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Books on the topic 'Spanish Sea poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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1

R, José Guillermo Vargas. Bendito sea tu cuerpo. Ventana Andina, 2008.

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2

Linares, A. Martínez de. Un Diario de un mes junto al mar y otros apuntes. s.n., 1993.

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3

Corrales, Sonia Díaz. Diario del grumete. Ediciones Vigía, 1996.

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4

Padrón, Julio González. Cuentos, refranes y poemas de la mar. Marge Books, 2010.

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5

Casado, Marina. Este mar al final de los espejos. Ediciones Torremozas, 2020.

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6

Litvak, Lily, (1938- ) ed., ed. La Voz el mar: Antología. Fundación Cultural MAPFRE Vida, 2000.

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7

García, José Manuel Rico. Poeta y mar: Seis estudios sobre el mar en la poesía española. Universidad de Huelva, 2019.

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8

Camões, Luís de. Sulcando o mar: Poemas de Os lusíadas = Ploughing the sea : poems from The lusiads. Caixa Geral de Depositos, 2001.

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9

Alonso, María Rosa. Las generaciones y cuatro estudios (El mar, Guillén Peraza, Las rosas y un Misterio). Viceconsejería de Cultura y Deportes, 1990.

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10

Velay, Rosamna Pardellas. Aparente guante que sea cepo: Nuevas aproximaciones a las poéticas anibalianas : homenaje a Aníbal Núñez en el XXV aniversario de su muerte. Peter Lang, 2013.

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11

Louis, Stevenson Robert. Treasure Island: A story of the Spanish Main. Barnes & Noble Books, 1994.

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12

Anchieta, José de. De gestis Mendi de Saa: Poema epicum. Compañía de Jesús, 1992.

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13

Anchieta, José de. De gestis Mendi de Saa: Edição fac-similar. Ministerio da Cultura, Fundação Biblioteca Nacional, Departamento Nacional do Livro, 1997.

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14

Reynal, Vicente. El lenguaje erótico medieval a través del Arcipreste de Hita. Playor, 1988.

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15

Poncela, Anna Maria Fernández. Canción infantil: Discurso y mensajes. Anthropos Editorial, 2005.

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16

Pena, Karen Patricia. Poetry and the realm of the public intellectual: The alternative destinies of Gabriela Mistral, Cecília Meireles, and Rosario Castellanos. Legenda, 2007.

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17

Filios, Denise K. Performing women in the middle ages: Sex, gender and the Iberian lyric. Palgrave Macmillan, 2005.

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18

Robert Louis Stevenson. La isla del tesoro. Everest, 1999.

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19

Louis, Stevenson Robert. Treasure Island. Chelsea House, 2006.

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20

Louis, Stevenson Robert. Treasure Island. Peninsula Press, 1995.

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21

Louis, Stevenson Robert. L'île au trésor. Le Livre de Poche, 1985.

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22

Louis, Stevenson Robert. Treasure island. Atheneum Books for Young Readers, 2003.

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23

Diario del grumete. Sed de Belleza Editores, 1997.

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24

Amereida: The Invention of a Sea. Polígrafa, Ediciones, S. A., 2019.

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25

Klobah, Loretta Collins. Sea Needs No Ornament. Peepal Tree Press, Limited, 2020.

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26

Relatos de la mar: Narración y poesía. Ayuntamiento de Carreño, 1990.

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27

La voz del mar: Antología. Fundación Cultural MAPFRE Vida, 2000.

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28

Al compás de la farola: Coplas, candiones, poesías, adivinanzas, dichos y refranes... del puerto, los barcos y gente del mar. Centro de la Cultura Popular Canaria, 2000.

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29

Callejo, Alfonso, and Maria Teresa Pajares. Fabula De Polyfemo Y Galathea Y Las Soledades: Textos Y Concordancia (Spanish Series, 25). Hispanic Seminary of, 1985.

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30

Bistué, Belén. Negotiating the Universal. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0012.

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This chapter offers a historical survey of Spanish translations of Shakespeare’s poetry, and it explores some of the aesthetic and poetic reflections that have accompanied them. Since the earliest instances, we can see a tendency for Spanish and Spanish-American translators to justify their interpretive choices and shifts on the grounds that Shakespeare is a universal poet and must be translated as such. The analysis of this recurring strategy gives us an entry into literary relations between England, Spain, and Spanish America, since the notion of Shakespeare’s universality has ties with the
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31

Melville, Herman. Moby Dick, Spanish Edition. Colleccion Millenium, 2001.

