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Books on the topic 'Spectre de la rose (Ballet)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Dutourd, Jean. Le spectre de la rose. Flammarion, 1986.

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2

Dutourd, Jean. Le Spectre de la rose. Flammarion, 1986.

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3

Woodruff, Thomas. The Spectre of the Rose. P.P.O.W., 1989.

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4

Flores, Francisco Moita. Ballet rose: Uma novela (a)moral. 9th ed. Notícias editorial, 1998.

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5

Castellucci, Cecil. Rose sees red. Scholastic Press, 2010.

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6

Castellucci, Cecil. Rose sees red. Scholastic Press, 2010.

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7

Seminario eliotiano (1989 Cagliari, Italy). The spectre of a rose: Intersections : Seminario eliotiano : Cagliari, 5-6 aprile 1989. Bulzoni, 1991.

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8

Hauser, Thomas. Le spectre de la rose. Gallimard, 1988.

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9

Clementine Rose & The Ballet Break In. RED FOX BOOKS, 2016.

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10

Clementine Rose and the Ballet Break-In. Random House Australia, 2015.

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11

Holabird, Katharine. The Rose Fairy Princess. Grosset & Dunlap, 2006.

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12

Harvey, Jacqueline. Clementine Rose and the Ballet Break-In 8. Penguin Random House, 2019.

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13

Whitney-Robinson, Voronica. Spectre of the Black Rose (Ravenloft Terror of Lord Soth, Vol. 2). Wizards of the Coast, 1999.

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14

Holabird, Katharine. Rose Fairy Princess (Angelina Ballerina). American Girl, 2003.

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15

Ohi, Debbie Ridpath, 1962- illustrator, ed. Ruby Rose: Big bravos. 2017.

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16

Holly And The Rose Garden. HarperCollins UK, 2009.

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17

Stevenson, Jane. The Ghost of a Rose. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808770.003.0018.

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The ballet brings together many of the threads pursued in this book: patronage, queerness, the Sitwells, interactions between fine art, design, and popular culture. Because Diaghilev made ballet a fashion, his public found themselves exposed to avant-garde music and art which would otherwise have struggled to find an audience, but ballet’s relationship with modernism is uneasy. Apart from being unnatural, ballet is collective and collaborative rather than individualistic, which sets it at an angle to any idea of art as the product of a purely individual consciousness. The radical modernist app
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18

The spectre of a rose: Intersections : Seminario eliotiano : Cagliari, 5-6 aprile 1989 (Universita degli studi di Cagliari, Dipartimento di filologie e letterature moderne). Bulzoni, 1991.

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19

Carter, C. Sue, and Suma Jacob. Oxytocin and Vasopressin: Mechanisms for Potential Sex Differences Observed in Autism Spectrum Disorders. Oxford University Press, 2013. http://dx.doi.org/10.1093/med/9780199744312.003.0018.

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The effects of oxytocin and vasopressin on the brain and behavior can be sexually dimorphic, especially during the course of development (Bales, Kim, et al., 2004; Bales, Pfeifer, et al., 2004; Bales, Plotsky, et al., 2007; Bielsky et al., 2005a; Carter, 2003; Thompson et al., 2006; Yamamoto et al., 2005; Yamamoto et al., 2004). Given the sexual discrepancy observed in autism spectrum disorders (ASDs), these two neuropeptides, oxytocin (OT) and arginine vasopressin (AVP), have received attention for their potential role in ASDs (Green and Hollander, 2010; Insel et al., 1999; Leckman & Herm
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20

O’leary, James. Keeping Faith with John Q. Public. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040092.003.0009.

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This chapter focuses on Porter's Seven Lively Arts (1944). Few shows rivaled this revue in terms of sumptuousness, expense, and hype. However, most historians have described this revue as a disappointment. In fact, Billy Rose, the show's producer, early on in the rehearsal process, seemed convinced that “music, ballet, theater, opera, movies, radio, and modern painting were arty and lively enough for a good show theme.” But as opening night approached he changed his mind, as if he realized that Seven Lively Arts, under a veil of comedy and spectacle, toyed with some kind of taboo by crossing b
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