Relevant bibliographies by topics / Spanish literature – To 1500 – History and criticism

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Academic literature on the topic 'Spanish literature – To 1500 – History and criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Spanish literature – To 1500 – History and criticism"

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Hart, Thomas R., and Rene Wellek. "A History of Modern Criticism, 1750-1950. Vol. 8, French, Italian and Spanish Criticism, 1900-1950." Comparative Literature 45, no. 4 (1993): 372. http://dx.doi.org/10.2307/1771600.

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Corredor, Eva L. "Book Review: A History of Modern Criticism: 1750-1950, Volume 8: French, Italian, and Spanish Criticism, 1900-1950." Philosophy and Literature 20, no. 1 (1996): 260–62. http://dx.doi.org/10.1353/phl.1996.0031.

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Barros, Amândio Jorge Morais. "The Manila Galleon, Macao and international maritime and commercial relations, 1500–1700." International Journal of Maritime History 29, no. 1 (2017): 123–37. http://dx.doi.org/10.1177/0843871416679114.

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Formal and informal trade were key elements in the establishment of global connections. Using data collected from Portuguese and Spanish archives, as well as the secondary literature, this article examines the early modern Southeast Asian Iberian communities of Macao and Manila, their weakness and resilience. Far from the centres of political decision-making they relied on their own resources and abilities to manage maritime connections with China, Japan and Spanish America through the voyages of the ‘Macao Ship’ and the ‘Manila Galleon’. The rarely mentioned intervention of the Macanese traders in the Manila Galleon route constitutes a central part of this research.
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Miller, Stephen, and Rene Wellek. "A History of Modern Criticism, 1750-1950. Vol. 8, French, Italian and Spanish Criticism, 1900-1950." South Central Review 13, no. 1 (1996): 77. http://dx.doi.org/10.2307/3189934.

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Kyd (book author), Thomas, Michael Neill (book editor), and Peter Paolucci (review author). "The Spanish Tragedy: Authoritative Text, Sources and Context, Criticism." Renaissance and Reformation 39, no. 1 (2016): 187–89. http://dx.doi.org/10.33137/rr.v39i1.26561.

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Lorés-Sanz, Rosa. "Local Disciplines, Local Cultures: Praise and Criticism in British and Spanish History Book Reviews." Brno Studies in English 38, no. 2 (2012): 97–116. http://dx.doi.org/10.5817/bse2012-2-6.

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García, Miguel Ángel. "Crítica en simpatía." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 55, no. 1 (2019): 117–37. http://dx.doi.org/10.1075/rro.18015.gar.

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Abstract For the first time, we analyze in detail the reading that Pedro Salinas makes of a series of relevant anthologies for the history of contemporary Spanish poetry: the two anthologies of Gerardo Diego (1932–1934) and the anthologie of Federico de Onís (1934), among others. Also, we study his theoretical reflection about this genre, which is always supported in these “criticism with simpathy” that he claims.
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Watt, Caitlin. "Nugae Theatri." Erasmus Studies 38, no. 2 (2018): 200–218. http://dx.doi.org/10.1163/18749275-03802002.

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Abstract This article examines Erasmus’ additions to the Adagia in 1533 drawn from comedic playwrights Plautus and Terence. Although Erasmus generally expressed a preference for Terence, Plautus is cited more frequently overall in the Adages and the 133 borrowings from Plautus in the 1533 additions drastically outnumber the 22 from Terence. While scholars have noted this numerical discrepancy, few have hazarded concerted attempts to explain it. This article analyzes the different Plautine and Terentian references in the additions of 1533 and reads them in the context of Erasmus’ other educational writings on classical literature and particularly on characters in comedy. Ultimately, two explanations for Erasmus’ apparent preference for Plautus in 1533 present themselves. First, Plautus presented memorable characters who illustrated the tension between eloquence and morality that characterized the debate in Erasmus’ time over comedy’s role in education. Second, Giambattista Pio’s 1500 edition of Plautus with commentary provided Erasmus with other motivations, such as the opportunity for textual criticism, to focus on Plautus.
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Piñero Gil, Eulalia. "‘This man is looking for a gesture’: John Dos Passos’s Transcultural and Transnational Views about History and Literature in "Rosinante to the Road Again"." REDEN. Revista Española de Estudios Norteamericanos 2, no. 1 (2020): 93–114. http://dx.doi.org/10.37536/reden.2020.2.1385.

