Relevant bibliographies by topics / Spiritual Medium

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Spiritual Medium'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Spiritual Medium"

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Kırca, Beyza. "Spiritual Dimension in Art Therapy." Spiritual Psychology and Counseling 4, no. 3 (October 15, 2019): 257–74. http://dx.doi.org/10.37898/spc.2019.4.3.071.

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Spiritually-oriented art therapy interventions are based on a holistic, therapeutic approach that aims to enable people who are in fragmented states to achieve integrity, unity, harmony, and balance by taking all the mental, emotional, physical, and spiritual dimensions of human nature into account using the medium of art and its creative processes. Art is considered intrinsically spiritual by many artists and art therapists, and the history of art and its relationship to treatment is as old as human history; however, open consideration of the spiritual dimension in therapeutic settings, particularly in art therapy interventions, is relatively new. Reviewing the emergence of spiritually-oriented art therapy interventions and their mechanisms of change is considered useful for seeing how they enable holistic transformation. These mechanisms have been determined as self-realization and understanding, transcendence, meaning-making and searching for a purpose, and achieving integrity through the holistic wellbeing approach.
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Silva, Gabriela Cruz Noronha, Dáfili Cristina dos Reis, Talita Prado Simão Miranda, Ruan Nilton Rodrigues Melo, Mariana Aparecida Pereira Coutinho, Gabriela dos Santos Paschoal, and Érika de Cássia Lopes Chaves. "Religious/spiritual coping and spiritual distress in people with cancer." Revista Brasileira de Enfermagem 72, no. 6 (December 2019): 1534–40. http://dx.doi.org/10.1590/0034-7167-2018-0585.

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ABSTRACT Objective: To investigate the relation between the presence of spiritual distress and use of RSC and sociodemographic, clinical and religious/spiritual variables in people with cancer. Method: Cross-sectional study conducted in an association for support to people with cancer. The data obtained with the tools were analyzed using the Spearman‘s correlation coefficient and the Mann-Whitney Test. Results: 129 volunteers participated in the study, of which 57% showed moderate spiritual distress, 96% used medium and high positive religious/spiritual coping. Spiritual distress showed positive correlation with negative religious/spiritual coping (P<0.001) and inverse correlation with age (p 0.002). The use of positive religious coping was statistically significant in people who have religious practices (p 0.001). Conclusão: Spiritual distress is a phenomenon that is present in the lives of people with cancer and has significant relation with the use, in a negative manner, of religion/spirituality as a way of coping with the disease.
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Taggard, Mindy Nancarrow. "Luisa Roldan's "Jesus of Nazareth": The Artist as Spiritual Medium." Woman's Art Journal 19, no. 1 (1998): 9. http://dx.doi.org/10.2307/1358648.

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Canals, Roger. "Bea wants to know." Journal of Anthropological Films 2, no. 1 (May 24, 2018): 1541. http://dx.doi.org/10.15845/jaf.v2i1.1541.

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Bea is a young Puerto Rican university student living in San Juan. Despite her efforts, her professional and personal life seem to have deteriorated. She has broken up with her boyfriend and the relationship with her parents is getting worse. Besides, she dreams of travelling, but she doesn’t have the money to do so. She decides to go to see several mediums in order to understand why everything is going wrong. She will find the answers to her questions through Pedro, a Peruvian-born medium based in San Juan, who will encourage her to take part in a spiritual cleansing ritual to expel the negative energies which prevent her from being completely happy. More precisely, Pedro will organise a ritual made up of three phases: a spiritual cleansing with a white dove, a purification ritual in a tropical river and an offering to the sea. At the end of the film, Bea will have to spiritually purify her own house by going into all the rooms with a white dove.
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Hadiwinarto, Hadiwinarto. "URGENSI KONSELING SPIRITUAL." JURNAL BIMBINGAN DAN KONSELING AR-RAHMAN 4, no. 2 (October 21, 2018): 40. http://dx.doi.org/10.31602/jbkr.v4i2.1404.

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Artikel ini merupakan kajian teoritis mengenai konseling spiritual. Setiap manusia mempunyai kebutuhan, ingin mencapai kepuasan sejati. Sahabat sejati sebenarnya sudah berada dalam diri setiap manusia, tetapi kita belum menyadari dan mengenalnya. Untuk mencapai kepuasan sejati maka harus mengenal sahabat sejati, membangkitkan sahabat sejati, kemudian memanfaatkan untuk memenuhi kebutuhan termasuk mengatasi masalah yang dihadapi. Konseling spiritual harus dilandasi oleh kesadaran bahwa manusia memiliki daya cipta, rasa dan karsa. Karena daya cipta, rasa dan karsa menjadi modal utama untuk membangkitkan kekuatan spiritual. Sedangkan memahami kekuatan alam menjadi modal berikutnya. Kekuatan alam dapat digunakan sebagai media untuk membangkitkan kekuatan spiritual dalam diri manusia. Konseling spiritual merupakan harmonisasi interkasi antara daya cipta, rasa dan karsa dengan kekuatan alam untuk pengentasan masalah kehidupan manusia dalam rangka mencapai kepuasan sejati.__________________________________________________________ This article is a theoretical study of spiritual counseling. Every human being has a need, wants to achieve true satisfaction. True friends are already in every human being, but we have not realized and known him. To achieve true satisfaction then must know true friend, generate true friend, then utilize to fulfill requirement including overcoming problem faced. Spiritual counseling must be based on the realization that human beings possess creativity, taste and intention. Because creativity, taste and desire become the main capital to awaken spiritual power. While understanding the power of nature into the next capital. The power of nature can be used as a medium to awaken the spiritual power within man. Spiritual counseling is the harmonization of the interaction between creativity, taste and intention with the power of nature to alleviate the problems of human life in order to achieve true satisfaction.Kata Kunci: konseling spiritual, sahabat sejati, daya cipta, rasa dan karsa.
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Moodley, Trevor, Roelf B. I. Beukes, and Karel G. F. Esterhuyse. "The Relationship between Coping and Spiritual Well-Being in a Group of South African Adolescents." Religion & Theology 19, no. 3-4 (2012): 265–97. http://dx.doi.org/10.1163/15743012-12341239.

