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Journal articles on the topic 'Specters of Marx'

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Published: 4 June 2021

Last updated: 9 February 2022

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1

Martin, Bill. "Specters of Marx." International Philosophical Quarterly 36, no. 2 (1996): 243–45. http://dx.doi.org/10.5840/ipq199636214.

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2

Marshall, Donald G. "Specters of Marx." International Studies in Philosophy 29, no. 4 (1997): 104–5. http://dx.doi.org/10.5840/intstudphil1997294100.

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3

Critchley, Simon. "On Derrida's Specters of Marx." Philosophy & Social Criticism 21, no. 3 (1995): 1–30. http://dx.doi.org/10.1177/019145379502100301.

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4

Bewes, Timothy. "Vulgar Marxism: The Spectre Haunting Specters of Marx." Parallax 7, no. 3 (2001): 83–95. http://dx.doi.org/10.1080/13534640110063995.

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5

Zehfuss, Maja, Antonio Y. Vázquez-Arroyo, Dan Bulley, and Bal Sokhi-Bulley. "The Political Import of Deconstruction—Derrida’s Limits?: A Forum on Jacques Derrida’s Specters of Marx after 25 Years, Part I." Contexto Internacional 41, no. 3 (2019): 621–42. http://dx.doi.org/10.1590/s0102-8529.2019410300007.

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Abstract Jacques Derrida delivered the basis of The Specters of Marx: The State of the Debt, the Work of Mourning, & the New International as a plenary address at the conference ‘Whither Marxism?’ hosted by the University of California, Riverside, in 1993. The longer book version was published in French the same year and appeared in English and Portuguese the following year. In the decade after the publication of Specters, Derrida’s analyses provoked a large critical literature and invited both consternation and celebration by figures such as Antonio Negri, Wendy Brown and Frederic Jameson

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6

Johnson, Fletcher. "Specters of Marx in Lu Xun's Early Fiction." Derrida Today 11, no. 1 (2018): 7–21. http://dx.doi.org/10.3366/drt.2018.0165.

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Lu Xun is considered by many scholars the most influential modern Chinese writer, likened to Tolstoy, Shakespeare and Goethe in both scope and cultural impact, to the extent that Lu Xun scholarship has earned its own formal appellative: ‘Luxunology’. This impact is due not only to the initial impact of Lu Xun's fiction, but also greatly to Mao Zedong's use of Lu Xun during the Cultural Revolution. The history of Lu Xun's early fiction is analogous to the various historical manifestations, and original ‘spirit’, of Marxism. Through close readings of Lu Xun's early fiction, and then detailing th

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Rodrigues, Carla, Rafael Haddock-Lobo, and Marcelo José Derzi Moraes. "Specters of Colonialidade: A Forum on Jacques Derrida’s Specters of Marx after 25 Years, Part V." Contexto Internacional 42, no. 1 (2020): 149–71. http://dx.doi.org/10.1590/s0102-8529.2019420100007.

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Abstract Jacques Derrida delivered the basis of The Specters of Marx: The State of the Debt, the Work of Mourning, & the New International as a plenary address at the conference ‘Whither Marxism?’ hosted by the University of California, Riverside, in 1993. The longer book version was published in French the same year and appeared in English and Portuguese the following year. In the decade after the publication of Specters, Derrida’s analyses provoked a large critical literature and invited both consternation and celebration by figures such as Antonio Negri, Wendy Brown and Frederic Jameson

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Hirst, Aggie, Tom Houseman, Paulo Cesar Duque-Estrada, Jenny Edkins, and Cristiano Mendes. "Disobeying Marx, Disobeying Derrida—Hopes & Risks: A Forum on Jacques Derrida’s Specters of Marx after 25 Years, Part II." Contexto Internacional 41, no. 3 (2019): 643–62. http://dx.doi.org/10.1590/s0102-8529.2019410300008.

