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Relevant bibliographies by topics / Spiral jetty

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Academic literature on the topic 'Spiral jetty'

Author: Grafiati

Published: 18 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Spiral jetty"

1

Chianese, Robert. "Spiral Jetty." American Scientist 101, no. 1 (2013): 20. http://dx.doi.org/10.1511/2013.100.20.

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2

Campagnolo, Kathleen Merrill. "Spiral Jetty through the Camera's Eye." Archives of American Art Journal 47, no. 1/2 (2008): 16–23. http://dx.doi.org/10.1086/aaa.47.1_2.25435144.

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Leon, Benjamin. "A obra além de si: a arte da terra captada pelo olhar cinematográfico, um gesto documental." Intexto, no. 47 (August 6, 2019): 20–38. http://dx.doi.org/10.19132/1807-8583201947.20-38.

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Em 1970, o artista americano Robert Smithson construiu, no final do Great Salt Lake, uma obra que se tornou emblemática para a Land art: o Spiral Jetty. Em seu filme homônimo, ao sobrevoar o Spiral Jetty em um helicóptero, o artista apreende um relatório em escala que desorienta o espectador, bem como evita que o trabalho seja definitivamente fixado em seu destino no museu. Em Casting a Glance, o artista americano James Benning desenvolve uma reflexão sobre o olhar que funciona na era contemporânea. Seu filme é um relato fragmentário de suas repetidas viagens ao Great Salt Lake para ver o Spir

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4

Lunberry, Clark. "Quiet Catastrophe: Robert Smithson's Spiral Jetty, Vanished." Discourse 24, no. 2 (2002): 86–120. http://dx.doi.org/10.1353/dis.2003.0027.

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Lee, Debbie. "The Infinite Helix: Walking Spiral Jetty with Coleridge." Wordsworth Circle 49, no. 2 (2018): 99–102. http://dx.doi.org/10.1086/twc49020099.

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6

Riedel, Tom. "ROBERT SMITHSON: SPIRAL JETTY. Lynne Cooke , Karen Kelly." Art Documentation: Journal of the Art Libraries Society of North America 25, no. 1 (2006): 64–65. http://dx.doi.org/10.1086/adx.25.1.27949411.

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7

Ballard, Susan, and Liz Linden. "Spiral Jetty, geoaesthetics, and art: Writing the Anthropocene." Anthropocene Review 6, no. 1-2 (2019): 142–61. http://dx.doi.org/10.1177/2053019619839443.

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Despite the call for artists and writers to respond to the global situation of the Anthropocene, the ‘people disciplines’ have been little published and heard in the major journals of global environmental change. This essay approaches the Anthropocene from a new perspective: that of art. We take as our case study the work of American land artist Robert Smithson who, as a writer and sculptor, declared himself a ‘geological agent’ in 1972. We suggest that Smithson’s land art sculpture Spiral Jetty could be the first marker of the Anthropocene in art, and that, in addition, his creative writing m

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8

Butler, Alison. "Spiral Jetty, thirty-seven years later: The cinematic time of James Benning." MIRAJ, Moving Image Review & Art Journal 2, no. 2 (2013): 174–86. http://dx.doi.org/10.1386/miraj.2.2.174_1.

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9

이재은. "The Realationship between New Wave SF’s Landscape and Robert Smithson’s film Spiral Jetty." Journal of History of Modern Art ll, no. 44 (2018): 119–45. http://dx.doi.org/10.17057/kahoma.2018..44.005.

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10

Bernstein, J. M. "Kant and Adorno on Mind and World: From Wild Beauties to Spiral Jetty." New German Critique 48, no. 2 (2021): 107–23. http://dx.doi.org/10.1215/0094033x-8989274.

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Abstract Theodor W. Adorno’s governing procedure in Aesthetic Theory is to reconstruct the terms and concepts of traditional aesthetics and the philosophy of art through the actuality of artistic modernism in its various guises. The necessity of this procedure turns on the recognition that modernist art has become a stand-in for the now-wrecked authority of living nature. Adorno contends that “natural beauty,” as elaborated by Immanuel Kant, is the recognition of that now-lost experience of nature, and that art beauty must be thereby interpreted as becoming the reconstructed afterimage of natu

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Dissertations / Theses on the topic "Spiral jetty"

1

Domínguez, Rubio Fernando. "Beyond humanist patterns of explanation : thinking through Robert Smithson's Spiral Jetty." Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612146.

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Kurtz, Matthew B. "What Comes After the Blues." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619717430532435.

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Books on the topic "Spiral jetty"

1

Hogan, Erin. Spiral Jetta. University of Chicago Press, 2008.

