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1

Verstraten, Peter. Dutch Post-war Fiction Film through a Lens of Psychoanalysis. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725330.

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Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers’ oeuvre, which spans ‘art’ cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but this idea is put into perspective by using psychoanalytic theories on desire and fantasy. In the vein of cinephilia, this
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2

Rikki, Morgan-Tamosunas, ed. Contemporary Spanish cinema. Manchester University Press, 2001.

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3

Literary adaptations in Spanish cinema. Tamesis, 2004.

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4

A companion to Spanish cinema. Wiley-Blackwell, 2012.

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5

Realist film theory and cinema: The nineteenth-century Lukácsian and intuitionist realist traditions. Manchester University Press, 2006.

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6

Rosa, Gonzalez, ed. Cinema on the periphery: Contemporary Irish and Spanish film. Irish Academic Press, 2010.

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7

Naveen, Joshi, and India. Ministry of Information and Broadcasting. Publications Division., eds. Conscience of the race: India's offbeat cinema. Publications Division, Ministry of Information and Broadcasting, Government of India, 2005.

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8

Fouz-Hernández, Santiago. Live flesh: The male body in contemporary Spanish cinema. I. B. Tauris, 2007.

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9

Deveny, Thomas G. Cain on screen: Contemporary Spanish cinema. Scarecrow Press, 1999.

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10

Deveny, Thomas G. Cain on screen: Contemporary Spanish cinema. Scarecrow Press, 1993.

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11

Cinema of simulation: Hyperreal Hollywood in the long 1990s. Bloomsbury Academic, an imprint of Bloomsbury Publishing, Inc., 2015.

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12

New mythological figures in Spanish cinema: Dissident bodies under Franco. Amsterdam University Press, 2011.

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13

Realism and the birth of the modern United States: Cinema, literature, and culture. University of Georgia Press, 1996.

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14

1950-, Thompson Kristin, ed. Film art: An introduction. 4th ed. McGraw-Hill, 1993.

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15

Bordwell, David. Film art: An introduction. McGraw Hill, 2001.

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16

Bordwell, David. Film art: An introduction. 7th ed. McGraw-Hill, 2004.

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17

1950-, Thompson Kristin, ed. Film art: An introduction. 3rd ed. McGraw-Hill, 1990.

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18

1950-, Thompson Kristin, ed. Film art: An introduction. McGraw-Hill, 2012.

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19

Bordwell, David. Film art: An introduction. 2nd ed. McGraw-Hill, 1985.

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20

Bordwell, David. Film art: An introduction. 2nd ed. Knopf, 1986.

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21

Bordwell, David. Film art: An introduction. McGraw-Hill Higher Education, 2009.

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22

Bordwell, David. Film art: An introduction. 3rd ed. McGraw-Hill, 1990.

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23

1950-, Thompson Kristin, ed. Film art: An introduction. 6th ed. McGraw Hill, 2001.

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24

1950-, Thompson Kristin, ed. Film art: An introduction. McGraw-Hill Higher Education, 2009.

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25

1950-, Thompson Kristin, ed. Film art: An introduction. 5th ed. The McGraw-Hill Companies, 1996.

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26

1950-, Thompson Kristin, ed. Film art: An introduction. 8th ed. McGraw Hill, 2008.

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27

1950-, Thompson Kristin, ed. Film art: An introduction/ seventh edition. 7th ed. McGraw-Hill, 2004.

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28

1950-, Thompson Kristin, and Peng Jixing, eds. Dian ying yi shu: Xing shi yu feng ge. 5th ed. Beijing da xue chu ban she, 2003.

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29

Nanney, Lisa. John Dos Passos and Cinema. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781942954873.001.0001.

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John Dos Passos & Cinema, the first study to use the novelist’s little-known writing for the screen to assess the trajectory of his prolific career, explores both how film aesthetics shaped his revolutionary modernist narratives and how he later reshaped them directly into film form. The book features previously unpublished manuscripts and correspondence illustrating case studies of his screen writing during the 1930s for Hollywood feature films and in an innovative independent treatment; it examines the complexities of his role in the 1937 political documentary The Spanish Earth; and it e
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30

Realism and Popular Cinema (Inside Popular Film). Manchester University Press, 2000.

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31

Morgan-Tamosunas, Rikki, and Barry Jordan. Contemporary Spanish Cinema. Manchester University Press, 1998.

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32

Antonio, Lázaro-Reboll, and Willis, Andrew, 1962 Nov. 17-, eds. Spanish popular cinema. Manchester University Press, 2004.

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33

Amago, Samuel. Spanish Cinema in the Global Context: Film on Film. Taylor & Francis Group, 2016.

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34

Spanish Cinema in the Global Context: Film on Film. Taylor & Francis Group, 2013.

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35

1963-, Marsh Steven, and Nair Parvati, eds. Gender and Spanish cinema. Berg, 2004.

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36

Spanish Horror Film Traditions in World Cinema. Edinburgh University Press, 2013.

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37

Hallam, Julia, and Margaret Marshment. Realism and Popular Cinema: OUT OF PRINT (Inside Popular Film). Manchester University Press, 2000.

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38

Pavlović, Tatjana, and Jo Labanyi. Companion to Spanish Cinema. Wiley & Sons, Limited, John, 2015.

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39

Pavlović, Tatjana, and Jo Labanyi. Companion to Spanish Cinema. Wiley & Sons, Incorporated, John, 2012.

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40

Pavlović, Tatjana, and Jo Labanyi. Companion to Spanish Cinema. Wiley & Sons, Incorporated, John, 2012.

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41

Pavlović, Tatjana, and Jo Labanyi. Companion to Spanish Cinema. Wiley & Sons, Incorporated, John, 2012.

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42

Triana-Toribio, Núria. Spanish Film Cultures: The Making and Unmaking of Spanish Cinema. British Film Institute, 2016.

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43

Spanish Film Cultures: The Making and Unmaking of Spanish Cinema. British Film Institute, 2016.

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44

Hill, John. Sex, Class and Realism: British Cinema, 1956-63 (British Film Institute). British Film Inst, 1987.

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45

Cinema Of The Dardenne Brothers Responsible Realism. Wallflower Press, 2012.

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46

Aitken, Ian. Realist Film Theory and Cinema: The Nineteenth-Century Lukacsian and Intuitionist Realist Traditions. Manchester University Press, 2006.

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47

Aitken, Ian. Realist Film Theory and Cinema: The Nineteenth-Century Lukacsian and Intuitionist Realist Traditions. Manchester University Press, 2006.

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48

Faulkner, Sally. A Cinema of Contradiction: Spanish Film in the 1960s. Edinburgh University Press, 2006.

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49

Sex, Sadism, Spain, and Cinema: The Spanish Horror Film. Rowman & Littlefield Publishers, Incorporated, 2015.

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50

Dream Machine: Realism and Fantasy in Hindi Cinema. Temple University Press, 2015.

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