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Journal articles on the topic 'Spirited Away'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Reinhart, Martin. "Spirited Away." Journal of performance magic 3, no. 1 (2015): 25–35. http://dx.doi.org/10.5920/jpm.2015.3125.

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Verberck, Bart. "Spirited away." Nature Physics 12, no. 4 (2016): 291. http://dx.doi.org/10.1038/nphys3721.

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Kim, Sarah. "SPIRITED AWAY." Journal of Pastoral Theology 15, no. 2 (2005): 107–9. http://dx.doi.org/10.1179/jpt.2005.15.2.008.

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Hartman, Emma. "Tradition vs. Innovation and the Creatures in Spirited Away." Digital Literature Review 4 (January 13, 2017): 104–17. http://dx.doi.org/10.33043/dlr.4.0.104-117.

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Japan is perhaps best known for creating the world-famous film style: anime. Popular with adults and children alike, anime boasts unfamiliar creatures that are sometimes considered strange or disturbing to the Western world. Hayao Miyazaki, perhaps the most well-known anime director, screenwriter, and animator, presents such fantastical creatures in Spirited Away. The creatures viewers encounter resemble kami, or spirits, from Japanese folklore. This paper explores how these spirits illuminate the tension between tradition and innovation within modern Japanese society. Traditions are not only

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Saputri, Oktaviani. "Tuturan Melarang dalam Film Spirited Away." LITE: Jurnal Bahasa, Sastra, dan Budaya 15, no. 1 (2019): 79–87. http://dx.doi.org/10.33633/lite.v15i1.2403.

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The Purpose of this study is to describe the use of directive speech acts of prohibition in the Spirited Away movie which are based on the pattern of prohibitions in Japanese. It also aims to find out the factors that influence the prohibition of speech based on the context of the conversation and categorized them into direct or indirect speech. The data of this research were taken from the utterance of the characters containing the directive speech acts of prohibition. The use of prohibition directive speech acts is analyzed based on the prohibition pattern in Japanese in accordance with the

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Knox, Julian. "Hoffmann, Geothe, and Miyazaki's "Spirited Away"." Wordsworth Circle 42, no. 3 (2011): 198–200. http://dx.doi.org/10.1086/twc24043148.

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Chapman, Michael. "Hard Spirits: Architectural Apparitions in Hayao Miyazaki's Spirited Away." Architectural Design 94, no. 4 (2024): 126–33. http://dx.doi.org/10.1002/ad.3084.

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AbstractFilm has a long history of spectral association, from the possibilities of projection, the dancing image that hangs in the air, to the translucence of the media itself. Taking inspiration from a Japanese animation, Michael Chapman, Professor and Chair of Architecture and Industrial Design at Western Sydney University, has created a series of works that seek to fill in the haunted blanks and uncanny parallaxes that exist between the space we view and perceive in the filmic sequence and an ‘objective’ reality of that architecture. He uses some of the compositional protocols of the tradit

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Yongmi Lee. "The metaphor of kuruwa in 'Spirited Away'." Journal of Japanese Language and Literature 72, no. 2 (2010): 261–74. http://dx.doi.org/10.17003/jllak.2010.72.2.261.

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Rofiq, Hasniar. "Nilai Pembangunan Karakter Siswa Sekolah Dasar dalam Anime Spirited Away." Syntax Literate ; Jurnal Ilmiah Indonesia 7, no. 1 (2024): 15883–93. http://dx.doi.org/10.36418/syntax-literate.v7i1.5893.