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This interdisciplinary essay analyzes John Dos Passos’s travel book Rosinante to the Road Again (1922) from a Jamesonian perspective, focusing on the implicit dialectical interaction between creativity and the totality of history, the role of the modernist utopian illusion and the quest for return to an Edenic past, the cosmopolitan expatriate individual as a fundamental part of a historical context, and the implications of the literary form in relation to a concrete textual tradition or movement. For this purpose, the analysis draws on Jameson’s The Modernist Papers and The Political Unconscious to establish a dialectical criticism that investigates how the literary form is engaged with a material historical situation. Therefore, the Spanish socio-historical reality depicted in Rosinante becomes a symbol of Dos Passos’s search for the return to the mythic Arcadia. In his transcultural and transnational quest for the Spanish gesture, Dos Passos was searching how to define his own unstable hybrid modernist identity in the context of Spanish history and literature. As a result, Rosinante becomes a sort of paradigmatic modernist epic in which the American writer experiments with the literary motif of the journey as a form of self-exploration. His temporary expatriate condition, and the reality of being an American with Portuguese roots, determined his need for a more Edenic and epic culture far from the limitations of the American urban industrialization and materialism.
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Selim, Samah. "Toward a New Literary History." International Journal of Middle East Studies 43, no. 4 (2011): 734–36. http://dx.doi.org/10.1017/s0020743811000973.

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The past twenty years witnessed a dramatic transformation in Arabic literature studies in the United States. In the early 1990s, the field was still almost exclusively a satellite of area studies and largely bound by Orientalist historical and epistemological paradigms. Graduate students—even those wishing to focus entirely on modern literature—were trained to competence in the entire span of the Arabic literary tradition starting with pre-Islamic times, and secondary research languages were still rooted in the philological tradition of classical scholarship. The standard requirement was German, with Spanish as a distant second for those interested in Andalusia, but rarely French, say, or Italian or Russian. Other Middle Eastern languages were mainly conceived as primary-text languages rather than research languages. Philology, traditional literary history, and New Criticism formed the methodological boundaries of research. “Theory”—even when it purported to speak of the world outside Europe—was something that was generated by departments of English and comparative literature on the other side of campus, and crossings were rare and complicated in both the disciplinary and the institutional sense. Of course, one branch of “theory”—postcolonial studies—made its way into area studies much faster than the more eclectic offshoots of continental philosophy, for obvious reasons. From nationalism studies to subaltern studies, from Benedict Anderson to Gayatri Spivak, the wave of postcolonial critical theory that swept through U.S. academia in the 1980s and 1990s sparked an uprising in area studies at large and particularly in the literature disciplines. One of the first casualties of this uprising was the old historical paradigm itself: narratives of rise and fall, golden ages, and ages of decadence. Slowly but surely, scholars began to question the entire epistemological edifice through which Arabic literary history had been constructed by Orientalism. It was through the postcolonial theory of the 1980s that Arabic literature came to a broader rapprochement with poststructuralism: Foucault, Derrida, Ricoeur, Jameson, and White, to name a few of the major thinkers who began to transform the field in the late 1990s.
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Dissertations / Theses on the topic "Spanish literature – To 1500 – History and criticism"

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Brooks, Kathryn L. "Anticlerical Sentiment in Castilian and Galician-Portuguese Medieval Literature." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5084.

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Clerical sexual incontinence was a prevalent satirical theme during the Middle Ages manifested by anticlerical sentiment towards reprobate clergymen and the laws that they disobeyed. This satirical genre of literature targeted not only the cleric of a small town, but bishops and cardinals who were also abusers of canon law. The anticlerical theme originated in Western Europe in the time of Constantine when early Christianity was competing with many religions for dominance. In the fourth century, Constantine, through the Edict of Milan, granted religious tolerance to all, thus allowing Christianity to become a major religion. Clerical celibacy originated from the writings of early church fathers such as Augustine of Hippo, Origen, and Tertullian, who determined that celibacy provided greater spiritual access to God. Early patristic church fathers supported the ideal of sexual celibacy for Christians in order to spiritually overcome the other religions. In the fourth century A.D., the church demanded that the clerics remain celibate even though they were married. By the twelfth century, canonical laws demanded that clerics not marry and remain celibate. These laws initiated an extreme sexual repression of clerics who began to sexually seek women, refusing them absolution for their sins if they refused the clerics' sexual advances. The purpose of this thesis is to establish that the corrupt clerics victimized the laity, who, although fearing for their salvation, produced satirical poetry expressing their anticlerical sentiment. This thesis also will present literature that discusses the pros and cons of clerical concubinage. There are three different forms of articulation in this thesis. The first is didactic and teaches the reader by demonstrating literature that encouraged clerical celibacy. The second illustration is satirical poems with the seven deadly sins as a recurrent theme. These poems are divided into two groups: the first is the poems written by the nobility, and the second is the popular anonymous poems, sung to music for peasant entertainment. The third articulation is the proponents of clerical concubinage. This poetry reflects the human side of companionship and need during a tumultuous time when people banded together in order to survive.
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Bradbury, Jonathan David. "Cristóbal Suárez de Figueroa and the Spanish miscellany of the Golden Age." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610074.

