Relevant bibliographies by topics / Spanish literature – 19th century

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Spanish literature – 19th century'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Spanish literature – 19th century"

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Pluta, Nina. "The New Man in Spanish American Essay and Literature at the Turn of the 19th and 20th Century." Politeja 17, no. 1(64) (February 26, 2020): 255–69. http://dx.doi.org/10.12797/politeja.17.2020.64.13.

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This paper aims to show how the “New Man” was defined in different literary and political conceptions that abounded in Spanish American culture at the turn of the 19th and 20th century. Although both Americas were perceived through the stereotype of newness from the very beginning of the colonial era, it is at the end of the 19th century when the necessity to integrate the extremely heteregenous Spanish American societies brought forth a variety of renewal propositions. Focused on the spiritual or economic aspects of a given social or ethnic group (the elites, implicitly white, for Rodó or the working classes, mostly Indian, for the Indigenistas), those conceptions were not able to provide overall solutions for the Spanish American republics, struggling with a deepening neocolonial dependency. Nevertheless, many tendencies and formulas defined in that period – idealistic or politically subversive – have survived through the 20th century and resurfaced in new forms (e.g. the nuevo hombre bolivariano in Venezuela at the beginning of 21st century).
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Myers, Scott. "A Survey of British Literature on Buenos Aires During the First Half of the 19th Century." Americas 44, no. 1 (July 1987): 67–79. http://dx.doi.org/10.2307/1006849.

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The British involvement with Argentina has a long and, at times, tumultous history. Dating as far back as the 18th century the Rio de la Plata basin held a great attraction for British merchants. England needed Spanish America as a source of bullion and an outlet for individual goods.As early as the 1540s British vessels explored the coastlines, of Argentina. There already existed a considerable amount of trade between Brazil and England throughout the sixteenth century. The buccaneer William Hawkins, along with other Englishmen, was intent on expanding on this clandestine trade to other areas in the New World. Sometimes with the cooperation of the Spanish authorities, certain British merchants were able to maneuver themselves into the commercial life of these new colonies. By the eighteenth century the British had established numerous slave markets in Hispanic America including one in Buenos Aires.
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Véliz Rojas, Claudio Andrés. "Diálogo transatlántico y heterocaracterización de "lo español" en el periódico chileno "La Semana" (1859-1860)." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 27 (September 26, 2016): 308. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2017271204.

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El periódico literario chileno La Semana (1859-1860) desde un espacio político cultural tenso como lo fue el término de la guerra civil de 1859, reafirmó un modelo de heterocaracterizaciones para la representación de la literatura española en su campo intelectual. A través de frases tales como: Siglo de oro español escuela para América, Espronceda símbolo de la literatura hispana del siglo XIX y España como representación de un igual/padre para los americanos, esta prensa fundacional y raciocinante (Ossandón B., 1998: 42-47) consolidó una imagen de ‘lo español’ involucrando un diálogo transatlántico entre la unidad cultural americana respecto a la producción literaria española. The Chilean literary journal La Semana (1859-1860) from a tense cultural political space, as it was the end of the civil war of 1859, reaffirmed a model of heterocaracterizations for the representation of Spanish literature in its intellectual field. Through phrases such as: Spanish Golden Century School for America, Espronceda symbol of 19th century Hispanic literature and Spain as a representation of an equal / father for Americans, this foundational and reasoning press (Ossandón B., 1998: 42 -47) consolidated an image of 'the Spanish' involving a transatlantic dialogue between American cultural unity and Spanish literary production.
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Lliteras Poncel, Margarita. "Sobre la formación del corpus de autoridades en la Gramática Española." Historiographia Linguistica 24, no. 1-2 (January 1, 1997): 57–72. http://dx.doi.org/10.1075/hl.24.1-2.06lli.

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Summary In the Spanish tradition, descriptive grammars based both factually and methodologically on a corpus gleaned from identified contemporary sources, mostly taken from literature, do not appear until the several editions (11831–81847) of the grammar of Vicente Salvâ (1786–1849), and later in that of Andrés Bello (11847–1860). A small part of Salvá’s corpus does come from medieval and renaissance authors, but these are used only to illustrate diachronic change in Spanish. Salvá’s empirical and descriptive approach, and that of other 19th-century Spanish and Spanish American grammarians that follow him, leads to specialization within the wider field of grammar and, as is shown here, syntax is the area that profits the most, both in depth and in size or extension. There is no precedent for this grammaticographical tradition in the Renaissance, when a literary corpus is used only for those parts of the texts that traditionally dealt with metrics and versification. Renaissance grammarians derived the authority of their texts from the transfer of the rules of Latin grammar into Spanish, not from the language of the literary canon. During the 18th-century Enlightenment grammars based on a literary corpus begin to appear, but the authors from whose works the corpus is taken are those of a previous (non-contemporary) period. As shown in this article, it is in the 18th century that descriptivism results in an increase in the importance of syntax, although that increment in size is minor by comparison with that which takes place during the 19th century beginning with the works of Salvá.
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Earle, Peter G., and Doris Meyer. "Rereading the Spanish American Essay. Translations of 19th and 20th Century Women's Essays." Hispanic Review 65, no. 2 (1997): 253. http://dx.doi.org/10.2307/474421.