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Pendidikan karakter sangat penting dilakukan sejak dini pada anak-anak, karena perkembangan bangsa tercermin dari anak-anak yang mempunyai moral dan perilaku yang terpuji, baik kepada sesama maupun Tuhan. Elemen visual anime dikombinasikan dengan kata-kata dapat menciptakan pengaruh yang kuat bagipenontonnya. Film anime karya Hayao Miyazaki, terutama Spirited Away, berbeda dengan kebanyakan film anime di mana dia mengemas filmnya dengan visual yang apik serta pesan-pesan baik yang bisa diambil. Oleh karenanya, film ini bisa dijadikan sebagai media pembelajaran karakter anak. Penelitian kualita

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Kuusela, Tommy. "Spirited Away by the Female Forest Spirit in Swedish Folk Belief." Folklore 131, no. 2 (2020): 159–79. http://dx.doi.org/10.1080/0015587x.2019.1701280.

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Noviana, Fajria. "MORAL VALUES IN HAYAO MIYAZAKI’S SPIRITED AWAY: A SOCIOLOGY OF LITERATURE APPROACH." HUMANIKA 27, no. 1 (2020): 23–32. http://dx.doi.org/10.14710/humanika.v27i1.30548.

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Moral is what guides human to act humanly. That is why moral education should be taught as early as possible in order to make a society that upholds moral values. This paper focused on moral values of the Japanese that can be seen in Miyazaki’s anime entitled Spirited Away. The moral values discussed in this paper are based on Japanese moral education for elementary school level, which divided into four groups of desirable habits. They are matters belonging to oneself, relationship of self to other persons, matters related chiefly to nature and sublime things, and matters concerning the group

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Banerjee, Poulami, and Navreet Sahi. "Echoes of Colonialism and Identity Crisis: A Postcolonial Analysis of Hayao Miyazaki’s Spirited Away." International Journal of English Literature and Social Sciences 9, no. 6 (2024): 075–78. http://dx.doi.org/10.22161/ijels.96.13.

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Spirited Away, a Japanese animated fantasy film written and directed by Hayao Miyazaki in 2001 brings to the audience a story of a young girl, Chihiro who along with her parents enter into the world of spirits. The film narrates a story of disruptive identity, language, and belonging of the protagonist, Chihiro and echoes themes of cultural displacement and colonization. This paper will analyze the film and the journey of the individuals into a colonized space, where conventional identities are suppressed within a dominated cultural landscape. This paper will delve into an argument where the f

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Milsom, Michael D. "Stem Cells Spirited Away by Alcohol-Induced DNA Damage." HemaSphere 2, no. 2 (2018): e36. http://dx.doi.org/10.1097/hs9.0000000000000036.

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Anggraini, Rinda, and Rahadiyan Duwi Nugroho. "Analisis Keishou Dalam Anime Spirited Away Karya Hayao Miyazaki Kajian Sosiolinguistik." mezurashii 6, no. 1 (2024): 77–88. http://dx.doi.org/10.30996/mezurashii.v6i1.10350.

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Penilitian ini bertujuan untuk menjelaskan pengguanaan keishou yang terdapat dalam anime Spirited Away karya Hayao Miyazaki. Peneliti tertarik meneliti keishou karena keishou terdapat berbagai macam dan penggunaannya dapat berubah tergantung status lawan bicara. Teori yang digunakan dalam penelitian ini adalah sosiolinguistik yang berdasarkan faktor sosial. Factor sosial tersebut diantaranya, status sosial, tingkat pendidikan, umur, tingkat ekonomi, agama, jenis kelamin, dan lain-lain. Tujuan dari penelitian ini yaitu, untuk menambah pengetahuan peneliti dan pembaca tentang penggunaan keishou

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Meliana, Igat, and Antariksawan Antariksawan. "ANALISIS TINDAK TUTUR ILOKUSI DALAM FILEM SPIRITED AWAY KARYA HAYAO MIZAYAKI." Jurnal Sora : Pernik Studi Bahasa Asing 5, no. 2 (2021): 14–27. http://dx.doi.org/10.58359/jurnal_sora.v5i2.67.

