Relevant bibliographies by topics / Spanish poets

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Spanish poets'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Spanish poets"

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Carbajosa, Natalia. "The Waste Land in Spanish a Hundred Years Later: The Case of Claudio Rodríguez." Revista Canaria de Estudios Ingleses, no. 85 (2022): 211–26. http://dx.doi.org/10.25145/j.recaesin.2022.85.14.

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"This article explores Claudio Rodríguez’s approach to Eliot’s poetry through his unpublished translation of The Waste Land. It also considers Rodríguez’s translation work within the wider context of Eliot’s influence on Spanish poets during the twentieth century, an influence deriving largely from the repeated translations of The Waste Land. Unlike other renowned Spanish poets from the 1950s, my study tackles the significance of Rodríguez’s contribution to the translations of Eliot into Spanish by focusing on his initial reluctance to undertake the task and on the conceptual divergence he fel
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Ward, Michael T., and María A. Salgado. "Modern Spanish American Poets." Hispania 90, no. 4 (2007): 710. http://dx.doi.org/10.2307/20063597.

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Gutiérrez, Rosa García. "Emily Dickinson, Poets' Poet: First Versions in Spanish (Juan Ramón Jiménez, Gilberto Owen, Ernestina de Champourcin)." Emily Dickinson Journal 32, no. 1 (2023): 36–63. http://dx.doi.org/10.1353/edj.2023.a902810.

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Abstract: This paper focuses on the first three Spanish versions of Dickinson's poetry. They were linked from the start, as the cult of the poet was passed on by word of mouth in the Spanish-speaking world, like a secret sap that brought together those who fed on it. Dickinson's first translator was the Spanish poet Juan Ramón Jiménez, who included versions of three of her poems in his Diario de un poeta recién casado ( Diary of a Newlywed Poet , 1917). It was through Jiménez that Dickinson became known to the Mexican poet Gilberto Owen, who would publish his own translations in 1934 in the cu
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Portnova, Tatjana V., and Roman S. Voitekhovich. "Literary sources of the image of Spain in the works by Marina Tsvetaeva." Vestnik of Saint Petersburg University. Language and Literature 19, no. 2 (2022): 272–90. http://dx.doi.org/10.21638/spbu09.2022.204.

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This paper analyzes literary sources of Spanish themes in the poetry of M.Tsvetaeva. The Spanish theme in Russian culture and Russian-Spanish relations have been fruitfully studied for a long time, but insights of this scholarship are rarely applied to Tsvetaeva’s works (generally when speaking about the images of Carmen and Don Juan, or about the Federico Garcia Lorca translations). Despite the fact that there are many works about the reception of different countries by Tsvetaeva, there are no studies analyzing Spain throughout the poet’s work. But Spanish motives appear in one of the first p
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Jiajing, Song. "The Influence of Federico García Lorca on Dai Wangshu’s Left-Wing Poetry Creation: The Theme of Death." Sinología hispánica. China Studies Review 17, no. 2 (2024): 91–112. http://dx.doi.org/10.18002/sin.v17i2.8234.

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Federico García Lorca was one of the representative poets of the Generation of ’27. His works demonstrate a strong opposition against the Spanish fascism. His contemporary poet Dai Wangshu got inspiration from his poems, which changed the direction of the Chinese poet’s creation. García Lorca’s comprehension of death led Dai to think over death, a theme he had never touched upon in his earlier poems. Dai got rid of his fear of death and started to express his understanding of death in his poems against the Fascist Japanese invaders at that time. Adopting an approach of the Aesthetic of Recepti
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García, María Isabel Maldonado. "The Spanish Women Poet’s Contribution To The Literature Of The 20th Century." Pakistan Journal of Gender Studies 10, no. 1 (2015): 129–43. http://dx.doi.org/10.46568/pjgs.v10i1.230.

