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1

Stoffle, Richard, Vlack Kathleen Van, Rebecca Toupal, Sean O'Meara, Jessica Medwied-Savage, Henry Dobyns, and Richard Arnold. "American Indians and the Old Spanish Trail." Bureau of Applied Research in Anthropology, University of Arizona, 2008. http://hdl.handle.net/10150/270965.

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The overall objective of the American Indian study is the preparation of a written report focusing on the ethnohistory and contemporary perspectives of selected communities affected by the Old Spanish Trail (OST). The project can be divided into two separate but related parts: (1) a brief history of each community under study and its historic relationship to OST, and (2) a description of contemporary community views of the trail. Of special interest will be any contemporary knowledge related to the role played by the trail (and/or events related to the trail’s history and use) that affected the history and perspective of each community. Also of interest will be any places or resources along the trail that have significant cultural meaning to the subject communities. These are often referred to as “ethnographic resources.” This report describes American Indian responses to various activities along the OST during its pack-train period, which was roughly from 1829 to 1849. The Indian responses are diachronic beginning with the first contacts by Indian people residing on and using traditional Indian trails which were to be used for pack-trains to and from California and culminating decades later when the full impacts of pack-train use had been absorbed and responded to by these proximal Indian peoples. While there were contacts between Indian people and Euro-Americans before 1829, commercial traffic along the OST initiated unprecedented and sustained American Indian natural resource and social impacts. This report describes the places involved and responses received from American Indian tribal representatives during the field visits conducted from June 2006 to June 2007. This report helps both the American Indian tribes and the involved Federal agencies to better understand what kinds of responses have been recorded and what kinds of places have elicited these responses. The following tribes participated in this study: Chemehuevi Indian Tribe, Colorado River Indian Tribe, Las Vegas Paiute Tribe, Moapa Band of Paiute Indians, Pahrump Paiute Tribe, Paiute Indian Tribe of Utah, and Southern Indian tribe.
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2

Stoffle, Richard W., Vlack Kathleen Van, and Rebecca Toupal. "American Indians and the Old Spanish Trail Photographs." University of Arizona Libraries, Special Collections, 2008. http://hdl.handle.net/10150/295081.

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This is a slide show of selected photographs from the American Indians and the Old Spanish Trail Ethnographic Study. These photographs serve as supplemental materials for the two reports and offers illustrations of the people, places and resources.
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3

Stoffle, Richard W., Vlack Kathleen A. Van, Rebecca S. Toupal, Sean O’Meara, and Jessica Medwied-Savage. "The Old Spanish Trail and Hispanic Communities Photograph Collection." University of Arizona Libraries, Special Collections, 2013. http://hdl.handle.net/10150/297034.

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This is a slide show of selected photographs from the Old Spanish Trail and Hispanic Communities Ethnographic Study. These photographs serve as supplemental materials for the two reports and offers illustrations of the people, places and resources.
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Stoffle, Richard W., Rebecca Toupal, Jessica Medwied-Savage, Sean O'Meara, Vlack Kathleen Van, Henry Dobyns, and Heather Fauland. "Ethnohistoric and Ethnographic Assessment of Contemporary Communities along the Old Spanish Trail." Bureau of Applied Research in Anthropology, University of Arizona, 2008. http://hdl.handle.net/10150/270968.

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The overall objective of this study is to compile the ethnohistory and contemporary perspectives of selected historically connected Hispanic communities that were affected by the OST. The project can be divided into two parts: 1) a brief history of each community under study and its historic relationship to the OST, and 2) a description of contemporary community views of the trail. Of special interest will be any contemporary knowledge related to the role played by the trail (and/or events related to the trail’s history and use) that affected the history and perspective of each community. Also of interest will be any places or resources along the trail that have significant cultural meaning to the subject communities. The selected communities targeted by this project are intended to sample the range of ethnic, geographic, and historically-connected populations along the trail routes. These include Hispanic communities associated with the development of the trail, communities founded by emigrant populations known to have used sections of the trail as migration routes in the 19th century, communities that were established to support trail trade, and communities that were founded along the trail after its period of historic use. The following communities participated in this study: Abiquiú, New Mexico, Gallina, New Mexico, San Luis, Colorado, Agua Mansa, California, and San Gabriel, California.
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Browne, Jonathan Sebastian. "Contested care : medicine and surgery during the Spanish Civil War, 1936-1939." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/61266/.

