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Academic literature on the topic 'Sphinx (Firm)'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Sphinx (Firm)"

1

Darnbrough, Leanne Rae. "Visions of Disrupted Chronologies: Sergei Eisenstein and Hedwig Fechheimer’s Cubist Egypt." Arts 11, no. 5 (2022): 92. http://dx.doi.org/10.3390/arts11050092.

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By juxtaposing two ostensibly divergent characters, the Jewish art historian and Egyptologist Hedwig Fechheimer (1871–1942) and Soviet filmmaker and theorist Sergei Eisenstein (1898–1948), this paper investigates how both approaches folded time, creating Cubist chronologies. Fechheimer adapted the philological focus of her Berlin School contemporaries to create an ahistorical, anti-teleological grammar of ancient Egyptian art which espoused an artistic affinity between the Egyptians and the Cubist movement. Eisenstein, who held a copy of one of Fechheimer’s books in his personal library, took

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Lorenzo, J. Torres Hortelano. "La Momia y la Esfinge. El cine como interrogación en Lang y Bazin." Trama & Fondo, no. 45 (December 31, 2018): 37–47. https://doi.org/10.5281/zenodo.3590033.

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Abstract: The Mummy and the Sphinx. Cinema as an interrogation in Lang and Bazin. Abstract André Bazin proposed an analogy between the plastic arts and the idea of the mummy, stating that the former would serve to exorcise the inexorable nature of time. Related to the mummy there is the Sphinx whose myth connects with Oedipus, the only one capable of answering to its interrogation. My hypothesis is to rethink the Bazinian proposal and try to prove that cinema is indeed ontologically real. However, I would like to clarify that its power ‒«the irrational power of photography»‒

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Stewart, Michael. "Falling, Looking, Caring: Red Road as Melodrama." Journal of British Cinema and Television 9, no. 4 (2012): 548–68. http://dx.doi.org/10.3366/jbctv.2012.0105.

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This article examines Red Road as a melodrama and woman's film. It argues that the film is traductively real and melodramatic, and that conceiving the film in melodramatic terms is contrary to the way in which it has been defined in public discourses and academic analysis. Red Road is film melodrama in a number of related ways, via: tropes of narrative and character; a tendency to look back, work through and act out in a melancholy and melodramatic fashion; an emphasis on familialism and redemption; and the nomination of its central character as a woman and mother. Red Road is a maternal text

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Khurana, Kamal K., Zubair W. Baloch, and Virginia A. LiVolsi. "Aspiration Cytology of Pediatric Solitary Papillary Hyperplastic Thyroid Nodule." Archives of Pathology & Laboratory Medicine 125, no. 12 (2001): 1575–78. http://dx.doi.org/10.5858/2001-125-1575-acopsp.

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Abstract Context.—Solitary papillary hyperplastic thyroid nodules (SPHTNs) are frequently encountered in children and teenagers. Although the histologic features are well described, to the best of our knowledge, cytologic findings have not been reported. Objectives.—To review the cytologic features of histologically proven SPHTNs and to identify the potential diagnostic pitfalls in cytologic diagnosis. Materials and Methods.—Fine-needle aspiration cytology of 3 histologically proven SPHTNs was reviewed. Results.—Two girls and 1 boy (ages 11, 12, and 15 years) were affected. The cytologic diagn

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Mahmood, Anser, Wajid Riaz, and Maria Sundas. "Visual Analysis of the Selected Scenes of the Movie The Avengers." Global Digital & Print Media Review VI, no. II (2023): 365–75. http://dx.doi.org/10.31703/gdpmr.2023(vi-ii).26.

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The paper is about the visual critical discourse analysis of the selected scenes from the Avengers (2012) movie. The current paper analyses the female character "Natasha" from different perspectives. The researchers have selected feminist theory (second wave of feminism) while the model of Philosopher Charles S. Peirce (1931-58) has been taken for analyzing the selected scenes of the movie. Peirce's model consists of compositional analysis, semiotic analysis, and visual critical discourse analysis. Different signs and discourses have been used in the movie, which has been clarified by the mode

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Arana, E., C. Diaz, F. F. Latorre, et al. "Primary Intraosseous Meningiomas." Acta Radiologica 37, no. 3P2 (1996): 937–42. http://dx.doi.org/10.1177/02841851960373p299.

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Purpose: A retrospective study was performed to evaluate the clinical, radiological and histological findings of 14 intraosseous meningiomas. Material and Methods: 14 histologically proved intraosseous meningiomas were studied with plain skull film and CT. Pathological records were reviewed. Results: We found 9 calvarial cases and 5 spheno-orbital ones. The most common symptom in the calvarial cases was a lump in the scalp, and in the spheno-orbital lesions it was exophtalmos. Hyperostosis was present in all 5 spheno-orbital cases and in 3 out of the 9 calvarial ones; in the other 6 cases it h

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Reid, Gregory J. "Face to Face: A Conversation With Vittorio Rossi." Theatre Research in Canada 21, no. 2 (2000): 177–94. http://dx.doi.org/10.3138/tric.21.2.177.