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This research was aimed to describe the use of speech utterances conveyed by speakers to the interlocutor in Mizaki Hayao's film Spirited Away. The form of illocutionary speech acts include the types of assertive, directive, commissive, expressive and declarative speech which means complaining, reporting, pleading, ordering, asking, threatening, promising, criticizing, blaming, thanking, apologizing, praising, and giving names. The method used in this study was qualitative descriptive method. Data was collected using the technique of listening, recording and taking notes. The results of this s

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Noviana, Fajria. "Representasi Hero’s Journey Pada Tokoh Chihiro Dalam Anime Spirited Away Karya Miyazaki Hayao." IZUMI 8, no. 1 (2019): 52. http://dx.doi.org/10.14710/izumi.8.1.52-64.

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(Title: Representation of Hero’s Journey on Main Character Chihiro in Hayao Miyazaki’s Spirited Away Anime) This paper is the result of a qualitative descriptive type of literature study. The purpose of this study was to reveal the heroic journey process of main character of Spirited Away anime named Chihiro, based on the Hero’s Journey theory proposed by Vogler. Data about Chihiro's heroic journey are obtained from anime with note taking techniques. The method used in the analysis is the method of content analysis based on the theory of Hero's Journey. From the results of the analysis, it can

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Weeraya Donsomsakulkij. "Spirited Away: Negotiation between Capitalism and Reminiscent Environmental Ethics." Resilience: A Journal of the Environmental Humanities 2, no. 3 (2015): 147. http://dx.doi.org/10.5250/resilience.2.3.0147.

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Isaksson, Zeth. "Spirited away: Access to alcohol and support for the populist radical right." Electoral Studies 91 (October 2024): 102850. http://dx.doi.org/10.1016/j.electstud.2024.102850.

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Hatibović, Adnan, and Tomislav Tadić. "Spirited away – Analiza sadržaja filma u kontekstu relacije tradicionalnog i modernog / Spirited Away – Analysis of the Content of the Film in the Context of the Relationship of Traditional and Modern." SOPHOS: A Young Researchers’ Journal, no. 17 (December 20, 2024): 35–66. https://doi.org/10.46352/18403867.2024.35.

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In this paper, we deal with a critical analysis of the film Spirited Away and its related social and humanistic implications relevant for the understanding of some important aspects of high modernity. We will point out the 1. dimensions of the film that speak of the capitalist mode of human existence, 2. aporeticity in the understanding of social work, 3. the issue of consumerism, 4. cultural reconfiguration in the understanding of “multiple modernity”. 5. hectic relationship between the sociologically equivalent categories of traditionality and modernity.

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Postlethwaite, N. "The Duel of Paris and Menelaos and the Teichoskopia in Iliad 3." Antichthon 19 (1985): 1–6. http://dx.doi.org/10.1017/s0066477400003191.

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The end of Iliad 3 presents the reader with a strange spectacle. The duel between Paris and Menelaos has been summarily curtailed by the intervention of Aphrodite; Paris has been spirited away from the battlefield and deposited in his bedchamber, there to enjoy with Helen the fruits of his labours; and meanwhile Menelaos

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Napier, Susan Jolliffe. "Matter Out of Place: Carnival, Containment, and Cultural Recovery in Miyazaki's Spirited Away." Journal of Japanese Studies 32, no. 2 (2006): 287–310. http://dx.doi.org/10.1353/jjs.2006.0057.

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Agarwal, Riya. "Unravelling Neo-Colonial Japan: Mythic Metamorphosis and Urban Picturesque in Miyazaki’s Spirited Away." Vivekananda Journal of Research 14, no. 1 (2024): 90–94. http://dx.doi.org/10.61081/vjr/14v1i111.

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He, Hong Yi, and Daniel H. Byun. "Exploring Animation’s‘Ghost Zone’through the‘Paraxis’Concept - focused on scene analysis of hayao miyazaki’s “Spirited Away” -." Journal of Basic Design & Art 25, no. 3 (2024): 407–20. http://dx.doi.org/10.47294/ksbda.25.3.27.