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2

(Editor), Lynne Cooke, and Karen Kelly (Editor), eds. Robert Smithson: Spiral Jetty. University of California Press, 2005.

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3

1970-, Baker George, Cooke Lynne, and Kelly Karen J. 1964-, eds. Robert Smithson: Spiral jetty : true fictions, false realities. University of California Press, 2005.

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4

The Spiral Jetty Encyclo: Exploring Robert Smithson's Earthwork through Time and Place. University of Utah Press, 2017.

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5

Dworkin, Craig. Helicography. punctum books, 2021. http://dx.doi.org/10.53288/0352.1.00.

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Part art history essay, part experimental fiction, part theoretical manifesto on the politics of equivalence, Helicography examines questions of scale in relation to Robert Smithson’s iconic 1970 artwork Spiral Jetty. In an essay and film made to accompany the earthwork, Smithson invites us to imagine the stone helix of his structure at various orders of magnitude, from microscopic molecules to entire galaxies. Taking up this invitation with an unrelenting and literal enthusiasm, Helicography pursues the implications of such transformations all the way to the limits of logic. If other spirals,

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6

Bernhard, Bürgi, and Museum für Gegenwartskunst Basel, eds. En plein terre: Eine Wanderung zwischen Landschaft und Kunst, Spiral Jetty und Potsdamer Schrebergärten : Museum für Gegenwartskunst Basel der Öffentlichen Kunstsammlung Basel und der Emanuel Hoffmann-Stiftung, 16. August-18 November 2001. Öffentlichen Kunstsammlung Basel], 2001.

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7

Spiral Jetta A Road Trip Through The Land Art Of The American West. University of Chicago Press, 2009.

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8

Spiral Jetta: A Road Trip through the Land Art of the American West (Culture Trails). University Of Chicago Press, 2008.

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9

Spalding, Susan Eike. “Rise and Shine”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038549.003.0007.

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This chapter examines the use of dance to promote community development at Hoedown Island, Eastern Kentucky, with particular emphasis on the role played by the Natural Bridge State Resort Park in Powell County. It begins with an overview of the Natural Bridge State Resort Park and the efforts of civic leaders like Richard Jett to make life better for Powell and other nearby counties. It then considers Natural Bridge's role in the promotion of dancing at Hoedown Island under Jett's leadership, along with the importance of an intergenerational community and a spirit of cooperation in making danc

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Book chapters on the topic "Spiral jetty"

1

Hammer, Øyvind. "Spiral Jetty, Tatlin’s Tower." In The Perfect Shape. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-47373-4_24.

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2

O’Sullivan, Simon. "From Geophilosophy to Geoaesthetics The Virtual and the Plane of Immanence versus Mirror-Travel and the Spiral Jetty." In Art Encounters Deleuze and Guattari. Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230512436_5.

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Boetzkes, Amanda. "Spiral Jetty: Allegory and the Recovery of the Elemental." In The Ethics of Earth Art. University of Minnesota Press, 2010. http://dx.doi.org/10.5749/minnesota/9780816665884.003.0003.

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4

Chaganti, Seeta. "Terpsichorean Form: Geoffrey Chaucer's Franklin's Tale and Robert Smithson's Spiral Jetty." In The Medieval Literary: Beyond Form. Boydell and Brewer Limited, 2018. http://dx.doi.org/10.1017/9781787442191.009.

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5

Joyce, Rosemary A. "Serpent Mound." In The Future of Nuclear Waste. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190888138.003.0004.

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This chapter explores the second major element of the marker design, which called for a massive earthen berm, supported by citing mounds of the US Midwest, including Monk’s Mound at Cahokia and the Great Serpent Mound. It explores how the engineering knowledge needed to construct these mounds is underestimated by the markers’ experts, and how the archaeological sites treated as simple actually have complex histories of development, including repair and changes. It relates the dismissive treatment of this indigenous technology to earlier commentaries that questioned the creation of earthworks by Native Americans. It explores the concept of common sense and the kinds of expert opinion that were represented in the history of developing proposals for markers, and the special role given to meaning in identifying appropriate archaeological models to use. It is followed by an interlude considering Robert Smithson’s Spiral Jetty as a model for a monumental earthwork subject to entropy.

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6

Israel, Nico. "At the End of the Jetty." In Spirals. Columbia University Press, 2015. http://dx.doi.org/10.7312/columbia/9780231153027.003.0006.

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7

"5. At the End of the Jetty: Beckett . . . Smithson. Recoil . . Return." In Spirals. Columbia University Press, 2015. http://dx.doi.org/10.7312/isra15302-006.

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