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1

Hamburg, Museumspädagogischer Dienst, and Hamburger Kunsthalle, eds. Sprezzatura, oder, Die Handschrift des Malers. Hamburg: Museumspädagogischer Dienst, 1990.

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2

Lindenhovius, Willemijn. Sprezzatura: Vijftig jaar Italiaanse schilderkunst 1860-1910. Zwolle: WBOOKS, 2019.

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3

Laulajan sprezzatura: Fenomenologinen tutkimus italialaisen varhaisbarokin musiikin laulaen puhumisesta. Jyväskylä]: Suomen musiikkitieteellinen seura, 2011.

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4

Berger, Harry. The absence of grace: Sprezzatura and suspicion in two Renaissance courtesy books. Stanford, Calif: Stanford University Press, 2000.

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5

Lüdtke, Karsten. Con la sudetta sprezzatura: Tempomodifikation in der italienischen Musik der ersten Hälfte des 17.Jahrhunderts. Kassel: Bosse, 2006.

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6

Spafford, Anne. Rain Gardening in the South: Ecologically Designed Gardens for Drought, Deluge and Everything in Between. Hillsborough, NC, USA: Eno Publishers, 2013.

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7

Kraus, Helen. Rain Gardening in the South: Ecologically Designed Gardens for Drought, Deluge and Everything in Between. Hillsborough, NC, USA: Eno Publishers, 2009.

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8

Dishman, Tommy. Sprezzatura. Independently Published, 2019.

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9

Acosta, Yerandys. Sprezzatura. Independently Published, 2017.

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10

Hay, Carla. Dolce Sprezzatura: La Vecchia Signora - Tome 2. Independently Published, 2020.

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11

D'Epiro, Peter, and Mary Desmond Pinkowish. Sprezzatura: 50 Ways Italian Genius Shaped the World. Tandem Library, 2001.

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12

Sprezzatura: 50 Ways Italian Genius Shaped the World. Anchor, 2001.

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13

Rust, Holger. Klassische Inspirationen zu professioneller Gelassenheit: Sprezzatura statt Machiavelli. Springer, 2018.

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14

Sprezzatura: Concealing the Effort of Art from Aristotle to Duchamp. Columbia University Press, 2018.

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15

D'Angelo, Paolo. Sprezzatura: Concealing the Effort of Art from Aristotle to Duchamp. Columbia University Press, 2018.

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16

Paulicelli, Eugenia. Writing Fashion in Early Modern Italy: From Sprezzatura to Satire. Taylor & Francis Group, 2016.

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17

Paulicelli, Eugenia. Writing Fashion in Early Modern Italy: From Sprezzatura to Satire. Taylor & Francis Group, 2016.

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18

Paulicelli, Eugenia. Writing Fashion in Early Modern Italy: From Sprezzatura to Satire. Taylor & Francis Group, 2016.

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19

Writing Fashion in Early Modern Italy: From Sprezzatura to Satire. Taylor & Francis Group, 2014.

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20

Paulicelli, Eugenia. Writing Fashion in Early Modern Italy: From Sprezzatura to Satire. Taylor & Francis Group, 2016.

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21

Paulicelli, Eugenia. Writing Fashion in Early Modern Italy: From Sprezzatura to Satire. Taylor & Francis Group, 2016.

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22

Therese, Martine, and Martina Franca. The Art of Time: A Mother-Daughter Sprezzatura on the Spirit of Time. The Twenty-Sixth Residence, 2021.

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23

Knop, Déborah. Montaigne on Rhetoric. Edited by Philippe Desan. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780190215330.013.14.

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This article aims to identify a few characteristics of the seemingly inexhaustible resources of Montaigne’s rhetoric. As far as logos is concerned, some chapters can give the impression of being desultory, but that impression is the result of an extremely polished discourse progression and it calls for the reader’s ingenuity, the latter being supposed to untangle the embroilment. Montaigne pays particular attention to ethos, namely conciliating and seducing the reader, that coming from the sprezzatura and the virile grace of the writing of the Essays, which are underlined quite often by the text itself in a meta-literary way. Although Montaigne uses it rather sparingly, pathos features prominently in his work, which has a moral dimension being both deliberative and epideictic. Lastly, the complexity of the writing of the Essays manifests itself in an ostentatious rejection of rhetoric, the concealment of a science (dissimulatio scientiae) that is prodigiously mastered.
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