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Wu, Meng-Hsuan, and Ya-huei Wang. "Using Mythic Structure of Campbell’s Monomyth to Analyze Spirited Away: A Heroine’s Journey." Metathesis: Journal of English Language, Literature, and Teaching 6, no. 1 (2022): 12–27. http://dx.doi.org/10.31002/metathesis.v6i1.138.

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This study intends to examine the stages of the hero’s journey based on the mythic structure of Campbell’s monomyth and use the monomyth to analyze how a ten-year-old girl, Chihiro, embarks on a journey to the supernatural world in Spirited Away. The study uses content analysis, a descriptive qualitative method, to analyze the monomyth: a departure–initiation–return journey covering seventeen stages. The monomyth involves metamorphoses and challenges that the heroine Chihiro encounters and explores her evolution during her transition to full autonomy in order to reach transformation and self-i

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O'brien, G. Patrick. "Duty and Love: Flora Lee's Resistance to Slavery in Revolutionary Marblehead." New England Quarterly 96, no. 2 (2023): 96–120. http://dx.doi.org/10.1162/tneq_a_00989.

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Abstract This study explores the life of Flora Lee, an enslaved Massachusetts woman, who had her daughter spirited away from her during the Revolution. Lee's efforts to be reunited with her daughter in Nova Scotia, and to protect other vulnerable Black children, highlight enslaved women's resistance to their family's enslavement during the Revolutionary Era.

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Fontenele, Renata Pereira, and Renata Cristina da Cunha. "Spirited Away (2001): o encontro improvável entre o capitalismo e o mundo espiritual, à luz da Corrente Marxista." EccoS – Revista Científica, no. 69 (June 14, 2024): e24440. http://dx.doi.org/10.5585/eccos.n69.24440.

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Este artigo visa analisar a presença dos conceitos de capitalismo e alienação em Spirited Away (2001) à medida em que os personagens do filme são transformados em trabalhadores de um mundo globalizado, entrelaçando, dessa forma, uma denúncia ao consumismo. Para isso foi necessário a utilização das lentes teóricas da Crítica Literária a fim de interpretar cenas e diálogos presentes no filme. Não obstante, coube explorar conforme a Corrente Marxista, os aspectos voltados para o consumismo desenfreado presente na obra, dando ênfase para a alienação e o capitalismo, ressaltando a forma como ambos

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Qodirov, Botirjon. "HAR BIR ISMNING ORTIDA: ANIME ORQALI YAPON MADANIYATIDAGI O'ZLIKNI ANGLASH FALSAFASI TADQIQI." JOURNAL OF ANALYTICAL SYNERGY AND SCIENTIFIC HORIZON (A) 1, no. 3 (2025): 39–45. https://doi.org/10.5281/zenodo.15252647.

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Maqolada yapon madaniyatida o‘zlikni anglash tushunchasi anime san’ati orqali tahlil etiladi. “Spirited Away” animesidagi obrazlar asosida ism va shaxsiyat o‘rtasidagi bog‘liqlik, “Ikigai” tushunchasi va madaniy ramzlarning inson ruhiyati shakllanishidagi o‘rni ilmiy yondashuv asosida yoritiladi. Maqola ilmiy-uslubiy yondashuvda yozilgan bo‘lib, anime san’atining chuqur ma’naviy va madaniy qatlamlarini yoritishga qaratilgan.

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BENNETT, BRIDGET. "Spirited Away: The Death of Little Eva and the Farewell Performances of “Katie King”." Journal of American Studies 40, no. 1 (2006): 1–16. http://dx.doi.org/10.1017/s0021875806000740.