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Abstract Jacques Derrida delivered the basis of The Specters of Marx: The State of the Debt, the Work of Mourning, & the New International as a plenary address at the conference ‘Whither Marxism?’ hosted by the University of California, Riverside, in 1993. The longer book version was published in French the same year and appeared in English and Portuguese the following year. In the decade after the publication of Specters, Derrida’s analyses provoked a large critical literature and invited both consternation and celebration by figures such as Antonio Negri, Wendy Brown and Frederic Jameson

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9

Plangesis, Yannis. "Deconstruction and Marxism Jacques Derrida's Specters of Marx." Philosophical Inquiry 18, no. 3 (1996): 91–115. http://dx.doi.org/10.5840/philinquiry1996183/47.

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10

Sing, Manfred, and Miriam Younes. "The Specters of Marx in Edward Said’s Orientalism." Welt des Islams 53, no. 2 (2013): 149–91. http://dx.doi.org/10.1163/15700607-0532p0001.

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Edward Said’s Orientalism was not only an attack on Western scholarship and imperialism, but also on Marxism. Said depicted Karl Marx as yet another Orientalist, Marxism as a form of Western domination and Arab Marxism as an expression of Self-Orientalization. Said claimed to have surpassed Marxism and Marxists who were “blinded to the fact of imperialism”. Said’s ambivalent relation to Marxism has not been thoroughly studied until now although it forms an important cornerstone in his argumentation and self-representation. This lacuna is surprising since many early Arab critics of Orientalism

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11

Wise, Christopher. "Deconstruction and Zionism: Jacques Derrida's Specters of Marx." diacritics 31, no. 1 (2001): 56–72. http://dx.doi.org/10.1353/dia.2003.0007.

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12

Al-Musawi, Muhsin J. "The Iraqi spectres of Marx." Journal of Contemporary Iraq & the Arab World 14, no. 3 (2020): 169–88. http://dx.doi.org/10.1386/jciaw_00028_1.

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This reading attempts to trace the awareness and mention of Marx in Iraqi writing, focusing on some signposts that also shed light on the intellectual history of Iraq since 1914. It argues its case through an exploration of texts and recollections to present another side of this history as a controversial narrative of multiple positions and contentions. If the spectre of Marx shocked conservatives and was widely manipulated in Cold War politics, its theoretical permeation of an Iraqi discourse of social justice cannot be ignored. Almost every Iraqi narrative, poem, or essay speaks of the need

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13

Bøggild, Jacob. "Marx’ spøgelser ifølge Derrida." K&K - Kultur og Klasse 35, no. 104 (2007): 166–90. http://dx.doi.org/10.7146/kok.v35i104.22289.

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– med afstikkere til Kierkegaard, Shakespeare og Sartre Marx’ ghosts according to Derrida: With sideglances at Kierkegaard, Shakespeare and SartreThe article is about Jacques Derrida’s Spectres de Marx [Specters of Marx, hereafter Spectres] which is his most elaborate statement on Marx and Marxism. In this work, the phenomena of ghosts and haunting play a very significant role. Derrida connects ghosts to a fundamental anachronism, something he underscores by emphasizing and generalizing Hamlet’s line in Hamlet: »The time is out of joint«. The concept of the ghost is also generalized and Derrid

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14

Lewis, Tom. "The Politics of “Hauntology” in Derrida's Specters of Marx." Rethinking Marxism 9, no. 3 (1996): 19–39. http://dx.doi.org/10.1080/08935699608685495.

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15

Wise, Christopher. "The Figure of Jerusalem: Jacques Derrida's Specters of Marx." Christianity & Literature 54, no. 1 (2004): 73–91. http://dx.doi.org/10.1177/014833310405400109.

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16

Lafferty, George. "Debating Specters: Marx, Deconstruction, and the Challenge of Reconstruction." Review of Radical Political Economics 34, no. 1 (2002): 79–91. http://dx.doi.org/10.1177/048661340203400109.

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17

Rayner, Alice. ""Rude Mechanicals and the Specters of Marx"." Theatre Journal 54, no. 4 (2002): 535–54. http://dx.doi.org/10.1353/tj.2002.0133.

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18

Joseph, Jonathan. "Ghostly Demarcations: A Symposium on Jacques Derrida's Specters of Marx." Historical Materialism 6, no. 1 (2000): 265–85. http://dx.doi.org/10.1163/156920600794750865.