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The 20th century offers us a wealth of literary authors. The Spanish poets of the 20th century that usually come to mind are mainly male due to the fact that the female poets never received proper recognition and were ignored for many years. The historical events of the 20th century could have ceasedthe literary works of the Spanish authors. However, instead, the Spanish utilized the poetry of protest as a means of rebelling towards their social reality. Not only male poets but also women were extremely prolific in their craft. First during the Civil War and after during the thirty six years o
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Matas Caballero, Juan. "La presencia de los poetas españoles en torno a las "Soledades" de Góngora." Estudios Humanísticos. Filología, no. 13 (December 1, 1991): 89. http://dx.doi.org/10.18002/ehf.v0i13.4313.

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<p>Con este trabajo he pretendido analizar la presencia de los poetas españoles en los textos que configuran la polémica en torno a las Soledades de Góngora, de una forma más concreta en el Antídoto de Juan de Jáuregui y en el Examen del Antídoto de Francisco Fernández de Córdoba. He intentado desvelar cuáles fueron los autores españoles más citados en esos textos, cuál fue su papel en la polémica respecto a los clásicos y los poetas italianos y qué aspectos del debate suscitaron tales alusiones.</p><p>Our aim in this work is to analyse the part Spanish poets played in the de
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Polilova, Vera. "Spanish Romancero in Russian and the semantization of verse form." Studia Metrica et Poetica 5, no. 2 (2019): 77–108. http://dx.doi.org/10.12697/smp.2018.5.2.04.

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In this paper, I analyze Russian translations and close imitations of Spanish Romancero poetry composed between 1789 and the 1930s, as well as Russian original poems of the same period marked by “Spanish” motifs. I discuss the Spanish romance as an international European genre, and show how this verse form’s distinctive features were transferred into Russian poetry and how the Russian version – or, rather, several Russian versions – of this form came into being. I pay special attention to the genesis of the stanza composed of a regular sequence of feminine (F) and masculine (m) clausulae FFFm.
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Wilcox, John C., and Janet Perez. "Modern and Contemporary Spanish Women Poets." South Central Review 15, no. 3/4 (1998): 86. http://dx.doi.org/10.2307/3189852.

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Debicki, Andrew P., and Janet Perez. "Modern and Contemporary Spanish Women Poets." Hispania 80, no. 1 (1997): 58. http://dx.doi.org/10.2307/345954.

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Dissertations / Theses on the topic "Spanish poets"

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Chambrelan, Jordi Doce. "Traduciendo la experiencia : presencia del romanticismo ingles en la poesia espanola contemporanea." Thesis, University of Sheffield, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340453.

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Muñoz, Tracy Manning. "Peripheral visions Spanish women's poetry of the 1980s and 1990s /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1149000160.

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Torres, Isabella M. B. "The orphic voice in Garcilaso de la Vega, Quevedo and Bocangel." Thesis, Queen's University Belfast, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.481809.

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Castro, Maria Elena. "El conflicto entre la realidad y el deseo en la poesía surrealista de la Generación del 27." Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3025003.

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Bonifacio, Peralta Ayendy José. "Poems in the U.S. Popular Press, 1855-1866." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu155533852650219.

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Sweeden, R. Renee. "Personal Archaeology: Poems." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc500646/.

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A collection of poems focused primarily on rural America and the South, the creative writing thesis also includes material concerned with the history of Mexico, particularly Mexico at the time of the Spanish Conquest. The introduction combines a personal essay with critical material discussing and defining the idea of the Southern writer.
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Salamanca-Heyman, Maria Fernanda. "The urban archaeology of early Spanish Caribbean ports of call: The unfortunate story of Nombre de Dios." W&M ScholarWorks, 2009. https://scholarworks.wm.edu/etd/1539623547.

