Relevant bibliographies by topics / Spiritual in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Spiritual in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Spiritual in art"

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Kırca, Beyza. "Spiritual Dimension in Art Therapy." Spiritual Psychology and Counseling 4, no. 3 (October 15, 2019): 257–74. http://dx.doi.org/10.37898/spc.2019.4.3.071.

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Spiritually-oriented art therapy interventions are based on a holistic, therapeutic approach that aims to enable people who are in fragmented states to achieve integrity, unity, harmony, and balance by taking all the mental, emotional, physical, and spiritual dimensions of human nature into account using the medium of art and its creative processes. Art is considered intrinsically spiritual by many artists and art therapists, and the history of art and its relationship to treatment is as old as human history; however, open consideration of the spiritual dimension in therapeutic settings, particularly in art therapy interventions, is relatively new. Reviewing the emergence of spiritually-oriented art therapy interventions and their mechanisms of change is considered useful for seeing how they enable holistic transformation. These mechanisms have been determined as self-realization and understanding, transcendence, meaning-making and searching for a purpose, and achieving integrity through the holistic wellbeing approach.
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Brown, Karen H. "Spiritual Art of Natal." African Arts 27, no. 1 (January 1994): 78. http://dx.doi.org/10.2307/3337177.

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Knowles, Alison, Eleanor Heartney, Meredith Monk, Linda Montano, Erik Ehn, and Bonnie Marranca. "Art as Spiritual Practice." PAJ: A Journal of Performance and Art 24, no. 3 (September 2002): 18–34. http://dx.doi.org/10.1162/15202810260186620.

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Tuman, Ludwig. "The Spiritual Role of Art." Journal of Baha’i Studies 4, no. 4 (1992): 59–84. http://dx.doi.org/10.31581/jbs-4.4.4(1992).

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A study of passages from the Bahá’í writings indicates that art can render services of a mystical, moral, and social nature. Such services taken together constitute the spiritual role of art, whose highest purpose is to ennoble the individual soul and the collective life of humanity. When playing such a role, art draws its inspiration from the vision of life unfolded in divine Revelation, harmonizes with the fundamental teachings of the world’s major religions, and seeks to reinforce their original objective, which is to foster spiritual growth and social harmony. In realizing a spiritual role, art employs beauty, whose purpose both in the world of creation and in the realm of human creativity is to attract the soul toward its Creator and to draw it into a spiral or spiritual growth. Art also employs emotion, which can reinforce the various facets of the service art renders.
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Barbu, Liviu. "Spiritual Formation as an Art." Journal of Adult Theological Education 9, no. 1 (June 2012): 28–43. http://dx.doi.org/10.1179/ate.9.1.e5144wwv555t0177.

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Martin, Hedvig. "Spiritual treasures in Finnish art." Approaching Religion 11, no. 1 (March 20, 2021): 194–6. http://dx.doi.org/10.30664/ar.99492.

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Baigell, Matthew. "Robert Kirschbaum’s Art: Abstract, Intellectual, Spiritual." Ars Judaica: The Bar Ilan Journal of Jewish Art 11 (May 2015): 79–90. http://dx.doi.org/10.3828/aj.2015.5.

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Arya, Rina. "Encountering the spiritual in contemporary art." Journal for the Study of Spirituality 9, no. 2 (July 3, 2019): 173–74. http://dx.doi.org/10.1080/20440243.2019.1658269.

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Renzenbrink, Irene. "Art Therapy, Healing and Spiritual Growth." Journal for the Study of Spirituality 2, no. 2 (January 2012): 203–15. http://dx.doi.org/10.1179/jss.2.2.a0m0t70078330q00.

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Iyer, Jayashree. "Spiritual Art Therapy: An Alternate Path." Art Therapy 14, no. 2 (April 1997): 132–34. http://dx.doi.org/10.1080/07421656.1987.10759270.

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Dissertations / Theses on the topic "Spiritual in art"

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Smith, Tara Lynn. "Art for life a spiritual journey of art and the bonds of community /." Diss., [Missoula, Mont.] : The University of Montana, 2009. http://etd.lib.umt.edu/theses/available/etd-05212009-143136/unrestricted/professionalpapertarasmith.pdf.

