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Journal articles on the topic 'Spanish poetry – History and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

García, Miguel Ángel. "Crítica en simpatía." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 55, no. 1 (February 19, 2019): 117–37. http://dx.doi.org/10.1075/rro.18015.gar.

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Abstract For the first time, we analyze in detail the reading that Pedro Salinas makes of a series of relevant anthologies for the history of contemporary Spanish poetry: the two anthologies of Gerardo Diego (1932–1934) and the anthologie of Federico de Onís (1934), among others. Also, we study his theoretical reflection about this genre, which is always supported in these “criticism with simpathy” that he claims.

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2

Colonna, Valentina, Antonio Pamies Bertrán, and Stefano Damato. "Towards a phonetic history of the voices of Spanish poets." Journal of Experimental Phonetics 33 (February 20, 2024): 7–34. http://dx.doi.org/10.1344/efe-2024-33-7-34.

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How does the voice of a poet sound? Poetry reading, an essential component of this art, represents interesting material for phonetic studies. However, it remains an under-researched topic. This work attempts to go beyond the state of the art, providing an experimental analysis of some voices of the Generation of ’27, aiming to mark the first step towards a phonetic history of the voices of Spanish poets. This research, which employs a qualitative phonetic approach and a statistical approach, has brought to light some principal elements. These include variation as a consistent element among authors and within a single author, enabling the detection of main features and sub-groups; common features marking a global grouping; and the possible variety and criticism of clusters, revealing the complexity of this speech and the effectiveness of our model to describe it.

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3

Katona, Eszter. "La recepción de la obra de Federico García Lorca en Hungría." Acta Hispanica 13 (January 1, 2008): 49–55. http://dx.doi.org/10.14232/actahisp.2008.13.49-55.

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In her essay, the author provides a thorough overview of the history of the reception of Federico García Lorca's poetry in Hungary. The 110th anniversary of Lorca's birth, commemorated this year, makes such surveys very timely. The author's aim is to examine Lorca's Hungarian presence from various perspectives. In the first phase of her recent investigations, she concentrated on presenting all the Hungarian translations and editions of Lorca's oeuvre. In the following, the Hungarian reception of Lorca's oueuvre is examined, based on essays and other writings of literary criticism of the era. The author also focuses on the different theatrical representations of Lorca's dramas in Hungary all over the 20th century, and the diverse articles and other press releases covering those. It is also important to mention that prior to the 1970s, there existed already a significant wave of investigations about the Spanish poet: Gábor Tolnai, László Péter, László András, János Benyhe and László Németh, amongst many, not only provided excellent translations of Lorca's poems but also carried out investigations of literary theory and history. Still, by the decade of the 1980s, the intensity of the academic and literary interest towards Lorca faded; the current anniversary provides both an occasion and a positive auspice for the continuation of this work.

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Ireland, Colin. "Journal: Sirena." Frontiers: The Interdisciplinary Journal of Study Abroad 10, no. 1 (August 15, 2004): 277–78. http://dx.doi.org/10.36366/frontiers.v10i1.146.

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Sirena is a new journal of poetry and criticism published by the department of Spanish and Portuguese at Dickinson College. A major purpose of the journal is to publish all poetry and criticism in the original language. In the case of critical articles, Sirena publishes those articles in the original language only, so an article submitted in Spanish will appear online in Spanish. For poetry, all submissions are published in the original language first and then translated into either English (if the original language was Spanish, or translated into Spanish (if the original language was English). In the case of the original poem being in a language other than Spanish or English, that poem will be translated into both of those languages. In other words, all poetry appears in either bilingual or trilingual translations.

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5

Reynolds, R. Clay, and R. S. Gwynn. "New Expansive Poetry: Theory, Criticism, History." South Central Review 17, no. 3 (2000): 141. http://dx.doi.org/10.2307/3190100.

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سميسم, علي كاظم. "Political criticism in Al-Jawahiri's poetry." Kufa Journal of Arts 1, no. 30 (January 23, 2017): 175–216. http://dx.doi.org/10.36317/kaj/2016/v1.i30.6070.

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The Poetry of Al-Jwahiri is a document and a history. Since literature is the essence of history, we can find within it events, culture, thought, struggle of modern Iraq and the Arab region and the attempts of the living peoples in its march towards justice and freedom taking the most sophisticated steps overcoming the romantic tendency during his era. The document of Al-Jwahiri was mixed with an elevated art and a perfect well-formed language. He combined objectivity and aesthetics he also mixed his blood and pains, excitement with his carelessness as well as his hopes and wishes. He recorded history and participated in making history through subjective and objective methods. His poetry was imprinted in the imagination and thoughts of people. It was Al-Jwahiri who called for solving the problems of Iraq which he suffered from till our time. Policy and struggle is what made his poetry a burning type of poetry and elevated his severe criticism and the political attitude is what made Al-Jwahiri an alienated loner wondering the countries of the world.