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This thesis traces the important role played by Spanish medical personnel, particularly surgeons, in the development and organisation of their own medical services during the Spanish Civil War. This study, therefore, is not strictly a history of medicine during the conflict, nor does it seek to further explore international efforts in this regard; rather it analyses through an examination of the medical personnel involved on both sides, the causes, treatments and long term consequences of injury and trauma, including that of exile, on the wounded of the Spanish Civil War. This thesis, by picking over the bones of a wide body of literature and by engaging with a variety of different sources, forms an interlocking part of a new historiographical strand examining the origins and evolution of a traumatic conflict whose repercussions continue to be felt throughout Spain. Through its engagement with a diversity of sources, its analysis of the relationship between medicine and propaganda, and through an inclusive examination of the contribution made by Spanish medical professionals across Spain during the Spanish Civil War and its aftermath, this thesis provides its own unique historical perspective of a conflict whose living legacy of trauma and of wounds unhealed is still alive in Spain today.
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Valencia, Martín Germán. "The death throes of the old spanish system of liability for environmental damage." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/116751.

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This paper analyzes the last judgments in the case of the Aznalcóllar mines (or Boliden case). A well-known event in Spain that produced significant environmental damage, and that, having occurred before the new Law on Environmental Liability and to be resolved under the previous legislation, is causing countless problems for reimbursement of the substantial expenditures invested by the Spanish Public Administration inrepairing the damage. Posed a negative conflict of jurisdiction between civil and administrative courts, the Special Chamber of Conflicts of Jurisdiction of the Supreme Court has just returned the matter back to the former. To the author, it is, however, a false or apparent conflict, because of loopholes in that previous law, fortunately overcome for the future.
Este trabajo analiza las últimas resoluciones judiciales en el caso de las minas de Aznalcóllar (o caso Boliden). Un suceso bien conocido en España que produjo importantes daños ambientales y que, por ser previo a la nueva Ley de Responsabilidad Medioambiental y tenerse que resolver con arreglo a la legislación anterior, está causando innumerables problemas para obtener el reembolso de los cuantiosos gastos invertidos por las administraciones públicas españolas en la reparación de los daños. Planteado un conflicto negativo de competencia entre las jurisdicciones civil y contencioso-administrativa, la Sala Especial de Conflictos de Competencia del Tribunal Supremo acaba de devolver el conocimiento del asunto a la primera. A juicio del autor, se trata,sin embargo, de un falso o aparente conflicto, provocado por las lagunas de aquella legislación, afortunadamente superada de cara al futuro.Una versión ligeramente distinta de este trabajo, con el título de «Boliden: un extraño conflicto negativo de competencia», se va a publicar en el número 24 (2013) de la Revista Aranzadi de Derecho Ambiental, actualmente en prensa.
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7

Caldari, Valentina. "The end of the Anglo-Spanish match in global context, 1617-1624." Thesis, University of Kent, 2015. https://kar.kent.ac.uk/53723/.