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Thesis (M.A.) -- University of Montana, 2009.
Title from author supplied metadata. Description based on contents viewed on August 30, 2009. Author supplied keywords: Art and community, art with alternative populations, spirituality and art, art with people who are homeless . Includes bibliographical references.
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Narapanich, Pongpop. "The Spiritual Spa." VCU Scholars Compass, 2004. http://scholarscompass.vcu.edu/etd/1367.

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It began with the desire to create a SPA that emanates perfect harmonic balance through architecture. What architectural solutions would synchronize the spiritual, mental, and physical elements of the SPA? The answers lie in the meaning of the term 'SPA'.SPA popularity has increased due to the population's craving for healthier lifestyles. Heightened awareness of the afflictions caused by poor health has led people to seek out the benefits of a positive physical and mental environment.Many commercial spas are designed to meet only physical needs and disregard important spiritual and mental factors that contribute to wellness of mind, body and spirit.The spiritual SPA integrates inner awareness and consciousness with the natural surroundings and addresses the relationship between interior architecture and SPA users. A peaceful atmosphere is created to aid in the development of inner awareness.Water plays an important role. The project is developed around water and emphasizes water as a symbol of tranquility. The spiritual SPA provides comprehensive services and physical wellness in a environment that enhances the complimentary therapies and treatments.
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Steinke, Alyssa K. "Exploring Spiritual Development in Transitional Periods Through Art and Journaling." Digital Commons at Loyola Marymount University and Loyola Law School, 2013. https://digitalcommons.lmu.edu/etd/27.

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Although research has been conducted on journaling, spirituality and art making separately, few studies investigate the potential for these modalities when combined together in a therapeutic context. This investigation explored the way that combining art making and journaling can contribute to spiritual growth and development during times of transformation. Specifically, by using self study and archival research approaches to conduct a systematic analysis of 5 of my previous journals and 5 of my previous art pieces which were created during times of transformation. Components illustrating spiritual growth such as contemplation, awareness, meaning making, connection, externalization, values and beliefs (Aten, 2011; Bryne & McKinlay, 2012; Hieb, 2005; Wiggins, 2011) were indicated. During this investigation, spirituality was examined through transpersonal and existential perspectives. The findings of this study suggest that examining a person’s core values, beliefs and how they seek meaning and connection with others is beneficial because it may be the source of unproductive thoughts, behaviors and feelings which motivate an individual to seek psychotherapeutic treatment. This study also illuminates the potential for spiritual development and maturation in spaces of disconnection.
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Cole, Carolyn Sue. "The sacred art of spiritual direction walking in wholeness and holiness /." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

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Scheuer, Benedict Leo. "A Spiritual Ecology of the Line." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587552184531075.

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Nelson, Christopher University of Ballarat. "Spiritual Art: evoking the numinous using a 3D computer game engine." University of Ballarat, 2007. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12793.

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The Seven Valleys is an interactive 3D installation based artwork inspired by mystical writings of the Bahá'í Faith. Created as a modification of the firstperson shooter Unreal Tournament 2003 (Epic, 2003) it subverts the original paradigm of the game to create an experience of the numinous, which in spirit, is diametrically opposed to the original intent of the gameplay design. This artwork presents an exploration of, and allusion to, the often subtle and illusive concepts found in the sacred treatise The Seven Valleys (Bahá'u'lláh, 1991) in which the user engages in an experiential journey through the work. The user is faced with conditions and situations that provide motivation to question, explore and attempt to fathom the abstract sense of the numinous. Each of The Seven Valleys contains its own individual mysteries while at the same time contributing its part to the telling of a collective story.
Master of Arts
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Nelson, Christopher. "Spiritual Art: evoking the numinous using a 3D computer game engine." University of Ballarat, 2007. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/14628.

