Relevant bibliographies by topics / Spirited Away

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Spirited Away'

Author: Grafiati
Published: 4 June 2021
Last updated: 21 February 2023

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Journal articles on the topic "Spirited Away"

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Reinhart, Martin. "Spirited Away." Journal of performance magic 3, no. 1 (December 1, 2015): 25–35. http://dx.doi.org/10.5920/jpm.2015.3125.

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Verberck, Bart. "Spirited away." Nature Physics 12, no. 4 (April 2016): 291. http://dx.doi.org/10.1038/nphys3721.

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Kim, Sarah. "SPIRITED AWAY." Journal of Pastoral Theology 15, no. 2 (October 2005): 107–9. http://dx.doi.org/10.1179/jpt.2005.15.2.008.

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Hartman, Emma. "Tradition vs. Innovation and the Creatures in Spirited Away." Digital Literature Review 4 (January 13, 2017): 104–17. http://dx.doi.org/10.33043/dlr.4.0.104-117.

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Japan is perhaps best known for creating the world-famous film style: anime. Popular with adults and children alike, anime boasts unfamiliar creatures that are sometimes considered strange or disturbing to the Western world. Hayao Miyazaki, perhaps the most well-known anime director, screenwriter, and animator, presents such fantastical creatures in Spirited Away. The creatures viewers encounter resemble kami, or spirits, from Japanese folklore. This paper explores how these spirits illuminate the tension between tradition and innovation within modern Japanese society. Traditions are not only preserved through Spirited Away, but are made relevant for Japanese youth, who are often perceived to be slipping away from Japanese tradition.
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Saputri, Oktaviani. "Tuturan Melarang dalam Film Spirited Away." LITE: Jurnal Bahasa, Sastra, dan Budaya 15, no. 1 (April 19, 2019): 79–87. http://dx.doi.org/10.33633/lite.v15i1.2403.

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The Purpose of this study is to describe the use of directive speech acts of prohibition in the Spirited Away movie which are based on the pattern of prohibitions in Japanese. It also aims to find out the factors that influence the prohibition of speech based on the context of the conversation and categorized them into direct or indirect speech. The data of this research were taken from the utterance of the characters containing the directive speech acts of prohibition. The use of prohibition directive speech acts is analyzed based on the prohibition pattern in Japanese in accordance with the theory of Namatame. This type of research uses the qualitative descriptive research method with a pragmatic approach. From the results of data analysis it was found that the use of illocutionary speech forms directly prohibits,which are: the patterns of  ~ V ru na, ~ te wa ikenai, ~ naide, ~ dame, and ~ janai. Ilocutionary forms are directly used by people who have strong authority over their partners. With his authority the speaker does not need to use indirect speech which usually emphasizes modesty.
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Knox, Julian. "Hoffmann, Geothe, and Miyazaki's "Spirited Away"." Wordsworth Circle 42, no. 3 (June 2011): 198–200. http://dx.doi.org/10.1086/twc24043148.

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Yongmi Lee. "The metaphor of kuruwa in 'Spirited Away'." Journal of Japanese Language and Literature 72, no. 2 (February 2010): 261–74. http://dx.doi.org/10.17003/jllak.2010.72.2.261.

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Kuusela, Tommy. "Spirited Away by the Female Forest Spirit in Swedish Folk Belief." Folklore 131, no. 2 (April 2, 2020): 159–79. http://dx.doi.org/10.1080/0015587x.2019.1701280.

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Noviana, Fajria. "MORAL VALUES IN HAYAO MIYAZAKI’S SPIRITED AWAY: A SOCIOLOGY OF LITERATURE APPROACH." HUMANIKA 27, no. 1 (June 10, 2020): 23–32. http://dx.doi.org/10.14710/humanika.v27i1.30548.

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Moral is what guides human to act humanly. That is why moral education should be taught as early as possible in order to make a society that upholds moral values. This paper focused on moral values of the Japanese that can be seen in Miyazaki’s anime entitled Spirited Away. The moral values discussed in this paper are based on Japanese moral education for elementary school level, which divided into four groups of desirable habits. They are matters belonging to oneself, relationship of self to other persons, matters related chiefly to nature and sublime things, and matters concerning the group and society. The determination of this level is due to the behavior of the main character named Chihiro who was an elementary school student, which is used as a guide to discussing moral values consisted in the anime. The conclusion is that the Japanese government has succeeded in giving moral education in elementary school, at least in this anime. Chihiro's actions are proof that she acts and reacts as what she taught in Japanese elementary school. She did exactly the same with recommended traits in the four groups of desirable habits, although she sometimes broke the rules which was natural for human being, especially for kids. Therefore, we can say that well-structured Japanese moral education can be used in much wider place; not only in Japan but also in other countries.
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Milsom, Michael D. "Stem Cells Spirited Away by Alcohol-Induced DNA Damage." HemaSphere 2, no. 2 (March 2018): e36. http://dx.doi.org/10.1097/hs9.0000000000000036.