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Pérez-Rosario, Vanessa. "Mas yo resto: Entrevista con Nancy Morejón." Small Axe: A Caribbean Journal of Criticism 25, no. 2 (July 1, 2021): 142–50. http://dx.doi.org/10.1215/07990537-9384328.

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In this interview, Cuban poet Nancy Morejón talks about her early work, her involvement with Ediciones El Puente, her poetry publishing hiatus from 1967 to 1979, and her literary criticism on the work of Nicolás Guillén. (In Spanish; an English translation is available online)

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Zhdanov, S. S., and I. V. Gauzer. "RECEPTION OF IMAGES OF SPANISH PAINTINGS IN RUSSIAN POETRY OF THE SOVIET AND POST-SOVIET ERA (1950s – 2000s)." Culture and Text, no. 51 (2022): 86–98. http://dx.doi.org/10.37386/2305-4077-2022-4-86-98.

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The paper deals with reception of images of Spanish paintings in Russian poetry of the 1950-s – 2000-s. The study materials are texts by B.A. Akhmadulina, I.A. Brodsky, Z.M. Val’shonok, A.A. Voznesensky, A.I. Gitovich, E.A. Dolmatovsky, I.V. Elagin, N.P. Konchalovskaya, A.S. Kushner, S.S. Orlov, M.B. Tarasova, S.N. Tolstoy, V.S. Shefner. The images of Spanish paintings are analyzed in terms of semiotic and myth criticism methods. The connection of these images to the Spanish myth of the Russian culture is stated. The images of Spanish pictorial personosphere (Velazquez, El Greco, Goya, Picasso, Dali) are characterized as cultural heroes of the myth.

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9

Houston, John Porter. "French Romantic Poetry, Literary History, and the Newer Criticism." Romance Quarterly 34, no. 4 (November 1987): 389–95. http://dx.doi.org/10.1080/08831157.1987.11000479.

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Odnoral, Valeria. "The New Lyric Studies of the 21th Century: The Aesthetic and the Social in Poetry Criticism." Ideas and Ideals 13, no. 1-2 (March 19, 2021): 401–13. http://dx.doi.org/10.17212/2075-0862-2021-13.1.2-401-413.

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The article considers the problem of correlation of aesthetic form and social content in contemporary poetry through the prism of contemporary poetry criticism, in particular, the New Lyric Studies of 2008 (M. Perloff, Y. Prins, R. Terada, V. Jackson, etc.). A representation of the lyrics as a genre of poetry, in which historically structured subjectivism and identity of author are interrelated with poetic writing, is at the center of the New Lyric Studies. In this context the lyrics is relative and volatile but also is the closest genre to the poetic nature, that allows to merge an autonomous entity of poetry with ‘agendas’ in the poem, which were difficult to connect in either too formal or too contextual critical approaches to the poetry in the 20th century. This became possible in the conditions of New Lyric critics speaking up against a substitution of poetry and literary criticism for historical, anthropological and cultural criticism because of the high popularity of cultural studies in the 1990s and the ensuing incorporation of interdisciplinarity in literary studies. Despite the objective of New Lyric critics to revitalize a theoretical study of poetry in the spirit of academic criticism of the New Criticism, the modifications in the methods for producing, existence and broadcasting of poetry and therefore in poetry of the last 50 years, poetry itself prevented the New Lyric from becoming the regressive movement. Some representatives of the New Lyric Studies subsequently expressed the need to study poetry in terms of new historical poetics and to create different methods capable to analyze the relations between culture and poetic form – between the social and the aesthetic. Having considered advantages and limitations of the New Lyric studies in the context of contemporary poetry discourse, reflecting not only the nature of contemporary criticism, but also perhaps the history of poetry criticism of 20-21th centuries, which is the dynamical coexistence and the mutual succession of different movements, the author draws a conclusion that this movement defines the right vector for the reconciliation of the long-standing struggle of formalism and contextualism in the poetry criticism as well as social and aesthetic components which poetic work includes.

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Zohar Weiman-Kelman. "Touching Time: Poetry, History, and the Erotics of Yiddish." Criticism 59, no. 1 (2017): 99. http://dx.doi.org/10.13110/criticism.59.1.0099.

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12

Muir, James. "Poetry and Philosophy: Plato’s Spirit and Literary Criticism." European Legacy 19, no. 3 (April 16, 2014): 403–6. http://dx.doi.org/10.1080/10848770.2014.898954.

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13

Somacarrera, Pilar. "“How Can You Use Two Languages and Mean What You Say in Both?”1: On Translating Margaret Atwood’s Poetry into Spanish." TTR : traduction, terminologie, rédaction 18, no. 1 (December 18, 2006): 157–81. http://dx.doi.org/10.7202/014371ar.