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Depictions of deathbed scenes are commonplace within mid-nineteenth-century United States literary culture, particularly sentimental fiction. They serve a variety of ideological and aesthetic functions and have rightly received a good deal of critical attention. One aspect of their significance and broad impact that has not yet been included within revisionist assessments of the aesthetic and political strategies of sentimentalism provides the primary focus here. The stylized representational modes that characterize the dying of many characters in literary texts, magazine illustrations, painti

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Pan, Deng, and Seong-Ho Park. "Research on Successful Strategies of Animation Cross-cultural Communication -Take “Spirited Away” as an example-." Cartoon and Animation Studies 66 (March 31, 2022): 213–34. http://dx.doi.org/10.7230/koscas.2022.66.213.

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Carter, Laz. "Marketing anime to a global audience: A paratextual analysis of promotional materials from Spirited Away." East Asian Journal of Popular Culture 4, no. 1 (2018): 47–59. http://dx.doi.org/10.1386/eapc.4.1.47_1.

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早澤, 正人. "Use of Anime in Japanese Language Education -Shinto Culture in “Spirited Away” and “Your Name”." Korean Journal of Japanese Language and Literature 97 (June 30, 2023): 97–112. http://dx.doi.org/10.18704/kjjll.2023.06.97.97.

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Sakti, Alqtuiss Patri. "PERTUNJUKAN MUSIK SOLO VIOLIN DENGAN REPERTOAR CHACONNE IN G MINOR, SPIRITED AWAY, DAN WE WIIL ROCK YOU." Laga-Laga : Jurnal Seni Pertunjukan 8, no. 1 (2022): 1. http://dx.doi.org/10.26887/lg.v8i1.2002.

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Chaconne In G Minor adalah pertunjukan solo violin pertama yang merupakan komposisi solo violin gubahan T.A. Vitali(1663), yakni seorang pemain violin ternama pada zaman barok. Komposisi musik tersebut dikenal dengan istilah chaconne yang berhubungan pada era barok (klasik). Ide dan strukturnya hampir serupa dengan bentuk passacaglia dari bentuk (form) yang sama. Spirit away adalah pertunjukan solo violin kedua, yakni merupakan komposisi solo violin karya Iskandar Widjaja seorang violinist yang lahir pada tahun 1986 asal Jerman berdarah Indonesia. We Will Rock You adalah pertunjukan solo violi

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Wu, Cheng-Ing. "Hayao Miyazaki’s Mythic Poetics: Experiencing the Narrative Persuasions in Spirited Away, Howl’s Moving Castle and Ponyo." Animation 11, no. 2 (2016): 189–203. http://dx.doi.org/10.1177/1746847716643777.

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Satoshi, Ando. "Regaining Continuity with the Past: Spirited Away and Alice's Adventures in Wonderland." Bookbird: A Journal of International Children's Literature 46, no. 1 (2008): 23–29. http://dx.doi.org/10.1353/bkb.0.0016.

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ضبع, ناردين ماجد مکرم. "تحليل الخطاب متعدد الوسائط لفيلم الرسوم المتحرکة الأمريکى The Wizard of Oz و الأنيمى اليابانى Spirited Away". بحوث 1, № 8 (2021): 59–81. http://dx.doi.org/10.21608/buhuth.2021.94743.1186.

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Lim, Tai Wei. "Spirited Away: Conceptualizing a Film-Based Case Study through Comparative Narratives of Japanese Ecological and Environmental Discourses." Animation 8, no. 2 (2013): 149–62. http://dx.doi.org/10.1177/1746847713486972.

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YAN, YONGLIANG, and YOUNGMI KIM. "Fragile Heroes, Female Heroes : An Analytical Examination of the Animations Big Fish & Begonia and Spirited Away." Korean Association for Visual Culture 45 (December 31, 2024): 193–222. https://doi.org/10.21299/jovc.2024.45.9.

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Tešan, Jesenko, and Joan Davison. "Byzantine spirit of the Undead and its legacy in the Sick Man of Europe." Review of Nationalities 8, no. 1 (2018): 21–38. http://dx.doi.org/10.2478/pn-2018-0002.