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Dissertations / Theses on the topic "Spirited Away"

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Olsson, Andreas. "Filmen Spirited Away som förmedlare av ett lärande inom religionsundervisningen." Thesis, Malmö högskola, Fakulteten för lärande och samhälle (LS), 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-34866.

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Populärkulturen bidrar med sätt att möta eleverna på deras egna villkor. Uppsatsen ämnar undersöka dels vilka drag av shintoism som återfinns i den japanska animerade filmen Spirited Away och dels hur filmen kan användas i undervisningen av religion på gymnasiet. Studiens ambition är att undersöka vad filmen kan erbjuda undervisningen på en B-kurs inom religionsämnet. Genom att utföra en läromedelsanalys samt ägna mig åt studier kring religionen shinto syftar uppsatsen till att belysa hur filmen Spirited away, och dess shintoistiska tematik, kan finna sin plats i undervisningen i ett klimat där läromedlen ofta misslyckas med att ge en nyanserad bild av den shintoistiska läran. Uppsatsen presenterar en kvalitativ intervju med en japansk man som ger sin bild av shinto. Resultatet visar även att B-kursen på gymnasienivå inbjuder till kopplingar mellan religiösa yttringar och aspekter av vårt sekulariserade samhälle. Populärkulturen, i detta fall genom filmen Spirited away, och shintoism kan därmed bidra till en kombination som leder till att eleverna når ett meningsfullt lärande inom flera olika områden. Studien påvisar att filmen är bärare av en shintoistisk aspekt som är gångbar att belysa i en lektionsplan. Denna lektionsplan vinner mest mark genom hur den behandlar religionens roll i ett sekulariserat samhälle. I detta fall populärkulturens bruk av religiös tematik. Däremot avvisas filmen som direkt förmedlare av den shintoistiska läran, och istället lyfts dess lämplighet som bro mellan ett religiöst system och den populärkulturella aspekten av religionsundervisningen.
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Turley, Alicestyne. "SPIRITED AWAY: BLACK EVANGELICALS AND THE GOSPEL OF FREEDOM, 1790-1890." UKnowledge, 2009. http://uknowledge.uky.edu/gradschool_diss/79.

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The true nineteenth-century story of the Underground Railroad begins in the South and is spread North by free blacks, escaping southern slaves, and displaced, white, anti-slavery Protestant evangelicals. This study examines the role of free blacks, escaping slaves, and white Protestant evangelicals influenced by tenants of Kentucky’s Second Great Awakening who were inspired, directly or indirectly, to aid in African American community building. The impact of Kentucky’s Great Revival resulted in creation and expansion of systems of escape commonly referred to as the “Underground Railroad” which led to self-emancipation among enslaved African Americans, the establishment of free black settlements in the South, North, within Kentucky borderlands, and the Mid- West, and resulting in the eventual outbreak of a Civil War. An examination of slave narratives, escaping slave ads, the history of American religious societies, as well as examination of denominational doctrines, policies, public views, and actions regarding American slavery confirmed the impact of Kentucky’s 1797 Great Revival on freeing slaves, creating black church congregations, establishment of antislavery churches, and benevolent societies throughout Kentucky and the Mid-West. These newly formed churches and societies spread the gospel of black freedom beyond Kentucky into Western Territories particularly Indiana, Illinois, and Missouri. The spread of an evangelical religious message and the violent displacement of white and black antislavery advocates had the unintended consequence of aiding freedom seeking slaves in the formation of independent, black settlements and religious societies, not only in Kentucky but also in the North and West. This work acknowledges the central role Kentucky played in providing two of the three acknowledged and well-documented national Underground Railroad escape corridors which successfully ran through eastern Kentucky’s Appalachian Mountains and within the core of the state’s Western and Central Bluegrass Regions.
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Parker, James. "Spirited away: institutionality, the IRB and the case of Maliny Victoria Jesurasa." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=18731.