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The sixteenth-century port of Nombre de Dios in Panama played a crucial role in the colonization of America. From 1519 to 1597, Nombre de Dios was the Atlantic port connecting Spain with the southern Pacific colonies in America. Even though its importance to Spain's New World colonial settlement has been widely recognized, there has never been systematic historical or archaeological research undertaken to document this colonial town and describe its establishment and subsequent development and abandonment.;This study employs a comparative approach to early Spanish urban settlement in Latin Ame
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Cowan, Grace. "CHILE: Mi Conquista, de Norte a Sur." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/10.

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My thesis is a creative expression in poetry about my study abroad experience in Chile. During my time in Chile I traveled all over the country and tried to experience as much of the culture as possible. These poems speak of different parts of the country that I visited and different cultural aspects to which I was exposed. The work also includes photos from my travels to accompany several of my poems. This thesis was written with the hope that others might be able to better understand my semester in Chile.
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Barkham, Michael Mordaunt. "Shipowning, shipbuilding and trans-Atlantic fishing in Spanish Basque ports, 1560-1630 : a case study of Motrico and Zumaya." Thesis, University of Cambridge, 1990. https://www.repository.cam.ac.uk/handle/1810/251468.

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Salinas, Rikard. "Poetas y hombres : Imágenes tradicionales de masculinidad en Los Detectives Salvajes de Roberto Bolaño." Thesis, Stockholm University, Department of Spanish, Portuguese and Latin American Studies, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-8088.

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<p>En este trabajo vamos a analizar si dos de los personajes principales de la novela Los Detectives Salvajes, Arturo Belano y Ulises Lima, coinciden con la imagen tradicional de masculinidad. Vamos a hacer esto con la finalidad de investigar las caracterizaciones de ellos, realizadas por una variedad de narradores durante la novela, y relacionarlas con teorías sobre la masculinidad. El trabajo está dividido en cuatro apartados, que cada uno investiga un aspecto específico de la masculinidad: la aventura y el héroe, el artista, la violencia y la sexualidad. En cada uno de estos apartados vamos
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Books on the topic "Spanish poets"

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Antonia, Salgado María, ed. Modern Spanish American poets. Gale Group, 2003.

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L, Perna Michael, ed. Twentieth-century Spanish poets. Gale, 1991.

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Phillips, Winfield Jerry, ed. Twentieth-century Spanish poets. Gale Research, 1994.

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Antonia, Salgado María, ed. Modern Spanish American poets. Gale, 2004.

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Darío, Rubén. Azul, cuentos, poemas en prosa. Aguilar, 1987.

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Vicente, Gaos, and Sahagún Carlos, eds. Antología del grupo poético de 1927. Cátedra, 1986.

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Pérez, Janet. Modern and contemporary Spanish women poets. Twayne Publishers, 1996.

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Antonia, Salgado María, ed. Modern Spanish American poets: First series. Gale, 2003.

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Cañas, Dionisio. Claudio Rodríguez. Ediciones Júcar, 1987.

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González, José Matías Gil. Vida y personalidad de Alberto Lista. Excmo. Ayuntamiento de Sevilla, Servicio de Publicaciones, 1994.

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Book chapters on the topic "Spanish poets"

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Mullen, Edward J. "Manzano’s Poems in the Original Spanish." In The Life and Poems of a Cuban Slave. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137481382_9.

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"Poets and readers." In The Cambridge Introduction to Spanish Poetry. Cambridge University Press, 2002. http://dx.doi.org/10.1017/cbo9780511606328.003.

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"Three Contemporary Judeo-Spanish Poets." In Proceedings of the Twelfth British Conference on Judeo-Spanish Studies, 24-26 June, 2001. BRILL, 2004. http://dx.doi.org/10.1163/9789047414285_020.

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"Two Twentieth-Century Spanish Poets." In Sappho to Valéry. University of Arkansas Press, 1990. http://dx.doi.org/10.2307/j.ctvrdf290.14.