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With productions of nine of his plays behind him (including his translation of Eduardo de Filippo's Filumena for the Stratford Festival in 1997), playwright and actor Vittorio Rossi has become one of Canada's best-known dramatists of Italian origin. He began his writing career by winning the Best New Play Award at the Quebec Drama Festival twice: for "Little Blood Brother" in 1986 and for "Backstreets" in 1987. His first full-length play, The Chain, broke attendance records at Centaur Theatre, English Quebec's main stage. His most acclaimed drama, The Last Adam, won the Canadian Authors Associ

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Louie, David L. Y., Mitsuhiro Aoyagi, Akihiro Uchibori, Takashi Takata, and David L. Luxat. "Validation study of sodium pool fire modeling efforts in MELCOR and SPHINCS codes." Nuclear Engineering and Design 407 (June 2023): 112285. http://dx.doi.org/10.1016/j.nucengdes.2023.112285.

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Chung, Ga-eun, and Bong-seok Jeong. "An Essay on the Enigma and Genre of <Burning>." Dongnam Journal of Korean Language and Literature 55 (May 31, 2023): 77–103. http://dx.doi.org/10.21654/djkll.2023.55.1.77.

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<Burning> is the most ambiguous and opaque film among Lee Chang-dong's works in terms of its genre attitude. This paper suggests that the opacity of <Burning> is due to the flaw(hamartia) that the protagonist Jong-su possesses, which acts like a filter blocking his relationship with the world. Like Oedipus, Jong-su, with his hamartia of hubris, has the potential to become the hero of tragedy, as Aristotle describes it. However, Jong-su's hamartia, unlike Oedipus, is not an-agnorisis or peripeteia. Instead, by choosing to kill Ben, Jong-su fails to integrate into society and ends up

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Reynolds, Felisa Vergara. "Black bodies and French colonial history: Beyoncé and Jay Z’s ‘Apeshit’ at the Louvre." Journal of European Popular Culture 14, no. 2 (2023): 157–64. http://dx.doi.org/10.1386/jepc_00061_1.

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In June of 2018, Beyoncé and Jay-Z (under the name The Carters) released the music video for their song ‘Apeshit’, from the album Everything Is Love, set in the Louvre Museum in Paris. Through an agreement with the Louvre, The Carters were given free rein to film in front of some of the most famous art pieces in the world. This article focuses on five instances, within the music video, where the juxtaposition between either The Carters and/or their dancers, and certain works of art, merits analysis within the French colonial and postcolonial context. Under consideration are the following scene

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Books on the topic "Sphinx (Firm)"

1

Kanters, Hans. Gedane zaken: De ondergang van Sphinx. Uitgeverij TIC, 2014.

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South African Institute of International Affairs, ed. Meeting the Sphinx: The experience of South African firms doing business in Egypt. South African Institute of International Affairs, 2006.

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3

Lamm, Kimberly. Riddles of the Sphinx. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781839026881.

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Laura Mulvey and Peter Wollen’sRiddles of the Sphinx(1977) follows the life of Louise (played by Dinah Stabb), a white middle-class woman living in London in the 1970s who is transforming her place in patriarchal culture. The film is recognised as one of the most important avant-garde films to have emerged from Britain during the 1970s and a classic of feminist cinema. Kimberly Lamm’s study of the film examines its kaleidoscopic array of cinematic strategies and poetic devices and how it explores issues of female representation, the place of motherhood within society and mother-daughter relati

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Miklitsch, Robert, ed. Back to Black. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038594.003.0001.

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This introductory chapter provides an overview of film nor. This “genre without a name” tends to reflect the films themselves, which are often about seduction and mystery, Sphinx-like secrets and labyrinthine riddles. One response to this mystique has been a determined demystification on the part of certain super-skeptical critics, the doom-and-gloom school, as a way to counter the “seductive power of film noir.” The result has been a series of grim pronouncements about the nothingness of film noir: that is to say film noir is a “black hole” that “never existed” and can only be found in books.

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Book chapters on the topic "Sphinx (Firm)"

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Dobson, Eleanor. "Coda." In Writing the Sphinx. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474476249.003.0007.

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The symptoms of ‘Egyptomania’ subsided with the Great Depression and the tailing off of art deco style. A world war had stalled Egyptological excavations, and in the 1930s another global conflict approached. As I suggested in the introduction, it was the deaths of the giants of Egyptology, not new discoveries and breakthroughs, that dominated Egyptological reports in the newspapers across this decade. Flinders Petrie, who survived the 1930s, was to die on film in 1940, demonstrating the extent to which Egyptology was enmeshed in sensationalist fictions, even beyond the zenith of collaborative

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Dobson, Eleanor. "‘Drunk on the dead’: Intoxication, Perfume and Mummy Dust." In Writing the Sphinx. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474476249.003.0005.

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This chapter considers the ‘internal visions’ conjured up during reading in tandem with hallucinatory effects brought on by intoxication, particularly in the context of fin-de-siècle culture. Its sources range from the high art of the Aesthetes, Symbolists and the early work of the canonical modernist writers through to advertising and literary potboilers, and in the archives of the Egyptologist Amelia Edwards. These visualisations come about through the reading of stimulating passages, the smoking of opium-tainted cigarettes, and the inhalation of perfume or mummy dust; in each case such prac

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Lamm, Kimberly. "Feminist desires and collective reading in the work of Laura Mulvey." In Addressing the other woman. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526121264.003.0007.

