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Books on the topic 'Specters of Marx'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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1

Jacques, Derrida. Specters of Marx: The state of the debt, the work of mourning, and the New international. New York: Routledge, 1994.

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Jacques, Derrida. Specters of Marx: The state of the debt, the work of mourning, and the new international. New York: Routledge, 1994.

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3

Zahn, Theodor. Specter of the Past. New York: Bantam Books, 1997.

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4

Star Wars: Specter of the Past: Hand of Thrawn Duology - Book 1. New York: Bantam Books, 1997.

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5

Jacques, Derrida. Spectres de Marx: L'état de la dette, le travail du deuil et la nouvelle Internationale. Paris: Editions Galilée, 1993.

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6

Two boys, divided by fortune, united by tragedy: A true story of the pursuit of justice. Philadelphia: Camino Books, 2008.

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7

Derrida, Africa, and the Middle East. New York: Palgrave Macmillan, 2009.

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8

Simsion, Graeme C. The rosie effect. Melbourne, Victoria: Text Publishing, 2014.

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9

Simsion, Graeme C. L'effet Rosie: Ou le Théorème de la cigogne. Paris: NiL, 2015.

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10

Simsion, Graeme C. The Rosie effect. Thorndike, Maine: Center Point Large Print, 2015.

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11

Derrida, Jacques. Specters of Marx. Routledge, 2012. http://dx.doi.org/10.4324/9780203821619.

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12

Michael, Sprinker, ed. Ghostly demarcations: A symposium on Jacques Derrida's Specters of Marx. London: Verso, 1999.

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13

Sprinker, Michael. Ghostly Demarcations: A Symposium on Jacques Derrida's "Specters of Marx". Verso, 1999.

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14

Sprinker, Michael. Ghostly Demarcations: A Symposium on Jacques Derrida's "Specters of Marx". Verso, 1999.

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15

Jacques, Derrida, and Terry Eagleton. Ghostly Demarcations: A Symposium on Jacques Derrida's Specters of Marx. Verso, 2008.

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16

Mattar, Karim. Specters of World Literature. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474467032.001.0001.

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This book draws on Edward Said, Aamir Mufti, Jacques Derrida, and world-systems theory to address the institutionalized construct of “world literature” from its origins in Goethe and Marx to the present day. It argues that through its history, this construct has served to incorporate if not annul local literatures and the concept of “local literature” itself, and to universalize the novel, the lyric poem, and the stage play as the only literary forms appropriate to modernity. It demonstrates this thesis through a comparative reading of the reinscription of the classical Arabic-Islamic concept of “adab” as “literature” in the modern, European sense in Egypt, Turkey, and Iran in the 19th to mid-20th centuries. It then turns to the Middle Eastern novel in the global contexts of its production, translation, circulation, and reception today. Through new readings of novels and other literary works by Abdelrahman Munif, Naguib Mahfouz, Orhan Pamuk, Azar Nafisi, Yasmin Crowther, and Marjane Satrapi, and with reference to landmarks of Middle Eastern and world literary history ranging from the Mu‘allaqāt and Alf Layla wa Layla to Don Quixote, it argues that these texts—like “world literature” itself—are constitutively haunted by specters of the literary forms and traditions, of the life-worlds that they expressed, cast aside by modernity. In the case of the Middle Eastern novel, it is adab and all that it encompassed in the classical Arab-Islamic world that is suppressed or othered, but that spectral, yet returns in new, genuinely worldly constellations of form.
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17

Jacques, Derrida. Specters of Marx: The State of the Debt, The Work of Mourning & the New International (Routledge Classics). Routledge, 2006.

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18

Sprinker, Michael. Demarcaciones espectrales/ Ghostly Demarcations: En torno a espectros de Marx, de Jacques Derrida/ A Symposium on Jacques Derrida's Specters of Marx (Cuestiones De Antagonismo/ Antagonism Matters). Akal Ediciones, 2002.