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Colinas, Antonio, Jaime Silesm, and Luis Alberto de Cuenca. "Pound and the Novísimo Poets:." In Ezra Pound and the Spanish World, translated by Paul Scott Derrick and Viorica Patea. Clemson University Press w/ LUP, 2024. http://dx.doi.org/10.2307/j.ctv33b9qm1.23.

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Galindo, Gloria. "Guillén, Jorge (1893–1984)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem1974-1.

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Spanish poet, literary critic, and scholar, Jorge Guillén belongs to the Generation of ’27, a group of Spanish poets—which included Federico García Lorca, Rafael Alberti, Pedro Salinas, and others—that emerged in the cultural scene of 1927 beginning with the tribute to Luis Góngora that took place that year in the Ateneo of Seville for the third centenary of his death. Guillén, who was born in Valladolid, Spain, is regarded as one of the greatest Spanish poets of the twentieth century. He attended school in Spain, Switzerland, and Germany, and earned a doctorate from the University of Madrid in 1924. During his career, he lectured at the Sorbonne, Oxford, the universities of Murcia, Seville, Puerto Rico, McGill (Montreal), Harvard, Middlebury College, and Wellesley College. He taught and wrote poetry in the United States for over 20 years, and was a professor at Wellesley until his retirement in 1957. He began writing poetry when he was 16 years old, gaining recognition very early with his first poems, but he left Spain in 1938 after the Generalissimo Francisco Franco took power.
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Marcus, Jane. "The Cunard Line." In Nancy Cunard, edited by Jean Mills. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979299.003.0003.

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The chapter investigates Cunard’s identity as a poet, the challenges she faced as a woman poet, and the early publications of Outlaws (1921), Sublunary (1923), and Poems (Two) (1925). Marcus also explores Cunard’s involvement with the anti-war poetry anthology Wheels, her founding of The Hours Press, and the reception of her work by a male-dominated press. The author also discusses the early impetus behind her collection Negro Anthology and her political activism during the Spanish Civil War on behalf of poets from Harlem, Cuba, and The West Indies.
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Clark, Walter Aaron. "Celedonio and Angelita, the Poet and his Muse." In Los Romeros. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041907.003.0010.

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Celedonio was a poet of the guitar. Though he dedicated his life to the guitar, as a performer, teacher, arranger, and composer, he was also an inspired poet who often accompanied poets in concert during the early years in Spain. He wrote poetry and published a volume of his poems. Angelita was the inspiration for much of his verse. She was a devotee of Spanish literature and often read to the family, on trips or at bedtime. She was also a virtuosa castanet player and appeared with the quartet in concerts.
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Balbuena, Monique R. "Archaeology of the Language / Archaeology of the Self." In Homeless Tongues. Stanford University Press, 2016. http://dx.doi.org/10.11126/stanford/9780804760119.003.0004.

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Chapter 3, about Argentine Ashkenazi poet Juan Gelman, destabilizes notions of fixed identity and breaks down dichotomic divisions of ethnic origins as it traces Gelman’s gradual rewriting of himself as a Sephardic Jew at the very moment when he most identifies as a Jew. It reads Gelman’s bilingual Ladino-Spanish collection Dibaxu as the culmination of his rewritings of Spanish canonical authors. It focuses on the “process of self-Sephardization,” initially triggered by Gelman’s historical condition as a political exile, and then fed by his translation and rewriting of canonical medieval Spanish Hebrew poets. He proceeds in a linguistic “excavation” of the many layers in the Spanish language, and writes himself as a Sephardic Jew. In opposition to an oppressive regime with which his language is associated, Gelman makes a deterritorializing move and radically assumes a new language: the Jewish, exilic and minor Ladino.
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Balbuena, Monique R. "Introduction." In Homeless Tongues. Stanford University Press, 2016. http://dx.doi.org/10.11126/stanford/9780804760119.003.0001.