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Sessarego, Sandro. "Chocó Spanish double negation and the genesis of the Afro-Hispanic dialects of the Americas." Diachronica 34, no. 2 (July 14, 2017): 219–52. http://dx.doi.org/10.1075/dia.34.2.03ses.

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Abstract Chocó Spanish is an Afro-Hispanic dialect spoken in the Pacific lowlands of Colombia. This variety is characterized by the presence of double-negative constructions (neg2) (i.e., yo no como no “I do not eat”), which have repeatedly been classified in the literature as the contemporary traces of a previous Afro-Portuguese creole stage for this vernacular. The present paper provides linguistic and sociohistorical evidence offering an alternative explanation. In particular, neg2 is analyzed as an archaic morphosyntactic trait which already existed in 15th–19th century Spanish and which has been preserved in Chocó Spanish and other conservative Afro-Hispanic vernaculars of Latin America.
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Bagno, V. Ie. "Yasniie Poliany and Petersburg Corners of Russia and Russian Literature (Prophesies and Prognostications of E. Pardo Bazán)." Russkaya literatura 3 (2020): 74–84. http://dx.doi.org/10.31860/0131-6095-2020-3-74-84.

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The article analyzes E. Pardo Bazán’s concept of Russian literature, as formulated in her book "La Revolución y la Novela en Rusia". The work of the Spanish female writer is considered in the context of the «prophetic» pronouncements of the Russian 19th-century writers regarding the fates of the Russian novel in Europe, as well as in the context of her predecessors’ and contemporaries’ writings, primarily those of E.-M. de Vogüé. The perspective of the perception of the Russian literature abroad in the 20th century, as pre-chartered in Pardo Bazán’s book, is traced, the patterns of her true and false prognostications are identifi ed, including dispute over Tolstoy and Dostoevsky.
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Moyna, María Irene. "Portrayals of Spanish in 19th-century American prose: María Amparo Ruiz de Burton's The Squatter and the Don." Language and Literature: International Journal of Stylistics 17, no. 3 (August 2008): 235–52. http://dx.doi.org/10.1177/0963947008092503.

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This article analyzes the portrayals of Spanish in The Squatter and the Don (1885), a novel written in English by María Amparo Ruiz de Burton, a Baja Californian who immigrated to Alta California at the time of its annexation to the USA in 1848 and became the first Hispanic American woman writer. Her novel had an ideological purpose, namely, to denounce the land dispossession of the Californios — i.e. Hispanic settlers in California during the Spanish-Mexican period — and to propose an alliance between the Anglo and Hispanic elites. It also had a financial purpose, since writing was for Ruiz de Burton one of many ways in which she attempted to achieve financial prosperity. The representation of language was thus dictated not just by linguistic or aesthetic considerations, but also by the author's interpretation of the conditions prevalent in late 19th-century California, where Spanish had become subordinate to English. Ruiz de Burton's positive attitude towards bilingualism is revealed in her portrayal of protagonists as proficient in both languages. Yet, her awareness of the biases and limitations of her intended Anglo readership is also evident in the fact that Spanish use in the novel is sporadic and restricted. Comparison of her literary and non-literary code mixing highlights some consistent differences between both text types providing additional evidence of Ruiz de Burton's purposeful manipulation of linguistic codes in her artistic production.
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Fernández, Mauro. "El pidgin chino-español de Manila a principios del siglo XVIII." Zeitschrift für romanische Philologie 134, no. 1 (March 7, 2018): 137–70. http://dx.doi.org/10.1515/zrp-2018-0006.