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19

McLellan, Peter N. "Specters of Mark: The Second Gospel’s Ending and Derrida’s Messianicity." Biblical Interpretation 24, no. 3 (2016): 357–81. http://dx.doi.org/10.1163/15685152-00243p04.

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This article engages Mark 16:1–8 with Jacques Derrida’s concept of the messianic as elaborated, primarily, in his 1993 volume Specters of Marx. Working with the concept of a circular Markan narrative, the tomb is explored as a haunted space in which readers are invited to return to the beginning of the story with an eye toward its spectral bodies. Indeed, the absence of a raised body in the sepulcher, coupled with an injunction to return to Galilee introduces a temporal disjunction by invoking the narrative past and exploring the incalculability of a future. While the other three canonical Gos

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20

Auchter, Jessica, Bruna Holstein Meireles, and Victor Coutinho Lage. "On the Spectrality of the Inter-state-eal/International: A Forum on Jacques Derrida's Specters of Marx after 25 Years, Part III." Contexto Internacional 41, no. 3 (2019): 663–87. http://dx.doi.org/10.1590/s0102-8529.2019410300009.

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Abstract Jacques Derrida delivered the basis of The Specters of Marx: The State of the Debt, the Work of Mourning, & the New International as a plenary address at the conference ‘Whither Marxism?’ hosted by the University of California, Riverside, in 1993. The longer book version was published in French the same year and appeared in English and Portuguese the following year. In the decade after the publication of Specters, Derrida’s analyses provoked a large critical literature and invited both consternation and celebration by figures such as Antonio Negri, Wendy Brown and Frederic Jameson

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21

Mercier, Thomas Clément, and Paulo Chamon. "Ambivalent Promises—Reproductions of the Subject: A Forum on Jacques Derrida’s Specters of Marx after 25 Years, Part IV." Contexto Internacional 42, no. 1 (2020): 125–48. http://dx.doi.org/10.1590/s0102-8529.2019420100006.

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Abstract Jacques Derrida delivered the basis of The Specters of Marx: The State of the Debt, the Work of Mourning, & the New International as a plenary address at the conference ‘Whither Marxism?’ hosted by the University of California, Riverside, in 1993. The longer book version was published in French the same year and appeared in English and Portuguese the following year. In the decade after the publication of Specters, Derrida’s analyses provoked a large critical literature and invited both consternation and celebration by figures such as Antonio Negri, Wendy Brown and Frederic Jameson

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22

Anderson, Thomas. "Class, Class Consciousness and Specters of Marx in Shakespeare's History Plays." Literature Compass 1, no. 1 (2004): **. http://dx.doi.org/10.1111/j.1741-4113.2004.00067.x.

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23

Wise, Christopher. "Saying "Yes" to Africa: Jacques Derrida's Specters of Marx." Research in African Literatures 33, no. 4 (2002): 124–42. http://dx.doi.org/10.1353/ral.2002.0135.

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24

Springer, Simon. "The limits to Marx." Dialogues in Human Geography 7, no. 3 (2017): 280–94. http://dx.doi.org/10.1177/2043820617732918.

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Responding to David Harvey’s critique of my article, ‘Why a Radical Geography Must Be Anarchist’, I reiterate the importance of anarchist perspectives in contemporary politics and geographical praxis. In challenging Harvey on the limits to Marx, I urge him to think again about the hidden vanguardism, implied statism, and veiled hierarchy that continue to lurk within the Marxist project, and importantly how these specters constrain both our collective political imagination and the possibilities of radical geography. I am admittedly very critical of Harvey, but I nonetheless refuse to close the

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25

Tible, Jean, Dirce Eleonora Nigro Solis, and Michael J. Shapiro. "Detours and Deviations of Letter and Spirit: A Forum on Jacques Derrida’s Specters of Marx after 25 Years, Part VI." Contexto Internacional 42, no. 1 (2020): 173–97. http://dx.doi.org/10.1590/s0102-8529.2019420100008.

