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Books on the topic 'Special effects artists'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Riley, Gail Blasser. Wah Ming Chang: Artist and master of special effects. Enslow Publishers, 1995.

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2

Adobe Photoshop for VFX artists. Thomson Course Technology PTR, 2005.

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3

Special effects artists: A worldwide biographical dictionary of the pre-digital era. McFarland & Co., 2008.

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4

Patel, Mayur. The digital visual effects studio: The artists and their work revealed. Clock and Flame Studios, 2009.

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5

translator, Werry John (Translator), ed. Behind the scenes! Viz Media, 2017.

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6

translator, Werry John (Translator), ed. Behind the scenes! Viz Media, 2016.

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7

Steve, Wright. Compositing visual effects: Essentials for the aspiring artist. Elsevier/Focal Press, 2008.

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8

translator, Werry John (Translator), ed. Behind the scenes! Viz Media, 2016.

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9

Elizabeth, Murray. Painterly photography: Awakening the artist within. Pomegranate Artbooks, 1993.

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10

Palmer, Randy. Paul Blaisdell, monster maker: A biography of the B movie makeup and special effects artist. McFarland, 1997.

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11

Meyer, Trish. After effects apprentice: Real-world skills for the aspiring motion graphics artist. Elsevier Focal Press, 2007.

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12

1961-, Meyer Chris, ed. After Effects apprentice: Real-world skills for the aspiring motion graphics artist. 2nd ed. Focal Press, 2009.

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13

Ades, Dawn. An Introduction to photography & surrealism. Arts Council of Great Britain, 1986.

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14

Fabre, Carlo. Foto-virtuali: Iter e verifiche. Morgana, 1994.

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15

Op tics. Nazraeli Press/JGS, 2006.

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16

Schot, James. Illusions of Martha's Vineyard: The art of fine photography. BestSchot Pub., 1997.

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17

Puranen, Jorma. Jorma Puranen: Varjoja ja heijastuksia = shadows and reflections. Edited by Keltanen, Minerva, editor, writer of accompanying text, Sinebrychoffin taidemuseo, and Valtion taidemuseo (Finland). Sinebrychoffin taidemuseo, 2011.

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18

Feininger, Andreas. Andreas Feininger: Stockholm 1933-1939. Stadsmuseum, 1991.

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19

Thomas, Buchsteiner, Letze Otto, and Galerie der Stadt Stuttgart, eds. Andreas Feininger: That's photography. Hatje Cantz, 2004.

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20

Feininger, Andreas. Andreas Feininger: "Warum ich fotografiere" : schwarzweiss Fotos 1928-1988. Verlag Photographie, 1997.

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21

Doisneau, Robert. Paris de fou. Dargaud, 1995.

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22

McClelland, Deke, and Deke McClelland. Painting on the Macintosh: A non-artist's drawing guide to MacPaint, SuperPaint, PixelPaint, HyperCard, and many others. Dow-Jones Irwin, 1989.

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23

A Complete Guide to Special Effects Makeup: Conceptual Artwork by Japanese Makeup Artists. Graphic-Sha, 2007.

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24

Giesen, Rolf. Special Effects Artists: A Worldwide Biographical Dictionary of the Pre-digital Era With a Filmography. McFarland, 2014.

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25

Zar, Chet. Black Magick: The Art of Chet Zar. BeinART Publishing, 2012.

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26

Trust, Lux Europae, ed. Lux Europae: Outdoor light installations by 35 European artists across the city of Edinburgh. Lux Europae Trust, 1992.

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27

Special Effects in the Movies: How They Do It: Dazzling Movie Magic and the Artists Who Create It. Ballantine Books, 1986.

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28

Gimmick. Viz Media, 2008.

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29

Ritchin, Fred. In Our Own Image: The Coming Revolution in Photography (Aperture Writers & Artists on Photography). 2nd ed. Aperture, 2006.

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30

SPECIAL EFFECTS MAKEUP ARTIST. RAINTREE PAPERBACKS, 2014.

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31

translator, Werry John (Translator), ed. Behind the scenes! 2016.

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32

Compositing Visual Effects: Essentials for the Aspiring Artist. Focal Press, 2007.

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33

Compositing Visual Effects: Essentials for the Aspiring Artist. Taylor & Francis Group, 2011.

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34

After Effects Apprentice: Real World Skills for the Aspiring Motion Graphics Artist. Taylor & Francis Group, 2016.

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35

After Effects Apprentice: Real World Skills for the Aspiring Motion Graphics Artist. Taylor & Francis Group, 2016.

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36

Paul Blaisdell, Monster Maker: A Biography of the B Movie Makeup and Special Effects Artist. McFarland & Company, 2009.

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37

Craig, Jonathan, and Bridget Light. Special Effects Make-up Artist: The Coolest Jobs on the Planet. Raintree, 2013.

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38

Special Effects Make-up Artist: The Coolest Jobs on the Planet. Raintree, 2013.

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39

1961-, Meyer Chris, ed. The After effects apprentice: Real-world skills for the aspiring motion graphics artist. Focal Press, 2013.

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40

Provenzano, Catherine. Auto-Tune, Labor, and the Pop-Music Voice. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0008.

