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Journal articles on the topic 'Sphinx (Firm)'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Darnbrough, Leanne Rae. "Visions of Disrupted Chronologies: Sergei Eisenstein and Hedwig Fechheimer’s Cubist Egypt." Arts 11, no. 5 (2022): 92. http://dx.doi.org/10.3390/arts11050092.

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By juxtaposing two ostensibly divergent characters, the Jewish art historian and Egyptologist Hedwig Fechheimer (1871–1942) and Soviet filmmaker and theorist Sergei Eisenstein (1898–1948), this paper investigates how both approaches folded time, creating Cubist chronologies. Fechheimer adapted the philological focus of her Berlin School contemporaries to create an ahistorical, anti-teleological grammar of ancient Egyptian art which espoused an artistic affinity between the Egyptians and the Cubist movement. Eisenstein, who held a copy of one of Fechheimer’s books in his personal library, took

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2

Lorenzo, J. Torres Hortelano. "La Momia y la Esfinge. El cine como interrogación en Lang y Bazin." Trama & Fondo, no. 45 (December 31, 2018): 37–47. https://doi.org/10.5281/zenodo.3590033.

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Abstract: The Mummy and the Sphinx. Cinema as an interrogation in Lang and Bazin. Abstract André Bazin proposed an analogy between the plastic arts and the idea of the mummy, stating that the former would serve to exorcise the inexorable nature of time. Related to the mummy there is the Sphinx whose myth connects with Oedipus, the only one capable of answering to its interrogation. My hypothesis is to rethink the Bazinian proposal and try to prove that cinema is indeed ontologically real. However, I would like to clarify that its power ‒«the irrational power of photography»‒

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3

Stewart, Michael. "Falling, Looking, Caring: Red Road as Melodrama." Journal of British Cinema and Television 9, no. 4 (2012): 548–68. http://dx.doi.org/10.3366/jbctv.2012.0105.

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This article examines Red Road as a melodrama and woman's film. It argues that the film is traductively real and melodramatic, and that conceiving the film in melodramatic terms is contrary to the way in which it has been defined in public discourses and academic analysis. Red Road is film melodrama in a number of related ways, via: tropes of narrative and character; a tendency to look back, work through and act out in a melancholy and melodramatic fashion; an emphasis on familialism and redemption; and the nomination of its central character as a woman and mother. Red Road is a maternal text

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4

Khurana, Kamal K., Zubair W. Baloch, and Virginia A. LiVolsi. "Aspiration Cytology of Pediatric Solitary Papillary Hyperplastic Thyroid Nodule." Archives of Pathology & Laboratory Medicine 125, no. 12 (2001): 1575–78. http://dx.doi.org/10.5858/2001-125-1575-acopsp.

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Abstract Context.—Solitary papillary hyperplastic thyroid nodules (SPHTNs) are frequently encountered in children and teenagers. Although the histologic features are well described, to the best of our knowledge, cytologic findings have not been reported. Objectives.—To review the cytologic features of histologically proven SPHTNs and to identify the potential diagnostic pitfalls in cytologic diagnosis. Materials and Methods.—Fine-needle aspiration cytology of 3 histologically proven SPHTNs was reviewed. Results.—Two girls and 1 boy (ages 11, 12, and 15 years) were affected. The cytologic diagn

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5

Mahmood, Anser, Wajid Riaz, and Maria Sundas. "Visual Analysis of the Selected Scenes of the Movie The Avengers." Global Digital & Print Media Review VI, no. II (2023): 365–75. http://dx.doi.org/10.31703/gdpmr.2023(vi-ii).26.

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The paper is about the visual critical discourse analysis of the selected scenes from the Avengers (2012) movie. The current paper analyses the female character "Natasha" from different perspectives. The researchers have selected feminist theory (second wave of feminism) while the model of Philosopher Charles S. Peirce (1931-58) has been taken for analyzing the selected scenes of the movie. Peirce's model consists of compositional analysis, semiotic analysis, and visual critical discourse analysis. Different signs and discourses have been used in the movie, which has been clarified by the mode

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6

Arana, E., C. Diaz, F. F. Latorre, et al. "Primary Intraosseous Meningiomas." Acta Radiologica 37, no. 3P2 (1996): 937–42. http://dx.doi.org/10.1177/02841851960373p299.