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This thesis takes the case file of a Sri Lankan asylum seeker found in the archives at the Federal Court of Montreal in March of 2007 and submits it to a textual analysis. In so doing it operates on three levels. First, it elaborates something of the life of this person, the trials she faced both in Sri Lanka and Canada. Second, and most significantly, it observes the effect of the Immigration and Refugee Board of Canada on the telling of her story, its particular adjudicatory techniques. It is concerned with how this particular institution 'thinks'. Third and finally, it gestures at some possible implications of this analysis in jurisprudential terms. At its most abstract this thesis argues that institutionality is a key feature of the adjudicatory project which is too frequently overlooked.
Cette thèse est centrée sur le dossier d'une réfugiée Sri Lankaise, qui a été trouvé dans les archives de la cour fédérale de Montréal en Mars 2007 et fait ici l'objet d'une analyse de texte. Trois points ont été dégagés par cette analyse. Premièrement, celle-ci décrit quelques points de la vie de cette personne et les problèmes qu'elle a rencontré au Sri Lanka et au Canada. Deuxièmement, cela décrit l'influence du Commissariat de l'immigration de du statut de réfugié du Canada sur la manière dont son histoire est narrée, ainsi que les techniques juridiques de ce commissariat. Troisièmement, ce travail envisage les implications possibles de ce cas sur la théorie du droit. Au niveau le plus abstrait, cette thèse argumente le fait que l'institutionnalisme est un trait important dans les processus juridiques et qu'il est trop souvent négligé.
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Sunnerstam, Hanna. "Food, Humans and Other Kinds of Matter : A Posthumanist and Materialist Reading of the Anime Film Spirited Away." Thesis, Linköpings universitet, Tema Genus, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97298.

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My aim with this thesis is to use a combination of posthumanist and feminist materialist perspectives in analysing the anime film Spirited Away (2001). The analysis is organised as follows: the first chapter of the analysis deals with the notions of agency and magic. Magic is an omnipresent force in the bathhouse depicted in the film; a force that creates connections between different bodies and that also bridges the language-matter divide. By making inanimate matter come alive, magic points to a conception of life as relations rather than as possession. However, magic also reveals the hierarchies at work, as not all animate(d) beings have the capacity or the right to use it. The first chapter is followed by three chapters focused on eating, understood as a kind of intra-action between different kinds of matter. Food is, as I will show, important in the negotiations of boundaries and agency. The question of who is eating who also reveals some of the power relationships that govern the posthuman world depicted in the film. In the two last chapters of the analysis I will, so to speak, push the food plate aside in favour of other matters. The fifth chapter will focus on the physical transformations taking place in the film and how these can be interpreted from a posthumanist and materialist perspective. I will look at embodiments, using a narratologically influenced perspective that allows for corporeal ambiguities and shuns notions of bodies as fixed and clearly separate from other bodies. The discussion will continue in the final chapter where I use 'monster theory' to further examine the leakages between categories. The monstrous corresponds not necessarily to widely-spread images of monsters (known from various cultural masterplots) or to bodies that distinctly disobey the norms. The morphological diversity exhibited by the characters in the film reveals the impossibility of clearly demarcating categories and boundaries between Self and Other.
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Brinkemar, Ronja. "En värld inom vår egen : En filmanalys av den japanska animerade parallellvärlden i Hayao Miyazakis Spirited Away." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-444960.

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I denna undersökning vill jag visa att film har ett egenvärde som berättarform separat från skönlitteraturen, där särskilt japansk animerad film är ett område som tidigare marginaliserats inom filmteorin men bör ges ett större akademiskt utrymme. Med hjälp av de fem filmanalytiska aspekterna berättelse, mise-en-scène, kameraanvändning, klippning, ljud och filmmusik undersöker jag hur regissören Hayao Miyazaki konstruerar den japanska animerade parallellvärlden i filmen Spirited Away samt hur det animerade mediet påverkar filmen. Min analys visar att publikens inlevelse i parallellvärlden skapas genom en otillgänglig narration där kamerans låga vinklar och point-of-view-shots gestaltar världen ur huvudpersonens vinkel. Parallellvärlden kommer till liv genom en detaljerad traditionell japansk scenografi, runda karaktärer och en rik diegetisk ljudbild. Den långsamma klippningen bjuder in publiken att bli medskapare av parallellvärlden och musiken skapar en känslomässig inlevelse samt fungerar som en sammanknytande väv genom filmen. Den animerade formen möjliggör en större frihet i animatörernas skapande av filmens mise-en-scène, samt bidrar till en större tolerans hos publiken för det irrationella intuitiva händelseförloppet och en delvis överdriven ljudbild.
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Johansson, Erik. "Change in Meaning in the Swedish Dub of Spirited Away : A translation study on dubbing using a pivot language." Thesis, Högskolan Dalarna, Japanska, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:du-25271.

