Academic literature on the topic 'Spectator categorization'

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Journal articles on the topic "Spectator categorization"

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Meân, Lindsey J., and Jeffrey W. Kassing. "Identities at Youth Sporting Events: A Critical Discourse Analysis." International Journal of Sport Communication 1, no. 1 (2008): 42–66. http://dx.doi.org/10.1123/ijsc.1.1.42.

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The purpose of this study was to examine identity and spectator/fan communication at youth sporting events. Data were collected through naturalistic observation of 44 youth sporting events. The median age range of the athletes was 6–11 years. Critical discourse analysis revealed the enactment of overlapping and conflicting identities (sports fan/spectator, coach, and parent) and the re/production of the ideology of winning (at all costs) and aggressive competition, rather than participation, support, and “unconditional” encouragement. In particular, the enactment or performance of sports ident
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Branscombe, Nyla R., and Daniel L. Wann. "Role of Identification with a Group, Arousal, Categorization Processes, and Self-Esteem in Sports Spectator Aggression." Human Relations 45, no. 10 (1992): 1013–33. http://dx.doi.org/10.1177/001872679204501001.

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Goyvaerts, Samuel, and Fokke Wouda. "Dutch Responses to Lockdown Liturgies. Analysis of the Public Debate on Sacraments During the COVID-19 Pandemic." Yearbook for Ritual and Liturgical Studies 36 (December 31, 2020): 3–17. http://dx.doi.org/10.21827/yrls.36.3-17.

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Analyzing the discourse around sacraments – most notably the Eucharist – in Dutch newspapers in the first months of restrictions issued to combat the coronavirus pandemic, this article categorizes the various manifestations of liturgical life encountered and presents the main theological interests at stake. The article is structured according to the four types of adaptations to liturgical life displayed in the sample of articles, readers’ letters, and opinion pieces included in this study: abstinence, spectator liturgy, private domestic liturgy, and embedded domestic liturgy. This categorizati
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SUESHIGE, Yuichi, and Misaki TAKI. "CATEGORIZATION OF BASEBALL SPECTATORS BASED ON THEIR SPECTATING PURPOSES AND COMPARISONS OF THEIR GAME-DAY BEHAVIOR." AIJ Journal of Technology and Design 30, no. 76 (2024): 1553–58. http://dx.doi.org/10.3130/aijt.30.1553.

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Rotstein, Andrea. "Mousikoi Agones and the Conceptualization of Genre in Ancient Greece." Classical Antiquity 31, no. 1 (2012): 92–127. http://dx.doi.org/10.1525/ca.2012.31.1.92.

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This article inquires into the shaping force that competition at musical contests exercised on ancient perceptions of literary genres, particularly for the non-choral and non-dramatic kinds of the Classical Period. Three musical contests of the fourth century BCE, the Panathenaia, the Amphiaraia, and the Artemisia, are taken as case studies. After a reconstruction of their programs, principles of categorization that spectators might have inferred from the contests are deduced, and modes in which categories of competition and literary genres interacted are put forward. The article concludes by
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Almarzouki, Hatim Z. "Deep-Learning-Based Cancer Profiles Classification Using Gene Expression Data Profile." Journal of Healthcare Engineering 2022 (January 7, 2022): 1–13. http://dx.doi.org/10.1155/2022/4715998.

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The quantity of data required to give a valid analysis grows exponentially as machine learning dimensionality increases. In a single experiment, microarrays or gene expression profiling assesses and determines gene expression levels and patterns in various cell types or tissues. The advent of DNA microarray technology has enabled simultaneous intensive care of hundreds of gene expressions on a single chip, advancing cancer categorization. The most challenging aspect of categorization is working out many information points from many sources. The proposed approach uses microarray data to train d
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Park, Kwangho, Gi-Yong Koo, Minkil Kim, and Sanghoon Kim. "Consumer adoption of virtual reality for spectator sport: an adopter categorization based on the diffusion of innovation and uses and gratification theories." International Journal of Sports Marketing and Sponsorship, November 22, 2024. http://dx.doi.org/10.1108/ijsms-04-2023-0059.

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PurposeThe purpose of this study is to (1) identify the factors that affect the adoption of virtual reality (VR) for spectator sports, (2) examine the differences in the factors among the four adopter categories (i.e. continuers, discontinuers, potentials and resistors) and (3) determine whether these factors are useful for discriminating among the adopter categories, based on the “diffusion of innovation” and “uses and gratification” theories.Design/methodology/approachIn total, 216 participants were included in the analysis. Logistic regression and multiple analyses of variance were conducte
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Bacholle, Michèle. "For a fluid approach to Céline Sciamma's Portrait of a Lady on Fire." French Cultural Studies, May 29, 2022, 095715582210996. http://dx.doi.org/10.1177/09571558221099637.