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A marriage between the English Prince and the Spanish Infanta was deemed desirable following the signing of the Anglo-Spanish peace treaty in London in 1604. After several years of tortuous negotiations, the match failed in 1624 and England declared war on Spain the following year. This thesis addresses the end of the Anglo-Spanish Match negotiations in the period 1617-1624 by placing reasons for its failure in the global context of European diplomacy and dynastic politics in the early seventeenth century. Traditional historiography has considered the failure of the marriage diplomacy as the inevitable consequence of religious differences and cultural misunderstandings between England and Spain. Consequently, scholars have only looked within Europe when investigating the end of the union. My research, however, depicts a more composite picture not only by expanding the geographical boundaries of the investigation but also by demonstrating the extent to which new imperial rivalries played a much greater role in the marriage diplomacy than has previously been recognised. In the first chapter, I discuss the notion of reason of state in the relationship between England and Spain at the beginning of the seventeenth century and I investigate the way in which the choice politically and/or economically most favourable was often taken regardless of religious considerations and increasingly in response to extra-European concerns. The body of the thesis is then dedicated to a few episodes when the imperial rivalry between England and the Iberian Peninsula influenced the end of the negotiations. In the second chapter, I look at Walter Raleigh’s second expedition to Guyana and the actions of the Spanish ambassador in London, Count of Gondomar, who asked that Raleigh should receive an exemplary punishment in order to maintain the marriage agreement after the English explorer had attacked Spanish settlements. In the following chapter, I move towards the East and analyse the taking of the Portuguese port of Hormuz in the Persian Gulf by the English East India Company in 1622. In doing so, I outline the complex dynamics underlying the union of the Iberian crowns (1580-1640) as well as the specific repercussions of this episode on the Infanta’s dowry to be given by Spain to England. The fourth chapter introduces a further key player in both European diplomacy and the imperial rivalry between Spain and England, which is to say the Dutch. By looking at the ‘massacre’ at Amboyna in 1623, I prove that the rivalry with the Dutch in the Spice Islands, and especially the executions at Amboyna, initially pushed King James to pursue the marriage alliance with the Spanish Habsburgs with even greater commitment. In the last chapter, I look back at Europe to discuss how the two composite monarchies reacted to the arrival at their respective courts of the news of recent episodes of conflict in the West and East Indies. This concluding chapter argues that the awareness in Madrid and London of what had happened in the Indies put additional burdens onto the already deteriorating marriage negotiations and fundamentally contributed to their failure. Thus, the thesis sheds light on a well-known episode of Anglo-Spanish relations by observing it through a new lens. As a result, I improve our traditional understanding of the end of Anglo-Spanish Match as well as of global connectedness in the early seventeenth century.
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Powers, Brooke Leann. "Bilingual Spanish-English Speaking 4-Year-Old-Children: English Normative Data and Correlations with Parent Reports." PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/337.

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Many bilingual Spanish-English preschool aged children are impacted by speech sound disorders; and research has shown that bilingual speech sound systems develop differently than monolinguals'. Research has also shown that, for monolingual English and Spanish speakers, parent reports can be a valid tool for identification and single-word assessments can effectively diagnose speech disorder, yet little, if any, normative data or information about the validity of parent reports as an identification tool exists for bilingual Spanish-English speakers. The purpose of the present study was to create bilingual speech normative data for English single-word assessment scores for percent consonants correct (PCC), percent vowels correct (PVC), and the index of phonetic complexity (IPC). It also sought to determine correlations of speech scores and parent reports, which was done as an extension of Stertzbach's 2005 study with monolingual Spanish speakers. Fifty-six bilingual Spanish-English 4-year-olds were administered a single-word assessment in English and normative data was generated from the PCC, PVC, and IPC scores. That normative data was correlated with Likert values from the parent surveys to establish the validity of the report as an identification tool, and finally, the disordered scores (as determined by the normative data) were explored in relation to previous suspicion or diagnosis of disorder. The normative data showed 89% of speech scores falling within the typical range for both PCC and PVC and 93% for IPC. Pearson coefficients were computed by regression analysis and parent reports were deemed a valid tool for identification based on statistically significant correlations (at the .05 level) for 6 of 10 questions. Previous suspicions of disorder, based on parent report or examiner questionnaire, were 87.5% and 91% accurate, respectively, while current diagnosis, based on the presence of an existing Individualized Family Service Plan (IFSP), was 93% accurate. The results were consistent with previous research showing the prevalence of speech disorder as well as the validity of the parent report.
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Koehler, June, and June Koehler. "An Old Art for a New Culture: The Popular and the Avant-Garde in Josep Renau's Nueva Cultura." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12418.

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The Spanish artist Josep Renau (1907-1982) published the propaganda periodical Nueva cultura from 1935 to 1937. Although richly illustrated with cuttingedge graphic design and photomontage, it made use of popular culture with more frequency than might be expected in a left-wing, vanguard publication. This is seen most notably in the March 1937 special edition, published to coincide with a local, popular festival. In the special edition, Renau primarily utilized popular forms of illustration in the layout. Further, by publishing it in the regional language rather than Castilian Spanish, he attested to the importance of addressing people in their own language, both linguistically and formally. This thesis examines the periodical in relation to philosopher Mikhail Bakhtin’s writings on folk culture and James V. Wertsch’s research on collective remembering.
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10

Worth, Brenda Itzel Liliana. "'Exile-and-return' in medieval vernacular texts of England and Spain 1170-1250." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:a736407a-4f69-46f2-98bb-992b1fb669eb.