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Basabe, Omar. "La muerte en la lírica castellana de los siglos XIV y XV /." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63122.

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Ponce, Timothy Matthew. "The Hybrid Hero in Early Modern English Literature: A Synthesis of Classical and Contemplative Heroism." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062882/.

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In his Book of the Courtier, Castiglione appeals to the Renaissance notion of self-fashioning, the idea that individuals could shape their identity rather than relying solely on the influence of external factors such as birth, social class, or fate. While other early modern authors explore the practice of self-fashioning—Niccolò Machiavelli, for example, surveys numerous princes identifying ways they have molded themselves—Castiglione emphasizes the necessity of modeling one's-self after a variety of sources, "[taking] various qualities now from one man and now from another." In this way, Castiglione advocates for a self-fashioning grounded in a discriminating kind of synthesis, the generation of a new ideal form through the selective combination of various source materials. While Castiglione focuses on the moves necessary for an individual to fashion himself through this act of discriminatory mimesis, his views can explain the ways authors of the period use source material in the process of textual production. As poets and playwrights fashioned their texts, they did so by consciously combining various source materials in order to create not individuals, as Castiglione suggests, but characters to represent new cultural ideals and values. Early moderns viewed the process of textual, as well as cultural production, as a kind of synthesis. Creation through textual fusion is particularly common in early modern accounts of the heroic, in which authors synthesize classical conceptions of the hero, which privilege the completion of martial feats, and Christian notions of the heroic, based on the contemplative nature of Christ. In this dissertation, I demonstrate how Thomas Kyd in The Spanish Tragedy (1585), Edmund Spenser in The Faerie Queene (1590), William Shakespeare in Titus Andronicus (1594), and John Milton in A Mask Presented at Ludlow Castle (1632) syncretized classical and Christian notions of the heroic ideal in order to comment upon and shape political, social, and literary discourses. By recognizing this fusion of classical heroism with contemplative heroism, we gain a more nuanced understanding of the reception of classical ideas within an increasingly secular society.
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Biddington, T. E. "A history of Spanish religious verse (c.1500 - c.1570)." Thesis, University of Leeds, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.376363.

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Murray, Kylie Marie. "Dream and vision in Scotland, c.1375-1500." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669934.

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Mapstone, Sally. "The advice to princes tradition in Scottish literature, 1450-1500." Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:a93e3e2d-89ce-4d4a-bcbf-47aa24f93e5c.

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The regions of James II, III, and IV in the second half of the fifteenth century in Scotland saw a distinctive flowering of advice to princes literature. This is the first account of its kind to examine in detail the sources, arguments, and extent of political comment of each individual work. In particular it employs both literary and historical sources to reveal the largely unrecognized impact of continental, especially French, political thought, on a number of writers. The study opens with a consideration of the poem De Regimine Principum, a politically very forthright advice work, influential for a century or so after its composition. Chapter 2 deals with the writings of Sir Gilbert Hay, whose work shows clear influences from the continent, particularly in the Buik of King Alexander, which is also seen to have interesting links with De Regimine Principum. Chapter 3 discusses the romance Lancelot of the Laik, a poem less precise in its allusions, but clearly indicative of a number of recurrent preoccupations in Scottish advisory literature in the areas of justice and kingly minorities. The two following chapters examine The Talis of the Fyve Bestes, which gives a markedly nationalistic evocation of good kingship, and The Buke of the Chess, where Scottish advice to princes is seen at its least politically aware. In Chapter 6 advice appears in yet another genre, the devotional poem The Contemplacioun of Synnaris, where the wider associations of `kingship' with the nosce te ipsum tradition are apparent. Chapters 7 and 8 concern The Thre Prestis of Peblis and John Ireland's Meroure of Wyssdome, possibly produced around the same time, but presenting their advice in very different manners: the Thre Prestis adroitly worked and entertaining, the Meroure, highly theological and drawing strongly on continental writers, notably the sermons of Jean Gerson. In conclusion it is shown that through this context we can best appreciate the purpose and formidable execution of Robert Henryson's advice to princes fable lq The Lion and the Mouse.
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Gagnon, Julie E. "Masculinidades de moda : machos del Siglo de Oro." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84509.