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Abstract Jacques Derrida delivered the basis of The Specters of Marx: The State of the Debt, the Work of Mourning, & the New International as a plenary address at the conference ‘Whither Marxism?’ hosted by the University of California, Riverside, in 1993. The longer book version was published in French the same year and appeared in English and Portuguese the following year. In the decade after the publication of Specters, Derrida’s analyses provoked a large critical literature and invited both consternation and celebration by figures such as Antonio Negri, Wendy Brown and Frederic Jameson

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26

Fisher, Mark. "What Is Hauntology?" Film Quarterly 66, no. 1 (2012): 16–24. http://dx.doi.org/10.1525/fq.2012.66.1.16.

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Consideration of the idea of hauntology encompassing Jacques Derrida’s introduction of the term in Specters of Marx; Fredric Jameson’s analyses of postmodernism and The Shining; and a British tradition of literature, film, and television by such authors as John Akomfrah, Alan Garner, M. R. James, Patrick Keiller, Nigel Kneale, David Peace, and Chris Petit.

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27

Alfano, Chiara. "strange frequencies – reading Hamlet with Derrida and Nancy." Derrida Today 5, no. 2 (2012): 214–31. http://dx.doi.org/10.3366/drt.2012.0041.

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This essay sounds out Derrida's plurivocal term of frequencies as well as Nancy's understanding of resonance to argue that ghosts live in the ear. Heeding how the different nuances of this term bear on Derrida's reading of Hamlet, it not only seeks to understand the significance of the ghost's rhythmic appearance:disappearance in Shakespeare's play, but indeed, how it comes to frequent Derrida's Specters of Marx.

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Pepperell, Nicole. "Handling Value: Notes on Derrida's Inheritance of Marx." Derrida Today 2, no. 2 (2009): 222–33. http://dx.doi.org/10.3366/e1754850009000554.

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Derrida's Specters of Marx asks whether and how we could inherit Marx today: whether we might find, in a certain spirit of Marx, the critical resources to challenge resurgent liberal ideals, without this challenge assuming a dogmatic or totalitarian form. Derrida's own response to this question involves a curious move: a material transformation of Marx's text, in which Derrida first foreshadows, and then carries out, the excision of a single sentence from the pivotal passage in which Marx christens the commodity fetish. The excision subtly transforms the meaning of Marx's text and, in the proc

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29

Purigali Prabhakar, Prema. "Invoking The Spectral Body: A Study of Potential Corporealities in the Work of Marina Abramovic and Francesca Woodman." Excursions Journal 1, no. 1 (2019): 91–101. http://dx.doi.org/10.20919/exs.1.2010.129.

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At the beginning of his much written about Specters of Marx Derrida writes, “For there is no ghost, there is never any becoming specter of the spirit without at least the appearance of flesh, in a space of invisible visibility like the disappearing of an apparition. For the ghost, there must be a return to the body, but to a body that is more abstract than ever,” In Specters, Derrida is not only proposing a theory of history, a theory of hauntology, but in describing and redescribing the very substantive nature of the specter, he is also proposing a theory of corporeality, a theory of what the

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30

Wijaya, Elizabeth. "To Learn to Live with Spectral Justice: Derrida–Levinas." Derrida Today 5, no. 2 (2012): 232–47. http://dx.doi.org/10.3366/drt.2012.0042.

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Early on in Specters of Marx, the first sentence in Exordium reads: ‘Someone, you or me, comes forward and says: I would like to learn to live finally’. In the last paragraph of the last chapter, Derrida gives the injunction: ‘If he loves justice at least, the “scholar” of the future, the “intellectual” of tomorrow should learn it and from the ghost’. The ghost is the gift Derrida leaves us, yet, what can ghosts teach us about justice and how may we (dare we) learn from them? Derrida invokes Levinas's name for the only time in Specters of Marx, with the line ‘The relation to others – that is t

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31

Debrix, François. "Specters of postmodernism: Derrida’s Marx, the New International and the return of situationism." Philosophy & Social Criticism 25, no. 1 (1999): 1–21. http://dx.doi.org/10.1177/019145379902500101.

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32

Warren, Christopher N. "Big Leagues: Specters of Milton and Republican International Justice between Shakespeare and Marx." Humanity: An International Journal of Human Rights, Humanitarianism, and Development 7, no. 3 (2016): 365–89. http://dx.doi.org/10.1353/hum.2016.0020.