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The Seven Valleys is an interactive 3D installation based artwork inspired by mystical writings of the Bahá'í Faith. Created as a modification of the firstperson shooter Unreal Tournament 2003 (Epic, 2003) it subverts the original paradigm of the game to create an experience of the numinous, which in spirit, is diametrically opposed to the original intent of the gameplay design. This artwork presents an exploration of, and allusion to, the often subtle and illusive concepts found in the sacred treatise The Seven Valleys (Bahá'u'lláh, 1991) in which the user engages in an experiential journey through the work. The user is faced with conditions and situations that provide motivation to question, explore and attempt to fathom the abstract sense of the numinous. Each of The Seven Valleys contains its own individual mysteries while at the same time contributing its part to the telling of a collective story.
Master of Arts
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Taft, Ann. "At the Spiritual Grassroots: An Analysis of Visionary Art & Artists." TopSCHOLAR®, 1986. https://digitalcommons.wku.edu/theses/2896.

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In this thesis I focus on an art form alternately described as "naive," "visionary," "environmental," "singular," "individual," or "grassroots." Not easily placed within established academic or popular art categories, such art usually lands by default in the folk art pile and is quickly cast to the peripheries of that genre. In this thesis, I am not concerned with inventing another label for these artists and their work. Instead, I explore the possibility that visionary art may be a separate genre, but one to which folklore analysis may usefully be brought to bear. Chapter One is a historical and bibliographical analysis of visionary art. Beginning with an overview of the literature on the subject, I review the development of the definitional debate in the United States as well as in Europe and trace the gradual evolution of this art form into a loosely separate category. Chapter Two consists of an analysis of visionary art. I construct a "behaviorist" model which draws not only upon the usual criteria of building styles or materials used but also examines such subjects as the artist's motivations, personal visions, life history and community role. In Chapter Three I test this model using the work of Valenty Zaharek, an Arizona woodcarver and ceramicist. Zaharek's previously undocumented work, "Pecos West," is a three-dimensional carved depiction of Western scenes. It is aesthetically magnificent and falls along the borders of a variety of art forms --folk, visionary, popular.
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Brosious, Caitlin, Emma Burgin, Andrea Dyer, and Maggie Knobbe. "Art Making to Inform Dialogue Across Spiritual Otherness in the Therapeutic Space." Digital Commons at Loyola Marymount University and Loyola Law School, 2020. https://digitalcommons.lmu.edu/etd/908.

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This research was a preliminary pilot study meant to encourage further exploration on the intersection of art therapy, art making, spirituality, and dialogue. This study topic is an important area of investigation due to the long-standing challenges of interfaith dialogue, both historically and currently. An abundance of reviewed literature linking interfaith dialogue and dialogue through art making guided the research hypothesis, which states that the act of viewing and being viewed by the spiritual other through art making could deepen one’s own spiritual practice, increase empathy, foster dialogue, and inform clinical work as psychotherapists. To explore this, the researchers held an explorative arts-based workshop, encouraging participants to use the art individually and in pairs to further reflect on their spiritual beliefs and experiences. In addition, the workshop allowed a space for participants and pairs to share and discuss their reflective art and personal spirituality, then create a dyadic art piece together. The qualitative findings revealed similarities for all eleven participants in both the art and written experiences, with universal themes and shared visual elements emerging. The analyzed data connected the universal themes with the participants’ stated spiritual identity and evidenced experiences of connection in dyadic pairs. As future therapists, and art therapists, the researchers intended this preliminary pilot study to be a basis for further research and inspire wider exploration.
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Peng, J. "An exploration of Tibetan Tantric Buddhism and its art : a potential resource for contemporary spiritual and art practice." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1417088/.

