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Books on the topic 'Spenser, Edmund, The Faerie Queene (Spenser)'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Robert, Welch. Edmund Spenser, The faerie Queen, book 1: Notes. Longman, 1985.

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2

Heale, Elizabeth. The faerie queene: A reader's guide. Cambridge University Press, 1987.

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3

The faerie queene: A reader's guide. Cambridge University Press, 1990.

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4

The faerie queene: A reader's guide. 2nd ed. Cambridge University Press, 1999.

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5

Exemplary Spenser: Visual and poetic pedagogy in the Faerie queene. Ashgate, 2009.

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6

Spenser, Edmund. The faerie queene. 2nd ed. Longman, 2001.

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7

The Faerie Queene. Dent, 1987.

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8

Jr, Thomas P. Roche, ed. The Faerie Queene. Penguin, 1987.

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9

1933-, Kaske Carol V., and Stoll Abraham Dylan 1969-, eds. The faerie queene. Hackett Pub. Co., 2006.

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10

The Faerie Queene. Dent, 1987.

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11

Metaphor and belief in The faerie queene. St. Martin's Press, 1997.

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12

Love's courtly ethic in The faerie queene: From garden to wilderness. P. Lang, 1992.

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13

Thomas, Warton. Spenser's Faerie queene: Warton's observations ; and, Hurd's letters. Routledge, 2001.

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14

Lee, Miller David. The poem's two bodies: The poetics of the 1590 Faerie queene. Princeton University Press, 1988.

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15

Gless, Darryl J. Interpretation and theology in Spenser. Cambridge University Press, 1994.

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16

Wanton eyes and chaste desires: Female sexuality in the Faerie queene. Indiana University Press, 1994.

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17

Moral fiction in Milton and Spenser. University of Missouri Press, 1995.

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18

The polliticke courtier: Spenser's The faerie queene as a rhetoric of justice. McGill-Queen's University Press, 1996.

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19

1552?-1599, Spenser Edmund, ed. Tran sforming desire: Erotic knowledge in Books III and IV of the Faerie queene. University of California Press, 1995.

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20

Rovang, Paul R. Refashioning "knights and ladies gentle deeds": The intertextuality of Spenser's Faerie queene and Malory's Morte Darthur. Fairleigh Dickinson University Press, 1996.

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21

Ferry, Anne. The art of naming. University of Chicago Press, 1988.

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22

Erickson, Wayne. Mapping the faerie queene: Quest structures and the world of the poem. Garland Pub., 1996.

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23

Spenser, Edmund. The Elfin knight: Edmund Spenser's The faerie queene, book II. Canon Press, 2010.

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24

Spenser, Edmund. Fierce wars and faithful loves: Edmund Spenser's The faerie queene, book I. Canon Press, 2007.

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25

Quinn, Dennis. Edmund Spenser's Faerie queene and the monomyth of Joseph Campbell: Essays in interpretation. E. Mellen Press, 2000.

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26

Horstmann, Ulrich. Die Namen in Edmund Spensers Versepos The faerie queene: Immortal name, memorable name, well-becoming name. Lit, 2001.

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27

1921-, Hamilton A. C., Yamashita Hiroshi 1944-, and Suzuki Toshiyuki 1944-, eds. The Faerie Qveene. 2nd ed. Pearson Longman, 2007.

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28

1921-, Hamilton A. C., Yamashita Hiroshi 1944-, and Suzuki Toshiyuki 1944-, eds. The Faerie Qveene. Longman, 2001.

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29

Welch, Robert. Edmund Spenser, "Faerie Queene", Bk.1. Longman, 1985.

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30

Heale, Elizabeth. Edmund Spenser. Edited by Andrew Hiscock and Helen Wilcox. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199672806.013.17.

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This chapter outlines some of the key features of Elizabethan Protestantism relevant for Spenser’s work and goes on to consider both their importance as themes in his poetry, and their influence on his understanding of his art and his choice of poetic forms. The ecclesiastical debates of The Shepheardes Calendar are discussed, as well as the problems of detecting a single authoritative point of view. The Faerie Queene is considered as a Protestant epic, with its themes and its form discussed in terms of contemporaneous doctrinal and political religious issues and Protestant attitudes to art. A final section considers Spenser’s move away, in his final works, from his problematic role as poet of a Protestant queen and state to a new reformed poetry of love that vests a quasi-vatic authority in the poet himself.

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31

Faerie Queene (Routledge Revivals). Taylor & Francis Group, 2014.

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32

Nohrnberg, James. Analogy of the Faerie Queene. Princeton University Press, 2014.

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33

Nohrnberg, James. Analogy of the Faerie Queene. Princeton University Press, 2014.

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34

Preface to the Faerie Queene. Duckworth Publishing, 1990.

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35

Concordance to the Rhymes of the Faerie Queene. Manchester University Press, 2014.

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36

Welch, Robert. Edmund Spenser, The faerie queene Book 1: Notes. Longman; York Press, 1985.

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37

1953-, Suzuki Mihoko, ed. Critical essays on Edmund Spenser. G.K. Hall, 1995.

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38

Suzuki, Mihoko. Critical Essays on Edmund Spenser. Twayne Publishers, 1996.

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39

Hamilton, A. C., Shohachi Fukuda, Hiroshi Yamashita, and Toshiyuki Suzuki. Spenser: The Faerie Queene, Second Edition. 2nd ed. Longman, 2001.

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40

Tonkin, Humphrey. Faerie Queen (Routledge Revivals). Taylor & Francis Group, 2016.

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41

Spensers Faerie Queene A Reading Guide. Edinburgh University Press, 2010.

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42

Edmund Spensers The Faerie Queene A Reading Guide. Edinburgh University Press, 2011.

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43

Spenserian allegory and Elizabethan biblical exegesis: A context for The Faerie Queene. Manchester University Press, 2016.

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44

Christian, Margaret. Spenserian Allegory and Elizabethan Biblical Exegesis: A Context for the Faerie Queene. Manchester University Press, 2019.

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45

Zurcher, Andrew. Spenser, Plowden, and the Hypallactic Instrument. Edited by Lorna Hutson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199660889.013.24.

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Since at least the work of Jones and Stallybrass on Renaissance clothing, the materially distributed nature of human identity—not merely reflected in, but constituted by, garments and other prosthetic objects—has been marked as a recurrent and distinctive feature of early modern English literary accounts of person. This article explores hybrid objects in two works by Edmund Spenser, The Faerie Queene (1590, 1596) and A view of the Present State of Ireland (c.1596), charting connections between Spenser’s hypallactic allegoresis and early modern common law evidentiary conventions. Spenser’s mingling of inward, psychological states (purpose, inclination, guilt, etc.) with material objects pushes against sixteenth-century protestant rejections of embodied ritual, popish vestments, devotional icons and shrines, and good works, but emerges as a powerful instrument in his proposals for social and legal ‘reform’ of Ireland.

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46

Supplement of the Faery Queene: By Ralph Knevet. Manchester University Press, 2015.

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47

Nohrnberg, James. Analogy of "The Faerie Queene". Princeton University Press, 2016.

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48

Manning, John. Certaines Signes: The Iconography of Spenser's Faerie Queene. Scolar Pr, 1992.

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49

1951-, Miller David Lee, and Dunlop Alexander 1942-, eds. Approaches to teaching Spenser's Faerie queene. Modern Language Association of America, 1994.

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50

Goth, Maik. Monsters and the Poetic Imagination in the Faerie Queene: Most Ugly Shapes and Horrible Aspects. Manchester University Press, 2019.

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