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AbstractDespite the relative abundance of written records from the late 19th century of interactions in Chinese pidgin Spanish (a modified form of Spanish used in business transactions between Chinese merchants in Manila and their customers), few of these texts have made it into the hands ―or research― of Creole experts. Up to now, Chinese pidgin Spanish has been largely dismissed by creolists as an unstable jargon unworthy of their attention. However, the presence and use of stereotypes among the local population, as evidenced by the substantial corpus of surviving documents from this period, demonstrates a certain degree of stability in at least some aspects of the pidgin. The recent discovery of a short dialogue in Chinese pidgin Spanish dating from the early 18th century has pushed the timeline for the language back much further. This article examines the main linguistic features of the dialogue and compares them with those from a century and a half later. The results indicate the prolonged stability of the stereotypes over a period of at least 150 years. The analysis also explores the possible origins of these linguistic forms and how they spread.
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Jaśkowska-Józefiak, Zuzanna. "System prawny archiwów hiszpańskich." Archeion, no. 121 (2020): 215–37. http://dx.doi.org/10.4467/26581264arc.20.008.12965.

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The legal system of the Spanish archives This article presents the legal system of the Spanish archives. Due to the specific nature of Spanish legislation, the article begins with a short introduction characterizing the sources of the Spanish law which regulate the activity of archive facilities. Since certain legal acts introduced back in the 19th century have an impact on statutes and decrees today, the main part of the text is preceded by a short historical analysis discussing legal acts devoted to archiving. The next part of the article analyses applicable nationwide legislation, starting from the Constitution of 1978, which identifies 17 autonomous regions and divides the competences to manage archives between central and regional authorities. Due to the decentralization of the Spanish archive network, the central archive network managed by the state administration and autonomous networks were characterized separately. The text is based on the available source literature and legal acts passed by the central government and autonomous authorities in Spain.
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Dissertations / Theses on the topic "Spanish literature – 19th century"

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Vizoso, Pedro Jose. "Madrid Modernista: Espacios Urbanos Madrilenos en la Literatura Bohemia del Modernismo Espanol." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/195069.

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This study offers an analysis of the interaction between urban spaces and bohemian literature in Madrid around 1900. I argue that bohemianism and bohemian literature are actually part of a very well structured cultural discourse--a discourse of social resistance--and must be studied as such. At the same time, the obvious urban nature of this phenomenon is a deciding aspect of it. In order to know how the bohemian discourse evolved in Madrid from 1850s to 1920s--from Realism to Modernismo--we have to study the core and reciprocal relationship between bohemianism and the city. This issue has not yet been explored within Hispanism, in spite of the fact that it provides a very useful perspective for considering the period as a synthesis of intellectual and artistic matters.In my dissertation I engage the essential aspects of bohemianism in the turn of the twentieth century Spanish literature. I focus on the characterization and use of space in the bohemian discourse of Peninsular Modernismo. My starting point is the description and characterization of such a discourse as it has been constructed, analyzing how it takes form in a variety of different kind of texts. I study the construction and evolution of its "cartographic imaginary" (David Harvey), an image of the city that bohemian literature uses to resist the bourgeois order imposed on Madrid's urban spaces and the capitalistic process that supports it. I argue that bohemianism was taken by the peninsular version of Hispanic Modernismo as its central aesthetic discourse. Consequently, and because of the subaltern and marginal nature of it, Modernismo could never position itself at the central stage of the 1900s Spanish culture.
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DeVirgilis, Megan. "BLOOD DISORDERS: A TRANSATLANTIC STUDY OF THE VAMPIRE AS AN EXPRESSION OF IDEOLOGICAL, POLITICAL, AND ECONOMIC TENSIONS IN LATE 19TH AND EARLY 20TH CENTURY HISPANIC SHORT FICTION." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/532513.