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33

Holland, Nancy J. "The Death of the Other/Father: A Feminist Reading of Derrida's Hauntology1." Hypatia 16, no. 1 (2001): 64–71. http://dx.doi.org/10.1111/j.1527-2001.2001.tb01049.x.

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This paper addresses the question of whether Derrida's “hauntology” as developed in Specters of Marx and related texts, can be anything more than yet another repetition of a specifically male preoccupation with the Father inscribed on the bodies of women, in this case the always absent daughter. A careful reading suggests that Derrida, and playwnght fathers of daughters such as Shakespeare and August Wilson, may be aware of the paradoxes of their situation.

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34

Stavo-Debauge, Joan. "Le concept de "hantises": de Derrida à Ricoeur (et retour)." Études Ricoeuriennes / Ricoeur Studies 3, no. 2 (2012): 128–48. http://dx.doi.org/10.5195/errs.2012.132.

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This article considers Derrida’s and Ricœur’s take on the concept of haunting (hantise). Begining with Derrida’s use of the concept in Specters of Marx, the article then turns to Ricœur’s two rather distinct conceptions of the phenomenon of haunting (hantise) in Memory, History, Forgetting and in The Course of Recognition. After assessing the different uses of this concept in Ricœur’s work, the article frames a new understanding of this phenomenon, one that is suitable for the social and historical sciences.

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35

Reynolds, Anthony. "Thinking the Ghost: Tragedy and the History of Theory." Derrida Today 14, no. 1 (2021): 49–66. http://dx.doi.org/10.3366/drt.2021.0252.

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In this paper I examine the role of tragedy in the ancient emergence of philosophical interiority and in the recent return of exteriority that marks the birth of theory. I argue that tragedy names a kind of epistemic threshold between systems of knowledge predicated on exteriority and interiority. I conclude by arguing that Derrida's late effort to articulate a messianic model of the tragic in Specters of Marx and elsewhere, his effort to “think the ghost,” both confirms and complicates tragedy's place in the history of theory.

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36

Thurschwell, Adam. "Specters and Scholars: Derrida and the Tragedy of Political Thought." German Law Journal 6, no. 1 (2005): 87–99. http://dx.doi.org/10.1017/s2071832200013493.

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“To be or not to be?” – in a sense that has always been the question of ethics, of the life worth living, and philosophy would be the search for the answer to that question. In this essay I would like to propose an alternative formulation and interpret it, rather grotesquely (Shakespeare I'm not), as the following: “To ontologize the ethical or not to ontologize the ethical: that is the question of politics.” Ultimately, I would like to suggest that this is a question that must but cannot be answered, or at least answered by philosophy, by a philosophy that retains the ideal of an “answer” tha

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37

Jal, Murzban. "Naxalbari and the Specters of Marx: A Contemporary Reflection on the Maoist Movement in India." Critique 48, no. 1 (2020): 51–75. http://dx.doi.org/10.1080/03017605.2019.1706784.

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38

Korkut-Nayki, Nil. "A Hauntological Reading of Daphne du Maurier’s “Rebecca”." English Studies at NBU 7, no. 1 (2021): 21–36. http://dx.doi.org/10.33919/esnbu.21.1.2.

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This essay focuses on the way the main characters in Daphne du Maurier’s novel Rebecca (1938) cope with the haunting influence of the past and attempts to read their struggle through the theoretical approach developed by Jacques Derrida in his Specters of Marx (1993). This approach, termed “hauntology” by Derrida himself, revolves around the notion of the “specter” haunting the present and emphasizes the need to find new ways of responding to it, especially because of the existing ontological failure to do so. The essay complements this reading with the earlier comparable theory of the “phanto

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39

Braun, Adam F. "The end of Eschatology: Derrida´´ s specters of Marx and the futures of Luke´ ´´s Christ." Siwo Revista de Teología 12, no. 1 (2019): 119–30. http://dx.doi.org/10.15359/siwo.12-1.5.