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Among the diverse fabric of masculinities that prestigious authors such as Pedro Calderon de la Barca, Tirso de Molina and Agustin Moreto weave into their plots, fashion proves to be a common thread and a particularly useful tool. Thus, as I approach the idea of "Fashionable Masculinities" and investigate a few "macho" and/or not so "macho men" in Early Modern drama I hope to go beyond the traditional interpretations, stereotypes and icons often associated with men---in particular, Spanish men in Golden Age drama. This will be achieved by revisiting typical cases and compared through research and documentation of atypical representations of maleness that could be considered displacements and/or subversions of the social matrix. In effect, this study explores how the male ideal is shaped and judged both by the essence of his personality, as well as his physical appearance (i.e.: clothing, hairstyle, mannerisms, discourse and voice). As such, it becomes evident that masculinity is moulded, influenced, enhanced, exaggerated and even muted as it is subject to the whim of different fashions prevalent at a specific moment in time. Moreover, a multitude of social, cultural, racial and historical factors determine the always changing image of the so called "macho man".<br>Therefore, in order to explore distinct representations of masculinity I approach three different comedias by three different playwrights while comparing how the main character's masculinity fared in three very important spaces: physical, social and sexual. I focus my attention on Saber del mal y del bien by Calderon. Secondly, Don Gil de las calzas verdes by Tirso and explored El lindo don Diego by Moreto. Each one the these represents a different degree of palatable male identities given this particular social construct.
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Wilson, Rachelle. "Historical Memory and Ethics in Spanish Narrative." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062813/.

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This study traces the current status of Spanish ethics as seen through the optics of historical memory. Starting from the Spanish Civil War in 1936, the thesis relates contemporary themes to their proposed origin throughout three additional distinctive eras of the 20th and 21st century in Spain: 1982-1996 (Socialist Spain), 1997-2010 (Post-modern Spain), and 2011-present (current Spain). Spanish narratives ranging from Los Abel by Matute, La magnitud de la tragedia by Monzó, "Fidelidad" of Ha dejado de llover by Barba and Las fosas de Franco by Silva are contextualized through their ethical architecture, in accordance with their socio-political context, and relationship to past historical traumas. This work proposes that the themes of anticlericalism, the pursuit of social equality, anti bureaucracy, and political distrust are trends culminating from Kohlberg's third level of morality. The thesis aims to be an exposition and legitimization of different ethical schemas that might otherwise be polarized as wrong and inferior by others.
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Grange, Huw Robert. "Sublime and abject bodies : saints and monsters in late medieval French and Occitan hagiography." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607654.

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Books on the topic "Spanish literature – To 1500 – History and criticism"

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Read, Malcolm K. Visions in exile: The body in Spanish literature and linguistics, 1500-1800. J. Benjamins Pub. Co., 1989.

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Paba, Tonina. Relaciones de sucesos sulla Sardegna, 1500-1750: Repertorio e studi. CUEC, 2012.

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Coloquio Internacional sobre Relaciones de Sucesos (3rd 2001 Cagliari, Italy). Encuentro de civilizaciones, 1500-1750: Informar, narrar, celebrar. Universidad de Alcalá, 2003.

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Congreso, SEDERI (Organization). SEDERI 9. SEDERI-Universidad de Alcalá, 1999.

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Love poetry of the literary academies in the reigns of Philip IV and Charles II. Tamesis, 1997.

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Emanzipation aus der Didaxe: Studien zur Autonomisierung des Erzählens in Romanen der frühen Neuzeit. P. Lang, 1989.

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Exorcism and its texts: Subjectivity in early modern literature of England and Spain. University of Toronto Press, 2003.

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Parra, Santiago La. Visitatio Sepulchri de Sant Francesc de Borja. CEIC "Alfons el Vell", 1998.

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Congreso, SEDERI (Organization). Proceedings of the II Conference of the Spanish Society for English Renaissance Studies =: Actas del II Congreso de la Sociedad Española de Estudios Renacentistas Ingleses (SEDERI). Universidad of [sic] Oviedo, Servicio de Publicaciones, 1992.

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Drama of a nation: Public theater in Renaissance England and Spain. Cornell University Press, 1985.

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Book chapters on the topic "Spanish literature – To 1500 – History and criticism"

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González, Aníbal. "Literary criticism in Spanish America." In The Cambridge History of Latin American Literature. Cambridge University Press, 1996. http://dx.doi.org/10.1017/chol9780521340700.014.

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Topuzian, Marcelo. "El problema del Estado y la literatura." In Biblioteca di Rassegna iberistica. Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-323-6/004.

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The possibility of Iberian Studies depends on its theoretical inventiveness after disarming the model that unites state, nation and culture in the social history of literature, especially if the complex conformation of the Spanish state in its relation with the territories of the peninsula is taken into account. The political modes in which literature intervenes among government apparatuses outside its official cultural mediations would thus gain prominence. At the same time, it is important to take into account its role in shaping and disseminating a State ideology. This implies a reflection on the role of literary criticism and a reconsideration of the notion of form.1
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