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Abstract Contrary to what might be expected, a Canadian literature in Spanish translation already exists and, expectedly, Margaret Atwood is one of the most translated writers. All her novels except Life Before Man, as well as three of her collections of short stories and three of her poetry collections have been translated into Spanish. Her work has received excellent reviews in Spain which have also praised her translators. This essay focuses on my own experience translating Atwood’s poetry–her collection Power Politics (Juegos de poder, 2000)–into Spanish, in an approach which compares my own project of translation or “projet-de-traduction,” as formulated by Antoine Berman, with that of the other translations of her poetry into Spanish. Being a university teacher and a researcher in Canadian literature, and not a specialist in Translation Studies, my approach is necessarily pragmatic and not theoretical. Bearing in mind Barbara Folkart’s contention that poetry is a cognitive activity and the multiplicity of interpretations that the poems offer, in which the feminist one is prominent, I tried to produce a translation which was as close as possible to the original characteristics of Atwood’s poetry in its tone, lineation and imagistic dimension. The first steps were the stylistic analysis, which resulted in a rhetorical study of the poems, and then the review of the existing criticism about the poems. The main problems which arose during the translation were related to the political and feminist connotations of the poems. If the political context is crucial in Power Politics, the cultural background is vital in The Journals of Susanna Moodie, although it has been erased in its Spanish version (Los diarios de Susanna Moodie, 1991, by Lidia Taillefer and Álvaro García). This is not an unusual phenomenon, since translation consists in an often insurmountable paradox which is formulated in the lines by Margaret Atwood quoted in the title of this article: trying to formulate the same idea in two languages which function differently and have completely different cultural contexts.

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Zahrah Hadi, Ghaidaa Abdul. "Criticism of Translation Problems in Ahmad Matar's Poetry." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 13, no. 02 (2023): 162–75. http://dx.doi.org/10.37648/ijrssh.v13i02.013.

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It is no secret to everyone that translation is very important in the exchange of cultures and sciences between different nations and civilizations. Today, it has become a bridge to pass the various sciences of poetry, history and culture from one language to another. Among the poets whose poetry was important in his translation was Ahmed Matar, whose poems were translated from Arabic into many languages, including Persian. Therefore, criticism of the translation of Ahmed Matar's poems was one of the important topics that must be taken into account in research and studies to show the importance of translation criticism in general, and criticism of translated poems by this poet in particular.

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ABU-HAIDAR, J. A. "WHITHER THE CRITICISM OF CLASSICAL ARABIC POETRY?" Journal of Semitic Studies XL, no. 2 (1995): 259–81. http://dx.doi.org/10.1093/jss/xl.2.259.

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Berthoud, Luiza Esper. "Art History and Other Stories." ARS (São Paulo) 18, no. 38 (April 30, 2020): 197–217. http://dx.doi.org/10.11606/issn.2178-0447.ars.2020.162471.

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Through the analysis of one erroneous piece of art criticism, an essay by Goethe that re-imagines a lost ancient sculpture, I demonstrate the difficulty that the discipline of art history has with conceptualizing the experience of art making and how one ought to respond to it. I re-examine the relationship between art making and art appreciation informed by ideas such as the Aristotelian view of Poiesis, Iris Murdoch’s praise of art in an unreligious age, and Giorgio Agamben’s call for the unity between poetry and philosophy. I also argue that much of modern art criticism has forgotten Arts’ earlier conceptual vocation, and propose methods of appreciating art that are in themselves artistic.

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17

Markov, Alexander. "Contemporary Russian Poetry in the Period of Intense Events." Philosophy. Journal of the Higher School of Economics VI, no. 3 (September 30, 2022): 256–88. http://dx.doi.org/10.17323/2587-8719-2022-3-256-288.

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This article examines the impact of being inside the intense development of events on contemporary Russian poetry as a set of institutions of production and consumption of texts. We prove that under this influence of events, not only individual ways of texts' existence are changing, but also the very meaning of media and social contexts of poetry development. Poetry turns out to be an area not so much of comprehending current reality as differentiating the very modes of utterance that represent the actual state of affairs. Therefore, in the period of events, poetry partly returns to the representational principles of the old art, but there also appear new ways of poetry expansion, from illustrated publication to collaborations with intellectuals, commentators or artistic communities, which enable it to operate in the field of public discourse. The following shifts are taking place in Russian poetry now: (1) the rejection of reliance on former resources of relevance for the sake of establishing new infrastructures of social attention; (2) the creation of new forms of justification of poetic expression, different from previous criticism or statements; (3) the problematic action in the political field in differentiating figures of “proper” and “other”; (4) metacriticism of poetics as a figurative text structure, along with implicit indications of the limitations of figurative writing. As a result, in contemporary Russian poetry, the problematization of the other as unpredictable, dangerous, and yet necessary entirely coincides with the latest postcolonial, gender, and social criticism.