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Spanish
Ph.D.
This dissertation explores vampire logic in Hispanic short fiction of the last decade of the 19th century and first three decades of the 20th century, and is thus a comparative study; not simply between Spanish and Latin American literary production, but also between Hispanic and European literary traditions. As such, this study not only draws attention to how Hispanic authors employed traditional Gothic conventions—and by extension, how Hispanic nations produced “modern” literature—but also to how these authors adapted previous models and therefore deviated from and questioned the European Gothic tradition, and accordingly, established trends and traditions of their own. This study does not pretend to be exhaustive. Even though I mention poetry, plays, and novels from the first appearance of the literary vampire in the mid-18th century through the fin de siglo and the first few decades of the 20th century, I focus on short fiction produced within and shortly thereafter the fin de siglo, as this time period saw a resurgence of the vampire figure on a global scale and the first legitimate appearance in Hispanic letters, being as it coincided with a rise in periodicals and short story production and represented developments and anxieties related to the physical and behavioral sciences, technological advances and urban development, waves of immigration and disease, and war. While Chapter 1 establishes a working theory of the vampire from a historical and materialist perspective, each of the following chapters explores a different trend in Hispanic vampire literature: Chapter 2 looks at how vampire narratives represent political and economic anxieties particular to Spain and Latin America; Chapter 3 studies newly married couples and how vampire logic leads to the death of the wife—and thus the death of the “angel of the house” ideal—therefore challenging ideas surrounding marriage, the family, and the home; lastly, Chapter 4 explores courting couples and how disruptions in the makeup of the public/private divide influenced images of female monstrosity—complex, parodic ones in the Hispanic case. One of the main conclusions this study reaches is that Hispanic authors were indeed producing Gothic images, but that these images deviated from the European Gothic vampire literary tradition and prevailing literary tendencies of the time through aesthetic and narrative experimentation and as a result of particular anxieties related to their histories, developments, and current realities. While Latin America and Spain produced few explicit, Dracula-like vampires, the vampire figures, metaphors, and allegories discussed in the chapters speak to Spain and Latin America’s political, economic, and ideological uncertainties, and as a result, their “place” within the modern global landscape. This dissertation ultimately suggests that Hispanic Gothic representations are unique because they were being produced within peripheral spaces, places considered “non-modern” because of their distinct histories of exploitation and development and their distinct cultural, religious, and racial compositions, therefore shifting perceptions of Otherness and turning the Gothic on its head. The vampire in the Hispanic context, I suggest, is a fusion of different literary currents, such as Romanticism, aesthetic movements, such as Decadence, and modes, such as the Gothic and the Fantastic, and is therefore different in many ways from its predecessors. These texts abound with complex representations that challenge the status quo, question dominant narratives, parody literary formulas, and break with tradition.
Temple University--Theses
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García-Precedo, Juan Manuel. "Intrahistory, regeneration and national identity, past and present : the reflection of Nietzschean Unamuno on Arturo Pérez-Reverte and Luisa Castro." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/13792.

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This thesis analyzes the relevance of Miguel de Unamuno’s idea of Spain and its Nietzschean influence in two contemporary authors, Arturo Pérez-Reverte and Luisa Castro. My work contributes to a debate that is ever present in literature and politics: what is Spain and what defines Spanish identity. This debate has continued throughout the democratic period and reveals that Spain is still a controversial idea. The Constitution of 1978 might have shaped national identity but Spanish sociopolitical evolution has indeed questioned the idea of Spain emerged in the Transition. From my point of view, Arturo Pérez-Reverte and Luisa Castro evoke Unamuno’s ideological inheritance to offer a solution of what has been branded as the age-old problem of Spain. By the end of the nineteenth century, Unamuno introduced his theory of intrahistory in order to contravene the model of nation promoted by the political class during the Restoration. The author considered that this model imposed on society a metaphysical idealization, protected by reason, which distorted its actual national identity. Currently, the works of Arturo Pérez-Reverte and Luisa Castro reflect Unamunian intrahistory thus putting an end to this idealization. As seen in the chapters of this thesis, the combined analysis of the works by Pérez-Reverte and Castro reveals the implicit survival in our days of Nietzsche’s influence in Unamuno’s intrahistory. In this sense, they highlight the crucial role of individual subjectivity, work and interaction with their immediate environment, in the characterization of Spanish national identity. In so doing, their works reflect Unamuno’s implementation of Nietzschean theories on metaphysics, the Greek tragedy, the eternal recurrence and the overman. Pérez-Reverte and Castro’s works suggest that the solution to the problem of identity in Spain is to be found in Nietzsche’s influence on Unamuno’s intrahistory.
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Nieto, Alarcón Maria Dolores. "En la trama del lenguaje. Desdoblamiento y repetición en la escritura de Chantal Maillard." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/393858.