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Purpose: A retrospective study was performed to evaluate the clinical, radiological and histological findings of 14 intraosseous meningiomas. Material and Methods: 14 histologically proved intraosseous meningiomas were studied with plain skull film and CT. Pathological records were reviewed. Results: We found 9 calvarial cases and 5 spheno-orbital ones. The most common symptom in the calvarial cases was a lump in the scalp, and in the spheno-orbital lesions it was exophtalmos. Hyperostosis was present in all 5 spheno-orbital cases and in 3 out of the 9 calvarial ones; in the other 6 cases it h

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7

Reid, Gregory J. "Face to Face: A Conversation With Vittorio Rossi." Theatre Research in Canada 21, no. 2 (2000): 177–94. http://dx.doi.org/10.3138/tric.21.2.177.

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With productions of nine of his plays behind him (including his translation of Eduardo de Filippo's Filumena for the Stratford Festival in 1997), playwright and actor Vittorio Rossi has become one of Canada's best-known dramatists of Italian origin. He began his writing career by winning the Best New Play Award at the Quebec Drama Festival twice: for "Little Blood Brother" in 1986 and for "Backstreets" in 1987. His first full-length play, The Chain, broke attendance records at Centaur Theatre, English Quebec's main stage. His most acclaimed drama, The Last Adam, won the Canadian Authors Associ

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8

Louie, David L. Y., Mitsuhiro Aoyagi, Akihiro Uchibori, Takashi Takata, and David L. Luxat. "Validation study of sodium pool fire modeling efforts in MELCOR and SPHINCS codes." Nuclear Engineering and Design 407 (June 2023): 112285. http://dx.doi.org/10.1016/j.nucengdes.2023.112285.

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9

Chung, Ga-eun, and Bong-seok Jeong. "An Essay on the Enigma and Genre of <Burning>." Dongnam Journal of Korean Language and Literature 55 (May 31, 2023): 77–103. http://dx.doi.org/10.21654/djkll.2023.55.1.77.

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<Burning> is the most ambiguous and opaque film among Lee Chang-dong's works in terms of its genre attitude. This paper suggests that the opacity of <Burning> is due to the flaw(hamartia) that the protagonist Jong-su possesses, which acts like a filter blocking his relationship with the world. Like Oedipus, Jong-su, with his hamartia of hubris, has the potential to become the hero of tragedy, as Aristotle describes it. However, Jong-su's hamartia, unlike Oedipus, is not an-agnorisis or peripeteia. Instead, by choosing to kill Ben, Jong-su fails to integrate into society and ends up

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10

Reynolds, Felisa Vergara. "Black bodies and French colonial history: Beyoncé and Jay Z’s ‘Apeshit’ at the Louvre." Journal of European Popular Culture 14, no. 2 (2023): 157–64. http://dx.doi.org/10.1386/jepc_00061_1.

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In June of 2018, Beyoncé and Jay-Z (under the name The Carters) released the music video for their song ‘Apeshit’, from the album Everything Is Love, set in the Louvre Museum in Paris. Through an agreement with the Louvre, The Carters were given free rein to film in front of some of the most famous art pieces in the world. This article focuses on five instances, within the music video, where the juxtaposition between either The Carters and/or their dancers, and certain works of art, merits analysis within the French colonial and postcolonial context. Under consideration are the following scene

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11

Yamaguchi, Akira, and Yuji Tajima. "Validation study of computer code sphincs for sodium fire safety evaluation of fast reactor." Nuclear Engineering and Design 219, no. 1 (2003): 19–34. http://dx.doi.org/10.1016/s0029-5493(02)00209-1.