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This introduction first introduces poet Clarisse Nicoïdski as a Sephardic poet who shifts languages and genres when she moves from French to Ladino, and prose to poetry, when confronting the death of her mother, her people and her culture. Then the introduction briefly presents Deleuze and Guattari’s formula for “minor literatures” and the counter-arguments this book presents to it. The text then proceeds discussing basic concepts that are central to the book and to the poets here discussed: genres of Sephardic poetry, the Judeo-Spanish language, its development and its many names, multilingualism and Jewish langauges, and Diaspora.
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Conference papers on the topic "Spanish poets"

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Ribet Gomez, Josep Albert, Marcel·la Castells-Sanabra, Clara Boren, Francesc Xavier Martínez de Osés, and Anna Mujal-Colilles. "CHARACTERIZATION OF TUGBOATS ACTIVITY WITHIN SPANISH PORTS." In Maritime Transport Conference. Universitat Politècnica de Catalunya. Iniciativa Digital Politècnica, 2024. http://dx.doi.org/10.5821/mt.13191.

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The maritime industry's vital role in global trade contrasts with its significant greenhouse gas emissions. Pollution emitted from ports comes from different sources, one of which is merchant ships constantly docking and undocking and other auxiliary port vessels working continuously throughout the year (e.g., pilotage vessels, bunkering barges, vessel-generated waste collection services, mooring and unmooring services and port tugs). Port tugboats sail between terminals and provide docking, undocking and removing merchant ship services. This leads to a high variability on tugs’ manoeuvres. Th
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Moreno Lorente, Iratxe, Rocío Palmera Suarez, Lourdes Oliva Íñiguez, et al. "COVID-19, Travel Companion: The Spanish Experience on Cruise Ships." In Public Health Congress on Maritime Transport and Ports. MDPI, 2022. http://dx.doi.org/10.3390/msf2022013005.

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Fillies, Jan, Michael Peter Hoffmann, and Adrian Paschke. "Multilingual Hate Speech Detection: Comparison of Transfer Learning Methods to Classify German, Italian, and Spanish Posts." In 2023 IEEE International Conference on Big Data (BigData). IEEE, 2023. http://dx.doi.org/10.1109/bigdata59044.2023.10386244.

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Sanz-Blas, Silvia, Daniela Buzova, and Fernando J. Garrigos-Simon. "Perceptions and behaviour of cruise tourists during their visit to a port of call." In INNODOCT 2019. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/inn2019.2019.10949.

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The purpose of the present research is to assess the perceptions of authenticity and crowding of cruise tourists visiting a port of call and its influence on their future behavioural intentions. The research was carried out in the city of Valencia, because it is one of the main Spanish cruise ports and is a representative city of the Mediterranean ports of call for the cruise business. A total of 467 valid interviews were obtained. For the analysis of data, the Statistical Package for the Social Sciences (SPSS version 22.0) was used. The findings reveal that Valencia is perceived as an authent
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Martínez Marín, Jesús Ezequiel, Andrea Trilles Segura, and Ivette Fuentes Molina. "The impact of covid-19 on shipping industry studying economic factors." In Maritime Transport Conference. Universitat Politècnica de Catalunya. Iniciativa Digital Politècnica, 2022. http://dx.doi.org/10.5821/mt.11012.

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The aim of this paper is to analyse the impact of COVID-19 on shipping industry using a multiple-regression econometric model based on Ordinary Least Squares. The model has considered Valencia Containerised Freight Index as the dependent variable. Several exogenous variables will be included in the model to estimate their partial effect, ceteris paribus on the endogenous one, such as economic and maritime casuistry. Coronavirus, known as a global pandemic, had a strong impact on world economies during 2020. As a result, this paper is focused on analysing COVID-19 impact on shipping industry. T
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Romero Faz, David, and Alberto Camarero Orive. "Security assessment in harbours: parameters to be considered." In CIT2016. Congreso de Ingeniería del Transporte. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/cit2016.2016.3181.