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VELYCHKO, M., and O. BRATEL. "The role of Andaluzian poetry in the formation and development of the lyrics of the Provencal troubadours." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 26 (2020): 45–48. http://dx.doi.org/10.17721/1728-242x.2020.26.45-48.

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In the review article the theories of the Arabic origin of West European chivalrous poetry were analyzed. The article deals with the problem of the direct interaction between Arabic and European literary traditions, in particular, the probability of the impact of the Arab-Spanish strophic poetry on Provencal troubadour's lyrics and the possibility of the influence of Andalusian poetry on Spanish and Provencal. So that it is established that al-Andalus was a multilingual society in which the Andalusi Romance dialects were spoken and written alongside Arabic. In Europe, and from scholars working in departments of modern national languages, this usually means the discussion of what it means to write in Middle English, or German, or French instead of Latin. The Andalusian poets could easily convey in Romance the motives and themes inherent in Arabic classical literature, and with the help of the Arabic language they expressed elements of Roman folk poetry. The analysis of various researches showed that the issue of the historical and geographical formation and development of Arab-Spanish poetry during the Middle Ages were studied by Arab and European sceintists of past centuries, as well as by the modern literary scientists. Modern studies of the Arab-Spanish medieval stanza do not deny the existence of an interaction between European and Arabic lyrics, but the role of this interaction on the scale of the history of world literature remains unclear. Lyrics of the troubadours of the 11th–14th centuries was a unique synthesis of many literary elements of church Latin poetry, folk poetry and Arab influences, and strongly influenced on the history of Italian, Spanish, English, Portuguese, German literature.

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Farré Vidal, Xavier. "Un canvi de perspectiva. La poesia de Czesław Miłosz i la primera recepció." Studia Iberystyczne 22 (December 29, 2022): 119–34. http://dx.doi.org/10.12797/si.22.2022.22.06.

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A CHANGE OF PERSPECTIVE: CZESŁAW MIŁOSZ’S POETRY AND ITS FIRST RECEPTION In the criticism and studies of Czesław Miłosz’s work, the cycles “The world (naive poem)” and “Voices of the poor people”, from the book Rescue (1945) occupy a place of enormous importance because it opens two lines of the postwar Polish poetry, initiates the so-called polyphony of the Polish author and establishes links with other literary traditions, especially the Anglo-Saxon and T. S. Eliot’s poem The Waste Land. But these elements should not necessarily always be kept in a translation, rather they can lead to other reminiscences. In the article, we study this fenomen based on the theories of Antoine Berman and focused in the first published translation of the Polish author’s poems in Spanish.

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Fest, Bradley J., and Rachel Blau DuPlessis. "Something Worth Leaving in Shards: An Interview with Rachel Blau DuPlessis." boundary 2 50, no. 2 (May 1, 2023): 1–30. http://dx.doi.org/10.1215/01903659-10300579.

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Abstract This interview with poet, essayist, literary critic, and collagist Rachel Blau DuPlessis was conducted via email correspondence between June 11 and August 29, 2020. Author of over a dozen volumes of poetry and half a dozen books in modernist studies, poetics, and feminist criticism, DuPlessis reflects broadly on her career in this interview. She discusses the ongoing role of feminism in her writing and thought, the forms of the fold and the fragment, the relationship between her poetry and criticism, her work in and on the long poem, and her post-Drafts poetry, including her (at the time) most recent book, Late Work (2020). The interview concludes with a conversation about the relationship between poetry and theorizing practices and a meditation on writing during a global pandemic.

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Miller, Stephen, and Rene Wellek. "A History of Modern Criticism, 1750-1950. Vol. 8, French, Italian and Spanish Criticism, 1900-1950." South Central Review 13, no. 1 (1996): 77. http://dx.doi.org/10.2307/3189934.

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Hart, Thomas R., and Rene Wellek. "A History of Modern Criticism, 1750-1950. Vol. 8, French, Italian and Spanish Criticism, 1900-1950." Comparative Literature 45, no. 4 (1993): 372. http://dx.doi.org/10.2307/1771600.

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Brann, Ross, and Arie Schippers. "Spanish-Hebrew Poetry and the Arabic Literary Tradition: Arabic Themes in Hebrew Andalusian Poetry." Jewish Quarterly Review 87, no. 3/4 (January 1997): 369. http://dx.doi.org/10.2307/1455193.

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Al-Rubaiee, Assist Instructor: Ahmed Abdulrazzaq. "The Creativity Literary of Gongora." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 222, no. 1 (November 5, 2018): 1–12. http://dx.doi.org/10.36473/ujhss.v222i1.383.