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This paper argues that Céline Sciamma's Portrait of a Lady on Fire (2019) goes beyond the lesbian or queer categorization that critics have often hastily reduced it to. Set in pre-revolutionary France, Portrait is a film from 'the 2019th century' (Sciamma) that addresses contemporary issues (consent, patriarchal and heteronormative order, women's silencing, women's desire and sexuality). It offers a reflection on 'fluid' time and historicizes and archives both disappeared women artists and same-sex women's relations in French painting and cinema. Sciamma reeducates her spectators’ (male) gaze,
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Dissertations / Theses on the topic "Spectator categorization"

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Roschmann, Regina. "Zuordnungsprozesse bei Fußballzuschauern - Zur Salienz teambezogener Kategorien." Doctoral thesis, Universitätsbibliothek Chemnitz, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-121214.

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Sport im Allgemeinen und Fußball im Besonderen erfreuen sich nicht nur unter aktiven Sportlern, sondern auch unter Zuschauern aktuell hoher Beliebtheit. Angesichts teils enormer Einschaltquoten scheint es wahrscheinlich, dass Fußballspiele nicht nur von Fans der beteiligten Mannschaften verfolgt werden. Dies kann sowohl gänzlich neutrale Zuschauer als auch Anhänger anderer Teams betreffen. Während Fans allerdings durch die Literatur bereits ausführliche Aufmerksamkeit erfahren haben und durch relativ eindeutige und verlässliche Denk- und Verhaltensweisen gekennzeichnet scheinen, bleibt dies fü
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CONIGLIARO, Davide. "Spectator crowd: a social signal processing perspective." Doctoral thesis, 2016. http://hdl.handle.net/11562/940037.

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Questa tesi propone un nuovo tipo di analisi in Computer Vision basato sulla folla di spettatori, ovvero una folla formata da persone riunite per guardare qualcosa di specifico che attira il loro interesse. Alcuni scenari tipici in cui è presente la folla di spettatori sono gli stadi, i teatri, le aule, ecc., questi scenari condividono alcuni aspetti con la folla tradizionale; per esempio, il fatto che osservo molte persone contemporaneamente e quindi l'analisi sul singolo individuo è complicata; tuttavia, nel nostro caso, la dinamica delle persone è vincolata dalla struttura architettonica; i
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Nohejl, Jiří. "Obraz jako příklad a vzor v kontextu jeho vlivu a rozšíření na prožívání života člověka." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-307518.

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The main theme of this dissertation is to define an image as a visual experience. The human interaction is described by the author himself as a perception of the image, which serves as an information unit that could be presented as a possibility, example and pattern for the individual. There is an emphasis on the process of perception itself and on the way of interaction of an individual emphasizing the context of social learning and imitation in this text. The analysis of the principles of this interaction leading into introduction of the partial interactive models covering these processes is
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Books on the topic "Spectator categorization"

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White, Bretton. Staging Discomfort. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401544.001.0001.

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Staging Discomfort examines how queer bodies are theatrically represented on the Cuban stage in order to re-evaluate the role of categorization as one of the state’s primary revolutionary tools. These performances concentrate on an aesthetics of fluidity, and thus upset traditional understandings of performer and spectator, and what constitutes the ideal Cuban citizenry. New affective modes are produced when performing bodies highlight—often in uncomfortably intimate, grotesque, or raw ways—the unavoidability of spectators’ bodies, and their capacity for queerness. Here the imagining of new co
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Book chapters on the topic "Spectator categorization"

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Coates, Jennifer. "Theorizing Excess and the Abject." In Making Icons. Hong Kong University Press, 2017. http://dx.doi.org/10.5790/hongkong/9789888208999.003.0007.

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This chapter establishes a theoretical framework for chapter 7, which deals with characterizations and tropes that resist categorization. Using Art Historical theorizations of the abject, including the work of Hal Foster and Julia Kristeva, abject bodies and national identities are explored in the historical context of early post-war Japan. The impact of abject imagery on the spectator is hypothesized using Ella Shohat and Robert Stam’s account of the ‘schizophrenic spectator.’ Case studies include Teshigahara Hiroshi’s Woman of the Dunes (Suna no onna, 1964).
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Ravetto-Biagioli, Kriss. "Self-Uncanny." In Digital Uncanny. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190853990.003.0002.

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Self-Uncanny looks at the interface between humans and digital technologies in the work of Rafael Lozano-Hemmer, focusing on the screen as a site of encounter that is shadowed by surveillance and profiling devices. It begins by examining how interactive screens reposition us as users rather than just spectators. While the contemporary shift from spectator to user seems to offer more agency, it also questions our subjectivity. We are no longer treated as subjects or addressees, but as sources of information that is collected, analyzed, and sorted by algorithms—algorithms that see us as members
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Sendyka, Roma. "Chapter 3 Bystanders as Visual Subjects: Onlookers, Spectators, Observers, and Gawkers in Occupied Poland." In Probing the Limits of Categorization. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781789200942-005.

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Taithe, Bertrand. "Compassion Fatigue." In Emotional Bodies. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042898.003.0012.

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This chapter investigates the emergence, evolution, and performance of the concept of “compassion fatigue” in the humanitarian context. It tracks the uses made by humanitarians of bodily responses to their work or representations of their work from a discourse on a danger of humanitarian excess to its redefinition as the embodiment of caregivers’ dilemmas and, finally, as a metaphor for understanding the potential for public disengagement with fundraising campaigns. This chapter seeks to determine how compassion fatigue has been embodied, represented, addressed, and politically used in humanit
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