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The motif of 'exile-and-return' is found in works from a wide range of periods and linguistic traditions. The standard narrative pattern depicts the return of wrongfully exiled heroes or peoples to their former abode or their establishment of a superior home, which signals a restoration of order. The appeal of the pattern lies in its association with undue loss, rightful recovery and the universal vindication of the protagonist. Though by no means confined to any one period or region, the particular narrative pattern of the exile-and-return motif is prevalent in vernacular texts of England and Spain around 1170–1250. This is the subject of the thesis. The following research engages with scholarship on Anglo-Norman romances and their characteristic use of exile-and-return that sets them apart from continental French romances, by highlighting the widespread employment of this narrative pattern in Spanish poetic works during the same period. The prevalence of the pattern in both literatures is linked to analogous interaction with continental French works, the relationship between the texts and their political contexts, and a common responses to wider ecclesiastical reforms. A broader aim is to draw attention to further, unacknowledged similarities between contemporary texts from these different linguistic traditions, as failure to take into account the wider, multilingual literary contexts of this period leads to incomplete arguments. The methodology is grounded in close reading of four main texts selected for their exemplarity, with some consideration of the historical context and contemporary intertexts: the Romance of Horn, the Cantar de mio Cid, Gui de Warewic and the Poema de Fernán González. A range of intertexts are considered alongside in order to elucidate the particular concerns and distinctive use of exile-and-return in the main works.
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11

Klinefelter, Katherine Lee. "An examination of Andre Jolivet’s Concertino for trumpet, Oskar Bömhe’s Concerto for trumpet in F minor, Tomoso Albinoni’s Sonata á 6 con tromba, and Manuel de Falla’s Suite of old Spanish dances." Kansas State University, 2011. http://hdl.handle.net/2097/8613.

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Master of Music
Department of Music
Gary Mortenson
This Master’s report focuses on analyzing the four works performed on the author’s Master’s recital on April 10, 2011, from a biographical, historical, theoretical, and technical standpoint. These works include André Jolivet’s Concertino for Trumpet, Oskar Böhme’s Concerto for Trumpet in F Minor, op. 18, Tomaso Albinoni’s Sonata á 6 con Tromba, and Manuel de Falla’s Suite of Old Spanish Dances.
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12

Golstein, Alice. "English-speaking Three-year-olds in a Spanish Language Immersion Program." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4861.

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Foreign language immersion programs, wherein the regular school curriculum is taught through the foreign language, have become increasingly widespread in recent years. Although there have been a plethora of studies reporting on second language immersion programs involving school-age programs, there is a dearth of information describing such programs for preschoolers. The purpose of this study was to observe and describe an immersion program for three-year-olds, particularly with respect to specific features of early stages of the language acquisition process. The primary area of interest was to determine the existence of and features of a silent period for these children. Secondary goals included analyzing the kinds of speech that emerged in the early stages of language acquisition, to whom it was directed, and the circumstances under which it was produced; discovering when and how the children manifest bilingual awareness; and ascertaining what strategies were used by them for comprehension. Using a qualitative case study approach, eight monolingual three-year-olds attending a Spanish-language immersion school were observed using participant observation methodology for a total of 98.35 hours between September 6, 1994 and March 17, 1995. Classroom observation was supplemented by questionnaires completed by the children's parents, and by interviews of parents. The data generated revealed that although there is wide variation in the amount of speech produced by the children and when it was produced, there was no silent period for most children. These results are inconsistent with the literature which generally assumes that such a period exists. The study also revealed that although language mixing occurred, it appeared to be a function of language dominance and did not reflect mixing in the input. Children used a variety of strategies to make sense of the Spanish surrounding them, the most important of which was attending to context clues. Finally, all the children manifested bilingual awareness at the same time they began to produce Spanish utterances.
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Martinez-Abeijon, Matias. "Identidad, Mito Y Prescripcion: Una Nueva Ola De Realismo En Españ. El Cine De Iciar Bollaín, Fernando León, Achero Mañas Y Benito Zambrano En El Cambio De Siglo." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1199295318.

