación conservada, que se complementa con un importante elenco de las menciones literarias de época que hacen referencia a la figura y la obra del autor, y un epígrafe que quiere ser una reflexión científica sobre sus relaciones con el escritor Francisco de Quevedo (Cap. I); una historia del texto que estudia la fecha de composición de la obra, la primera edición madrileña de 1635 y la complicada tesitura para publicar novelas en estos años a causa de la censura imperante (1625-1635), un proyecto de publicación abortado y la segunda edición sevillana de 1744, así como la trayectoria crítica de la novela y la inexistencia de ediciones posteriores (Cap. II); un estudio de carácter taxonómico (aunque se haga hincapié en la moralidad presente en el relato) que supone su adscripción al género, pese a su extensión, de la denominada como novela «cortesana», bien que se constate y analice también la presencia de elementos de otros géneros como la novela bizantina, caballeresca, etc. (Cap. III); y por último un capítulo dedicado al contexto literario, dividido a su vez en dos grandes bloques: uno dedicado a las fuentes y materiales que pudo utilizar el autor para conformar la novela, y otro que estudia, a manera de ejemplo, uno de los tópicos literarios presentes en la misma y en la literatura de la época: la descriptio tempestatis. Este último bloque se complementa, en tanto que apéndice, con un estudio del tema de la tormenta en el libro VII de La Jerusalén conquistada (1609) de Félix Lope de Vega (Cap. IV). Se cierra la tesis con el consabido apartado bibliográfico
Bass, Laura R. "Imitación e ingenio: El amar su propia muerte de Juan de Espinosa Medrano y la comedia nueva." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/100208.
Gilabert, Gaston. "El arte dramático de Bances Candamo. Poesía y música en las comedias del ocaso del Siglo de Oro." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/286632.
Bances Candamo is to be found at a key inflection point for the history of literature and drama, between the baroque and the neoclassical poetry periods. The analysis of the music in his plays allows us to observe, from a privileged point of view, the evolution of some of the acoustic techniques that were being used during the Spanish Golden Age, and which by the end of the XVIIth Century had reached a point at which hyperbolic baroque style sought the collapse of the ear. In Bances' plays we can notice how the legacy is transformed and how the new concerns present themselves, especially those coming from the court of the Sun King, which will be permanently established during the kingdom of Philip V. It is important to note that these already had its antecedents during the regency of Marie Louise of Orléans, Charles II's first wife, coinciding with Bances Candamo's status as royal playwright. This doctoral thesis delves on the drama of the ultimate playwright of the Spanish Golden Age Theatre, also author of the last essay on dramatic theory. Being one of Calderón de la Barca's disciples, he takes the musical ingredient to the limit both in terms of quantity and of aesthetic means, and it is one of the main figures of the controversy over the morality of the theatre. His Teatro de los teatros is an outstanding piece of evidence on this respect. From this essay and his comedias, this thesis analyses the vocal music, the instrumental music and the dramatic dances from an innovative perspective, which allows us to revisit the classic categories and shed some light on the poetic-musical methods that had been forgotten by the philological and musicological criticism at this time, not concerning Bances nor any other playwright of the Spanish Golden Age to whom many aspects of this thesis apply.
Ramón, García Emilio Luis Holloway Vance R. "On the threshold of an ironic dialogue with history the postmodern/neo-Baroque mode in the Spanish novel /." 2004. http://wwwlib.umi.com/cr/utexas/fullcit?p3144678.
Ramón, García Emilio Luis 1970. "On the threshold of an ironic dialogue with history : the postmodern/neo-Baroque mode in the Spanish novel." 2004. http://hdl.handle.net/2152/12809.
Gama, De Cossio Borja. "Can I Be Forgiven? Expressing Conversion through the Eyes of Mary Magdalene: Lope de Vega and Richard Crashaw." 2013. https://scholarworks.umass.edu/theses/1006.
Books on the topic "Spanish baroque literature":
Quintero, Maria Cristina. Gendering the crown in the Spanish Baroque Comedia. Aldershot, England: Ashgate, 2012.
Beverley, John. Essays on the literary Baroque in Spain and Spanish America. Woodbridge, UK: Tamesis, 2008.
Robbins, Jeremy. The challenges of uncertainty: An introduction to seventeenth-century Spanish literature. London: Duckworth, 1998.
Echevarría, Roberto González. Celestina's brood: Continuities of the Baroque in Spanish and Latin American literatures. Durham: Duke University Press, 1993.
Nelson, Bradley J. The persistence of presence: Emblem and ritual in Baroque Spain. Toronto: University of Toronto Press, 2010.
Egginton, William. The theater of truth: The ideology of (neo)baroque aesthetics. Stanford, Calif: Stanford University Press, 2010.
Stroud, Matthew D. The play in the mirror: Lacanian perspectives on Spanish baroque theater. Lewisburg [Pa.]: Bucknell University Press, 1996.
Díaz, Emilio Orozco. Introducción al barroco. [Granada]: Universidad de Granada, 1988.
Fernando R. de la Flor. Barroco: Representación e ideología en el mundo hispánico, 1580-1680. Madrid: Cátedra, 2002.
Maravall, José. Culture of the baroque: Analysis of a historical structure. Manchester: Manchester University Press, 1986.
Book chapters on the topic "Spanish baroque literature":
Couderc, Christophe. "Sobre el papel de Lope de Vega en la construcción del relato nacional del clasicismo francés." In Studi e saggi, 23–39. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.4.
Gaylord, Mary Malcolm. "The making of Baroque poetry." In The Cambridge History of Spanish Literature, 222–37. Cambridge University Press, 2005. http://dx.doi.org/10.1017/chol9780521806183.014.
Robbins, Jeremy. "Renaissance and Baroque: continuity and transformation in early modern Spain." In The Cambridge History of Spanish Literature, 135–48. Cambridge University Press, 2005. http://dx.doi.org/10.1017/chol9780521806183.009.
Leo, Julieta, and María José Buchanan. "El mito en la sociedad a través de los elementos políticos y religiosos en la ficción literaria de América Latina (siglos XX y XXI)." In America: il racconto di un continente | América: el relato de un continente. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-319-9/012.