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12

Maguipa Tandzong, Christelle Laure, Pierre Désiré Mbougueng, Alphonse Sokamte Tegang, and Hilaire Macaire Womeni. "Study on the local know-how of the use of beef hides in western Cameroon meals." Cameroon Journal of Experimental Biology 14, no. 1 (2021): 50–60. http://dx.doi.org/10.4314/cajeb.v14i1.6.

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The current study was conducted in four localities in the West region of Cameroon from May to September 2019, to know the pre-treatments made on given to beef hides before their use in different dishes, as well as the ingredients used in the preparation of pepper soup beef hides through household surveys. A total of 307 housewives were surveyed interviewed. The data was collected using a questionnaire and further analyzed using Sphinx Plus2 V5 software. Results showed that 54.6 to 71% participants consumed beef hides monthly. More than 50% participants purchased their beef hides at the butcher

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13

Christiansen, Thomas. "SUPPLEMENT • MUMIEN OG SFINKSEN I MILEN: ÆGYPTENFASCINATION I DANSKE STUMFILM, 2. FILMENE • PAPYRUS 45 ÅRG. NR.1 2025." May 27, 2025. https://doi.org/10.5281/zenodo.15014871.

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Supplerende illustrationer og billedtekster til T. Christiansen, “Mumien og sfinksen i milen: Ægyptenfascination i danske stumfilm – 2. Filmene”, <em>Papyrus </em>45.1, 2025, s. 28-44. [Supplementary illustrations and captions to T. Christiansen, “The Mummy and the Sphinx in the Dune: Egyptomania in Danish Silent Movies. Part 2 – The Movies”, <em>Papyrus </em>45.1, 2025, pp. 28-44] English abstract of the article (T. Bagh): <strong>The Mummy and the Sphinx in the Dune: Egyptomania in Danish Silent Movies</strong> <strong>Part 2 – The Movies<

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14

"Validation study of computer code SPHINCS for sodium fire safety evaluation of fast reactor." Fuel and Energy Abstracts 44, no. 3 (2003): 186. http://dx.doi.org/10.1016/s0140-6701(03)82028-3.

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15

Ensor, Jason. "Web Forum: Apocacide, Apocaholics and Apocalists." M/C Journal 2, no. 8 (1999). http://dx.doi.org/10.5204/mcj.1814.

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Apocacidal Tendencies: Three Excerpts from the Heaven's Gate Website 1995 (A term which blends apocalypse with suicide, apocacides could be best described as those groups or individuals who understand salvation from an imagined approaching armageddon to involve, indeed depend upon, the voluntary sacrifice of one's own life on earth.) 1. '95 Statement by An E.T. Presently Incarnate: "... We brought to Earth with us a crew of students whom we had worked with (nurtured) on Earth in previous missions. They were in varying stages of metamorphic transition from membership in the human kingdom to mem

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16

Felton, Emma. "The City." M/C Journal 5, no. 2 (2002). http://dx.doi.org/10.5204/mcj.1958.

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In the television series Sex and the City, there is a scene which illustrates a familiar contempt for suburban life as dull and boring. Implicit is the oppositional view that urban life by comparison, is the more exciting one. Charlotte (one of four women whose sexual and romantic relationships are the focus of the series), has spent time with her in-laws in an upper middle class suburban enclave, and is confessing to her three girl friends her fantasies and ultimate sexual encounter with her in-law's hunk of a gardener. She's racked with guilt over the incident, not least because she is marri

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17

Arnold, Bruce, and Margalit Levin. "Ambient Anomie in the Virtualised Landscape? Autonomy, Surveillance and Flows in the 2020 Streetscape." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.221.

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Our thesis is that the city’s ambience is now an unstable dialectic in which we are watchers and watched, mirrored and refracted in a landscape of iPhone auteurs, eTags, CCTV and sousveillance. Embrace ambience! Invoking Benjamin’s spirit, this article does not seek to limit understanding through restriction to a particular theme or theoretical construct (Buck-Morss 253). Instead, it offers snapshots of interactions at the dawn of the postmodern city. That bricolage also engages how people appropriate, manipulate, disrupt and divert urban spaces and strategies of power in their everyday life.

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