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14

Martínez-Abeijón, Matías. "Identidad, mito y prescripción una nueva ola de realismo en España. El cine de Iciar Bollaín, Fernando León, Achero Mañas y Benito Zambrano en el cambio de siglo /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1199295318.

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15

Huffman, Jonathan M. "Destructive Testing of a Full-Scale 43 Year Old Adjacent Prestressed Concrete Box Beam Bridge: Middle and West Spans." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1331319933.

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16

"Spanish and English Development in Three-Year-Old Dual Language Learners." Doctoral diss., 2011. http://hdl.handle.net/2286/R.I.9305.

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abstract: Minimal information exists concerning dual language acquisition of three-year-old dual language learners (DLLs) during their first school experience and first systematic exposure to English. This study examined the Spanish and early English language development of young DLLs in the context of standardized measures and a story retell task. Participants included eight Spanish-English DLLs (7 females, 1 male, M age = 3 years, 8 months) attending Head Start, and their classroom teachers. Outcome measures for the children included composite and scaled scores on the Clinical Evaluation of Language Fundamentals Preschool-2 Spanish (CELF Preschool-2 Spanish; Wiig, Secord & Semel, 2009) and the parallel English measure (CELF Preschool-2; Wiig, Secord & Semel, 2005), and measures of lexical (NVT, NNVT, TNV, NW, NDW, TNW and TTR) and grammatical (MLUw) development. Proportion of classroom teachers' and paraprofessionals' Spanish, English and mixed language use was measured to contextualize the children's learning environment with regard to language exposure. Children's mean standardized Spanish scores at school entry were not significantly different from their mean scores in May; however, an increase in total number of verb types was observed. Children's English receptive, content, and structure mean standardized scores in May were significantly higher than their scores at school entry. Children were exposed to a high proportion of mixed language use and disproportionate amounts of English and Spanish exclusively. Children's performance was highly variable across measures and languages. The findings of the current study provide a reference point for future research regarding language development of three-year-old Spanish-English dual language learners.
Dissertation/Thesis
Ph.D. Speech and Hearing Science 2011
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17

Castilla, Anny Patricia. "Developmental Measures of Morphosytactic Acquisition in Monolingual 3-, 4-, and 5-year-old Spanish-speaking Children." Thesis, 2008. http://hdl.handle.net/1807/17322.

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This research investigated aspects of the morphosyntactic language development of 115 3-, 4-, and 5-year-old monolingual Spanish-speaking preschool children who resided in Cali, Colombia. Two general language measures were collected from the children: a standardized receptive vocabulary measure (Test de Vocabulario en Imágenes, TVIP), and a parental report of speech and language problems. In addition, morphosyntactic measures of language development were obtained using both a story retelling and an elicitation task. Developmental language measures such as number of T-units (NU-TU), mean length of T-units (MLTU), subordination index (SUB-I), and grammatical errors per T-unit (GRE-TU) were derived from the narratives. Percentages of correct use of direct and indirect object pronouns, reflexive pronouns, definite articles, indefinite articles, plurals and adjectives were obtained from an elicitation task that was specifically designed for this study. Counts of use of these grammatical structures were also calculated from the narratives. There were no statistically significant differences between the three age groups on standard scores for the TVIP or scores for the parent questionnaires, indicating that the three age groups were comparable. For the developmental language measures there was an increasing developmental pattern for NU-TU, MLTU and SUB-I, but no changes were found for GRE-TU. Statistically significant changes for the productive use of the grammatical structures of interest to this study were almost always seen between 3 and 4 years of age. Adult use of these grammatical structures was always statistically significantly more correct than child productions. This investigation provides novel normative data for NU-TU, MLTU, SUB-I and GRE-TU for preschool children. This investigation also offers original data on the productive use of object pronouns, articles, adjectives and plurals across the preschool years. The language battery used in this investigation proved to be sensitive to developmental changes between 3 and 4-5 year olds and has the potential to be used as an eventual diagnostic tool for the identification of children with language disorders. Speech-language pathologists who work with Spanish-speaking children will be able to use this normative information to conduct more objective language assessments.
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Fan), Yu-wun Fan (Yuwen, and 范宇雯. "Wang Po and Celestina: The Old Procuress Archetype in Chinese and Spanish Literatures and Performances." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/16459177945722695735.