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This paper aims to study the results of dubbing from Japanese to Swedish using a pivot language. The author examines the Swedish dubbed version of the Japanese animated film Spirited Away by comparing it to the original version and finding differences in what in-formation is conveyed through the dialogue. Because the Swedish dubbed version has been translated using the English language script as a base, the English dubbed version is also examined. The findings are then presented, categorized and analysed according to where the changes have appeared and what they consist of. Finally, the results are dis-cussed and compared to previous findings in the field. The study finds how many lines of dialogue have been altered, and that the use of a pivot language has greatly increased the number of altered lines, although no proof was found of an increased amount of mistrans-lations. The increased amount of altered lines leads to the conclusion that the usage of a pivot language can be problematic.
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Tsai, Fang-I., and 蔡芳怡. "A Study of Incidental Music on Hayao Miyazaki's Animation-Spirited Away." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/31114204437394151755.

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碩士
國立臺北教育大學
音樂學系碩士班
103
Music is the combination and presentation of notes and individual notes have their own unique performance. The keynote, the minor second, the major third, the augmented fourth, the perfect fifth, the minor sixth, and the major seventh have different emotions. In addition, the different combination of notes and interval progressions will produce different musical terminology, developing distinctive emotions. Since in ancient times, musicians have communicated sorrow, disappointment and yearning for happiness, or pure joy through the medium of music. That is to say, various emotions can be performed by means of different musical terminology. As a codified vocal language, music, to some extent, has the function of insinuating the content and it communicate through the tension and combination of individual notes. It can also intensify the communication of emotions through the combination of its special terminology. Music is not a standalone art and it can combine with other fields. In terms of animated film production, it can serve as a language art that can express emotions. The combination of music and pictures can better communicate the themes and meanings of a drama, intensifying dramatic atmospheres. The research aims to explore several techniques for the creation of the soundtrack of Spirited Away produced by Miyazaki Hayao. This includes leitmotifs, atmospheric theme music, and the application of local color. Film music included in this research is how the musical tension imbedded in musical composition and the combination of the components of musical emotions and musical terminology bring out the emotions to communicate of the themes of a drama. Film music makes a comparison between musical composition and world great music, further proving that music makes great contribution to dramatic atmospheres in films and that music guides the audience to appreciate the meanings of a drama.
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Chih-Hung, Wang, and 王智弘. "A Creation Description of“Spirited Away”─An Exhibition Using Augmented Reality Art." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/bq46y8.

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碩士
國立臺灣藝術大學
多媒體動畫藝術學系新媒體藝術碩士班
104
"Spirited Away" is an illustration exhibition presented digitally with tablets and smart phones. The exhibition uses augmented reality to integrate its traditional content, with first person point of view narrative to take the audience into the story, in which the audience can perceive the origin of Taiwanese temples. The story begins with a girl's spiriting away, following with urban myths in Taiwan. As the story unfolds, there will be more and more hints about the ghosts and spirits' existence all around Taiwan, the audience will have an opportunity to understand their story better, and, in the very end, know where the girl finally goes. Handheld smart devices are used as the interactive interface in the work, which makes it much easier to read, in order to deepen the audience's interests to the story.
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Asakura, Kaori. "Translating Cultural References in Japanese Animation Films: The Case of Spirited Away." Master's thesis, 2017. https://repositorio-aberto.up.pt/handle/10216/105914.

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Asakura, Kaori. "Translating Cultural References in Japanese Animation Films: The Case of Spirited Away." Dissertação, 2017. https://repositorio-aberto.up.pt/handle/10216/105914.

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Books on the topic "Spirited Away"

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Miles, Cindy. Spirited Away. New York: Penguin USA, Inc., 2009.

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Spirited away. New York: Palgrave Macmillan, 2008.

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Oniki, Yuji. Miyazaki's spirited away. San Francisco, CA: Viz Communications, 2002.

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Miyazaki's spirited away. San Francisco: Viz Communications, 2002.

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1941-, Miyazaki Hayao, Hewitt Cindy Davis, Hewitt Donald H, and Daigle-Leach Susan, eds. Miyazaki's spirited away. San Francisco, CA: Viz Communications, 2002.

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1941-, Miyazaki Hayao, ed. Miyazaki's spirited away. San Francisco, CA: Viz Communications, 2002.

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Spirited away: Pocket movie guide. Kent: Crescent Moon Pub., 2012.

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Shen yin shao nü: Spirited away. Taipei Shi: Taiwan dong fan gu fen you xian gong si, 2002.

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Shen yin shao nü: Spirited away. Taipei Shi: Taiwan dong fan gu fen you xian gong si, 2002.