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Abstract Using Scheffé tests, this study investigated any statistically meaningful association between coping and spiritual well-being in a group of South African adolescents from schools in Cape Town. The ACOPE instrument was used to measure coping in 12 coping strategies. Spiritual well-being was measured by the SWBQ instrument, which gives a global score and a score for each spiritual well-being domain. The results indicated a significant positive association, suggesting an important link between seeking spiritual support and transcendental spiritual well-being. In addition, a significantly positive association with medium effect, suggesting moderate practical importance, was found for developing social support and communal spiritual well-being.
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Wulandari, Desi. "The Influence Of Spiritual Intelligence on the Organizational Commitments of Santri Executive Board (BES) Of PPJA." Journal Intellectual Sufism Research (JISR) 1, no. 2 (June 1, 2019): 1–4. http://dx.doi.org/10.52032/jisr.v1i2.26.

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This study aims to determine the level of spiritual intelligence, the level of organizational commitment and to determine whether there is influence of spiritual intelligence on organizational commitment to the management of the Islamic Boarding School Boarding School BES Alimussirry. Using the SPSS 23 system and the research t-test technique, the results showed that the level of spiritual intelligence of the BES PPJA management resulted in 42.30% in the high category, 57.70% in the moderate category and 0% in the low category. The percentage for all member respondents is 80.30%, so the management's spiritual intelligence is included in the medium category. While the level of BES PPJA Management Organizational Commitment resulted in 50% in the high category, 50% in the medium category and 0% in the low category category. The percentage for all respondents is 49.73%, so the organizational commitment of the PPJA BES is in the moderate category. so there is an influence or relationship between spiritual intelligence on organizational commitment BES PPJA with the percentage influence of spiritual intelligence of 5% and the remaining 95% due to other factors not examined by researchers.
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Johan, H., A. Suhandi, A. R. Wulan, and S. Sipriyadi. "Impact of Learning Earth Litosphere using Interactive Conceptual Instruction on Logic Thinking, Conceptual Understanding, and Spiritual Aspect Embedding." Jurnal Pendidikan Fisika Indonesia 14, no. 1 (January 27, 2018): 7–17. http://dx.doi.org/10.15294/jpfi.v14i1.8259.

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The aim of this study is to explore the impact of interactive-conceptual-instruction with visualization on logic thinking, conceptual understanding and spiritual aspect embedding. The sampling technique used in this research was convenience sampling. This research used mixed methods with embedded experiment design. The data of logic thinking and conceptual understanding was collected through pre-test and post-test. The questionnaires were used to collect data on spiritual attitudes and were analyzed qualitatively. The results showed that logic thinking-ability improves from no logic thinking to inductive-deductive logic thinking. The improvement of logic thinking abilities was in the medium category. Understanding the concept shifted from incompetent to conceptual understanding with improvement, in the medium category. The questionnaires analysis showed that the students got spiritual values related to the awareness of God believing behind the natural phenomena that impact on their spiritual attitudes. This study also tried to apply the results of pure science research to support learning activities. Based on the result of the research, it can be concluded that the learning process using interactive conceptual with visualization can improve logic thinking, conceptual comprehension, and spiritual attitude embeding.
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Lappo, Violetta, and Valentyna Ternopilska. "Psychological mechanisms and pedagogical factors for the development of empathy in the college students." International Journal of Pedagogy, Innovation and New Technologies 5, no. 2 (December 30, 2018): 102–11. http://dx.doi.org/10.5604/01.3001.0012.9680.

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The article reflects the results of the empirical study of the problem of the students’ spiritual values formation. The author offers determining indicators, structural components and criteria of high, efficient, medium and low levels of the personality spiritual values. The researcher offers a range of methods aimed at establishing the levels of spiritual values formation in students studying at the college. According to the experiment results the researcher has developed educational program in which effective forms, methods and means of upbringing spiritual values in conditions of a student group were determined. The author emphasizes the importance of pedagogical support and encouragement of every student to spiritual self-improvement. The results comparison of summative and control experiment levels have evidenced the effectiveness of pedagogical means focused on spiritual growing of student youth.
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Nwankwọ E, Izuu. "Purple Hibiscus and theme of moderation as a metaphor in the evolution of contemporary Nigerian fiction." International Journal of Pedagogy, Innovation and New Technologies 5, no. 2 (December 30, 2018): 112–21. http://dx.doi.org/10.5604/01.3001.0012.9681.

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The article reflects the results of the empirical study of the problem of the students’ spiritual values formation. The author offers determining indicators, structural components and criteria of high, efficient, medium and low levels of the personality spiritual values. The researcher offers a range of methods aimed at establishing the levels of spiritual values formation in students studying at the college. According to the experiment results the researcher has developed educational program in which effective forms, methods and means of upbringing spiritual values in conditions of a student group were determined. The author emphasizes the importance of pedagogical support and encouragement of every student to spiritual self-improvement. The results comparison of summative and control experiment levels have evidenced the effectiveness of pedagogical means focused on spiritual growing of student youth.
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Dissertations / Theses on the topic "Spiritual Medium"

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Sakai, Nanako. "When the East meets the West| Art as a medium for religious and spiritual education." Thesis, Fordham University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10014283.