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Abstract This paper examines the source and consequences of permanent liminality in the political-legal administration of the Byzantine Empire. The paper argues ambiguous and incomplete identities of individuals, groups, and society associated with certain authoritarian political arrangements and consequent arrested liminal period(s) contributed to the decline of the Empire. Further, and significantly, the unresolved situation of disaggregated identity, or spirited away demos, persisted in the Ottoman Era and continues to infect contemporary socio-political affairs in regions in the Balkans an

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CHO HYE-JUNG. "A Study on the Shinto Animism of Miyazaki Hayao: Focusing on My Neighbor Totoro, The Princess Mononoke, Spirited Away." Film Studies ll, no. 66 (2015): 209–31. http://dx.doi.org/10.17947/kfa..66.201512.008.

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Egger, Abigail. "Hayao Miyazaki’s Pastoral Nostalgia:." Living Histories: A Past Studies Journal 3, no. 1 (2024): 6–12. http://dx.doi.org/10.24908/lhps.v3i1.17302.

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In the post-war years, rapid industrialization in the name of economic recovery resulted in several Japanese environmental crises. A number of these crises were high profile and reported by new agencies and environmental activists on a national and international level. As a result, Japanese culture and media has been influenced by images of pollutions' effect on the body and developed into robust Japanese environmental movements and policies. This essay builds on the environmental analysis of Hayao Miyazaki's films, but offers a counter perspective arguing that the body horror of Princess Mono

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PELLING, CHRISTOPHER. "HERODOTUS AND SAMOS." Bulletin of the Institute of Classical Studies 54, no. 1 (2011): 1–18. http://dx.doi.org/10.1111/j.2041-5370.2011.00013.x.

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Abstract What role does Samos play in Herodotus' narrative? Sometimes he shows the ‘warm sympathy’ that scholars have claimed, but more often Samian dysfunctionality is in point. Often events in Samos prepare for later episodes where Greek states offer more spirited, committed, or organised opposition to external threats; but the threat that they too might collapse into the Samian pattern is never far away. There are ways too in which Samos points forward to events beyond the end of Herodotus' text, especially the Samian defection from Athens in 440–39. It is difficult, though, to extract a si

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Gajdos, Noémi. "The Linguistic Representation of Women in Hayao Miyazaki's Movies." Humán Innovációs Szemle 14, no. 2 (2023): 85–102. http://dx.doi.org/10.61177/hisz.2023.14.2.6.

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In this paper, I will explore the concept of 'yakuwarigo' in Japanese language and present text analysis of three female characters, Eboshi, Rin and Yubaba from two anime movies of Hayao Miyazaki (Princess Mononoke, Spirited Away). My aim is to demonstrate how the well-known director employs role language, particularly masculine language, to empower his female characters to take on prominent roles in a society where men traditionally hold dominance. In terms of film analysis, Miyazaki places his female characters in the public sphere, making them active participants in the storyline while cons

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Lim, Geunyoung. "A Methodological Study on the Media Transition from Film to Drama: As an Example of Spirited Away: Live on the Stage." Cultural Convergence Society 4, no. 2 (2023): 13–23. http://dx.doi.org/10.61131/cc.2023.4.2.13.

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A Japanese drama 'Spirited Away: Live on Stage', which started performances in the spring of 2022, is extraordinary in that the general media transition is from stage to screen. This paper takes this work as an example and examines the phenomenon that appears when the medium is switched from film to play in a methodological way. To this end, it discusses the characteristics of the performing arts in the theatrical medium, which is distinct from the movie genre, and methodologically studies the phenomenon that appeared in the process of this work's conversion from film to play. As a result, the

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Liu, Danya, and Yujun Sun. "Urban Imagery and Care for Survival in Japanese Animation." Scientific and Social Research 6, no. 1 (2024): 7–10. http://dx.doi.org/10.26689/ssr.v6i1.5985.