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Luis de Góngora y Argote, (1561-1627), Spanish poet, is one of the most influential Spanish poets of his era. His Baroque, convoluted style, known as Gongorism was so exaggerated by less gifted imitators that his reputation suffered after his death until it underwent a revaluation in the 20th century.. In his literary works has expressed very well his feelings and emotions perfectly, especially the thought of his time and the themes of criticism and disappointment of the Baroque. His poetic work breaks molds and inaugurates a new language whose virtuality, still unsurpassed, continues to mark the course of contemporary poetry. This investigation is divided in two chapters, the first presnte the biography and style of Gongora besides its works that comprise the satire. The second chapter is concerned Cultism and gonorismo, besides the Architecture of the sonnets of Góngora

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Shnaweh, Lect Dr Masar Ghazi. "Significant cultural patterns and their references in the poetry of Safi al-Din al-Hilli." Thi Qar Arts Journal 2, no. 40 (December 27, 2022): 222–33. http://dx.doi.org/10.32792/tqartj.v2i40.377.

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The emergence of cultural criticism at the end of the last century brought about a qualitative leap in the field of critical practice as a whole, as we see a distinct shift from criticism of literature to criticism of culture, which has become a focused discourse in this field. Cultural criticism often embraces culture and never separates from it. Just as it takes from every science a party that combines contextual and systematic approaches, even theories of reading and reception, criticism of reader response and deconstruction, as it was based on psychology, sociology and history and relied on everything that would happen in addition to literature as a cultural phenomenon. It is striking that cultural criticism is based on a central idea that stems from and returns to, which is the criticism of fairness, especially the cultural defects that are implicit in every discourse or that are hidden behind the linguistic textual fabric. what they are. Al-Hilli’s poetry conceals cultural patterns in which reality is critiqued from a behavioral, economic, political and religious point of view, providing the reader with an integrated picture of his society. We have relied on the categories of cultural criticism as a floating critical activity that refuses to fall under any approach, and uses procedural tools of various sources, which belong to different sciences such as anthropology, psychology, and history. In order to answer the research questions and its problems, the research plan was as follows: Introduction: I tried through it to provide an overview and familiarity with the subject and its basic forms. The first requirement: the most important tributaries of cultural criticism and its background knowledge: 1: The concept of cultural pattern 2: systemic function 3: the cultural sentence 4: the cultural sentence 5: The total metaphor * The second requirement: an overview of the social and poetic papers of the poet Safi al-Din al-Hilli (677-752 AH / 1277-1339 AD).

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López Cobo, Azucena. "Reseña de 'This Ghostly Poetry: History and Memory of Exiled Spanish Republican Poets'." Epos : Revista de filología, no. 36 (December 15, 2020): 206. http://dx.doi.org/10.5944/epos.36.2020.29099.

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Barriales-Bouche, Sandra. "DANIEL AGUIRRE-OTEIZA. This Ghostly Poetry. History and Memory of Exiled Spanish Republican Poets. Toronto: U of Toronto P, 2020. 369 pp." Revista Canadiense de Estudios Hispánicos 45, no. 3 (May 17, 2024): 829–31. http://dx.doi.org/10.18192/rceh.v45i3.6902.

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de Ros, Xon. "This ghostly poetry: history and memory of exiled Spanish Republican poets." Journal of Spanish Cultural Studies 23, no. 1 (January 2, 2022): 103–5. http://dx.doi.org/10.1080/14636204.2022.2033479.

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García Candeira, Margarita. "«This Ghostly Poetry. History and Memory of Exiled Spanish Republican Poets», de Daniel Aguirre-Oteiza." Castilla. Estudios de Literatura, no. 12 (January 16, 2021): I—VI. http://dx.doi.org/10.24197/cel.12.2021.i-vi.

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Kyd (book author), Thomas, Michael Neill (book editor), and Peter Paolucci (review author). "The Spanish Tragedy: Authoritative Text, Sources and Context, Criticism." Renaissance and Reformation 39, no. 1 (April 26, 2016): 187–89. http://dx.doi.org/10.33137/rr.v39i1.26561.

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Stanco, Michele. "Art and beauty. Linguistic versus psychological aesthetic theories." Recherches anglaises et nord-américaines 36, no. 1 (2003): 47–68. http://dx.doi.org/10.3406/ranam.2003.1668.

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In his dialogues Plato distinguished poetry as ‘inspiration from poetry as ‘technique’. Taking a hint from this archetypal distinction (as well as, inevitably, from the overstaying opposition between ‘idea’ and ‘matter’), the paper explores some of the most momentous phases in the history of criticism, from the earliest documents on poetry to the contemporary aesthetic debate. In so doing, it points to the irremediable and continuing dualism of a critical tradition, which has alternatively emphasised the ideal elements of beauty or the material constituents of art.