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As a Buddhist female from Japan who has lived in the United Sates for 15 years, I examine how Buddhist spirituality and aesthetics influence religious inspiration through woman’s eyes; in other words, from a feminist perspective to the “practice” of justice based on Buddhism. Hence, the driving questions of this dissertation are, how can we define beauty and spirituality from a feminist perspective so that they empower women’s voice through art, and what kind of contribution can this study provide to feminist scholarship in the West?

The study’s significance lies in its illustration of the concept of feminist aesthetics that nurtures spirituality based on Buddhism, Taoism and Asian traditional thought which are not well known to the Western world. Thus, through using art and feminist- based research, as well as symbolic interactionism as a perspective, principles for a feminist aesthetics theoretical model as a dimension of spiritual and religious education are generated based on Eastern thought.

The use of symbols and their interpretation are crucial to understanding the relationship between art and human perception which fosters awareness for social justice. Therefore, this study addresses the following questions: (1) What does Buddhist feminist aesthetics mean? (2) What are the characteristics of feminist ecology in Eastern thought? (3) How does Buddhist or Eastern feminist aesthetics contribute to eco-justice in the context of religious education? (4) In what ways can a theoretical model of Buddhist or Eastern feminist aesthetics enhance and contribute to foster spirituality as dimension of religious education in the West?

The dissertation has five chapters. The first chapter is an introduction to the study, while chapter two reviews art as a source of creating imagination. The third chapter describes Rima Fujita’s artistry based on an Eastern perspective of aesthetics. Chapter four reviews feminist theological aesthetics and suggests how a Buddhist feminist perspective can make a contribution to Western scholarship. The final chapter proposes educational application, in particular to interreligious education, which fosters spiritual growth. Drawing deeper insights from these and other scholars, a new perspective, which incorporates and contributes to Western scholarship is proposed.

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Greer, Lindsay Patrice. "Summoning the Spirit of Obsolescence in Media and Performance: A Posthuman Sèance." OpenSIUC, 2017. https://opensiuc.lib.siu.edu/dissertations/1460.

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In this dissertation, I explore the fantasies and paradoxical desires belying spiritual medium performances of the late-nineteenth and early-twentieth centuries and new media practices of remediation. Forming the organizing construct of this dissertation, spiritual medium performance gives me a medium to explore fantasy as a means of suspending and manipulating audience belief. Through the use of my performance persona, Lucida Fox, I further connect the spiritual medium’s communication with the dead to the practices of remediation meant to summon the influences of obsolete media. Through Lucida, I remediate the past (Chapter 2), future (Chapter 3), and experiment with several spiritualist techniques in the present (Chapter 4). In the final chapter, I address the implications of this research on current discussions within the field of performance studies and conclude by offering future direction of this research.
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Straight, Alyssa. "Mediums and Their Material: The Female Body in Spiritual and Technological Mediation, 1880-1930." Miami University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=miami1469182526.

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Keck, Charles. "Radical reflexivity : assessing the value of psycho-spiritual practices of self as a medium for the professional development of teachers." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/10020707/.

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This thesis discusses a case study of a psycho-spiritual retreat programme comprising an eclectic bricolage of technologies of self, ranging from the contemplative, to the artistic and the psychotherapeutic. It explores the possibility that such practices can be understood as a Foucauldian care of self, enabling teachers to participate in a radical reflexivity around subjectivity. It is argued that such reflexivity, whilst not directly concerned with teachers' professional identity, is transformative within their professional practice. Evidence to substantiate this hypothesis is sought in semi-structured interviews with participating Spanish and Mexican teachers. These interviews explore the teachers' understandings of their 'before', 'during' and 'after'. What had they experienced? How had it affected their understandings of themselves? How had these new understandings affected the ongoing construction of their identity as teachers? Interview data is organized and analysed through three complementary areas of problematization; Questions of Purpose, Questions of Order, and Questions of Performance. Evidence in and around these fields is embedded in a debate around subjectivity, teacher identity and education informed by thinkers of becoming including Nietzsche, Foucault, Deleuze and Britzman. Assessment of the value of the experience is also made using the psycho-spiritual referents of the retreat programme itself, as elaborated by its founder Claudio Naranjo. The empirical-theoretical analysis of narrative evidence poses questions about the established limits of traditional teacher development opportunities and of the 'service' oriented paradigm of professional ethics. The care of the self as a radical reflexivity, in which the teacher examines their constitution as human beings, might provide 'a way out' for teachers stuck uncreatively in their own historical subjectivities and the dominant educational paradigms. In such a way concrete examples of radical reflexivity in action could usefully contribute to debates occurring around alternatives in teacher identity discourse.
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Suh, Byung-Yong. "Lex spiritualis : Iwands Verständnis des Gebotes im Gespräch mit Luther, Calvin, Barth /." Seoul : Handl, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015023475&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Rahmani, Mohammad. "Sporttherapie bei Drogenabhängigen : eine Pilotstudie zum Einfluss der Sporttherapie auf Drogenverhalten, soziale Integration und spirituell-religiöse Orientierung /." Köln : Sport und Buch Strauss, 2001. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=009294094&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Welz, Thomas Joachim. "Kirchliche Autorität als Dienst : der Kirchenrechtliche Begriff des spiritus servitii in der Leitung von Ordensinstituten gemäss C.I.C., can 618 /." Roma : Lateran University Press, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015607466&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Thesis (doctoral)--Pontificia Università lateranense, 2005.
At head of title: Pontificia Universitas Lateranensis, Institutum Utriusque Iuris -- Facultas Iuris Canonici, Theses ad Doctoratum in Iure Canonico Assequendum. Includes bibliographical references (p. [341]-374).
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Lin, Yi-Chi, and 林羿綺. "Across the Tropic of Cancer - Video as a Spiritual Medium." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/kx5yz2.

