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1

Reichl, Veronika. Sprachkino: Zur Schnittstelle zwischen abstrakter Sprache und Bildlichkeit. Merz & Solitude, 2008.

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2

Shehu, Brendan. Towards a sustainable film industry in Nigeria: Selected speeches & papers of Brendan S. Shehu. Nigerian Film Corp., 1996.

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3

Ríos Rodríguez, Jacobo, 1981- director, ed. Cinéma, droit et politique. Editions Charles Corlet, 2016.

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4

Shehu, Brendan. No--not Hollywood: Essays & speeches of Brendan Shehu. Nigerian Film Corp., 1992.

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5

Martin, Flinn Denny, ed. Ready for my close-up!: Great movie speeches. Limelight Ed., 2007.

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6

Rampell, Ed. Progressive Hollywood: A people's film history of the United States. Disinformation Publications, 2005.

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7

Kelly, Sophia. Speed racer: The official racing book. Price Stern Sloan, 2008.

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8

Kelly, Sophia. Speed racer: The official racing book. Price Stern Sloan, 2008.

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9

Rosenthal, Alan. From Chariots of fire to The king's speech: Writing biopics and docudramas. Southern Illinois University Press, 2013.

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10

Geisel, Ted. Gerald McBoing Boing: Based on the Academy Award-winning motion picture. HarperCollins Children's Books, 2001.

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11

(Organization), Human Rights Watch, ed. Los límites de la tolerancia: Libertad de expresión y debate público en Chile. LOM Ediciones, 1998.

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12

Telesforo, Tajuelo, ed. La saga des interdits: La censure cinématographique au Québec. Libre expression, 2006.

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13

Johnson, William Bruce. Miracles & sacrilege: Roberto Rossellini, the Church and film censorship in Hollywood. University of Toronto Press, 2008.

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14

Johnson, William Bruce. Miracles & sacrilege: Roberto Rossellini, the Church and film censorship in Hollywood. University of Toronto Press, 2008.

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15

Ricker, Reinhart. Filmabgabe und Medienfreiheit: Zur Verfassungsmässigkeit der Abgabe von Videothekaren nach dem Filmförderungsgesetz. C.H. Beck, 1988.

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16

Amit, Tami. Motion pictures. Monografik, 2008.

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17

Canada. Industry, Science and Technology Canada. Motion pictures. Industry, Science and Technology Canada, 1991.

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18

Canada. Industry, Science and Technology Canada. Motion pictures. Industry, Science and Technology Canada, 1988.

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19

Lea, Bandy Mary, Biesenbach Klaus, and Kunst-Werke Berlin, eds. Andy Warhol: Motion pictures. KW Institute for Contemporary Art, 2004.

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20

Iris, Newsom, and Library of Congress, eds. Performing arts: Motion pictures. Library of Congress, 1998.

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21

author, Yang Chi-hun, ed. Ŏnt'aekt'ŭ wa k'ont'ench'ŭ. K'ŏmyunik'eisyŏn Puksŭ, 2021.

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22

Hollander, Anne. Moving pictures. Harvard University Press, 1991.

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23

Hollander, Anne. Moving pictures. Knopf, 1989.

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24

Olson, Nancy B. Cataloging motion pictures and videorecordings. Soldier Creek Press, 1991.

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25

Carroll, Noël. The philosophy of motion pictures. Blackwell Pub. Ltd, 2008.

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26

Olson, Nancy B. Cataloging motion pictures and videorecordings. Soldier Creek Press, 1991.

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27

Reed, David. David Reed paintings: Motion pictures. Museum of Contemporary Art, San Diego, 1998.

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28

Olson, Nancy B. Cataloging motion pictures and videorecordings. Soldier Creek Press, 1991.

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29

Beyond Free Speech and Propaganda: The Political Development of Hollywood, 1907-1927. Rowman & Littlefield Publishers, Incorporated, 2017.

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30

Godfrey, Donald G. Jenkins’ Motion Pictures. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038280.003.0005.

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This chapter examines C. Francis Jenkins' photographic inventions that he used to demonstrate motion pictures in a variety of applications. Despite losing in the early battle with Thomas J. Armat, Jenkins declared himself the inventor of the motion-picture projector. With the Phantoscope, he ventured into home and educational use. He would travel west, filming a Hopi Snake Dance, teach photographic expression, and invent fireproof protections for the projector. This chapter first provides an overview of Jenkins' first Phantoscopes and the patents he obtained for them before turning to his demo
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31

Sound Speech Music In Soviet And Postsoviet Cinema. Indiana University Press, 2014.

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32

Kaganovsky, Lilya, and Masha Salazkina. Sound, Speech, Music in Soviet and Post-Soviet Cinema. Indiana University Press, 2014.

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33

Bulgakowa, Oksana, Lilya Kaganovsky, Masha Salazkina, and Kevin Bartig. Sound, Speech, Music in Soviet and Post-Soviet Cinema. Indiana University Press, 2014.

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34

Romero-Fresco, Pablo. Subtitling Through Speech Recognition: Respeaking. Taylor & Francis Group, 2020.

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35

Subtitling Through Speech Recognition. Taylor & Francis Group, 2018.

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36

Reproducing languages, translating bodies: Approaches to speech, translation and cultural identity in early European sound film. Almqvist & Wiksell, 2006.

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37

Subtitling through speech recognition: Respeaking. St. Jerome Pub., 2011.

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38

Romero-Fresco, Pablo. Subtitling Through Speech Recognition: Respeaking. Taylor & Francis Group, 2020.

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39

Geltzer, Jeremy. Dirty Words and Filthy Pictures: Film and the First Amendment. de Gruyter GmbH, Walter, 2016.

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40

Geltzer, Jeremy, and Alex Kozinski. Dirty Words and Filthy Pictures: Film and the First Amendment. University of Texas Press, 2016.

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41

King's Speech: Music from the Motion Picture Soundtrack. Music Sales Corporation, 2011.

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42

The King's Speech: Music From The Motion Picture Soundtrack PVG. Omnibus Press, 2011.

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43

Speeches and scenes from Oscar's best films. Dramaline Publications, 1994.

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44

Speed Racer The Art Of Speed Racer Based On The Film Speed Racer. Universe Publishing(NY), 2008.

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45

The Kings Speech The Shooting Script. Newmarket Press, 2011.

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46

Flinn, Denny Martin. Ready for My Close-Up!: Great Movie Speeches. Leonard Corporation, Hal, 2007.

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47

Flinn, Denny Martin. Ready for My Close-Up!: Great Movie Speeches. Leonard Corporation, Hal, 2007.

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48

Flinn, Denny Martin. Ready for My Close-Up!: Great Movie Speeches. Leonard Corporation, Hal, 2007.

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49

(Editor), Samantha Schutz, and Molly Kempf (Editor), eds. The Official Racing Book (Speed Racer). Price Stern Sloan, 2008.

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50

Progressive Hollywood: A people's film history of the United States. Disinformation Company, 2006.

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