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Dissertations / Theses on the topic 'Spring festivals in art'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

Yardimci, Sibel. "Meeting in Istanbul : cultural globalisation and art festivals." Thesis, Lancaster University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421830.

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2

Demirer, Yucel. "Tradition and politics new year festivals in Turkey /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1101747928.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Document formatted into pages; contains vii, 285 p. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2009 Nov. 30.

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3

Kitshoff, Herman van Zijl. "Die opkoms, dinamika en betekenis van die Klein Karoo Nasionale Kunstefees: 1995-2005 /." Link to the online version, 2006. http://hdl.handle.net/10019.1/1109.

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4

Bernardi, Donatella. "Arts festival as a global cultural product." Thesis, Queen Mary, University of London, 2017. http://qmro.qmul.ac.uk/xmlui/handle/123456789/41785.

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In this thesis, I address ephemeras - namely temporary displays in the form of festivals and exhibitions belonging to the field of contemporary art. The most appropriate criterion with which to select and discuss the ephemera, i.e., the data in which I analyse in this thesis, is the notion of the 'event'. 'Event' is a philosophical concept, and therefore does not belong to artistic or aesthetic categories. However, two main characteristics are particularly relevant in considering it, and these are also pertinent to the field of art. Firstly, the tandem contingency and necessity. Secondly, the

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5

Spinelli, Céline. "Circuits d'un art itinérant : festivals de cirque et échanges artistiques entre la France et le Brésil." Paris, EHESS, 2015. http://www.theses.fr/2015EHES0687.

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L'univers du cirque est passé par un renouveau important dans divers pays à partir de la fin des années 1960. En France, ce processus a été particulièrement significatif et a posé les bases du genre artistique aujourd'hui nommé "cirque contemporain". Il a impliqué le développement de nouvelles esthétiques, l'avénement d'une conceptualisation et d'un vocabuliare particuliers, la fabrication d'un "monde de l'art" complexe, qui singularise l'artiste et transforme son statut social. Il s'avère que différents modes de renouveau artistique se sont produits, influencés par les contextes nationaux, co

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6

Rogers, Mark Christopher. "Art and public festival in Renaissance Florence studies in relationships /." Full text available online (restricted access), 1996. http://images.lib.monash.edu.au/ts/theses/Rogers.pdf.

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7

Rowley, Ben. "Festival or carnival? : the 2002 Adelaide Festival of the Arts and cultural activism /." Title page/ table of contents only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arr8838.pdf.

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8

Pulh, Mathilde. "La valorisation de l'expérience de consommation d'activités culturelles : le cas des festivals d'arts de la rue." Dijon, 2002. http://www.theses.fr/2002DIJOE005.

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9

Dunin-Wąsowicz, Roch. "Culture for Europe : struggles for contemporary meanings and social understandings of Europe through cultural institutions, festivals, and art projects." Thesis, London School of Economics and Political Science (University of London), 2015. http://etheses.lse.ac.uk/3223/.

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This thesis investigates struggles for meanings and social understandings of Europe taking place through cultural institutions, festival sites, and art projects. I claim that culture is a social field where meanings of Europe are made. I argue that meanings of Europe that emerge in these cultural sites are not prior or given, but are a result of struggles between the actors involved. They These meanings are to different degrees particular and autonomous, depending on the proximity of a given cultural site to the political structures of the state and the EU. This research identifies that actors

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10

Van, Heerden Esther. "Liminality, transformation and communitas : Afrikaans identities as viewed through the lens of South African Arts Festivals: 1995 – 2006." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/1487.

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Thesis (DPhil (History))—University of Stellenbosch, 2009.<br>The study analyzes the reconfiguration of Afrikaans identities in post-apartheid South Africa as mediated by two prominent Afrikaans-orientated arts festivals, namely the Klein Karoo National Arts Festival and Aardklop. Fieldwork was conducted in the two host towns – Oudtshoorn and Potchefstroom. A variety of research methods such as archival research, participant observation, semi-structured interviews and informal conversations were employed. The arts festivals emerged during a time of perceived crisis for particularly Afrikaans

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11

Pinxit-Gregg, Quinty. "The transdisciplinary creative producer: The role and practice of a creative producer in festivals; emerging and ever-evolving." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/207338/1/Quinty_Pinxit-Gregg_Thesis.pdf.