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碩士
國立臺北藝術大學
美術學系碩士班創作組
104
I grew up with its own creation as the starting memory, perform low-level military dependents for residence and other archaeological experience in heterogeneous environments. Long-term presence homogenous places Kaohsiung left the camp experience, to re-examine and examine childhood memories of that great political relevance of large historical context through. Through the history and reality of the edge region of the call, bears and reflection, deconstruct the original text Construction of a more fitting real-like state. Using the image of mediums conducted for nationalism, history, and their own memories of childhood enchantment and reproduction. And the subsequent creation gradually developed for the past analogy extends VHS video and childhood memories, Borrowed from the 2016 graduate exhibition of new work "VHS- family change Verses" images live performances, works and in 2010 enrolled at the "mountains incident" to make a period attended the Institute for creation source image review, investigate analogical correlation between image and memory devices. In a regression line through the headlines, except for the body left the camp on the island during the planned north-south highway through, the more in-depth re- creation will be back for generations in this part of 80 subprime images from analog to digitized backtracking, the Institute for six years as a loop, re-crossing the tropic part of the image of mediums.
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Yerby, Erin D. "Spectral Bodies of Evidence: The Body as Medium in American Spiritualism." Thesis, 2017. https://doi.org/10.7916/D85149M7.

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This dissertation is an ethnography of the body as medium in the North American Spiritualist tradition. With its origins in the “burned-over district” of upstate New York, Spiritualism is a homegrown religious movement rooted in the radical Protestant milieu of “Great Awakenings,” which evolved into an international religious movement with a distinctly secular bent. Spiritualists, unlike Pentecostals and Evangelicals, de-emphasize faith or belief and understand the spirits as present to the “natural” senses and thus demonstrable as “evidences, ” complicating the dialectics of faith and skepticism. Situated within North American “metaphysical” traditions, 19th century and contemporary Spiritualism foregrounds the centrality of mediumship and thus the spirit medium’s sensorium, through its practices of spirit communication. The medium is a figure of mediation, one who communicates the spectral presence of the dead—or as the Spiritualists’ say, “There are no dead!”—to the living. This dissertation looks at how this emphasis on spiritual evidences draws out modern antinomies between secular and religious experience, and the certainty and doubt engendered by the medium’s attention to ephemeral affects, sensations and images that define spirit presence. As such, it takes as its point of departure the Spiritualist medium’s discernment of the spirit world as a practice of making the body a media, or instrument, for the visual, auditory, and haptic sensation of the spirits of the dead. Based upon over three years of ethnographic fieldwork and archival research, this anthropological study was conducted in Spiritualist Churches, home circles, training courses, and in mediumship centers in New York City, upstate New York, New Jersey and London, including many summers spent in the long-standing Spiritualist camp of Lily Dale, in northwestern New York State. As this dissertation proposes, a focus on bodily mediation allows us to think the body not only as a specific kind of media in the common technological sense, but as a sensory instrument for mediation in the originary ontological sense, as religious mediation across thresholds—between people and spirits, the living and the dead, God and creation, human and nonhuman forces. This work argues that Spiritualism places secular and religious notions of experience within an immanent frame, making visible the problem of a body affected—in this case, by “clouds” of spirits—and, more fundamentally, the problem of the body’s doubleness: as if always already shadowed by its own spectrality. Mediumship, it argues, addresses itself to a kind of evidence, where what is sought is a kind of experience: an experience in which the spirits become discernible, and are figured into a verifiable state to become evidence for others. By making the body the central instrument for mediating invisible forces of spirit, history, and affect, North American Spiritualism—it proposes—opens onto a set of problems connecting image, settlement and experience, laced together as a problem of the body. If mediumship concerns the fact of sensation, the fact of being-affected, affects are the foreground, not the background, against which everything else takes place: to speak of the experience of mediumship is to speak of attunements to overlooked images and affects and the way these are concretized into more enduring spirit figures. It is to this cloudy realm of fugitive images and affections that this work tries to attend. Specifically, and in light of Spiritualisms’ focus upon spiritual experience as the unmediated ground of divine apprehension, this dissertation situates Spiritualism within a broader stream of Protestant iconoclasm, albeit at the margins, as a syncretic “metaphysical” movement of diverse spiritual and occult influences. This work suggests affinities between the Spiritualist medium’s mediation of spirit images, and a Puritan iconoclasm at the foundation of North American settler spirituality—where the displaced body of the settler becomes the central placeholder of religious experience and sacred image, the body itself figured as the sacred image or icon of God. Drawing upon these inheritances, Spiritualism is here situated within a spiritual geography of settlement. In particular, this concerns a geography connecting 19th century and present-day practices of spirit communication with spectral “Indians” and North American settlement’s iconoclastic foundations: a history of violence haunted by spectralized others. This dissertation would be of interest to readers of religious/mystical experience, philosophy of religion, media theory, affect theory, settler colonialism, Native American studies, gender studies, and ethnographic writing.
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Chen, Su-yuan, and 陳淑媛. ""Active Imagination" and "Spiritual Rebirth"－Through the Practical Medium of the C. G. Jung's Natal Chart." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/22489736273273724762.