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Tibetan Tantric Buddhism is today considered one of the most important and controversial forms of Asian culture, using a rich and somewhat complicated range of methods and materials. The perception of the ‘mystical’ nature of Tibetan Tantric Buddhist art in the world beyond Tibet has changed and evolved significantly and profoundly over the last three decades. However, contemporary Tibetan artists feel confused about how to develop a Tibetan art tradition within the context of a globalised world. 　　Against this background I am interested in exploring the mysterious nature of Tibetan Tantric Buddhism and its art through grasping its religious values, historical context, and artistic qualities. In so doing I try to investigate questions concerning the cross-cultural analysis and utility of images in Tibetan Tantric Buddhist art, as opposed to political conflicts that often arise in the media now. 　　As an exploration of Tibetan Tantric Buddhist art and its contemporary significance, this research seeks to fulfill three important goals: first, to introduce Tibet’s mystical and magnificent art within its historical and religious contexts to those unfamiliar with either Tibet Buddhism or Tibetan Buddhist art and its cultural background; second, to examine the influences of Tibetan Tantric Buddhist art tradition on some contemporary Tibetan and non-Tibetan artists’ art practice; and third, to embark on combining theoretical research, methods of meditation and my own art practice as a way of exploring the trans-cultural translation of Tibetan Buddhist art in Chinese and Western contexts. The aim is to explore the potential of Tibetan Tantric Buddhist art as elucidating common ground between the meditative mind and the creative mind for engaging in an open conversation of faith, spirituality, religion, and aesthetic experiences in the contemporary period.
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Books on the topic "Spiritual in art"

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John-Roger. Spiritual warrior: The art of spiritual living. Los Angeles, Calif: Mandeville Press, 2008.

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Toit, Juliette Leeb-du. Spiritual art of Natal. [Pietermaritzburg]: The Gallery, 1993.

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Spiritual alchemy: The hermetic art of spiritual transformation. Los Angeles: Church of Light, 1995.

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The art of spiritual healing. St. Paul, Minn., U.S.A: Llewellyn Publications, 1985.

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Goldsmith, Joel S. The art of spiritual healing. Lakewood, CO: I-Level, 1997.

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Klemp, Harold. The art of spiritual dreaming. Minneapolis, MN: Eckankar, 1999.

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Goldsmith, Joel S. The art of spiritual healing. San Francisco: HarperSanFrancisco, 1992.

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The gentle art of spiritual guidance. Rockport, Mass: Element, 1991.

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Metaskills: The spiritual art of therapy. Tempe, Ariz., U.S.A: New Falcon Publications, 1995.

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Savary, Louis M. Kything: The art of spiritual presence. New York: Paulist Press, 1988.

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Book chapters on the topic "Spiritual in art"

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Johnston, Robert K. "Art and the Spiritual." In Interdisciplinary and Religio-Cultural Discourses on a Spirit-Filled World, 85–96. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137268990_7.

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Brubaker, David Adam, and Chunchen Wang. "Spiritual as Mountains and Cosmos." In Chinese Contemporary Art Series, 73–91. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-44929-5_6.

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Gindin, James. "“The Opposition (Spiritual) in The Country House”." In John Galsworthy’s Life and Art, 217–41. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08530-9_9.

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Spretnak, Charlene. "Introduction." In The Spiritual Dynamic in Modern Art, 1–15. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137342577_1.

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Spretnak, Charlene. "The Nineteenth Century." In The Spiritual Dynamic in Modern Art, 17–51. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137342577_2.

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Spretnak, Charlene. "Mid-1880s to 1918." In The Spiritual Dynamic in Modern Art, 53–91. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137342577_3.

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Spretnak, Charlene. "1919–1939." In The Spiritual Dynamic in Modern Art, 93–124. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137342577_4.

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Spretnak, Charlene. "1945 to the Present." In The Spiritual Dynamic in Modern Art, 125–49. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137342577_5.

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Spretnak, Charlene. "1945 to the Present." In The Spiritual Dynamic in Modern Art, 151–72. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137342577_6.

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Spretnak, Charlene. "1945 to the Present." In The Spiritual Dynamic in Modern Art, 173–99. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137342577_7.

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Conference papers on the topic "Spiritual in art"

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Nizhnikov, Sergei. "Art and Creativity The Concept of Spiritual Creativity." In 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.118.

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Li, Jiaxin. "The Spiritual Habitat of Chopin’s Piano Works -- Explaining the Spiritual World of the Character Related to Ballade." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.094.

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Vilciu, Marian. "THE BYZANTINE ICONOGRAPHY, ART AND FORM OF REPRESENTATION OF THE SPIRITUAL WORLD." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s12.008.