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Esta tesis doctoral propone una lectura de la obra de Chantal Maillard desde la perspectiva de la incidencia de los desdoblamientos y las repeticiones en la escritura de la autora. Maillard (Bruselas, 1951) cuenta con una amplia obra que explora la poesía, el ensayo y los diarios. En cualquier género que ensaya, su escritura acusa siempre gestos desdoblados y movimientos repetidos. El estudio de esta particularidad responde a la hipótesis de que estas marcas construyen un universo hipertextual al mismo tiempo que borran la figura del sujeto en la trama del lenguaje. La tesis se divide en tres capítulos, ocupándose cada uno de ellos de los ejemplos más importantes de desdoblamiento y repetición en la escritura maillardiana. En el primer capítulo, se aborda la estructura interna fractal de muchos de los libros de la autora. Maillard suele dividir sus libros en dos partes donde cada una consiste en la traducción a niveles simbólicos distintos de la otra, creando así un juego de espejos, una repetición desencajada o un desdoblamiento desenfocado. En el segundo capítulo, el foco de estudio es el observador, una singular modulación del sujeto que se pliega sobre sí mismo para observar su propio yo como si de un actor se tratara, abriendo la misma distancia estética que las representaciones procuran. Con este desdoblamiento de la voz, Maillard sondea sus vaivenes mentales y traza una estrategia de observación de la conciencia que se convierte, finalmente, en una herramienta de deconstrucción del sujeto. En el tercer capítulo, el análisis está centrado en las reescrituras, un proceso por el que la autora vuelca a poema ciertos pasajes en prosa de sus diarios. Maillard reescribe su propia escritura llevando a cabo modificaciones mínimas que señalan la naturaleza hipertextual y condicionada de su obra y, asimismo, demuestran que las palabras son metáforas, es decir, que adquieren sentido puestas en relación con otras, en la tensión que genera la trama lingüística. El sentido, entonces, surge del contexto. Estos tres casos de desdoblamiento y repetición en la escritura de Chantal Maillard singularizan su obra y la convierten en una de las apuestas más atrevidas y originales de la literatura española actual.
This thesis proposes a reading of Chantal Maillard's literature works from the splitting and repetitions perspective. Maillard (Brussels, 1951) has an extensive work that explores poetry, essays and diaries. In either gender, her writing always accuses splitting gestures and repeated movements. This thesis responds to the hypothesis that splitting and repetitions build a hypertext universe and also delete the subject in the frame of language. This study is divided into three chapters, each one analyzing the most important examples of splitting and repetition in Maillard's work. In the first chapter, I examine the fractal internal structure of many of her books. Maillard's books tend to divide themselves in two parts: each one of them is the translation into different symbolic levels of the other, creating a set of mirrors, a disengaged repetition or duplication focus. In the second chapter, the focus of study is the observer, an odd modulation of the subject that folds back on itself to observe its own self as if it were an actor, opening the same aesthetic distance that representations imply. With this split voice, Maillard probes mental fluctuations and draws an observation strategy of consciousness that becomes a tool of subject deconstruction. In the third chapter, the analysis is focused on rewrites, a process by which the author turns to poem prose passages from her diaries. Maillard rewrites his own writing with little modifications that mark the hypertextual and conditional nature of her work and also show that the words are metaphors; they only have sense in relation with the other words of the linguistic plot. The sense, then, emerges from the context. These three cases of splitting and repetition in Chantal Maillard's writing make her work one of the most daring and original in current Spanish literature.
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Faura, Sánchez Francisco Manuel. "Juan Mayorga y el teatro de la memoria en el contexto social y literario de comienzos de milenio." Doctoral thesis, Universitat de Barcelona, 2019. http://hdl.handle.net/10803/668078.

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El estudio de las nuevas tendencias dramatúrgicas contemporáneas no se encuentra alejado de todo lo político y social que está gestándose en la sociedad occidental actual. Los cambios producidos en este comienzo de milenio debido, en gran parte, a las luchas de poder entre lo nuevo y lo tradicional, han originado unas luchas entre todos los ciudadanos que están más o menos vinculados al mundo de la cultura. Por este motivo, este estudio muestra todos esos cambios a través de una mirada crítica a la sociedad, no por el mero hecho de mostrarse escéptico con toda la realidad que rodea a esta época, sino por tratar de una manera dura y rigurosa los tópicos que rodean a los nuevos creadores. Para concretar estas nuevas tendencias en un solo nombre y a raíz de lo expuesto a lo largo del trabajo, la aproximación a su dramaturgia y los ensayos académicos, Juan Mayorga ha estudiado en su creación una visión crítica y filosófica de la sociedad, así como una desconfianza a las palabras y verdades establecidas a lo largo de la tradición. Juan Mayorga se ha convertido en un autor atrayente para los académicos por su lenguaje dramático y su puesta en escena. Su trabajo como dramaturgo y su reciente inclusión en la Real Academia Española le confieren un mérito lingüístico y filosófico que impregna todo su trabajo como dramaturgo. Los espectadores que asisten a sus eventos teatrales han de entrar en el juego político-teatral que él mismo propone.
The study of the new contemporary dramaturgical tendencies is not far from everything political and social which occurs in the western society. The changes produced in this beginning of the millennium due, in large part, to the clash of cultures between the new and the traditional, have led to struggles among all citizens who are linked to the culture world. For this reason, this study shows all these changes through a critical look at society, not just keeping skeptical of all this reality what surround this time, but treating in a extensive and rigorous way the topics that wraps up the new creators. To concretize these new tendencies in a single name and following the exposition throughout the work, the approach to his dramaturgy and the academic essays, Juan Mayorga has studied in his creation a critical and philosophical point of view of the society, as well as a distrust to the words and truths established throughout the tradition. Juan Mayorga has become an attractive author for academics because of his dramatic language and his staging. His work as a playwright and his recent inclusion in the Royal Spanish Academy give him a linguistic and philosophical merit that spreads out all his playwright work. The spectators who attend their theatrical events have to enter into the political-theatrical game that he proposes.
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Saklıca, Ayşegül. "Análisis comparativo de dos historias de amor: los amantes de Teruel y Ferhat i̇le Şi̇ri̇n de la tradicion oral a la literatura." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/382473.