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碩士
南華大學
生死學研究所
93
This treatise tries, by putting Jung’s Natal Chart into practice as a medium, to explore the main theme of Jung’s theory in “active imagination” and “spiritual rebirth”. The key point that the researcher concerns is the connotation of：“The being’s fixed facts”（including man’s position、confinement and possibility in the world）,“mental quality and structure”, “spiritual rebirth” and “the process of individuation.” The purpose lies in（1）the principles and methods of “active imagination,”（2）trying to explore Jung’s concept in “spiritual rebirth” through one of the practical processes of “active imagination”－astrology and（3）by taking Jung’s “the process of individuation.” as an example, to expound Jung’s theory in practical pragmatic problem.With regard to the above understanding, we know the so-called “active imagination” is a pragmatic principle and method of “active dream；” in other words, this is also a technology of psychotherapy, penetrating Jung’s theory. This treatise tries to study by patterning after analytical psychology and to adopt the methodology of literature, history and philosophy as a way of study. That is：（1）The methodology of literary records－1.the integration and regulation of viewpoints and 2.the exploration and explanation of literary records；（2）philosophical analysis （dabbling in the sphere of linguistic philosophy and analytical philosophy）and（3）the method of study through both theory and pragmatism. As to the frame of detailed statement, having regulated the problem through epistemology, I try to, by taking Jung’s “the process of individuation.” as an example, discuss the concepts and connotation of “active dream” and “spiritual rebirth”.In “symbolic analysis,” I mean to obtain the materials of spiritual image through the pragmatic medium in the active analysis of “transcendental function,” aiming at the theme of the symbolic meaning of archetype of mythology, to proceed with the analysis of “amplification,” “synthetic method” and “constructive method.”
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Books on the topic "Spiritual Medium"

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Secrets of a medium. Boston, MA: Weiser Books, 2003.

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Akhenaten. Akhenaten speaks through the medium of Maisie Besant: The nature of spiritual healing. London: Eye of Gaza Press, 1991.

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Still, William Grant. Here's one: For voice and piano (or guitar) : Negro spiritual. Bryn Mawr, Pa: John Church, 1996.

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Evul mediu românesc: Realități politice și curente spirituale. București: Corint, 2001.

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Mick, Avery, Avery Sylvie, and Sheppard Robyn, eds. The spirit within: Spiritual teachings from Gregory Haye. Sonoma, Calif: Spirit Teaching, 2005.

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Vous êtes médium. Alleur, Belgique: Marabout, 1989.

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1948-, Northrop Suzane, ed. Second chance: Healing messages from the afterlife. San Diego, Calif: Jodere Group, 2002.

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The emerald covenant: Spiritual rites of passage. Charlottesville, VA: Heartsfire Books, 1996.

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Eleonora. Kozmosi dhe ne. Tiranë: Shtëpia Botuese "Luarasi", 2000.

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Loew, Katharina. Special Effects and German Silent Film. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725231.

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In recent decades, special effects have become a major new area of research in cinema studies. For the most part, they have been examined as spectacles or practical tools. In contrast, Special Effects and German Silent Film, foregrounds their function as an expressive device and their pivotal role in cinema’s emergence as a full-fledged art. Special effects not only shaped the look of iconic films like Nosferatu (1922) or Metropolis (1927), but they are central to a comprehensive understanding of German silent film culture writ large. This book examines special effects as the embodiment of a “techno-romantic” paradigm that seeks to harness technology – the epitome of modern materialism – as a means for accessing a spiritual realm. Employed to visualize ideas and emotions in a medium-specific way, special effects thus paved the way for film art.
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Book chapters on the topic "Spiritual Medium"

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Fjelstad, Karen, and Nguyễn Thị Hiền. "Spiritual Callings: Becoming a Medium in the Contemporary World." In Spirits without Borders, 77–98. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119703_4.

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Stoellger, Philipp. "Geist als Medium in den Medien des Geistes." In Creator Spiritus, 15–40. Göttingen: Vandenhoeck & Ruprecht, 2019. http://dx.doi.org/10.13109/9783788734336.15.

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Rubinstein, Murray A. "“Medium/Message” In Taiwan’S Mazu-Cult Centers: Using “Time, Space, And Word” To Foster Island-Wide Spiritual Consciousness And Local, Regional, And National Forms Of Institutional Identity." In Religion and the Formation of Taiwanese Identities, 181–218. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403981738_7.

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Kelsey, Darren. "Spiritual Revolution: The Affective Mythology of Russell Brand." In Media and Affective Mythologies, 125–56. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-60759-7_6.

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Kunchi, Markandeya, and Shubhi Shrivastava. "Talking Circles: Spiritual Aid for Teenagers Through Social Media." In Social Computing and Social Media, 39–47. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20367-6_5.

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"Between Critical Displacements and Spiritual Affirmations." In Breaking Resemblance, edited by Alena Alexandrova. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823274475.003.0004.

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This chapter provides an overview of the transformation of the status of religious motifs in the visual art from Surrealism to the late 1990s. When detached from their initial contexts religious motifs cease to signify religious ideas or content, and acquire new meaning. The critical mode of reference to religion, especially in the second half of the twentieth century, articulates a self-reflexive moment that problematises the status of images and the mechanisms of their circulation and display. In the second half of the century, religious motifs embedded in artworks lost their more direct iconoclastic resonances, and were used increasingly as a critical tool directed towards the institution of art itself. An object as the ready-made situated between being an artwork and an object, brought to visibility the “religious” nature of the conditions of the display of art-objects. The medium of video enabled a re-mediation of older art – both film and culturally loaded iconic religious images. This aspect of the medium was by artists to invoke or create a quasi-mystical experience, or to re-frame existing images and film footage in order to make a critical comment on the tradition.
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Supp-Montgomerie, Jenna. "The Great Fizzle." In When the Medium Was the Mission, 79–125. NYU Press, 2021. http://dx.doi.org/10.18574/nyu/9781479801480.003.0003.

