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Relevant bibliographies by topics / Spanish poetry – History and criticism

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Journal articles

Academic literature on the topic 'Spanish poetry – History and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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Journal articles on the topic "Spanish poetry – History and criticism"

1

García, Miguel Ángel. "Crítica en simpatía." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 55, no. 1 (2019): 117–37. http://dx.doi.org/10.1075/rro.18015.gar.

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Abstract For the first time, we analyze in detail the reading that Pedro Salinas makes of a series of relevant anthologies for the history of contemporary Spanish poetry: the two anthologies of Gerardo Diego (1932–1934) and the anthologie of Federico de Onís (1934), among others. Also, we study his theoretical reflection about this genre, which is always supported in these “criticism with simpathy” that he claims.

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2

Colonna, Valentina, Antonio Pamies Bertrán, and Stefano Damato. "Towards a phonetic history of the voices of Spanish poets." Journal of Experimental Phonetics 33 (February 20, 2024): 7–34. http://dx.doi.org/10.1344/efe-2024-33-7-34.

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How does the voice of a poet sound? Poetry reading, an essential component of this art, represents interesting material for phonetic studies. However, it remains an under-researched topic. This work attempts to go beyond the state of the art, providing an experimental analysis of some voices of the Generation of ’27, aiming to mark the first step towards a phonetic history of the voices of Spanish poets. This research, which employs a qualitative phonetic approach and a statistical approach, has brought to light some principal elements. These include variation as a consistent element among aut

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3

Katona, Eszter. "La recepción de la obra de Federico García Lorca en Hungría." Acta Hispanica 13 (January 1, 2008): 49–55. http://dx.doi.org/10.14232/actahisp.2008.13.49-55.

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In her essay, the author provides a thorough overview of the history of the reception of Federico García Lorca's poetry in Hungary. The 110th anniversary of Lorca's birth, commemorated this year, makes such surveys very timely. The author's aim is to examine Lorca's Hungarian presence from various perspectives. In the first phase of her recent investigations, she concentrated on presenting all the Hungarian translations and editions of Lorca's oeuvre. In the following, the Hungarian reception of Lorca's oueuvre is examined, based on essays and other writings of literary criticism of the era. T

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4

Ireland, Colin. "Journal: Sirena." Frontiers: The Interdisciplinary Journal of Study Abroad 10, no. 1 (2004): 277–78. http://dx.doi.org/10.36366/frontiers.v10i1.146.

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Sirena is a new journal of poetry and criticism published by the department of Spanish and Portuguese at Dickinson College. A major purpose of the journal is to publish all poetry and criticism in the original language. In the case of critical articles, Sirena publishes those articles in the original language only, so an article submitted in Spanish will appear online in Spanish. For poetry, all submissions are published in the original language first and then translated into either English (if the original language was Spanish, or translated into Spanish (if the original language was English)

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5

Reynolds, R. Clay, and R. S. Gwynn. "New Expansive Poetry: Theory, Criticism, History." South Central Review 17, no. 3 (2000): 141. http://dx.doi.org/10.2307/3190100.

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6

سميسم, علي كاظم. "Political criticism in Al-Jawahiri's poetry." Kufa Journal of Arts 1, no. 30 (2017): 175–216. http://dx.doi.org/10.36317/kaj/2016/v1.i30.6070.

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The Poetry of Al-Jwahiri is a document and a history. Since literature is the essence of history, we can find within it events, culture, thought, struggle of modern Iraq and the Arab region and the attempts of the living peoples in its march towards justice and freedom taking the most sophisticated steps overcoming the romantic tendency during his era. The document of Al-Jwahiri was mixed with an elevated art and a perfect well-formed language. He combined objectivity and aesthetics he also mixed his blood and pains, excitement with his carelessness as well as his hopes and wishes. He recorded

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7

Pérez-Rosario, Vanessa. "Mas yo resto: Entrevista con Nancy Morejón." Small Axe: A Caribbean Journal of Criticism 25, no. 2 (2021): 142–50. http://dx.doi.org/10.1215/07990537-9384328.

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In this interview, Cuban poet Nancy Morejón talks about her early work, her involvement with Ediciones El Puente, her poetry publishing hiatus from 1967 to 1979, and her literary criticism on the work of Nicolás Guillén. (In Spanish; an English translation is available online)

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8

Zhdanov, S. S., and I. V. Gauzer. "RECEPTION OF IMAGES OF SPANISH PAINTINGS IN RUSSIAN POETRY OF THE SOVIET AND POST-SOVIET ERA (1950s – 2000s)." Culture and Text, no. 51 (2022): 86–98. http://dx.doi.org/10.37386/2305-4077-2022-4-86-98.

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The paper deals with reception of images of Spanish paintings in Russian poetry of the 1950-s – 2000-s. The study materials are texts by B.A. Akhmadulina, I.A. Brodsky, Z.M. Val’shonok, A.A. Voznesensky, A.I. Gitovich, E.A. Dolmatovsky, I.V. Elagin, N.P. Konchalovskaya, A.S. Kushner, S.S. Orlov, M.B. Tarasova, S.N. Tolstoy, V.S. Shefner. The images of Spanish paintings are analyzed in terms of semiotic and myth criticism methods. The connection of these images to the Spanish myth of the Russian culture is stated. The images of Spanish pictorial personosphere (Velazquez, El Greco, Goya, Picasso

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9

Houston, John Porter. "French Romantic Poetry, Literary History, and the Newer Criticism." Romance Quarterly 34, no. 4 (1987): 389–95. http://dx.doi.org/10.1080/08831157.1987.11000479.

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10

Odnoral, Valeria. "The New Lyric Studies of the 21th Century: The Aesthetic and the Social in Poetry Criticism." Ideas and Ideals 13, no. 1-2 (2021): 401–13. http://dx.doi.org/10.17212/2075-0862-2021-13.1.2-401-413.

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The article considers the problem of correlation of aesthetic form and social content in contemporary poetry through the prism of contemporary poetry criticism, in particular, the New Lyric Studies of 2008 (M. Perloff, Y. Prins, R. Terada, V. Jackson, etc.). A representation of the lyrics as a genre of poetry, in which historically structured subjectivism and identity of author are interrelated with poetic writing, is at the center of the New Lyric Studies. In this context the lyrics is relative and volatile but also is the closest genre to the poetic nature, that allows to merge an autonomous

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