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Books on the topic 'Spatial Hearing'

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1

H, Gilkey Robert, and Anderson Timothy R, eds. Binaural and spatial hearing in real and virtual environments. Lawrence Erlbaum Associates, 1997.

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2

Takao, Kumazawa, Kruger Lawrence, and Mizumura Kazue, eds. The polymodal receptor: A gateway to pathological pain. Elsevier, 1996.

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3

Culling, John F., and Michael A. Akeroyd. Spatial hearing. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780199233557.013.0006.

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4

Principles And Applications Of Spatial Hearing. World Scientific Publishing Company, 2011.

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5

Suzuki, Yoiti, Douglas Brungart, and Kazuhiro Iida. Principles and Applications of Spatial Hearing. World Scientific Publishing Co Pte Ltd, 2011.

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6

Spatial hearing: The psychophysics of human sound localization. MIT Press, 1997.

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7

Anderson, Timothy R., and Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.

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8

Anderson, Timothy R., and Robert H. Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2015.

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9

Anderson, Timothy R., and Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.

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10

Anderson, Timothy R., and Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.

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11

Anderson, Timothy R., and Robert Gilkey. Binaural and Spatial Hearing in Real and Virtual Environments. Taylor & Francis Group, 2014.

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12

Blauert, Jens. Spatial Hearing: The Psychophysics of Human Sound Localization. The MIT Press, 1996.

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13

Xie, Bosun, ed. Spatial Sound. Taylor & Francis Group, LLC, 2023. https://doi.org/10.5040/9780367533441.

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Spatial sound is an enhanced and immersive set of audio techniques which provides sound in three-dimensional virtual space. This comprehensive handbook sets out the basic principles and methods with a representative group of applications: sound field and spatial hearing; principles and analytic methods of various spatial sound systems, including two-channel stereophonic sound, and multichannel horizontal and spatial surround sound; Ambisonics; wavefield synthesis; binaural playback and virtual auditory display; recording and synthesis, and storage and transmission of spatial sound signals; and
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14

Gilkey, Robert. Binaural and Spatial Hearing in Real and Virtual Environments. Psychology Press, 2014. http://dx.doi.org/10.4324/9781315806341.

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15

Pausch, Florian. Spatial Audio Reproduction for Hearing Aid Research : : System Design, Evaluation and Application. Logos Verlag Berlin, 2022.

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16

Andéol, Guillaume, Brian D. Simpson, and Ewan A. Macpherson, eds. How and Why Does Spatial-Hearing Ability Differ among Listeners? What Is the Role of Learning and Multisensory Interactions? Frontiers Media SA, 2016. http://dx.doi.org/10.3389/978-2-88919-856-6.

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17

Woods, Angela, Ben Alderson-Day, and Charles Fernyhough, eds. Voices in Psychosis. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192898388.001.0001.

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Abstract Voices in Psychosis: Interdisciplinary Perspectives deepens and extends the understanding of hearing voices in psychosis in a striking way. For the first time, this collection brings multiple disciplinary, clinical, and experiential perspectives to bear on an original and extraordinarily rich body of testimony: transcripts of forty in-depth phenomenological interviews conducted with people who hear voices and who have accessed Early Intervention in Psychosis services. Voice-hearing experiences associated with psychosis are highly varied, frequently distressing, poorly understood, and
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18

(Editor), T. Kumazawa, L. Kruger (Editor), and K. Mizumura (Editor), eds. The Polymodal Receptor - A Gateway to Pathological Pain (Progress in Brain Research). Elsevier Science, 1996.

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