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Este artículo argumenta que la reciente investigación bíblica interesada en la escatología, en particular en la escatología del libro de Lucas, forma parte y refuerza el ambiente cultural del capitalismo tardío. En lugar de quedar subsumido en la distinción binaria entre inminencia y esperanza futura, el artículo realiza una relectura del así llamado “cumplimiento lucano” desde la perspectiva del libro Espectros de Marx de Jacques Derrida. A partir del enfoque en el parentesco de Jesús, se argumenta que, a pesar de ciertas proclamas escatológicas, Jesús nunca fue rey de ningún pueblo o lugar.

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Connolly, Kathleen Honora. "Spirits and Those Living in the Shadows: Migrants and a New National Family in Biutiful." Revista Canadiense de Estudios Hispánicos 39, no. 3 (2015): 545–63. http://dx.doi.org/10.18192/rceh.v39i3.1623.

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Usando la noción de hauntology, expuesta por Jacques Derrida en su libro Specters of Marx, este trabajo analiza el film Biutiful (2010), dirigido por Alejandro González Iñárritu. González Iñárritu explora los “espectros” de la sociedad española mediante un diálogo con el cine de terror, en el que se elabora un vínculo entre la explotación y el sufrimiento de los inmigrantes actuales con el destino de los exiliados de la Guerra Civil. Asimismo, sugiere que nuestra relación con los marginados es realmente filial: tenemos que vivir y convivir con los “espectros” como miembros de una familia nacio

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41

Maas, Harro. "Book Review: Specters of Marx: The State of the Debt, the Work of Mourning, & the New International." Review of Radical Political Economics 27, no. 3 (1995): 122–25. http://dx.doi.org/10.1177/048661349502700316.

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42

Ellis, Susannah. "Messianic Fiction in Antoine Volodine's Nuclear Catastrophe Novel Minor Angels." Paragraph 42, no. 2 (2019): 223–37. http://dx.doi.org/10.3366/para.2019.0300.

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In Specters of Marx, Derrida suggests that a non-revolutionary — ‘spectral’ — Marxism could alleviate a contemporary crisis in imagining the future in the late twentieth century. This ‘presentist’ crisis results from the collapse of Communism and the alleged triumph of neoliberal democracy, and leaves a dubious choice between neoliberal consensus and potential totalitarianism. This article outlines Derrida's call to a messianic wait for the singularity of an always-arriving future-to-come, and suggests that it provides an entry into the post-nuclear universe of Antoine Volodine's Minor Angels,

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43

Michałowska, Marianna. "Invisible Presence of the Past: Hauntology of Photography." Magic, Vol. 5, no. 1 (2020): 80–85. http://dx.doi.org/10.47659/m8.080.art.

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Photography has been associated with the specter, spirit, and the apparition ever since the theory of photography first emerged. André Bazin and Edgar Morin saw the spectral features of photography as the basis for phenomenological interpretation. However, the most creative exposition of ghosts in photography is linked to Jacques Derrida’s concept of hauntology. Nowadays, hauntology is often cited in relation to nostalgia – longing for “the lost futures”. However, when Derrida wrote Specters of Marx in 1993, he was interested in the ontological repetition of ideas through history. Photographs

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44

Terzi, Pietro. "“The Very Place of Apparition”: Derrida on Husserl’s Concept of Noema." Research in Phenomenology 48, no. 2 (2018): 209–32. http://dx.doi.org/10.1163/15691640-12341392.

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Abstract In Specters of Marx, Derrida suggests that the most fundamental condition of phenomenality lies in the ambiguous status of the noema, defined as an intentional and non-real component of Erlebnis, neither “in” the world nor “in” consciousness. This “irreality” of the noematic correlate is conceived by Derrida as the origin of sense and experience. Already in his Of Grammatology, Derrida maintained that the difference between the appearing and the appearance, between the world and the lived experience, is the condition of all other differences. Unfortunately, Derrida limits himself to a

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45

Bardan, Alice. "Europe, spectrality and 'post-mortem cinema': The haunting of history in Christian Petzold's Transit (2018) and Aki Kaurismäki's Le Havre (2011)." Northern Lights: Film & Media Studies Yearbook 18, no. 1 (2020): 115–29. http://dx.doi.org/10.1386/nl_00017_1.