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Long used in popular music to smooth vocal imperfections, Auto-Tune has become a much-discussed production tool since the early 2000s through artists including Cher, Daft Punk, and Kanye West. This chapter examines the relationship among artist skill, Auto-Tune, and reception. Artist T-Pain overtly used Auto-Tune to give his voice a synthetic, often robotic quality. Through T-Pain, overt use of Auto-Tune became associated with black music and was often reviled by the general public. T-Pain’s acoustic performance on NPR’s Tiny Desk Concert series redeemed him in the eyes of many listeners whose disdain for Auto-Tune arises from a belief that the technology erodes authenticity by making skillful singing irrelevant. In contrast, Taylor Swift’s producers also use Auto-Tune as well, but rather than treating it as a special effect, they use it to correct intonation and amplify desirable vocal timbre. This use is also controversial, as Swift’s recordings are often considered disingenuous.

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41

Special affects [sic] effects: The photographic experience in contemporary art. G. Politi, 1989.

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42

Color Theory for the Makeup Artist: Understanding Color and Light for Beauty and Special Effects. Routledge, 2018.

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43

Suedfeld, Peter, A. Dennis Rank, and Marek Malůš. Spontaneous Mental Experiences in Extreme and Unusual Environments. Edited by Kalina Christoff and Kieran C. R. Fox. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190464745.013.35.

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This chapter reviews the effects of a special category of environments on cognitive and cognitive/emotional processes. These extreme and unusual environments (EUEs) are characterized by drastic differences from the individual’s accustomed milieu, and by posing serious challenges to well-being, health, and survival. There is a massive and wide-ranging body of writing on this topic, from history, anthropology, sociology, literature, and biography, as well as from psychology. The chapter covers information from studies of religion and ritual, mysticism, exploration, spaceflight, artistic endeavor, psychotherapy, and laboratory experiments. Sojourners in EUEs have experienced changes in memory and cognitive performance, perceptual anomalies, states of dissociative fugue, and unusual flights of imagination, among other consequences. Both positive and negative effects have been found and are discussed.

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44

Andreas Feininger: Ein Fotografenleben, 1906-1999. Hatje Cantz Verlag GmbH & Co KG, 2010.

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45

Letze, Otto, and Thomas Buchsteiner. Andreas Feininger: That's Photography. Hatje Cantz Publishers, 2004.

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46

Andreas Feininger: Nature in Miniature. Thames and Hudson Ltd, 1989.

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47

Doisneau, Robert. Paris de fous. Dargaud, 1999.

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48

Griep, Mark A., and Marjorie L. Mikasen. ReAction! Oxford University Press, 2009. http://dx.doi.org/10.1093/oso/9780195326925.001.0001.

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ReAction! gives a scientist's and artist's response to the dark and bright sides of chemistry found in 140 films, most of them contemporary Hollywood feature films but also a few documentaries, shorts, silents, and international films. Even though there are some examples of screen chemistry between the actors and of behind-the-scenes special effects, this book is really about the chemistry when it is part of the narrative. It is about the dualities of Dr. Jekyll vs. inventor chemists, the invisible man vs. forensic chemists, chemical weapons vs. classroom chemistry, chemical companies that knowingly pollute the environment vs. altruistic research chemists trying to make the world a better place to live, and, finally, about people who choose to experiment with mind-altering drugs vs. the drug discovery process. Little did Jekyll know when he brought the Hyde formula to his lips that his personality split would provide the central metaphor that would come to describe chemistry in the movies. This book explores the two movie faces of this supposedly neutral science. Watching films with chemical eyes, Dr. Jekyll is recast as a chemist engaged in psychopharmaceutical research but who becomes addicted to his own formula. He is balanced by the often wacky inventor chemists who make their discoveries by trial-and-error.

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49

Hogh-Olesen, Henrik. The Woman in Red and the Man with the Chrome-Plated Wheels. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190927929.003.0005.

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Chapter 4 looks at how key stimuli and brain programming affect our own species’ aesthetics and determine which shapes, colors, and landscapes humans are attracted to and consider beautiful. Like other animals, people are predisposed to respond to certain key stimuli, which have been associated with an expectation of functionality, fitness, and increased well-being. In other words, the perception of beauty represents a strong internal indicator, which it pays to be guided by in order to gain various benefits. In this investigation, the chapter enters the micro-processes of artistic creation. It looks at the aesthetic effects that make up an artwork and at the understanding of why something captivates and fascinates people. The right embellishment can transform a trivial everyday object into an overwhelming power object—a kind of fetish that means the world to us and costs a fortune. How does something like this happen?

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50

Cherbuliez, Juliette. In the Wake of Medea. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823287826.001.0001.

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This book explores the rhetorical, literary, and performance strategies through which violence appears and persists in early modern French tragedy, a genre long understood as passionless and refusing all violence. The mythological figure of Medea, foreigner who massacres her brother, murders kings, burns down Corinth, and kills her own children, can serve as a paradigm for this violence. An alternative to western philosophy’s ethical paradigm of Antigone, the Medean presence offers a model of radically persistent and disruptive outsiderness—for classical theater and its wake in literary theory. In the Wake of Medea explores a range of artistic strategies integrating violence into drama: rhetorical devices like ekphrasis, dramaturgical special effects, and shifts in temporal structures. The full range of this Medean presence appears in literal treatments of Medea (Médée, La Conquête de la Toison d’Or) and in tragedies figuratively invoking a Medean presence (Hercule mourant, Phèdre, Athalie). Of interest to specialists, political theorists, and students of theater, it explores works by well-known dramaturges (Racine, Corneille) alongside a breadth of neoclassical political theater (spectacular machine plays, Neo-Stoic parables, didactic Christian theater). In the Wake recognizes the Medean force within these tragedies, while also exploring why violence remains so integral to literature and arts today.

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