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This research project defines specific attributes and characteristics that reflect the creative role and professional practice of a Transdisciplinary Creative Producer in the context of festivals. Bridging the gap between contrasting disciplines such as art and business, highlighting an ‘in-between’, a Creative Producer encapsulates a multitude of disciplinary knowledge. By using transdisciplinary practices combined with servant-leadership the role is subject to leading large teams. The outcome of the research is derived through a practice-led methodology and uses three case-studies of three s

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12

West, Jerry. "Orthoplanar Spring Based Compliant Force/Torque Sensor for Robot Force Control." Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/6637.

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A compliant force/torque sensor for robot force control has been developed. This thesis presents methods of designing, testing, and implementing the sensor on a robotic system. The sensor uses an orthoplanar spring equipped with Hall-effect sensors to measure one component of force and two moment components. Its unique design allows for simple and cost effective manufacturing, high reliability, and compactness. The device may be used in applications where a robot must control contact forces with its environment, such as in surface cleaning tasks, manipulating doors, and removing threaded faste

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13

Le, Grange Rene. "Effective planning and organisation of a student theatre festival." Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-08112004-100939.

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14

McDermid, John Aaron, and John Aaron McDermid. "Reimagining the Art of Choral Programming: Innovations of Larry L. Fleming in his Annual Christmas Festivals with the National Lutheran Choir." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/621783.

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Larry L. Fleming is a prominent figure in American church music, widely known for his compositions and choral arrangements as well as his creative approach to concert programming as the conductor the National Lutheran Choir. No formal research has yet been done on Fleming, and I believe it is a fitting time for an examination of his contributions to choral music. In this study I will examine the unique choral programming techniques utilized by Larry Fleming in his annual Christmas Festival with the National Lutheran Choir. In particular, (1) his frequent use of short, fragmentary excerpts of l

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15

Rankin, Carin. "Development by design - an example in the South African craft industry the Due-South travel guide /." Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-10082008-094907.

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16

Hey, Jessica L. "A New Queer Trinity: A Semiotic, Genre Theory, and Auto-Ethnographic Examination of Reeling: The Chicago LGBTQ+ International Film Festival." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1493984077068621.

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17

Shepard, Nathan Lindstrom. "Everlasting ephemera: temporary festival structures and Bernini's Fountain of the four rivers." Thesis, University of Iowa, 2012. https://ir.uiowa.edu/etd/3535.

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An exploration of the various ephemeral sources of Bernini's Fountain of the Four Rivers. This thesis brings together other authors' observations of Baroque ephemera. Additional sources are proposed by the author to create a more complete discussion of the fountain and its relationship with Baroque ephemera.

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18

Duncan, Jo Fay. "Lines in the sand: North Stradbroke Island festivals 2011-2014: Chronicling a curatorial philosophy in response to ecology of change." Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/206037/1/Joanne_Duncan_Thesis.pdf.

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Themes of mining, development and human impact on the environment involve issues facing much of the planet. This intensely local research study is a creative response to political, cultural, and environmental change in the Quandamooka. It outlines a template for curating ecological art which provides a detailed explanation of the nine principles that helped shape a series of island festival events and exhibitions, and in turn relationships, that connect the writer to the people, place and ecology of the Quandamooka. The outcomes speak to a much greater narrative about the restoration and rejuv

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19

Kitshoff, Herman van Zijl. "Die opkoms, dinamika en betekenis van die Klein Karoo Nasionale Kunstefees: 1995-2005." Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/1109.