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La presente tesis doctoral es un estudio comparativo de dos leyendas de distintas culturas: «Los Amantes de Teruel» de España y «Ferhat ile Şirin» de Turquía. Es el primer estudio que contiene el análisis de una leyenda española con un relato turco desde un punto de vista comparativo utilizando una bibliografía amplia de los importantes estudiosos de España, Turquía y de todo el mundo. El estudio consta de dos partes. La primera parte contiene el análisis de los dos relatos en la tradición oral. En el primer capítulo se analiza la distinción entre los géneros folclóricos que pertenecen las dos historias: la leyenda y halk hikayesi. En el segundo capítulo se centran en los orígenes de «Los Amantes de Teruel» y su evolución en la cultura oral del país, analizando la estructura y los motivos folclóricos que contiene el primer testimonio oral del relato en España, el papel escrito de letra antigua de Yagüe de Salas. En el tercer capítulo se dedica a los orígenes del relato turco y al análisis comparativo de sus cinco versiones en la tradición oral turca teniendo en cuenta la estructura que se proporciona por el investigador turco del folclore, Pertev Naili Boratav y los motivos folclóricos de Antti Aarne. En el último capítulo de la primera parte se hace un análisis comparativo de la estructura y los motivos folclóricos de los primeros testimonios de las historias española y turca. La segunda parte consta de sus versiones más exitosos en la literatura de dos países: Los amantes de Teruel de Juan Eugenio Hartzenbusch y Ferhat ile Şirin de Nazım Hikmet. En el primer capítulo se dedica a la vida y la época de Hartzenbusch y la comparación de las dos versiones de la obra; una escrita en 1839, el primer manuscrito y la otra de 1849. Así se ve tanto la evolución de la leyenda en la literatura y también la evolución del drama y el dramaturgo en el siglo XIX. En el segundo capítulo consta de la vida y época de Nazım Hikmet que cultiva su obra dentro del movimiento realismo social y se considera como uno de los autores de la literatura turca más conocidos mundialmente. Para hacer el análisis, escogimos la primera publicación de Ferhat ile Şirin y lo comparamos con su versión en castellano Leyenda de amor, que se traduce bajo el dominio del mismo autor. Así se ven los cambios a la hora de traducir la obra a otro idioma. Tambien se ven la evolución de la leyenda dentro de la literatura.
This present thesis contains a comparative study of two legends of different cultures: "The Lovers of Teruel" in Spain and "Ferhat and Şirin" in Turkey. It is the first study that elaborates the analysis of a Spanish legend with a Turkish story from a comparative point of view using a large bibliography of leading scholars from Spain, Turkey and the entire world. The study consists of two parts. The first part contains the analysis of the two stories in the oral tradition. In the first chapter analyses the diferences between the folk genders that belong two stories: the legend and halk hikayesi. The second chapter focuses on the origins of "The Lovers of Teruel" and its evolution in the oral culture of the country, analyzing the structure and folk motifs taht contains the first oral testimony of the story in Spain taht is written by notarial Yagüe de Salas. The third chapter is dedicated to the origins of the Turkish story and the comparative analysis of the structure of Pertev Naili Boratav and folk motifs of Antti Aarne of the five versions in Turkish oral tradition. The last chapter contains the comparative analysis of the structure and the folk motifs of the first testimonies of the Spanish and Turkish stories. The second part consists of its most successful versions in the literature of two countries: The Lovers of Teruel of Juan Eugenio Hartzenbusch and Ferhat ile Şirin of Nazım Hikmet. The first chapter is dedicated to the life and the century of Hartzenbusch and the comparison of the two versions of the book; one is written in 1839, the first manuscript and the other in 1849. Wıth thıs study we see the evolution of the legend in literature and also the evolution of the drama in the 19th century. The second chapter consists of the life and era of Nazım Hikmet who cultivated his work within the social realism movement and is regarded as one of the authors of Turkish literature more known ın world. We chose the first publication of Ferhat ile Şirin and compare it with the version in Spanish Legend of Love, translated under the control of the same author. So we compare the diferences between the original text and the translation one and also the evolution of the legend in literature.
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Hanes, Stacie L. "The sense and sensibility of the 19th century fantastic." Thesis, Kent State University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3618887.