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The ports are the main node in the supply chain and freight transportation. The terrorist attacks of September 11, 2001 marked a turning point in global security. Following this event, and from then on, there is a widespread fear of an attack on commercial ports. The development of the International Ship and Port Facility Security (ISPS) Code of the International Maritime Organization (IMO), and the implementation of the measures derived from it, have significantly improved security at port facilities. However, the experience in recent decades indicates the need for adjustments in the security
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Barnés, Antonio. "The paths of dreams. A rereading of Antonio Machado’s Galleries." In The Figurativeness of the Language of Mystical Experience. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-9.

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Poetic creation and encounter with God are two concepts that the Spanish poet Antonio Machado relates to dreams and childhood. He thus recovers the dream as a sphere of contact with God, overcoming in a certain way the faith/reason dialectic that modernity takes pleasure in emphasising. The dream is beyond reason, and there comes the divine inspiration which can then be translated into “a few true words”. Poetic language thus acquires a status far superior to that of delight: it is the key that allows us to touch the mystery. The relationship between dream and childhood also allows Machado to
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Parrinello, Sandro, Francesca Picchio, Anna Dell’Amico, and Chiara Malusardi. "Le mura di Cartagena de Indias tra sperimentazione metodologica e protocolli operativi. Strumentazioni digitali a confronto per lo studio del sistema difensivo antonelliano." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11393.

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The walls of Cartagena de Indias through methodological experimentation and survey systems protocols. Digital tools comparison for the study of the Antonelli’s defense systemCartagena de Indias, one of the main Spanish commercial ports in the Caribbean Sea, was strategically built on a system of islands and peninsulas that formed a lacustrine system along the coast of Tierra Firme, known today as Colombia. For several centuries, Cartagena fortifications have been at the fore-front of Spanish military technologies. This site became the scene of action of the main military engineers at the servi
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Baró Zarzo, José Luis, and Jovita Cortijo Ruiz. "Architecture and Music around the Alhambra. Reminiscences of a dreamlike world: La Puerta del Vino (Debussy)." In 3rd Valencia International Biennial of Research in Architecture, VIBRArch. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/vibrarch2022.2022.15464.

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Orientalism, as a variant of exoticism in the Romantic period, adopted a series of topics linked to distant countries and oriental cultures, including Spanish lands, especially Andalusian. This phenomenon was especially prolific in the world of the arts around the Alhambra, «doubly romantic for its medieval and oriental origin» (Raquejo, 1989).Alhambrism was developed by traveling writers in the early 19th century, eager for suggestive scenarios in which to recreate their poems and stories. Later it spread to the plastic arts, with painters such as François Antoine Bossuet, John Frederick Lewi
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"EXAMINING ASSOCIATIONS BETWEEN ATTENTION-DEFICIT/HYPERACTIVITY DISORDER AND SELF-REPORTED COCAINE USE ON SOCIAL MEDIA: AN ANALYSIS OF POSTS ON A REDDIT ONLINE COMMUNITY." In 8th World Congress of the World Association of Dual Disorders (WADD) and the 26th Congress of the Spanish Society of Dual Disorders SEPD. SEPD/WADD, 2024. http://dx.doi.org/10.17579/abstractbookdualdisorders-p-061.

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Reports on the topic "Spanish poets"

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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more ope
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Calderón, Claudia, Anamaría Núñez, and Z’leste Wanner. Speaking of Water: Digital conversation on water and sanitation in Latin America and the Caribbean (2016-2017). Inter-American Development Bank, 2018. http://dx.doi.org/10.18235/0006446.

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Public digital conversations can offer valuable insight into how issues are being covered and discussed in online news and social platforms. This study compiles over one million news articles, blog posts and tweets that reference water and sanitation issues from October 1, 2016 to September 30, 2017 in Spanish, English and Portuguese. The analysis seeks to uncover trends, key topic areas, and patterns in public conversations particularly around the Sustainable Development Goals to guide actors working on communications around water and sanitation, particularly in an international development c
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