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Thesis (DPhil (History))—University of Stellenbosch, 2005.<br>Funding for the Afrikaans arts before 1994 was greatly controlled by the National Party government through the four former provincial arts councils. With the political change in South Africa after 1994, the dismantling of the provincial arts councils and the perceived uncertainty of the future of Afrikaans in a post-apartheid South Africa, Afrikaans cultural festivals were conceived to serve as a refuge for the Afrikaans language. The first of these was the Klein Karoo Nasionale Kunstefees (KKNK), piloted in April 1995 in Oudtshoorn

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20

Waxstein, Christine Michele. "Digital Illustration: The Costume Designer’s Process For East Tennessee State University’s Spring Dance Concert 2012." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etd/1504.

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This paper's objective is to document the research and developmental processes of creating East Tennessee State University's Spring Dance Concert 2012 costume designs and renderings. This thesis describes design creation from research stage to idea formulation to the conception of costumes using inspirational images, illustrations, and performance photos and videos. The show was a challenging undertaking because it involved the collaboration of many in a compressed timeframe: 1 artistic director, 9 choreographers, 20 dances, 46 performers, 10 lighting designers, 1 costume designer, and 3 weeks

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21

Hoogen, Marilyn Meyer. "Igor Stravinsky, Nikolai Roerich, and the healing power of paganism : The rite of spring as ecstatic ritual of renewal for the twentieth century /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/7157.

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22

Benedetti, Cristina A. "Case Studies in Volunteer Management: Approaches from Three Ohio Arts Organizations." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1386000586.

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23

Lewis, Tiffany Emma. "Exercises in Soft Power and Cultural Diplomacy: The Cultural Programming of the Los Angeles and London Olympic Games." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1430946430.

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24

Hammond, Katherine E. "Historiography, the Global Contemporary, and Street Arts of the Egyptian Revolution." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1534170611388269.

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25

Meekison, Lisa. "Playing the games : indigenous performance in Australia's Festival of the Dreaming." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670221.

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26

Snowball, Jen. "Towards more accurate measurement of the value of the arts to society: economic impact and willingness to pay studies at the Standard Bank National Arts Festival." Thesis, Rhodes University, 2001. http://hdl.handle.net/10962/d1002672.

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The accurate measurement of the value of the arts to society is becoming increasingly important in developing countries, like South Africa, where the arts must compete with housing, health, education and the like for public funds. Motivation for the public funding of arts events, like the Standard Bank National Arts Festival in Grahamstown, is usually based on the economic impact, that is, the financial benefits to the region, of such events. The argument is problematic, however, because the primary recipients of such economic benefits are often middle to upper income groups who also attend mo

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27

Santos, Mislene Vieira dos. "Da ditadura à democracia : o Festival de Arte de São Cristóvão (FASC) e a política cultural sergipana (1972-1995)." Universidade Federal de Sergipe, 2014. https://ri.ufs.br/handle/riufs/5649.

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This research investigated the Festival de Arte de São Cristóvão (FASC), sponsored by the Federal University Sergipe (UFS), between 1972 and 1995, which became the most important project of cultural extension of the University of that period, with estimated annual achievement and MEC FUNARTE and financial resources. From then examined the relationships of the Brazilian state with the promotion of culture, especially during the period of the military regime (1964-1985). We sought to further the study of the organization, implementation and impact of the Festival, identify the role of the milita

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28

Savieto, Mônica Carolina. "Catolicismos crioulizados: presença centro africana na região do Vale do Paraíba (SP)." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/12666.

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Made available in DSpace on 2016-04-27T19:30:17Z (GMT). No. of bitstreams: 1 Monica Carolina Savieto.pdf: 3586222 bytes, checksum: b46c0555319daf44f42dc2baaeba262f (MD5) Previous issue date: 2011-05-20<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Catholicism, in the region of the Vale do Paraíba, throughout the century XIX, got by profound changes. This originality, resulting from the african presence, is remarkable in religious feast of the region even today. This research approach this originality through statuary catholic saints called nó de pinho. The central afric

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29

Soares, Laís Góis. ""Turismo de galpão" : uma etnografia sobre o acolhimento do fenômeno do turismo, nos festejos/festivais tradicionalistas, em Porto Alegre e Santa Cruz do Sul, no Rio Grande do Sul." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/103883.