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While studies of fantastic literature have often focused on their structural and genre characteristics, less attention has been paid to the manner in which they address social issues and concerns. Drawing on theoretical, taxonomic, and historical approaches, this study argues that 19th-century England represented a key period of transformation during which fantastic literature evolved away from its folkloristic, mythic, and satirical origins and toward the modern genres of science fiction, feminist fantasy, and literary horror.

The thesis examines the subversive and transformative function of the fantastic in nineteenth-century British literature, particularly how the novel Frankenstein (1831), the poem “Goblin Market” (1862), and the novel Dracula (1897) make deliberate uses of the materials of fantastic literature to engage in social and cultural commentary on key issues of their time, and by so doing to mark a significant transformation in the way fantastic materials can be used in narrative.

Frankenstein took the materials of the Gothic and effectively transformed them into science fiction, not only through its exploration of the morality of scientific research, but more crucially through its critique of systems of education and the nature of learning. "Goblin Market " transformed the materials of fairy tales into a morally complex critique of gender relations and the importance of women's agency, which paved the way for an entire tradition of such redactions among later feminist writers. Dracula draws on cruder antecedents of vampire tales and the novel of sensation to create the first modern literary horror novel, while addressing key emerging anxieties of nationalism and personal identity.

Although historical connections are drawn between these three key works, written at different points during the nineteenth century, it does not argue that they constitute a single identifiable movement, but rather that each provided a template for how later writers might adapt fantastic materials to more complex literary, social, and didactic ends, and thus provided a groundwork for the more complex modern uses of the fantastic as a legitimate resource for writers concerned with not only sensation, but significant cultural and social concerns.

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Heath, Veronica. "Tradition and innovation : Proust and 19th century English literature." Thesis, University of Reading, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327883.

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Szabo, Anna Marieke. "19th century girls' literature stories of empowerment or limitation? /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/456299126/viewonline.

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Zaera, Isabel María. "Mujeres Sumisas, Mujeres Transgresoras en el Siglo XIX Español: una Aproximación a la Obra de Francisca Navarro y Joaquina García Balmaseda." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849614/.

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This research discusses the changing role of women in Spanish society during the nineteenth century through the works of Francisca Navarro and Joaquina Garcia Balmaseda. The thesis shows the break with the traditional image of the "angel del hogar" and the gradual incorporation of the social changes affecting women which were reflected in the female protagonists of the comedies written by such playwrights. By reading theoretical texts of the emerging feminist theory and through analysis of the main female characters, this study examines the changes regarding the established canon and its own evolution within the nineteenth century, from the works of a pioneer like Francisca Navarro in the first third of the century to those of Joaquina Gracia Balmaseda towards the end of it.
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Books on the topic "Spanish literature – 19th century"

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Divergent modernities: Culture and politics in 19th century Latin America. Durham, NC: Duke University Press, 2001.

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Jornadas sobre Tiempos del 98 (1997 Seville, Spain). Jornadas sobre Tiempos del 98: Sevilla, 18 al 21 de noviembre de 1997. [Seville]: Fundación El Monte, 1998.

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Race mixture in nineteenth-century U.S. and Spanish American fictions: Gender, culture, and nation building. Chapel Hill: University of North Carolina Press, 2004.

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Spanish America and British romanticism, 1777-1826: Rewriting conquest. Edinburgh: Edinburgh University Press, 2010.

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The cult of Bolivar in Latin American literature. Gainesville: University Press of Florida, 2003.

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Loureiro, Angel G. The ethics of autobiography: Replacing the subject in modern Spain. Nashville, Tenn: Vanderbilt University Press, 2000.

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Subversive seduction: Darwin, sexual selection, and the Spanish novel. Seattle: University of Washington Press, 2012.

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Ibáñez, Vicente Blasco. The holding: La barraca. Warminster, England: Aris & Phillips Ltd., 1993.

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Macdonald, Fiona. 19th century Europe: Women in History. London: Chrysalis, 2003.

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Howes, Kelly King. Characters in 19th-century literature. Detroit: Gale Research, 1993.

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Book chapters on the topic "Spanish literature – 19th century"

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Ingrao, Bruna. "Narratives of passions and finance in the 19th century." In Economics and Literature, 19–44. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315231617-2.

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Couttenier, Piet. "National Imagery in 19th Century Flemish Literature." In Nationalism in Belgium, 51–60. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26868-9_5.

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Flor, João de Almeida. "Publishing translated literature in late 19th century Portugal." In Translation in Anthologies and Collections (19th and 20th Centuries), 123–36. Amsterdam: John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/btl.107.11alm.