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Since the 1980s, several narrative cartoons that use cities as a major narrative background has appeared in Japan.These cartoons illustrate the changes in social life and psychological state brought about by rapid industrialization andurbanization, as well as the conflicts between people, people and society, and people and nature. This type of animationpresents various urban problems and expresses the mental dilemmas of urban people and the culture of Japanese urban life.Castle in the Sky, Nausicaa of the Valley of the Wind, Spirited Away, Summer of the Kappa, Letter to Momoko, and The Garden

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Arnavas, Francesca, and Mattia Bellini. "Miyazaki's Hybrid Worlds and Their Riddle-Stories." Narrative Works 12, no. 1 (2024): 18–38. http://dx.doi.org/10.7202/1111286ar.

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<p>“Fairy tales begin with conflict because we all begin our lives with conflict,” famously states Jack Zipes. And yet, this statement does not always seem to apply to non-Western story structures, such as the Asian kishōtenketsu, which implies a story development that does not necessarily revolve around conflicts. In many of Hayao Miyazaki’s movies (e.g., My Neighbor Totoro; Spirited Away, The Secret World of Arietty), it is possible to detect, on the one hand, the kishōtenketsu-based plot, and,on the other hand, the widespread presence of Western fairy-tale tropes. Conflicts in traditi

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유강하. "A Study on the Animated film ‘Sen and Chihiro's Spirited Away’ from the point of view of Lao-tzu(老子)". 아시아문화연구 18, № ll (2010): 183–210. http://dx.doi.org/10.34252/acsri.2010.18..007.

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Puspitasari, Ferani Wulan, and Syihabbudin Syihabbudin. "Konsep Roh George Wilhelm Hegel dalam Film Animasi When Marnie Was There Karya Studio Chibli." Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang 6, no. 1 (2024): 76. http://dx.doi.org/10.24843/js.2024.v06.i01.p06.

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Studio Ghibli adalah studio animasi terkenal di Jepang yang didirikan pada tahun 1985, dipimpin oleh Hayao Miyazaki, Isao Takahata dan Toshio Suzuki. Studio Ghibli telah menghasilkan sejumlah film seperti ‘Nausicaa of The Valley of The Wind’, ‘Princess Mononoke’, ‘My Neighbor Tottoro’, ‘Howl’s Moving Castle’, ‘Spirited Away’. Dalam karya studio ini, terdapat beberapa animasi yang memiliki tema fantasy yang tampak ajaib, salah satunya adalah film animasi “When Marnie Was There”. When Marnie Was There adalah film animasi Studio Ghibli yang ditulis dan disutradarai oleh Hiromasa Yonebayashi dan d

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Zhan, Ce, and Sae-Hoon Kim. "An Analysis of Female Image Construction in the Animation Big Fish & Begonia (2016) and Spirited Away (2001) - Focus on Great Mother Theory." JOURNAL OF THE KOREA CONTENTS ASSOCIATION 24, no. 11 (2024): 261–74. https://doi.org/10.5392/jkca.2024.24.11.261.

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Totani, Tomonori. "A Failed Gamma‐Ray Burst with Dirty Energetic Jets Spirited Away? New Implications for the Gamma‐Ray Burst–Supernova Connection from SN 2002ap." Astrophysical Journal 598, no. 2 (2003): 1151–62. http://dx.doi.org/10.1086/378936.

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Vorobei, Roman. "Mythological narratives of Japanese animation: the memory of the collective unconscious in the culture of consumerism." Skhid 6, no. 4 (2024): 42–46. https://doi.org/10.21847/2411-3093.2024.648.

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The article explores the use of mythological narratives in Japanese animation as part of collective memory in the context of consumer culture. The author analyses symbolic and archetypal images in popular animated works such as Spirited Away, Gyakkyō Burai Kaiji: Ultimate Survivor, Death Note and Death Parade, which reflect the transformation of values, the crisis of freedom and the loss of authenticity in the context of the modern consumer society. Particular attention is paid to the idea of consumption as a new religion that creates a cult of material wealth and status, and its impact on the

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