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Armstrong, Isobel. "The First Post: Victorian Poetry and Post-War Criticism." Journal of Victorian Culture 8, no. 2 (January 2003): 292–304. http://dx.doi.org/10.3366/jvc.2003.8.2.292.

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DAVIES MITCHELL, M. "Review. Apollinaire, Visual Poetry, and Art Criticism. Bohn, Willard." French Studies 48, no. 3 (July 1, 1994): 353. http://dx.doi.org/10.1093/fs/48.3.353.

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Friedman, Edward H. "Seventeenth-Century Spanish Poetry: The Power of Artifice." Calíope 2, no. 1 (January 1, 1996): 109–12. http://dx.doi.org/10.2307/44799267.

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Wolwacz, Andrea Ferras. "TOM PAULIN'S POETRY OF TROUBLES." Organon 34, no. 67 (December 9, 2019): 1–23. http://dx.doi.org/10.22456/2238-8915.96943.

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This paper is part of my PhD thesis. It examines contemporary Northern Irish Literature written in English with the help of the theoretical approach of Irish Studies. It aims to introduce and make a critique of poetry written by Tom Paulin, a contemporary British poet who is regarded one of the major Protestant Irish writers to emerge from Ulster province. The thread pursued in this analysis relates to an investigation of how ideological discourses and the issues of identity are represented in the poet’s work. The author’s critical evaluation of existing ideologies and identities and his attempt to respond to them will also be analyzed. Four poems from three different collections are investigate. Paulin’s poems function as testimonies, denouncement and criticism of the Irish history.

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Elfenbein, Andrew. "Cognitive Science and the History of Reading." PMLA/Publications of the Modern Language Association of America 121, no. 2 (March 2006): 484–502. http://dx.doi.org/10.1632/003081206x129675.

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Cognitive psychologists studying the reading process have developed a detailed conceptual vocabulary for describing the microprocesses of reading. Modified for the purposes of literary criticism, this vocabulary provides a framework that has been missing from most literary-critical investigations of the history of literate practice. Such concepts as the production of a coherent memory representation, the limitations of working memory span, the relation between online and offline reading processes, the landscape model of comprehension, and the presence of standards of coherence allow for close attention to general patterns in reading and to the ways that individual readers modify them. The interpretation of Victorian responses to the poetry of Robert Browning provides a case study in the adaptation of cognitive models to the history of reading. Such an adaptation can reveal not only reading strategies used by historical readers but also those fostered by the discipline of literary criticism. (AE)

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Bula, Andrew. "Literary Musings and Critical Mediations: Interview with Rev. Fr Professor Amechi N. Akwanya." Journal of Practical Studies in Education 2, no. 5 (August 6, 2021): 26–31. http://dx.doi.org/10.46809/jpse.v2i5.30.

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Reverend Father Professor Amechi Nicholas Akwanya is one of the towering scholars of literature in Nigeria and elsewhere in the world. For decades, and still counting, Fr. Prof. Akwanya has worked arduously, professing literature by way of teaching, researching, and writing in the Department of English and Literary Studies of the University of Nigeria, Nsukka. To his credit, therefore, this genius of a literature scholar has singularly authored over 70 articles, six critically engaging books, a novel, and three volumes of poetry. His PhD thesis, Structuring and Meaning in the Nigerian Novel, which he completed in 1989, is a staggering 734-page document. Professor Akwanya has also taught many literature courses, namely: European Continental Literature, Studies in Drama, Modern Literary Theory, African Poetry, History of Theatre: Aeschylus to Shakespeare, European Theatre since Ibsen, English Literature Survey: the Beginnings, Semantics, History of the English Language, History of Criticism, Modern Discourse Analysis, Greek and Roman Literatures, Linguistics and the Teaching of Literature, Major Strands in Literary Criticism, Issues in Comparative Literature, Discourse Theory, English Poetry, English Drama, Modern British Literature, Comparative Studies in Poetry, Comparative Studies in Drama, Studies in African Drama, and Philosophy of Literature. A Fellow of Nigerian Academy of Letters, Akwanya’s open access works have been read over 109,478 times around the world. In this wide-ranging interview, he speaks to Andrew Bula, a young lecturer from Baze University, Abuja, shedding light on a variety of issues around which his life revolves.

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38

Vasilyeva, L. A. "“Mir Taqi Mir”. A fragment from the History of Urdu Poetry “Water of Life” of Muhammad Husayn Azad." Orientalistica 3, no. 5 (December 29, 2020): 1437–49. http://dx.doi.org/10.31696/2618-7043-2020-3-5-1437-1449.