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Chapter 6 focuses on Laura Mulvey’s theoretical writings on film and her essay film Riddles of the Sphinx (1977), which it reads in relation to the feminist collaboration between Kelly and Mulvey that took place at the height of Women’s Liberation in Britain. Like Post-Partum Document, Riddles of the Sphinx creates a hieroglyphic aesthetic that mines the feminist possibilities of repressed maternal desires and draws out their connections to British colonial history. Replete with images of writing, the consistent attention to text in Riddles is the means by which Mulvey represents the pleasures

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"Mothers and daughters in two recent women's films: Mulvey/Wollen's Riddles of the Sphinx (1976) and Michelle Citron's Daughter-Rite (1978)." In Women & Film. Routledge, 2013. http://dx.doi.org/10.4324/9780203135310-21.

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Wells, H. G. "In The Darkness." In The Time Machine, edited by Roger Luckhurst. Oxford University Press, 2017. http://dx.doi.org/10.1093/owc/9780198707516.003.0012.

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‘We emerged from the Palace while the sun was still in part above the horizon. I was determined to reach the White Sphinx early the next morning, and ere the dusk. I purposed pushing through the woods that had stopped me on the previous journey. My plan was to go as far as possible that night, and then, building a fire, to sleep in the protection of its glare. Accordingly, as we went along I gathered any sticks or dried grass I saw, and presently had my arms full of such litter. Thus loaded, our progress was slower than I had anticipated, and besides Weena had tired. And I, also, began to suff

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Conference papers on the topic "Sphinx (Firm)"

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Aoyagi, Mitsuhiro, David L. Y. Louie, Akihiro Uchibori, Takashi Takata, and David Luxat. "Study of Recent Sodium Pool Fire Model Improvements for MELCOR Code." In 2021 28th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/icone28-64509.

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Abstract The Sodium Chemistry (NAC) package in MELCOR has been developed to enhance application to sodium cooled fast reactor. The models in the NAC package have been assessed through benchmark analyses. The F7-1 sodium pool fire experimental analysis is conducted within the framework of the U.S.–Japan collaboration under the Civil Nuclear Energy Research and Development Working Group. This study assesses the capability of the improved models proposed for the sodium pool fire in MELCOR through comparison with the F7-1 experimental data and the results of the SPHINCS code developed in Japan. Po

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Sonehara, Masateru, Mitsuhiro Aoyagi, Akihiro Uchibori, et al. "Numerical Validation of AQUA-SF in SNL T3 Sodium Spray Fire Experiment." In 2020 International Conference on Nuclear Engineering collocated with the ASME 2020 Power Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/icone2020-16851.

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Abstract In order to investigate the effect of sodium combustion, Sandia National Laboratories (SNL) and Japan Atomic Energy Agency (JAEA) have exchanged information of sodium combustion modeling and related experimental data in the framework of Civil Nuclear Energy Research and Development Working Group (CNWG). This collaboration includes a benchmark analysis of the SNL Surtsey spray combustion experiment (SNL T3 experiments) using AQUA-SF and SPHINCS in JAEA. In this paper, investigation into multi-dimensional effect and best estimate for T3 experiment with AQUA-SF are conducted as validatio

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Louie, David, and Mitsuhiro Aoyagi. "MELCOR Validation Study on Sodium Pool Fire Model with Comparison to SPHINCS." In Advances in Thermal Hydraulics (ATH 2022). American Nuclear Society, 2022. http://dx.doi.org/10.13182/t126-38033.

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Louie, David, and mitsuhiro aoyagi. "MELCOR Validation Study of the Sodium Pool Fire Model with Comparison to SPHINCS." In Proposed for presentation at the Advanced in Thermal Hydraulics (ATH 2022) held June 12-16, 2022 in Anaheim, California. US DOE, 2022. http://dx.doi.org/10.2172/2003402.

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Louie, David, and Mitsuhiro Aoyagi. "Validation Study of Sodium Pool Fire Modeling Efforts in MELCOR and SPHINCS Codes." In Proposed for presentation at the Technical Meeting on State-of-the-art Thermal Hydraulics of Fast Reactors held September 26-30, 2022 in Camugnano, Italy. US DOE, 2022. http://dx.doi.org/10.2172/2004740.

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Ohno, Shuji, Takashi Takata, and Yuji Tajima. "Evaluation of Sodium Pool Fire and Thermal Consequence in Two-Cell Configuration." In 2016 24th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/icone24-61095.

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Evaluation of accidental sodium leak, combustion, and its thermal consequence is one of the important issues to be assessed in the field of sodium-cooled fast reactor (SFR) since the liquid sodium is chemically active and might give thermal load to plant building structure due to its exothermic reaction with oxygen in air atmosphere. Therefore, many experimental investigations and numerical simulation tools development have been and still now are being carried out to understand the details of sodium fire behaviors and to contribute to the investigation and preparation of appropriate mitigation

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