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1969-, Lu Alvin, and Miyazaki Hayao 1941-, eds. The art of Miyazaki's Spirited away. San Francisco, CA: Viz Communications, Inc., 2002.

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Book chapters on the topic "Spirited Away"

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Croteau, Melissa. "Hayao Miyazaki's Spirited Away." In Transcendence and Spirituality in Japanese Cinema, 62–94. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429276057-2.

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Bennett, Bridget. "Spirited Away: The Death of Little Eva and the Farewell Performances of Katie King." In Transatlantic Spiritualism and Nineteenth-Century American Literature, 115–46. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604865_5.

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George, Sam. "Spirited Away: Dream Work, the Outsider, and the Representation of Transylvania in the Pied Piper and Dracula Myth in Britain and Germany." In Dracula, 69–93. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63366-4_5.

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De Weaver, Mark A. "Taking Away the Ladle." In Animal Spirits with Chinese Characteristics, 123–41. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137110121_7.

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Hill, Jeffrey. "‘Getting Away From It All’: The Holiday Spirit." In Sport, Leisure and Culture in Twentieth-Century Britain, 76–92. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-137-08758-4_5.

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Parfitt, Richard. "“Jazzing the Soul of the Nation Away”." In Musical Culture and the Spirit of Irish Nationalism, 1848–1972, 190–202. New York : Routledge, 2020. | Series: Routledge studies in cultural history: Routledge, 2019. http://dx.doi.org/10.4324/9780429325540-14.

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Takahashi, Mutsuo. "Spirited Away." In Twelve Views from the Distance, 55–73. University of Minnesota Press, 2012. http://dx.doi.org/10.5749/minnesota/9780816672776.003.0004.

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Miyazaki, Hayao. "Spirited Away." In 100 Animated Feature Films. British Film Institute, 2022. http://dx.doi.org/10.5040/9781839024450.0084.

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Çay, Merve. "Tainted Away." In Advances in Media, Entertainment, and the Arts, 259–79. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4655-0.ch014.

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Global climate change and its effects on the planet attract attention by policymakers as well as scholars. Global ecological crises are gradually being examined both in cultural and scientific terms all over the world as a concept as the relationship between nature and people is examined further. Japanese animation director Hayao Miyazaki stands out with his critical approach to the relationship between humans and nature. Miyazaki's animated films such as Princess Mononoke, Spirited Away, and Nausicaä of the Valley of the Wind provide us with a different perspective on Mother Earth and the relationship between nature and people in connection to “past,” “present,” and “future.” In this chapter, Miyazaki's three films are examined through three approaches in ecocriticism—deep ecology, ecofeminism, and dark ecology—to show how Miyazaki maintains a unifying, and a not discriminatory, narrative in our perception of nature by finding balancing solutions to dichotomies such as nature-man, human-nonhuman, man-woman, technology-nature.
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Willmott, Hugh. "Spirited Away: When Political Economy Becomes Culturalized1…" In New Spirits of Capitalism?, 98–123. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199595341.003.0005.

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Conference papers on the topic "Spirited Away"

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He, Jiawen, Junli Zhao, Haonan Li, and Jie Sun. "Spirited Away Interactive Scene Roaming." In 2018 International Conference on Virtual Reality and Visualization (ICVRV). IEEE, 2018. http://dx.doi.org/10.1109/icvrv.2018.00045.

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Sun, Bocong. "Analysis on the Culture Concepts in the Movie Spirited Away." In 2020 4th International Seminar on Education, Management and Social Sciences (ISEMSS 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200826.107.

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Poleschuk, Victoria. "NOMINAL AND VERBAL PREFIXES OF POLITENESSIN THE SPEECH OF HEROES ANIMATED FILM HAYAO MIYAZAKI"千と千尋の神隠" ("SPIRITED AWAY")." In ЯЗЫК. КУЛЬТУРА. ПЕРЕВОД = LANGUAGE. CULTURE. TRANSLATION. Science and Innovation Center Publishing House, 2019. http://dx.doi.org/10.12731/lct.2019.28.

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Nominal and verbal prefixation in the system of politeness of the Japanese language plays an important role. This article is devoted to the analysis of the examples of politeness prefixes in the speech of the characters of the animated film of Hayao Miyazaki "千と千尋の神隠" ("Spirited Away").
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McKee, Heather, Phoene Cave, Mayana McDermott, and Nick Hopkinson. "“It lifts your spirits and you come away feeling lighter” - Patient experience of British Lung Foundation singing groups." In ERS International Congress 2016 abstracts. European Respiratory Society, 2016. http://dx.doi.org/10.1183/13993003.congress-2016.pa3740.

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