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Auhadeeva, Ludmila, Alfiya Valiahmetova, Rimma Akhmadullina, Tatiana Pimenova, Indira Salpykova, Nelly Valiakhmetova, and Aver Aukhadeev. "EDUCATION OF STUDENTS’ SPIRITUAL AND MORAL VALUES BY MEANS OF MUSICAL ART." In International Technology, Education and Development Conference. IATED, 2017. http://dx.doi.org/10.21125/inted.2017.0331.

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Solovtsova, Irina A. "Pedagogical Potential Of Contemporary Art In The Spiritual And Moral Education Of Schoolchildren." In Dialogue of Cultures - Culture of Dialogue: from Conflicting to Understanding. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.03.97.

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Martyastiadi, Yusup Sigit. "From Spiritual to Virtual: An Interactive Digital Art Creation of Virtual Reality Borobudur." In 2020 Nicograph International (NicoInt). IEEE, 2020. http://dx.doi.org/10.1109/nicoint50878.2020.00011.

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Priyatiningsih, Nurpeni, and Yoga Prambudi. "Spiritual Intelligence in Jaranan Turangga Yaksa Dance Art in Dongko Village, Trenggalek Regency." In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296890.

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Gu, Da-Yong. "Brief Analysis of the Spiritual Directions of Yimeng Folk Art - Door Paper-Cuts." In 2017 2nd International Conference on Humanities and Social Science (HSS 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/hss-17.2017.54.

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Kiselev, Valery, and Varvara Chernykh. "The Spiritual Crisis of Modernity and Tu Wei-Ming'S Concept of Self-Cultivation." In 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.138.

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Zaye, Blair. "Awe, Wonderment and the Ominous: The crossroad of art, science, technology and the spiritual." In Proceedings of EVA London 2019. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/eva2019.15.

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Reports on the topic "Spiritual in art"

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Lyzanchuk, Vasyl. COMMUNICATIVE SYNERGY OF UKRAINIAN NATIONAL VALUES IN THE CONTEXT OF THE RUSSIAN HYBRID WAR. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11077.

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The author characterized the Ukrainian national values, national interests and national goals. It is emphasized that national values are conceptual, ideological bases, consolidating factors, important life guidelines on the way to effective protection of Ukraine from Russian aggression and building a democratic, united Ukrainian state. Author analyzes the functioning of the mass media in the context of educational propaganda of individual, social and state values, the dominant core of which are patriotism, human rights and freedoms, social justice, material and spiritual wealth of Ukrainians, natural resources, morality, peace, religiosity, benevolence, national security, constitutional order. These key national values are a strong moral and civic core, a life-giving element, a self-affirming synergy, which on the basis of homogeneity binds the current Ukrainian society with the ancestors and their centuries-old material and spiritual heritage. Attention is focused on the fact that the current problem of building the Ukrainian state and protecting it from the brutal Moscow invaders is directly dependent on the awareness of all citizens of the essence of national values, national interests, national goals and filling them with the meaning of life, charitable socio-political life. It is emphasized that the missionary vocation of journalists to orient readers and listeners to the meaningful choice of basic national values, on the basis of which Ukrainian citizens, regardless of nationality together they will overcome the external Moscow and internal aggression of the pro-Russian fifth column, achieve peace, return the Ukrainian territories seized by the Kremlin imperialists and, in agreement will build Ukrainian Ukraine.
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Mandaville, Peter. Worlding the Inward Dimensions of Islam. IIIT, October 2020. http://dx.doi.org/10.47816/01.003.20.