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This chapter explores the promise of social unity through networks by looking at the religious nationalism that emerged in the United States around the Atlantic telegraph. As Americans tensely watched the struggle to transmit the world’s first transatlantic telegram, a diverse community—from Protestant missionaries to civic leaders—spoke of the newly united world that electric speech would create in explicitly Christian terms. Public statements that claimed the telegraph as destined and blessed by God were not merely religious ways of speaking about the telegraph; the affective weight born by this Christian vocabulary and imagery forged the affiliation of the telegraph with dreams of global unity in particularly durable ways. This chapter examines alternative imaginaries of obsolete telegraphs (e.g., grapevine telegraph, spiritual telegraph, optical telegraph) that have lost cultural meaning to demonstrate that affect, not the technology itself, produced and sustained network imaginaries of national and global connection. The fragile cable of 1858 and the united “whole world” it was said to create point to the materiality and contingency inherent in the discursive and affective labor of forming public culture.
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"The Video Veronicas of Bill Viola." In Breaking Resemblance, edited by Alena Alexandrova. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823274475.003.0006.

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This chapter focuses on several video installations by Bill Viola. Starting in the late 1990s, Viola created a series of video installations that refer to or even closely restage well-known religious paintings. His work makes an interesting case as it seeks to define the conditions of spiritual experiences in the space of the contemporary museum or gallery. Memoria, 2000, or Unspoken: Silver and Gold,2001, are video portraits of emotional states of anguish and suffering projected on a veil or gold surface. Both installations cite the motif of Veronica’s Veil and engage with the complex history of interpretation of the acheiropoieticimage by combining it with a theatrical replay of states of extreme emotional tension. Viola borrows religious formats and iconic masterpieces of religious art in which the religious figures are substituted with anonymous contemporaries. The images function as an embedded frame, thus more as a device than as an image. Next to being a means of reflecting on the human condition, Viola’s engagement with religious art can be read as an attempt to comment on the history of the relatively young medium of video. Viola’s interest in spiritual motifs can be understood as a concern with the intrinsic capacity of the medium of video that can create overwhelming experiences and spiritual effects.
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Chavez, Ina Conradi. "Digital Media and the Quest for the Spiritual in Art." In Metaplasticity in Virtual Worlds, 217–27. IGI Global, 2011. http://dx.doi.org/10.4018/978-1-60960-077-8.ch013.

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‘On earth, painters, sculptors, musicians, dream dreams of exquisite beauty, creating their visions by the powers of the mind, but when they seek to embody them in the coarse materials of earth they fall short of the mental creation. The marble is too resistant for perfect form, the pigments too muddy for perfect color. In heaven all they think is at once reproduced in form, for the rare and subtle matter of the heaven- world is mind staff, the medium in which the mind normally works when free from passion and it takes shape with every mental impulse. Each man, therefore, in a very real sense, makes his own heaven, and the beauty of his surroundings is indefinitely increased, according to the wealth and energy of his mind’ (Besant) (Ringbom, 1986).
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Maçães, Bruno. "Five." In History Has Begun, 103–28. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197528341.003.0005.

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This chapter details how television became the first modern technology to be entirely shaped by American culture and American ambition, and to take the American way of life to its fullest development. In the beginning, the new medium was literally the product of American power, a peacetime application of wartime technology used against German submarines and the Japanese navy. Later, the connection would seem less obvious, but only at first. As the mass medium of choice during the decades when the United States conquered the planet, television quickly became synonymous with an American future of material and spiritual progress. They were a window into America, but a window displaying the American dream in all its glory, a transplant of the American life energy. Arguably, the internet, mobile technology, Netflix, and binge-watching did not change this basic fact. By liberating content from the physical restraints of the old wartime vacuum tubes, they can only increase its powers and render it, as it were, more spiritual. Ultimately, the internet can be seen as an expansion of television culture.
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Conference papers on the topic "Spiritual Medium"

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Amrah, Sitti, and Umar Sulaiman. "Rabbani Character as a Medium to Establish Spiritual Intelligence in the Learning Process." In 2018 3rd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/amca-18.2018.6.

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Tresnawaty, Betty. "The Spiritual Communication: Phenomenological Study on the Urantia Community in Indonesia." In International Conference on Media and Communication Studies(ICOMACS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icomacs-18.2018.2.

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Sumskaya, Anna. "Multimedia And Transmedia Storytelling Forming "Spiritual Ties" Between Russian Generations." In III PMMIS 2019 (Post mass media in the modern informational society) "Journalistic text in a new technological environment: achievements and problems". Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.08.02.47.

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Nawikavatan, Auttarat, Chaiyo Thammarat, and Deacha Puangdownreong. "Application of Spiritual Search to Optimal PIDA Controller Design for Cardiac Pacemaker." In 2019 Joint International Conference on Digital Arts, Media and Technology with ECTI Northern Section Conference on Electrical, Electronics, Computer and Telecommunications Engineering (ECTI DAMT-NCON). IEEE, 2019. http://dx.doi.org/10.1109/ecti-ncon.2019.8692275.

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Nastase, Mihai-Claudiu, Alexandru Mitru, and Loredana Andreea Paun (Parnic). "The Social and Economic Impact of COVID 19 Pandemic on Museums. Case Study: „Princely Court” National Museum Ensemble." In International Conference Innovative Business Management & Global Entrepreneurship. LUMEN Publishing, 2020. http://dx.doi.org/10.18662/lumproc/ibmage2020/25.