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19

Howard, Dick. Specter of Democracy. Columbia University Press, 2002.

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20

Howard, Dick. Specter of Democracy. Columbia University Press, 2006.

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21

The Specter of Democracy. Columbia University Press, 2002.

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22

Uden, James. Spectres of Antiquity. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190910273.001.0001.

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Gothic literature imagines the return of ghosts from the past. What about the classical past? Spectres of Antiquity is the first full-length study describing the relationship between Greek and Roman culture and the Gothic novels, poetry, and drama of the eighteenth and early-nineteenth century. Rather than simply representing the opposite of classical aesthetics and ideas, the Gothic emerged from an awareness of the lingering power of antiquity, and it irreverently fractures and deconstructs classical images and ideas. The Gothic also reflects a new vision of the ancient world: no longer inspiring modernity through its examples, antiquity has become a ghost, haunting and oppressing contemporary minds rather than guiding them. Through readings of canonical works by authors including Horace Walpole, Ann Radcliffe, Matthew Lewis, and Mary Shelley, Spectres of Antiquity argues that these authors’ ghostly plots and ideas preserve the remembered traces of Greece and Rome. In comprehensive detail, Spectres of Antiquity rewrites the history of the Gothic, demonstrating that the genre was haunted by a far deeper sense of history than readers had previously assumed.
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23

Michael, Sprinker, ed. Ghostly demarcations: A symposium on Jacques Derrida's Spectres of Marx. London: Verso, 1999.

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24

Howard, Dick. The Specter of Democracy: What Marx and Marxists Haven't Understood and Why. Columbia University Press, 2006.

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25

Moon Knight The Death Of Marc Spector. Marvel Comics, 2009.

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26

The Death of Marc Spector Moon Knight. Marvel Comics, 2009.

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27

Starks, Lisa S. Ovid and Adaptation in Early Modern English Theatre. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474430067.001.0001.

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Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England. This collection uses adaptation studies in connection with other contemporary theoretical approaches to analyze early modern transformations of Ovid, providing innovative perspectives on the “Ovids” that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. The chapters explore Ovidian adaptations in the works of Shakespeare, Marlowe, Jonson, Mary Sidney Herbert, Lyly, Hewood, among others. The volume is divided into four sections: I. Gender/Queer/Trans Studies and Ovidian Rhizomes; II. Ovidian Specters and Remnants; III. Affect, Rhetoric, and Ovidian Appropriation; and IV. Ovid Remixed: Transmedial, Rhizomatic, and Hyperreal Adaptations.” Focusing on these larger topics, this book examines the multidimensional, ubiquitous role that Ovid and Ovidian adaptations played in English Renaissance drama and theatrical performance. The book contains chapters by Simone Chess, Shannon Kelley, Daniel G. Lauby, Deborah Uman, Lisa S. Starks, John S. Garrison, Catherine Winiarski, Jennifer Feather, John D. Staines, Goran Stanivukovic, Louise Geddes, Liz Oakley-Brown, Ed Gieskes, and Jim Casey.
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28

Ford, Sarah Gilbreath. Haunted Property. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496829696.001.0001.

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At the heart of America’s slave system was the legal definition of people as property. While property ownership is a cornerstone of the American dream, the status of enslaved people supplies a contrasting American nightmare. This book considers how writers in works from 19th slave narratives to 21st century poetry employ gothic tools, such as ghosts and haunted houses, to portray the horrors of this nightmare. Out of all of slavery’s perils, the definition of people as property is the central impetus for haunting because it allows the perpetration of all of the other terrors. Property becomes the engine for the white accumulation of wealth and power fueled by the destruction of black personhood. Specters often linger, however, to claim title, and haunting can be a bid for property ownership. Through examining works by Harriet Jacobs, Hannah Crafts, Mark Twain, Herman Melville, Sherley Anne Williams, William Faulkner, Eudora Welty, Toni Morrison, Octavia Butler, and Natasha Trethewey, this study reveals how writers can use the gothic to combat legal possession with spectral possession. The book thus reimagines the southern gothic, which has too often been simply equated with the macabre or grotesque and then dismissed as regional. Instead, gothic tales of slavery are the very distillation of the anxieties about race and property located in the larger American literary tradition.
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29

Bell, Adam Patrick. The Studio. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190296605.003.0002.