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Muqtedar Khan’s Islam and Good Governance: A Political Philosophy of Ihsan is, above all, an expression of faith.[1] This does not mean that we should engage it as a confessional text — although it certainly is one at some level — or that it necessitates or assumes a particular faith positionality on the part of its reader. Rather, Khan seeks here to build a vision and conception of Islamic governance that does not depend on compliance with or fidelity to some outward standard — whether that be European political liberalism or madhhabi requirements. Instead, he draws on concepts, values, and virtues commonly associated with Islam’s more inward dimensions to propose a strikingly original political philosophy: one that makes worldly that which has traditionally been kept apart from the world. More specifically, Khan locates the basis of a new kind of Islamic politics within the Qur’anic and Prophetic injunction of ihsan, which implies beautification, excellence, or perfection — conventionally understood as primarily spiritual in nature. However, this is not a politics that concerns itself with domination (the pursuit, retention, and maximization of power); it is neither narrowly focused on building governmental structures that supposedly correspond with divine diktat nor understood as contestation or competition. This is, as the book’s subtitle suggests, a pathway to a philosophy of the political which defines the latter in terms of searching for the Good.
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Swinson Evans, Tammeka, Suzanne West, Linda Lux, Michael Halpern, and Kathleen Lohr. Cancer Symptoms and Side Effects: A Research Agenda to Advance Cancer Care Options. RTI Press, July 2017. http://dx.doi.org/10.3768/rtipress.2017.rb.0016.1707.

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Cancer survivors have unique physical, psychological, social, and spiritual health needs. These can include symptoms and side effects associated with cancer and cancer treatment, such as pain, cognitive dysfunction, insomnia, and elevated anxiety and depression. This research brief summarizes a landscape review done for the Patient Centered Outcomes Research Institute (PCORI) to develop a clear, comprehensive understanding of the state of research as of the mid-2000s. We conducted a targeted search strategy to identify projects funded by federal and commercial sources and the American Cancer Society (ACS) in addition to identifying funding opportunities released by the National Institutes of Health (NIH). We conducted additional review to identify studies focused on symptom and side-effect measures and five priority topic areas (selected by PCORI prior to the review) in the following five databases (from January 2005- through September 2015) with an inclusion criteria in an adapted PICOTS framework (populations, interventions, comparators, outcomes, time frames, and settings). We identified 692 unduplicated studies (1/2005 to 9/2015) and retained 189 studies about cancer symptom and side-effect management. Of these studies, NIH funded 40% and the ACS 33%. Academic institutions, health care systems, other government agencies, and private foundations or industry supported the remainder. We identified critical gaps in the knowledge base pertaining to populations, interventions, comparators (when those are relevant for comparative effectiveness reviews), and outcomes. We also discovered gaps in cross-cutting topics, particularly for patient decision-making studies, patient self-management of cancer symptoms and side effects, and coordinated care.
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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary critic is multifaceted; taking into account the specifics of the memoir genre and with the involvement of the historical context, the turning points in the destiny of the author of memoirs are interpreted, revealing cooperation with Western Ukrainian magazines and newspapers. The publications ‘Zoria’, ‘Narod’, ‘Pravda’, ‘Bukovyna’, ‘Dzvinok’, are secretly got into sub-Russian Ukraine, became for S. Efremov a spiritual basis in understanding the specifics of the national (Ukrainian) mass media, ideas of education in culture of Ukraine at the end of XIX century, its territorial integrity, and state independence. Memoirs of S. Efremov on cooperation with the iconic Galician journals ‘Notes of the Scientific Society after the name Shevchenko’ and ‘Literary-Scientific Bulletin’, testify to an important stage in the formation of the author’s worldview, the expansion of the genre boundaries of his journalism, active development as a literary critic. S. Yefremov collaborated most fruitfully and for a long time with the Literary-Scientific Bulletin, and he was impressed by the democratic position of this publication. The author’s comments reveal a long-running controversy over the publication of a review of the new edition of Kobzar and thematically related discussions around his other literary criticism, in which the talent of the demanding critic was forged. S. Efremov steadfastly defended the main principles of literary criticism: objectivity and freedom of author’s thought. The names of the allies of the Ukrainian idea L. Skochkovskyi, O. Lototskyi, O. Konyskyi, P. Zhytskyi, M. Hrushevskyi in S. Efremov’s memoirs unfold in multifaceted portrait descriptions and function as historical and cultural facts that document the pages of the author’s biography, record his activities in space and time. The results of the study give grounds to characterize S. Efremov as the first professional Ukrainian-speaking journalist.
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5

HEFNER, Robert. IHSAN ETHICS AND POLITICAL REVITALIZATION Appreciating Muqtedar Khan’s Islam and Good Governance. IIIT, October 2020. http://dx.doi.org/10.47816/01.001.20.