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Walicek, Don E. "14. Chinese Spanish in 19th century Cuba: Documenting sociohistorical context." In Synchronic and Diachronic Perspectives on Contact Languages, 297–324. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/cll.32.18wal.

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Vasantha, Arsampalai. "A Journey through the Medical Literature of 19th Century India." In Biological and Medical Sciences, 179–92. Turnhout: Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.dda-eb.4.00676.

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Poluboyarinova, Larisa, and Olga Kulishkina. "Frames and Networks: Framework Narratives in 19th-century European Literature." In Lecture Notes in Networks and Systems, 49–65. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-64877-0_4.

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Coll, Magdalena. "Representation of Charrúa Speech in Nineteenth-Century Uruguayan Literature." In Spanish and Portuguese across Time, Place, and Borders, 78–92. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137340450_6.

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Montilla, Patricia M. "Parody and Intertextuality in the Poetry of Twentieth-Century Spanish American Women Writers." In Postmodern Parody in Latin American Literature, 29–47. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90430-6_2.

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Berg, Christian. "The Symbolic Deficit. French Literature in Belgium and 19th Century National Sentiment." In Nationalism in Belgium, 61–71. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26868-9_6.

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Roca Ricart, Rafael. "The reception of Tirant lo Blancin Valencia in the second half of the 19th century and the beginning of the 20th century." In IVITRA Research in Linguistics and Literature, 139–52. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ivitra.10.09roc.

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Conference papers on the topic "Spanish literature – 19th century"

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Anisimov, Andrei. "GOTHIC FICTION TRADITIONS IN THE 19TH CENTURY AMERICAN LITERATURE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.060.

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Govorunov, Alexander, and Oleg Nogovitsyn. "Leadership in the Russian literature of the 19th century." In Proceedings of the 3rd International Conference on Social, Economic, and Academic Leadership (ICSEAL 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icseal-19.2019.11.

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De Marco, Catia. "Translations of Swedish Literature in Italy in the 19th Century: An outline." In CSS Conference 2019. Centre for Scandinavian Studies Copenhagen – Lund, 2020. http://dx.doi.org/10.37852/63.c111.

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Lu, Zhang. "THE INTERTEXTUALITY OF RUSSIAN LITERATURE AND RUSSIAN PAINTING IN THE 19TH CENTURY." In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.21.

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The background color of Russian literature and Russian painting art in the 19th century is gloomy and heavy, and there exists text intertextuality between them, which is different from single text and single painting. Literary words and painting invisible words quote, permeate, insinuate and rewrite each other. Literature is the writing of painting, and painting is the color of literature. The main line of literature development and the main line of painting development seem to be twisted together like a rope, presenting spiral development, closely linked, complementary and inseparable.The same value orientation and aesthetic purpose have intertextuality, mutual influence, mutual interaction and mutual transformation, no matter in creation method, theme, artistic style or creation background. Direct description or sharp pen, or by the protagonist of indirect irony, using realistic and critical realism creation method, revealing the tsarist autocracy savage, dissatisfaction with the reality in protest of rebellion, as well as being bullied and oppressed pain and struggle, at the same time reflects the immortality of the Russian national literature and art achievement.
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Bondarenko, Natalia. "Echo of Russian Literature Following Works of Slavic Writers of the 19th Century." In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.203.

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M. Afridi, Dr Humaira. "A Glimpse of Muslim Women in the 19th Century Indian Society and Literature: Háli and Hossain." In Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3566_l315.52.

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Kokkinakis, Dimitrios, Ann Ighe, and Mats Malm. "Gender-Based Vocation Identification in Swedish 19th Century Prose Fiction using Linguistic Patterns, NER and CRF Learning." In Proceedings of the Fourth Workshop on Computational Linguistics for Literature. Stroudsburg, PA, USA: Association for Computational Linguistics, 2015. http://dx.doi.org/10.3115/v1/w15-0710.

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Morozova, Anna Valentinovna. "THE DEVELOPMENT OF RUSSIAN PERCEPTION OF SPANISH PAINTING IN THE PERIOD FROM THE MIDDLE OF THE 19TH CENTURY TO THE BEGINNING OF THE 20TH CENTURY." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s12.004.

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Kuksa, P. V. "Psychologism of the French novel of the 17th-19th centuries and Russian literature of the 20th century." In SCIENCE OF RUSSIA: GOALS AND OBJECTIVES. "Science of Russia", 2020. http://dx.doi.org/10.18411/sr-10-06-2020-76.

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Ardiyanti, G., and T. Christomy. "The Encounter of Islam and Javanese in Sultan Ngarum, a 19th Century Manuscript." In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296700.

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