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The article is a translation into Russian of the chapter from the “Water of Life” by Muhammad Husain Azad (1830–1910). This is the chapter about the greatest Urdu poet Mir Taki Mir (1713/1723(?)–1810 AD). The critical work by Azad, the “Water of Life” is considered as the first history of Urdu poetry written in Urdu. Azad was the first to see in this phenomenon a continuous process. The periods in the development of literature are interlinked. Azad identifies five major periods of Urdu poetry and briefly describes each of them. His work comprises biographical facts, characteristics, vivid word-portraits of outstanding Urdu poets and colourful historical anecdotes associated with them. The “Water of Life” had a very significant impact on contemporaries of Azad, as well as on the further development of literary-critical thought in Urdu. It set the standard for literary criticism for many decades. “Water of Life” had a significant impact on contemporaries, as well as on the further development of literary-critical thought in Urdu. It set the standard for literary criticism for many decades to come. Regardless that some historical dates and literary facts, as well as some important generalizations of the author, seem today at least controversial, still many Urdu literati and critics even nowadays fully rely upon the evaluation and criticism of famous poets as given by Azad.

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39

Nicolau, Felix. "El espejismo del Norte: los Geats y la pasión escandinava en la obra de Alejandro Busuioceanu." Swedish Journal of Romanian Studies 6, no. 1 (May 15, 2023): 349–60. http://dx.doi.org/10.35824/sjrs.v6i1.24972.

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One of the less discussed figures of the Romanian exile caused by the fraudulent establishment of communism in Romania is the polygraph Alexandru Busuioceanu, who wrote poetry in three languages, but also art criticism, literary criticism, and history. The present research is interested in the ideational intertwining of Busuioceanu's intellectual life. As regards his poetry, the volume “Poemas patéticos” of 1948 is analyzed in particular. The writer formulated bold hypotheses which he justified with erudite arguments. Busuioceanu's research, like his art, was carried out in several countries, so access to sources and linguistic context was unmediated. The scholarly legacy of Vasile Pârvan, whose disciple Busuioceanu was, proved also important for this work. Has this enormous intellectual cargo and capacity imprinted Busuioceanu´s creativity or did he preserve his pristine imagination and thinking?

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40

Corredor, Eva L. "Book Review: A History of Modern Criticism: 1750-1950, Volume 8: French, Italian, and Spanish Criticism, 1900-1950." Philosophy and Literature 20, no. 1 (1996): 260–62. http://dx.doi.org/10.1353/phl.1996.0031.

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41

Helguera, J. Leon, and Antonio Cussen. "Bello and Bolivar: Poetry and Politics in the Spanish American Revolution." American Historical Review 99, no. 3 (June 1994): 1008. http://dx.doi.org/10.2307/2167970.

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42

Bushnell, David, and Antonio Cussen. "Bello and Bolivar: Poetry and Politics in the Spanish American Revolution." Hispanic American Historical Review 74, no. 1 (February 1994): 116. http://dx.doi.org/10.2307/2517434.

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43

Bushnell, David. "Bello and Bolívar: Poetry and Politics in the Spanish American Revolution." Hispanic American Historical Review 74, no. 1 (February 1, 1994): 116–17. http://dx.doi.org/10.1215/00182168-74.1.116.

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44

Tourmuzi, Lalu Muhamad Rusdi F., and Tatik Mariyatun Tasnimah. "KRITIK SASTRA ARAB ERA SHADR ISLAM." SHAWTUL ‘ARAB 1, no. 2 (April 24, 2022): 78–86. http://dx.doi.org/10.51192/sa.v1i2.322.

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This article aims to examine the development of literary criticism in the early era of Islam. The research method used by the researcher is the library method. Researchers look for data related to the content of the study, take notes, and collect data relating to the history of the development of literary criticism in the early era of Islam. As for the results of this study, the reader can find out what is relevant regarding the definition of criticism, the development of literary criticism, the purpose of poetry, and know the influence of Islam on Arabic literature Islam. This makes the writers of the present era know the traces of Muslim writers at the beginning of the development of Islam.

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45

Parina, Elena. "Textual Criticism and Text Reconstruction: Approaches to Early Russian and Welsh Poetry." Studia Celto-Slavica 5 (2010): 149–58. http://dx.doi.org/10.54586/iumu8654.

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The Tale of Igor’s Campaign and The Gododdin, two poetic texts crucially important for the history of Early Russian and Welsh literature respectively, have a very dark history. Both are preserved in only one reliable source and are supposed to be composed about 600 years before this edition or manuscript was created. Anna Dybo and John Koch however propose an attempt of reconstruction for the Ur-Text of these poetic masterpieces. In this article we compare the framework within which these reconstructions were created. Whereas Anna Dybo relies mainly on contemporary texts, John Koch in the absence of such monuments has to rely more on historical interpretation.