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O presente trabalho busca compreender as múltiplas percepções dos atores sociais em face à implementação da prática turística em três dos principais eventos tradicionalistas: O Acampamento Farroupilha, o Desfile Temático e o Encontro de Artes e Tradição Gaúcha (ENART). O trabalho analisa o Encontro de Artes e Tradição na cidade de Santa Cruz do Sul, no estado do Rio Grande do Sul, buscando expor os processos de atualização sob os quais o mesmo vem se submetendo, bem como, seu diálogo com o fenômeno do turismo. Destaco o caráter polissêmico do turismo, ou seja, procuro correlacioná-lo às tendên

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BARBIERI, FRANCESCA. "Spettacolarità e scenografia a Milano tra età teresiana e giuseppina." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1350.

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Nella seconda metà del Settecento Milano diventò un centro di riferimento per la scenografia a livello internazionale. La tesi studia l’evoluzione della spettacolarità e della scenografia in un periodo cruciale per la città (1765-1792) prendendo in esame non solo il teatro, ma anche gli aspetti connessi agli eventi festivi legati al potere. La ricerca è basata primariamente sulle fonti iconografiche, soprattutto disegni e incisioni, reperite negli archivi milanesi e nazionali; l’analisi di libretti, relazioni, periodici e altra documentazione ha inoltre offerto altri elementi utili alla deline

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BARBIERI, FRANCESCA. "Spettacolarità e scenografia a Milano tra età teresiana e giuseppina." Doctoral thesis, Università Cattolica del Sacro Cuore, 2012. http://hdl.handle.net/10280/1350.

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Nella seconda metà del Settecento Milano diventò un centro di riferimento per la scenografia a livello internazionale. La tesi studia l’evoluzione della spettacolarità e della scenografia in un periodo cruciale per la città (1765-1792) prendendo in esame non solo il teatro, ma anche gli aspetti connessi agli eventi festivi legati al potere. La ricerca è basata primariamente sulle fonti iconografiche, soprattutto disegni e incisioni, reperite negli archivi milanesi e nazionali; l’analisi di libretti, relazioni, periodici e altra documentazione ha inoltre offerto altri elementi utili alla deline

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32

Middlebrooks, Justin M. Mr. "The Intersection Between Politics, Culture, and Spirituality: An Interdisciplinary Investigation of Performance Art Activism and Contemporary Societal Problems." Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1333397676.

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33

Block, Katherine M. "Veils: Truth in Translation." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2540.

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This supporting document for the thesis exhibition entitled “Veils: Truth in Translation” will discuss Block’s exploration of painting during her time at East Tennessee State University. The supporting document also provides the historical background and influences which have contributed to Block's overall process and techniques. These influences include the Abstract Expressionists, Carl Jung, Ferdinand de Saussure, John Dewey, Theodor Adorno, Joan Mitchell and Gerhard Richter. In the supporting document Block probes the idea that non-objective painting is more than a language confined by ling

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34

Castro, Jennifer de. "Le Festival de Cannes et la promotion du cinéma (1946-1972) : le 7ème art, un objet culturel protéiforme au service du prestige national." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA015.

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Cette thèse propose une approche historique et culturelle du Festival de Cannes, en mettant l'accent sur son rôle, contrasté, dans la promotion du cinéma en France de 1946 à 1972. Quelle(s) image(s) ses organisateurs entendent-ils donner du cinéma et quelle image contribue à en construire la publicisation de la manifestation dans les différents médias de l'époque (télévision, actualités cinématographiques et presse spécialisée) ? Il s'agit donc de savoir comment été perçu le cinéma après la Seconde Guerre mondiale par l'intermédiaire du Festival de Cannes, d'évaluer comment le Festival a cherc

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La, Follette Tavia. "Sites of Passage: Art as Action in Egypt and the US-- Creating an Autoethnography Through Performance Writing, Revolution, and Social Practice." Antioch University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1365450771.