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Ours is an age of pervasive political turbulence, and the scale of the challenge requires new thinking on politics as well as public ethics for our world. In Western countries, the specter of Islamophobia, alt-right populism, along with racialized violence has shaken public confidence in long-secure assumptions rooted in democracy, diversity, and citizenship. The tragic denouement of so many of the Arab uprisings together with the ascendance of apocalyptic extremists like Daesh and Boko Haram have caused an even greater sense of alarm in large parts of the Muslim-majority world. It is against this backdrop that M.A. Muqtedar Khan has written a book of breathtaking range and ethical beauty. The author explores the history and sociology of the Muslim world, both classic and contemporary. He does so, however, not merely to chronicle the phases of its development, but to explore just why the message of compassion, mercy, and ethical beauty so prominent in the Quran and Sunna of the Prophet came over time to be displaced by a narrow legalism that emphasized jurisprudence, punishment, and social control. In the modern era, Western Orientalists and Islamists alike have pushed the juridification and interpretive reification of Islamic ethical traditions even further. Each group has asserted that the essence of Islam lies in jurisprudence (fiqh), and both have tended to imagine this legal heritage on the model of Western positive law, according to which law is authorized, codified, and enforced by a leviathan state. “Reification of Shariah and equating of Islam and Shariah has a rather emaciating effect on Islam,” Khan rightly argues. It leads its proponents to overlook “the depth and heights of Islamic faith, mysticism, philosophy or even emotions such as divine love (Muhabba)” (13). As the sociologist of Islamic law, Sami Zubaida, has similarly observed, in all these developments one sees evidence, not of a traditionalist reassertion of Muslim values, but a “triumph of Western models” of religion and state (Zubaida 2003:135). To counteract these impoverishing trends, Khan presents a far-reaching analysis that “seeks to move away from the now failed vision of Islamic states without demanding radical secularization” (2). He does so by positioning himself squarely within the ethical and mystical legacy of the Qur’an and traditions of the Prophet. As the book’s title makes clear, the key to this effort of religious recovery is “the cosmology of Ihsan and the worldview of Al-Tasawwuf, the science of Islamic mysticism” (1-2). For Islamist activists whose models of Islam have more to do with contemporary identity politics than a deep reading of Islamic traditions, Khan’s foregrounding of Ihsan may seem unfamiliar or baffling. But one of the many achievements of this book is the skill with which it plumbs the depth of scripture, classical commentaries, and tasawwuf practices to recover and confirm the ethic that lies at their heart. “The Quran promises that God is with those who do beautiful things,” the author reminds us (Khan 2019:1). The concept of Ihsan appears 191 times in 175 verses in the Quran (110). The concept is given its richest elaboration, Khan explains, in the famous hadith of the Angel Gabriel. This tradition recounts that when Gabriel appeared before the Prophet he asked, “What is Ihsan?” Both Gabriel’s question and the Prophet’s response make clear that Ihsan is an ideal at the center of the Qur’an and Sunna of the Prophet, and that it enjoins “perfection, goodness, to better, to do beautiful things and to do righteous deeds” (3). It is this cosmological ethic that Khan argues must be restored and implemented “to develop a political philosophy … that emphasizes love over law” (2). In its expansive exploration of Islamic ethics and civilization, Khan’s Islam and Good Governance will remind some readers of the late Shahab Ahmed’s remarkable book, What is Islam? The Importance of Being Islamic (Ahmed 2016). Both are works of impressive range and spiritual depth. But whereas Ahmed stood in the humanities wing of Islamic studies, Khan is an intellectual polymath who moves easily across the Islamic sciences, social theory, and comparative politics. He brings the full weight of his effort to conclusion with policy recommendations for how “to combine Sufism with political theory” (6), and to do so in a way that recommends specific “Islamic principles that encourage good governance, and politics in pursuit of goodness” (8).
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