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Chapter 2 discusses the role of the producer, the concept of instrumentality, and how the recording studio has come to be conceptualized as an instrument since the mid-twentieth century. As exemplified by the practices of producers in the 1950s (Jerry Leiber and Mike Stoller) and the 1960s (Phil Spector, the Beach Boys’ Brian Wilson, and Motown’s Berry Gordy), early iterations of the studio as musical instrument entailed a collaborative process of working with musicians and studio personnel. In the early 1970s playing the studio as musical instrument took on a new meaning in the hands of Jamaican dub producers like King Tubby, who forewent working with musicians in the studio and instead reimagined and remixed prerecorded tracks by playing the equipment of the studio. This approach was furthered by hip-hop producers in New York, notably the Bomb Squad, who incorporated the sampler into their studio-playing practices. Finally, a glimpse into the practices of Max Martin demonstrates that in contemporary music production DAWs are the de facto instrument.
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30

Cox, Mary Elisabeth. Hunger in War and Peace. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198820116.001.0001.

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What is the impact of war on non-combatants, particularly women and children? In this innovative analysis of nutritional deprivation among ordinary German citizens during the First World War, Mary Elisabeth Cox finds that the effects of the war and the Allied interdiction of food supplies—which became known in Germany as the ‘Hungerblockade’—resulted in diminished heights and weights of children far from the battlefield. During the war, Germany defiantly proclaimed that their country could not be starved out. In a military sense, this was likely to be the case, and many modern historians argue persuasively that Germany lost on the battlefield. Yet modern analyses of height and weight records for hundreds of thousands of school children reveal a grim truth: even if Germany did not lose the war because of food insecurity, the war blockade resulted in hunger for millions of German infants. Desperately struggling to feed their families under the growing spectre of starvation, many mothers chose to sacrifice their own well-being for the benefit of their families. National and local policies within Germany often exasperated food insecurity. Modern analysis of anthropometric data now brings into question both long-held assumptions about the divide between rural and urban health, and legal and moral arguments in support of the blockade. Combined with contemporary letters, diaries, and news reports, these data provide an expanded picture of the levels of health and nutritional deprivation across society. This story of one of the most vicious wars in history is not devoid of compassion. Following the eventual lifting of the British blockade, the victorious powers and nations throughout the world sent millions of tons of food into Germany, relief which is mirrored in drawings and letters of gratitude from hundreds of German school children, and which can be seen as a surge of growth in height and weight measurements.
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31

Simsion, Graeme C. Der Rosie-Effekt: Noch verrückter nach ihr. Roman. FISCHER Krüger, 2014.

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32

Simsion, Graeme C. Der Rosie-Effekt: Noch verrückter nach ihr. Roman. FISCHER Taschenbuch, 2016.

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33

Simsion, Graeme C. Het Rosie effect. Luitingh Sijthoff, 2015.

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34

Simsion, Graeme C. Rosie Effect. Text Publishing Company, 2016.

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35

Simsion, Graeme C. The Rosie Effect. Simon & Schuster Audio, 2015.

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36

Efekt Rosie. Poznań, Poland: Media Rodzina, 2016.

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37

Simsion, Graeme C. The Rosie effect. Michael Joseph Ltd, 2014.

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38

Simsion, Graeme C. The Rosie effect. Simon & Schuster, 2015.

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39

Simsion, Graeme C. Der Rosie-Effekt. FISCHER Taschenbuch, 2016.

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40

Simsion, Graeme C. The Rosie Effect: A Novel. Simon & Schuster, 2015.

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41

Simsion, Graeme C. Rosie Effect. Penguin Books, Limited, 2015.

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