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Abstract This article considers the ways in which contemporary filmmakers such as Christian Petzold (Transit, 2018) and Aki Kaurismäki (Le Havre, 2011) experiment with narrative and stylistic strategies to tell their own story about a haunted Europe caught, yet again, in a paranoid policing of borders, and marked by an increasingly tense political climate that gave rise to nationalistic anxieties and exclusionary practices. Drawing on Jacques Derrida's Specters of Marx ([1993] 2006), and on Érik Bullot's and Thomas Elsaesser's concept of 'post-mortem' cinema, I argue that by blurring time fram

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Barker, Stephen. "Post-scriptum: Pharmacodemocracy." Derrida Today 5, no. 1 (2012): 1–20. http://dx.doi.org/10.3366/drt.2012.0025.

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The essay continues the discussion on democracy begun in Derrida Today 4:2, interrogating the associations between the nature of the pharmakon and democracy ‘itself’, seen as ‘the sovereignty of the people’. Starting with Derrida's notion of writing (and grammatology in general) as what he calls the ‘errant democrat’, shared by – and indeed defining – all, and at the same time prior to the demos, Bernard Stiegler makes the further claim that this foundation of democracy, the pharmakon, is not simply a dialectical site of poison and remedy, as it is often seen, but rather a neutral space or ref

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Lafferty, G. "Debating Specters: Marx, Deconstruction, and the Challenge of Reconstruction Adventures in Marxism: Marshall Berman; London and New York: Verso, 1999, 160 pp., $25 hb, $17 pb. Specters of Capitalism: A Critique of Current Intellectual Fashions. Samir Amin; New York: Monthly Review Press, 1998, 157 pp., $45 hb, $20 pb. Ghostly Demarcations: A Symposium on Jacques Derrida's Specters of Marx. Michael Sprinker; London and New York: Verso, 1999, 278 pp., $60 hb, $20 pbk." Review of Radical Political Economics 34, no. 1 (2002): 79–91. http://dx.doi.org/10.1016/s0486-6134(01)00119-x.

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Zavota, Gina. "Given (No) Time: A Derridean Reading of Denis Villeneuve's Arrival." Film-Philosophy 24, no. 2 (2020): 185–203. http://dx.doi.org/10.3366/film.2020.0138.

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The central character of Denis Villeneuve's 2016 film Arrival, Dr. Louise Banks (Amy Adams), is a linguist tasked with deciphering a logographic alien language in time to avert a seemingly impending global war. I argue that the alien heptapods' logographs exemplify the understanding of language advanced by Jacques Derrida in seminal texts such as Of Grammatology (1976), while also engaging some of the themes concerning time and gift-giving that he develops in later, more explicitly political works. Derrida argues that written signifiers, rather than being a mere vehicle for representing speech

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Coles, Romand. "Specters of Marx: The State of the Debt, the Work of Mourning, and the New International. By Jacques Derrida. Trans. Peggy Kamuf. New York: Routledge, 1994. 198p. $55.00 cloth, $16.95 paper." American Political Science Review 89, no. 3 (1995): 739–40. http://dx.doi.org/10.2307/2082990.

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Sellman, Johanna. "The Ghosts of Exilic Belongings: Maḥmūd al-Bayyātī’s Raqṣ ʿalā al-māʾ: aḥlām waʿrah and Post-Soviet Themes in Arabic Exile Literature". Journal of Arabic Literature 47, № 1-2 (2016): 111–37. http://dx.doi.org/10.1163/1570064x-12341310.

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Raqṣ ʿalā al-māʾ: aḥlām waʿrah (Dancing on Water: Difficult Dreams, 2006) by Maḥmūd al-Bayyātī is among a number of Arabic post-Cold War exile novels that invite critical reflection on the loss of exilic belongings tied to the Soviet world. In the novel, an Iraqi poet, who has recently arrived in Sweden from Prague, Czechoslovakia following the collapse of the Soviet Union, finds a wallet containing a large sum of money. The poet (and narrator) re-imagines his new exile in Sweden through his search for the owner of the wallet and through the related question of how to distribute the money. As

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