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碩士
東吳大學
英文學系
99
The most negative kind of go-between in traditional writings is the procuress. She is usually an experienced old woman who was taken as a threat to social stability and morality. Her image in traditional writings has been simplified and stereotyped as a counter-example of virtue, a didactic device to warn readers of her evil. This thesis studies the most notorious procuress archetype in Chinese and Spanish literatures − Wang Po in Shuihu Zhuan and Celestina in La Celestina, to understand the specific ethical views in different ideological systems, and analyzing their later transformations helps to understand the changes of thinking in each culture. One important observation of this thesis is the evilness of Wang Po and Celestina in their later adaptations is usually reduced. In Shen Jing’s Yixia Ji, Wang Po becomes more comical because she fits into the role-type of chou. In modern play Ouyang Yuqian’s Pan Jinlian, she becomes a traditional good woman to highlight the brave new age woman, Pan Jinlian. In Wei Minglun’s Pan Jinlian, her importance is diluted for shifting blames to Chinese patriarchy. De la Haza takes a more humanistic stand to interpret Celestina in his Celestina, which represents the picaresque spirit. The 1996 film Celestina changes its focus to the lovers, which represent a post-modern deconstructionist perspective when the marginalized group has become to be the mainstream.
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Patterson, Charles P. "A fruitful bough : the Old Testament story of Joseph in medieval and Golden Age Spanish literature." 2009. http://hdl.handle.net/2152/18454.

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The Old Testament story of Joseph is common to the Christians, Muslims, and Jews of medieval Spain, and each group drew upon its own and other exegetical traditions to produce literary versions of the biblical tale. After the expulsion of the latter two groups, several Hispanic playwrights, including such notable figures as Lope de Vega, Pedro Calderón de la Barca, and Sor Juana Inés de la Cruz, continued to produce theatrical versions of the Josephine legend throughout the Golden Age. Most of these plays attained a great deal of popularity. In spite of the importance of these works in early Spanish culture, recent scholarship has paid comparatively little attention to them. The present study is meant to remedy that situation. By drawing upon the theoretical concepts of Edward Said, Amin Maalouf, Jonathan Z. Smith, and others regarding identity and Otherness, I demonstrate how each adaptation of the story constructs or evaluates religious and national identity. Medieval prose and poetic adaptations written by representatives of each of the three monotheistic faiths reveal an attempt to maintain the boundaries of religious identity within a multicultural context. Sixteenth-century theatrical versions deal with the post-expulsion identity crisis by proposing a more inclusive attitude towards New Christians. Finally, under the Baroque influence of the late seventeenth century, adaptations of the Joseph story become increasingly metatheatrical. This literary self-reflection serves to interrogate the nature of identity and reveal its constructedness. Given the importance of identity issues in current scholarship, this analysis suggests the need for increased critical attention to be paid to the Spanish Josephine tradition.
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Nieto, Cuebas Glenda Yael. "“How can you be a witch? You are not old”: Women, society and spectacle in the Spanish Golden Age theater." 2012. https://scholarworks.umass.edu/dissertations/AAI3498363.

