Relevant bibliographies by topics / Spawn (Motion picture)

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  1. Dissertations / Theses

Academic literature on the topic 'Spawn (Motion picture)'

Author: Grafiati
Published: 27 July 2024
Last updated: 29 July 2024

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Dissertations / Theses on the topic "Spawn (Motion picture)"

1

Van, Liew Maria. "Democratic women : gender, national discourse and the cinema of post-Franco Spain /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820983.

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2

Kritzinger, Christiaan Cornelius. "The interrelationships between meaning(s), form, cinematic technology and surrealist ideology in Luis Buñuel's, Un Chien Andalou (1929)." Thesis, Nelson Mandela Metropolitan University, 2012. http://hdl.handle.net/10948/d1007847.

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This study sets out to determine the interrelationship between meaning(s), form (specifically framing and composition), cinematic technology and the surrealist ideology with specific reference to Luis Buñuel’s film, Un Chien Andalou (1929). The study utilises a semiotic framework to analyse the seminal film, as well as the researcher’s short film Facebrick (2012). The semiotic reading is conducted according to key surrealist tenets namely, spatio-­‐temporal disruption, the use of free-­‐association and the inclusion of cultural, religious and sexual symbols as a revolutionary tool. Gillian Ros
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3

Archibald, David. "The Spanish Civil War in cinema." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/1089/.

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In this thesis I present a case study of the Spanish civil war in cinema. I examine how this period has been represented in cinema through time, in different countries and in various cinematic forms. I reject the postmodern prognosis that the past is a chaotic mass, made sense of through the subjective narrativisation choices of historians working in the present. On the contrary, I argue that there are referential limits on what histories can be legitimately written about the past. I argue that there are different, often contradictory, representations of the Spanish civil war in cinema which i
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4

Cavielles-Llamas, Ivan. "De otros a nosotros el cine Español sobre inmigración y su camino hacia una visión pluricultural de España (1990-2007) /." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/246/.

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Reyes, Clara Irene. "Aesthetics: beauty and the sublime in the representation of violence an analysis of contemporary film and novel in Spain and Latin America /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1091660144.

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6

Kennedy, Tara L. "La ley de memoria histórica en el cine y la novela españoles." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404541/.

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This thesis investigates the Spanish identity crisis through structural, political and representational intersectionality by means of the Law of Historic Memory, also known as LEY 52/2007 del 26 de diciembre. This work, written in Spanish, explores relational aspects of various contemporary themes within four post-Franco novels and four Spanish films: Réquiem por un campesino español by Ramón J. Sender and its corresponding film directed by Francesc Betriu; Soldados de Salamina by Javier Cercas and its corresponding film directed by David Trueba; La voz dormida by Dulce Chacón and its corresp
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7

Saeger, J'Leen Manning. "The recuperation of historic memory recognizing suppressed female voices from the Spanish Civil War and Francoist repression /." Diss., [Riverside, Calif.] : University of California, Riverside, 2009. http://proquest.umi.com/pqdweb?index=1&did=1957395191&SrchMode=2&sid=12&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1270050392&clientId=48051.

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Thesis (Ph. D.)--University of California, Riverside, 2009.<br>Includes abstract. Title from first page of PDF file (viewed March 31, 2010). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. 267-283). Also issued in print.
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8

Romero-González, Tanya. "El enigma de Medem: Espacio, género y desdoblamiento en Vacas." Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1259193836.

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9

Ardanaz, Yunta Natalia. "El cine del destape: un análisis histórico desde la perspectiva de género." Doctoral thesis, Universitat de Barcelona, 2018. http://hdl.handle.net/10803/666221.

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La presente investigación tiene como objeto de estudio el cine del destape, un cine que se define por la irrupción en la pantalla de cuerpos desnudos, mayoritariamente femeninos; un fenómeno que adquirió gran trascendencia social y política en España y que no tiene parangón en cinematografías de otros países. Para analizar el cine del destape desde una perspectiva histórica, hemos establecido el inicio de la investigación en las comedias sexy celtibéricas del tardofranquismo. Se trata de comedias de gran popularidad en las que encontramos las raíces de esa necesidad de liberación sexual que,
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10

Medrano, Coll Francisco Javier. "El cine argumental español durante la dictadura de Primo de Rivera: 1923-1930." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/398714.

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La época de la dictadura del general Primo de Rivera no ha sido aún suficientemente estudiada especialmente en el terreno cinematográfico. Sólo en estos últimos años se ha detectado un mayor interés por analizar más a fondo su naturaleza y características. Uno de los objetivos del trabajo es comprobar si el cine del momento es o no un reflejo de la sociedad española y por otra parte, si ese mismo cine tiene la capacidad de modelar esa sociedad. Por otro lado, también se intentará comprobar si se usaba como herramienta para transmitir contenidos ideológicos. Para conseguir esos objetivos, se
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