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46

Rebok, Sandra. "A New Approach: Alexander von Humboldt's Perception of Colonial Spanish America as Reflected in his Travel Diaries." Itinerario 31, no. 1 (March 2007): 61–88. http://dx.doi.org/10.1017/s0165115300000073.

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AbstractThis study presents an in-depth analysis of Alexander von Humboldt's description and criticism of the various colonial societies of Spanish America which he visited during his well-known expedition through the Americas (1799–1804). His criticism of colonialism in general, deeply rooted in his personal convictions, has already been the focal point of several scholarly studies; however, during his American expedition Humboldt offered a more differentiated assessment of specific colonial societies, namely by comparing various regional and local traditions and developments. This differentiated assessment of Spanish American colonial societies has yet to be analysed. This essay focuses on Humboldt's little known personal diaries, which offer a wealth of interesting comments on colonial societies, but which have been scarcely used in international Humboldt research, since they have not yet been translated entirely.

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47

Novella, Enric J. "‘The poetry of psychiatry’: existential analysis and the politics of psychopathology in Franco’s Spain." Medical History 67, no. 1 (January 2023): 74–88. http://dx.doi.org/10.1017/mdh.2023.16.

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AbstractThis article examines the presence and influence of the work of Swiss psychiatrist Ludwig Binswanger and existential analysis (Daseinsanalyse) in Spanish psychiatry in the central decades of the 20th century. First, and drawing on various printed and archival sources, it reconstructs the important personal and professional ties that Binswanger maintained with numerous Spanish colleagues and describes the notable dissemination of his work in Spain through bibliographical reviews, scientific events, academic reports, university lectures and translations. Next, it reviews the incorporation of the postulates of existential analysis into the discourse of Spanish psychiatrists and assesses their most elaborate and original contributions to the foundations of ‘anthropological–existential’ psychiatry or the ‘existential–analytical’ interpretation of certain disorders or clinical conditions. And, finally, it tries to clarify the assessment according to which the (inevitable) instrumentalisation of existential analysis in the context of Franco’s Spain first compromised the critical recognition of its true possibilities (and limits) and later contributed to the discrediting of psychopathological research among Spanish psychiatrists.

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48

Hendren, T. George. "Catullus’s Ameana Cycle as Literary Criticism." Mnemosyne 69, no. 2 (February 4, 2016): 262–75. http://dx.doi.org/10.1163/1568525x-12341769.

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This paper will reevaluate Catullus’s venom in poems 41 and 43 (the so-called ‘Ameana Cycle’) to show that his attacks on Ameana are in fact veiled criticisms of Mamurra’s loathsome poetry. Catullus’s descriptions of Ameana substantiate this reading: her physical features are disproportionate and ill suited to Roman conceptions of beauty, she is entirely without wit, and despite her patent imperfections, she has no idea how hideous she really is. The use of a poetic mistress in this manner has parallels within the Catullan corpus, and is also referenced in the work of Martial.

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Annabil, Muhammad Naufal, and Tatik Mariyatut Tasnimah. "KRITIK SASTRA ARAB ERA UMAWY DAN ABBASY." `A Jamiy : Jurnal Bahasa dan Sastra Arab 10, no. 2 (September 20, 2021): 245. http://dx.doi.org/10.31314/ajamiy.10.2.245-255.2021.

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This writing aims to examine the development of Umawy and Abbasy literary criticism. The method used in collecting data in this historical research is the literature method, the researcher looks for all the data related to this research and then records the data into a notebook. The method used in this research is descriptive qualitative method, this method uses interpretation through descriptive media. Meanwhile, the approach applied in this research is a historical approach, in which the researcher looks for history related to the development of literary criticism in Umawy and Abbasy The results of this study are that we can find out the definition and division of literary criticism, and find out about the purpose of prose and poetry Umawy or Abbasy. In addition, this research produces information about literary criticism in Umawi and Abbasy. In Umawy, literary criticism is still in a developmental stage, whereas in Abbasy, literary criticism is in a perfect state.

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Wright, Matthew. "POETS AND POETRY IN LATER GREEK COMEDY." Classical Quarterly 63, no. 2 (November 8, 2013): 603–22. http://dx.doi.org/10.1017/s000983881300013x.

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The comic dramatists of the fifth centuryb.c.were notable for their preoccupation with poetics – that is, their frequent references to their own poetry and that of others, their overt interest in the Athenian dramatic festivals and their adjudication, their penchant for parody and pastiche, and their habit of self-conscious reflection on the nature of good and bad poetry. I have already explored these matters at some length, in my study of the relationship between comedy and literary criticism in the period before Plato and Aristotle. This article continues the story into the fourth century and beyond, examining the presence and function of poetical and literary-critical discourse in what is normally called ‘middle’ and ‘new’ comedy.

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