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The new coronavirus (Covid-19) is one of the main challenges world today has to address. With no large scale availability vaccine yet, and more or less experimental medical treatments for curing the disease, we can safely say that we are still far behind a solution to this problem. This new pandemic is considered the biggest threat to the global economy since the Second World War and there is no aspects of human life have not been affected it, spiritual ones included. Its high contagiousness, as well as novelty, raised all kind of challenges and one of the main ones was our manner to produce answers, in early stages at least, this creating problem on its own and of its design. As well as all the other institutions, theatres, cinemas, concert halls, spaces of socialization and in the same time places of wonder, knowledge and spiritual enrichment the museums were heavily affected by the pandemic crisis, especially those who’s collections are not, but in very small proportion available, to the public through virtual media. Such a case is „Princely Court„ National Museums Ensemble from Targoviste, Dambovita County, Romania. The present paper proposes an overview of the highlights in institution′s activity the past years in comparison with how the pandemic crisis affected its activity in the past months and what were the responses given to keep the museum in the eye of the public. It will also try to summarize how and to what extent the activity went back to „normal” after the emergency state earlier imposed was lifted and how the visitors responded to the new realities.
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Brandt, Galina. "Interpenetration Phenomenon of Public & Private Aspects in Contemporary Theatrical Practices." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-12.

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The article hypothesises that the opposition of ‘publicity/privacy’ concepts (alongside with other fundamental dichotomies, e.g. spiritual/material, social/individual, political/personal) in the media era, and first of all in the era of the Internet together with related communicative resources, is no longer productive. The study was performed via discursive analysis since it concerns methods of making use of the original concepts of ‘publicity’ and ‘privacy’. The author also addresses media survey methods since it is a contemporary media context that guides changes in the balance between the concerned phenomena. The deconstruction method is also important since the theatre institution itself, on the example of which the phenomenon of the interpenetration of the public and the private is examined, is deconstructed and shadowed by absolutely new theatrical practices. The culturological approach is the paradigmal prism through which the declared topic is researched, since the study goal is to demonstrate how ‘current’ (Z. Bauman) changes of the modern cultural landscape change habitual ideas on some or other dichotomies, particularly the dichotomy of ‘publicity/private’. The aforementioned research tools were used in the study to address theatrical practices explicitly demonstrating the removal of the dichotomy of public and private. A closer look was taken at the play ‘Questioning’ staged by the contemporary Petersburg theatre Pop-up, and where invasion of publicity into the area of privacy and intimity, and exposition of aspects taken out from ultimate existential depths constitutes the very essence of the play. The article concludes that such theatrical practices can take place when the cultural horizon is extended to enable the attribution of a new semantic scope, in particular ‘forced publicness’ (E. Shulman).
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Mozzato, Alioscia. "Le Corbusier and the “Lection of the gondola”." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.794.

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Abstract: In light of the reflections developed by Le Corbusier through the “oeuvre plastique” and his intense relationship with the city of Venice, the gondola became the paradigm of an "artistic creation" which, while having to bow to the principles of "utility" linked to the tangible world of the "machinist era" on the one hand, on the other met the expressive requirements of "beauty" connected to the spiritual needs of modern man. The encounter with the gondola describes this "duality" which pervades all the works of Le Corbusier always in search of a synthesis between "measure" and "lyricism", representing a "plastic manifestation" that points to some theoretical principles and foundations of artistic "action", outlined through the concept of “Outil”, the expression and instrument of a necessary "harmony" between mankind and the world. Resumen: A la luz de las reflexiones desarrolladas por Le Corbusier a través de la “obra plástica” y su intensa relación con la ciudad de Venecia, la góndola se convirtió en el paradigma de una "creación artística" que, si bien tiene que someterse, por un lado, a los principios de "utilidad" vinculados al mundo tangible de la "era mecánica", por otro lado cumplía los requisitos característicos de "belleza" relacionados con las necesidades espirituales del hombre moderno. El encuentro con la góndola describe esta "dualidad" que impregna toda la obra de Le Corbusier, siempre en busca de una síntesis entre "medida" y "lirismo", lo que representa una "manifestación plástica" que apunta a algunos de los principios teóricos y fundamentos de la "acción" artística perfilados a través del concepto de “Outil”, la expresión e instrumento de una necesaria "armonía" entre la humanidad y el mundo. Keywords: Le Corbusier; Gondola; Venice; Plastique acoustique; Outil; Oeuvre plastique; L'angle droit. Palabras clave: Le Corbusier; Gondola; Venecia; Plástica acústica; Outil; Obra plástica; El ángulo recto. DOI: http://dx.doi.org/10.4995/LC2015.2015.794
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Ramesh, Aparna. "Le Corbusier in Chandigarh: A Search for the Natural Order." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.784.