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The trials of the Basque witches conducted during the 16th and early 17th centuries had a significant effect on the development of Golden Age Spanish Literature. Taunts and jests alluding to the punishment and humiliation of witches abound throughout many texts, as do scenes where characters are questioned about family histories that include connections to witchcraft; all this at a time when state and church authorities took the matter very seriously. In spite of this, many characters in the Spanish literature of the period were directly associated to magic. The most famous and imitated of these is la Celestina, who helped shape many subsequent female characters that exhibited magical abilities. Although magical characters are fairly abundant in the literature, witches per se, who would be portrayed as characters that violate Christian dogma or renege on their faith and engage in a pact with the devil, were not often seen in Golden Age Theater. This project will study a number of plays known today that feature witches; among them, Entremés famoso de las brujas (1675) by Agustín Moreto, Las brujas fingidas y berza en boca (late 17th century), an anonymous work, and Amazona en las Indias (1635) by Tirso de Molina. A fourth play will also be studied, Entremés de las brujas (1742) by Francisco de Castro. Although this fourth play was published in the 18th century, it makes use of the aquelarre as a narrative element, as seen in the work of Moreto and in Las brujas fingidas. Having selected these works, this project will focus on the socio-historical context under which they existed in order to determine if the witches they portray violate established social norms or if, on the contrary, they help preserve and strengthen them. We also seek to determine whether they uphold or challenge the perceived need to eliminate and/or punish social disorder. To answer these and other questions, we will study how beliefs and myths about witches are incorporated into these plays, how witches and witch-like characters interact with other dramatic personae, and how given social norms are inverted, especially when practices forbidden or regulated by the Spanish Inquisition are concerned. Lastly, this dissertation analyzes the social paradox that emerges from the portrayal of female characters associated with witchcraft in these four theatrical works. These characters are framed as contradictory figures that correspond, in one way or another, with the contrasting cultural forces of the era. Their presence on stage communicates the crisis of the baroque, under which the plot aligns with the mechanisms of control of patriarchal culture. To this end, we analyze the representation of witches not only as sources of divergent discourse, but also as a means of disseminating mainstream discourse and propaganda; since the portrayal of these women highlights their identity as “the other” to an audience that at the same time applauds them.
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Batiz, Zuk Martha Beatriz. "Sonido y sentido en escena: El papel de la musica en la comedia española del Siglo de Oro y el teatro politico latinoamericano de la segunda mitad del siglo XX." Thesis, 2012. http://hdl.handle.net/1807/35719.

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The academic analysis of drama often tends to privilege the written word over those sensory elements that are such critical aspects of live theatre. Rhythm, music, dialect, and silence – all these auditory features contribute significantly to the impact and meaning of a play, and they allow playwrights – together with the actors and stage directors who realize their dramatic visions – to convey political messages and address specific political issues without having to necessarily state them overtly within the dialogue. As Augusto Boal stated in his Theatre of the Oppressed, drama is a weapon to fight against oppressive regimes. Thus this dissertation analyzes the role of the senses – especially those related to hearing – in developing the themes and intentions of political plays from Latin America and Spain. The aim is to explore how this has – or has not – changed throughout the centuries, with the ultimate objective of finding common musical and sensory elements, as well as possible affinities in the use of auditory features, to further enable a deeper understanding of how theatre is different from other literary genres. To facilitate the analysis, this dissertation explores a total of six dramas: three Latin American political plays written in the second half of the 20th century and three Early Modern Spanish comedias that depict political scenes or themes. These plays are treated by pairs in each chapter and analyzed according to their use of auditory features in concert with written stage directions and dialogue as a means to reflect or denounce social problems pertaining to the different historical periods in which the plays were initially staged. Specifically, the dramatic pairings are as follows: Chapter 1: Death and the Maiden by Ariel Dorfman (1991) The Mayor of Zalamea by Pedro Calderón de la Barca (ca.1640) Chapter 2: Information for Foreigners, by Griselda Gambaro (1971) Fuenteovejuna, by Lope de Vega (ca.1610) Chapter 3: The Extentionist, by Felipe Santander (1978) Cruelty for Honour, by Juan Ruiz de Alarcón (ca.1621-22). Each play is analyzed according to the theoretical frames that better serve its specific needs and particularities. However, the theories of Giorgio Agamben, Augusto Boal, José Antonio Maravall, Angel Rama, Walter Ong, and especially Bertolt Brecht, form the spinal chord that sustain this study and tie the three chapters to one another. The attention given to each one of these critics and their theories is explained in each chapter’s introduction. As the conclusions show, these plays rely on sensory, linguistic and musical elements to denounce social and political problems of their time, and to try to move their different audiences towards reflection or action, in order to improve the society in which they lived.
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