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32

Melville, Herman. Moby Dick (Webster's Spanish Thesaurus Edition). ICON Group International, Inc., 2006.

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33

Melville, Herman. Moby Dick, Spanish Edition. Debolsillo, 2004.

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34

Melville, Herman. Moby Dick (Historias de Siempre) (Spanish Edition). Alfaguara, 1998.

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35

Galvin, Rachel. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190623920.003.0001.

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The introduction examines the effects of the prevalent idea that civilian poets, in comparison with veteran writers, lack legitimacy in writing about war. It demonstrates that this apparent impediment in fact generated a significant civilian poetics during the Spanish Civil War and World War II. This argument is based on analysis of the work of an international set of poets writing in English, Spanish, and French who made use of self-reflexive rhetoric as they engaged with news of war: W. H. Auden, César Vallejo, Wallace Stevens, Raymond Queneau, Marianne Moore, and Gertrude Stein. After setti
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36

La Isla del Tesoro (Historias de Siempre) (Spanish Edition). 2nd ed. Santillana USA Publishing Company, 1998.

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37

Bellver, Catherine G. Bodies in Motion: Spanish Vanguard Poetry, Mass Culture, and Gender Dynamics. Rowman & Littlefield Publishing Group, Incorporated, 2010.

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38

Bellver, Catherine. Bodies In Motion: Spanish Vanguard Poetry, Mass Culture, and Gender Dynamics. Bucknell University Press, 2010.

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39

En ángulo muerto. Diputación Provincial de Ciudad Real, 2018.

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40

Beaulieu, Marie-Claire, ed. A Cultural History of the Sea in Antiquity. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781474207201.

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The sea is omnipresent in the ancient cultures of the Mediterranean basin. It is an inexhaustible source of food, but also a well-traveled roadway and a means to communicate, trade with, or wage war against one’s neighbors. Perhaps because these practical meanings of the sea were so deeply embedded in daily life, the sea also had a profound religious and symbolic significance for ancient people, from the worship of sea-deities by anxious mariners to the creation of intricate literary devices based on ‘the wine-dark sea’ and concepts such as insularity. People even imagined that, at the edge of
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41

La poesía erótica de los Siglos de Oro. Ediciones del Laberinto, 2003.

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42

Imboden, Rita Catrina, Dolores Romero López, and Itzíar López Guil. Seis Siglos de Poesía Española Escrita Por Mujeres: Pautas Poéticas y Revisiones Críticas. Lang AG International Academic Publishers, Peter, 2012.

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43

Escaja, Tina, Tina Escasa, Gabriela Mora, Daniel Garcia, and Gwen Kirkpatrick. Delmira Agostini y el Modernismo. Nuevas propuestas de género (Tesis/Ensayo). B. Viterbo Editora, 2000.

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44

Rodrigues-Moura, Enrique, ed. Letras na América Portuguesa : autores – textos – leitores. University of Bamberg Press, 2021. http://dx.doi.org/10.20378/irb-50063.

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Os textos produzidos na denominada América Portuguesa (1500-1822) abrangem os mais variados campos das letras ocidentais – lírica, épica, dramaturgia, historiografia, epistolografia, parenética, lexicografia, etc. – e seguem um modelo retórico-poético e teológico-político comum, próprio das Letras do Ancien Régime. Manuscritos e impressos escritos em várias línguas (português, principalmente, mas também em latim, castelhano, francês, italiano, tupi-guarani, língua geral, etc.), por um número de autores considerável (Pero Vaz de Caminha, José de Anchieta, Antônio Vieira, Francisco Manuel de Mel
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45

Robert Louis Stevenson. Treasure Island Illustrated. Independently Published, 2021.

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46

Reference, ICON. Treasure Island: Webster's Thesaurus. Icon Reference, 2006.

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47

(Narrator), Nadia May, ed. Treasure Island (1038). Northstar Audio Books Inc (a), 1990.

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48

Robert Louis Stevenson and Wendy R. Katz. Treasure Island. Edinburgh University Press, 1998.

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49

Robert Louis Stevenson. Treasure Island. The Editorium, LLC, 2008.

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50

Louis, Stevenson Robert. Die Schatzinsel. Neuer Kaiser V., Klf., 2001.

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