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Abstract: This paper is an attempt to analyse and decode Le Corbusier’s application of his exceptionally singular and complex understanding of the order of the natural world in his urban masterpiece- Chandigarh City. It was Le Corbusier’s strong belief that architecture was a personal search for truth, a truth that was contained in the organic harmony of nature. He was convinced that with the advent of the machine in the 19th century, ties between man and nature had been severed. For the sake of the citizen’s physiological and psychological health, he felt it was essential that future cities focus on reconnecting man to nature through large green parks open to the sky, unpolluted by the machine. His own formative years in the lush forests of the Swiss countryside, sketching and abstracting natural forms helped him observe and internalise the inherent logic in their geometry. Over the years, a deeper study of mathematical proportions of the human body led Le Corbusier to propose the Modulor as a standard for the human scale in architecture. This only further cemented his belief that there was no separate natural order and man-made order; man was a part of nature and therefore a part of the natural order as well. However, it was the spiritual aspect of city planning that fascinated Le Corbusier the most. After a life long study of natural forms, he was fully convinced that this Spirit was hidden in the geometries of nature. To him, it was essential that the twentieth century city employ this spiritual order as a means restore harmony between man, nature and the cosmos. Resumen: Este trabajo conforma un intento para analizar y decodificar la aplicación de Le Corbusier en su comprensión excepcionalmente singular y compleja del orden del mundo natural en su obra maestra urbana - La Ciudad de Chandigarh. La firme creencia de Le Corbusier era que la arquitectura constituía una búsqueda personal de la verdad, una verdad establecida en la armonía orgánica de la naturaleza. Estaba convencido de que con el surgimiento de las máquinas en el siglo XIX, los lazos entre el hombre y la naturaleza se habían roto. Por el bien de la salud fisiológica y sicológica de los ciudadanos, sentía que era fundamental que las ciudades futuras se enfocaran en reconectar al hombre con la naturaleza a través de grandes parques verdes abiertos al cielo, sin ser contaminados por máquinas. Sus propios años de formación en los frondosos bosques del campo Suizo, esbozando y captando formas naturales lo ayudaron a observar e internalizar la lógica inherente en su geometría. Con el transcurso de los años, un estudio más profundo de proporciones matemáticas del cuerpo humano, llevaron a que Le Corbusier propusiera el Modulor como un estándar para la escala humana en arquitectura. Esto sólo consiguió consolidar aun más su creencia de que no había una separación entre el orden natural y el hecho por el hombre; el hombre era parte de la naturaleza y por lo tanto parte del orden natural también. Sin embargo, fue el aspecto espiritual de la planificación de la ciudad lo que más fascinó a Le Corbusier. Luego de un estudio de formas naturales a lo largo de la vida, se convenció por completo acerca de que este Espíritu estaba escondido en las geometrías de la naturaleza. Para él era primordial que la ciudad del siglo veinte empleara este orden espiritual como un medio para restaurar la armonía entre el hombre, la naturaleza y el cosmos. Keywords: Chandigarh; City Planning; Capitol Complex; Modulor Man; Open Hand; Natural Order. Palabras clave: Chandigarh; Planificación de la ciudad ; Capitol Complex; Modulor Man; Open Hand; Orden del Mundo Natural. DOI: http://dx.doi.org/10.4995/LC2015.2015.784
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Reports on the topic "Spiritual Medium"

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Lyzanchuk, Vasyl. COMMUNICATIVE SYNERGY OF UKRAINIAN NATIONAL VALUES IN THE CONTEXT OF THE RUSSIAN HYBRID WAR. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11077.

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The author characterized the Ukrainian national values, national interests and national goals. It is emphasized that national values are conceptual, ideological bases, consolidating factors, important life guidelines on the way to effective protection of Ukraine from Russian aggression and building a democratic, united Ukrainian state. Author analyzes the functioning of the mass media in the context of educational propaganda of individual, social and state values, the dominant core of which are patriotism, human rights and freedoms, social justice, material and spiritual wealth of Ukrainians, natural resources, morality, peace, religiosity, benevolence, national security, constitutional order. These key national values are a strong moral and civic core, a life-giving element, a self-affirming synergy, which on the basis of homogeneity binds the current Ukrainian society with the ancestors and their centuries-old material and spiritual heritage. Attention is focused on the fact that the current problem of building the Ukrainian state and protecting it from the brutal Moscow invaders is directly dependent on the awareness of all citizens of the essence of national values, national interests, national goals and filling them with the meaning of life, charitable socio-political life. It is emphasized that the missionary vocation of journalists to orient readers and listeners to the meaningful choice of basic national values, on the basis of which Ukrainian citizens, regardless of nationality together they will overcome the external Moscow and internal aggression of the pro-Russian fifth column, achieve peace, return the Ukrainian territories seized by the Kremlin imperialists and, in agreement will build Ukrainian Ukraine.
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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary critic is multifaceted; taking into account the specifics of the memoir genre and with the involvement of the historical context, the turning points in the destiny of the author of memoirs are interpreted, revealing cooperation with Western Ukrainian magazines and newspapers. The publications ‘Zoria’, ‘Narod’, ‘Pravda’, ‘Bukovyna’, ‘Dzvinok’, are secretly got into sub-Russian Ukraine, became for S. Efremov a spiritual basis in understanding the specifics of the national (Ukrainian) mass media, ideas of education in culture of Ukraine at the end of XIX century, its territorial integrity, and state independence. Memoirs of S. Efremov on cooperation with the iconic Galician journals ‘Notes of the Scientific Society after the name Shevchenko’ and ‘Literary-Scientific Bulletin’, testify to an important stage in the formation of the author’s worldview, the expansion of the genre boundaries of his journalism, active development as a literary critic. S. Yefremov collaborated most fruitfully and for a long time with the Literary-Scientific Bulletin, and he was impressed by the democratic position of this publication. The author’s comments reveal a long-running controversy over the publication of a review of the new edition of Kobzar and thematically related discussions around his other literary criticism, in which the talent of the demanding critic was forged. S. Efremov steadfastly defended the main principles of literary criticism: objectivity and freedom of author’s thought. The names of the allies of the Ukrainian idea L. Skochkovskyi, O. Lototskyi, O. Konyskyi, P. Zhytskyi, M. Hrushevskyi in S. Efremov’s memoirs unfold in multifaceted portrait descriptions and function as historical and cultural facts that document the pages of the author’s biography, record his activities in space and time. The results of the study give grounds to characterize S. Efremov as the first professional Ukrainian-speaking journalist.
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