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36

Platevoet, Marion. "Médée en échos dans les arts : La réception d’une figure antique, entre tragique et merveilleux, en France et en Italie (1430-1715)." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040166.

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Le mythe de Médée, reçu par la première modernité comme un paradigme complet depuis la Conquête de la Toison d’or jusqu’à son retour sur le trône de Colchide, compose un prisme à multiples facettes : « Médée-tueenfant » (La Péruse), le personnage légué par la tragédie attique et devenu archétype d’une violence contrenature, y croise Médée magicienne, qui bouleverse le lignage et la ligne du temps, mais aussi la princesse orientale éprise d’un héros civilisateur. Pétrie par la culture chrétienne et admise au répertoire des arts officiels, cette figure ambivalente se rend perméable aux recherche

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37

Arezki, Djelloul. "La mobilisation collective des ressources humaines : un levier de pérennisation organisationnelle : une approche contingente dans quatre organisations festivalières." Electronic Thesis or Diss., Aix-Marseille, 2019. http://www.theses.fr/2019AIXM0480.

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Les festivals, organisations à la frontière entre la filière d’activités événementielles et la filière des arts, de la culture et de la création, sont dans un environnement instable, turbulent et en constante métamorphose. En effet, les managers se doivent de jongler entre de multiples contingences économiques, technologiques, politiques ou encore sociétales (Soldo, 2018). Si la France compte plus de 3000 festivals, il n’en reste pas moins vrai qu’un nombre important d’organisations culturelles et en particulier de structures événementielles, ferment temporairement ou définitivement comme l’il

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Karakostaki, Charitini. "Les fêtes nouvelles. Enquête sur les idéaux de la société ouverte et leur mise en scène : Paris 1981-2014." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH030.

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La présente thèse porte sur la mise en place des nouvelles manifestations festives en France, et plus particulièrement à Paris, depuis les années 80. Ces fêtes marquent un déplacement par rapport aux fêtes « traditionnelles » qui étaient en grande partie organisées autour des concepts de sacré et de nation. Nourri par une observation ethnographique de plusieurs années, ce travail met en évidence une multiplicité de facettes des fêtes nouvelles: les processus de conceptualisation et de création par les autorités publiques ; leur gestion et mise en œuvre par des managers culturels ou par des ass

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Hosseinioun, Mishana. "The globalisation of universal human rights and the Middle East." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:8f6bdf79-2512-4f32-840a-3565a096ae8d.

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The goal of this study is to generate a more holistic picture of the diffusion and assimilation of universal human rights norms in diverse cultural and political settings such as the Middle East and North Africa (MENA). The overarching question to be investigated in this thesis is the relationship between the evolving international human rights regime and the emerging human rights normative and legal culture in the Middle East. This question will be investigated in detail with reference to regional human rights schemes such as the Arab Charter of Human Rights, as well as local human rights dev

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Noordhuis-Fairfax, Sarina. "Field | Guide: John Berger and the diagrammatic exploration of place." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154278.

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Positioned between writing and drawing, the diagram is proposed by John Berger as an alternative strategy for articulating encounters with landscape. A diagrammatic approach offers a schematic vocabulary that can compress time and offer a spatial reading of information. Situated within the contemporary field of direct data visualisation, my practice-led research interprets Berger’s ‘Field’ essay as a guide to producing four field | studies within a suburban park in Canberra. My seasonal investigations demonstrate how applying the conventions of the pictorial list, dot-distribution map, routing

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"Televised festivity: reception of the Spring Festival Gala as a media event in rural China." 2004. http://library.cuhk.edu.hk/record=b5891855.

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Hong Jiachun.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2004.<br>Includes bibliographical references (leaves 102-108).<br>Abstracts in English and Chinese.<br>Chapter Chapter 1 --- Introduction --- p.1<br>Chapter 1.1 --- The Spring Festival --- p.1<br>Chapter 1.2 --- The Spring Festival Gala --- p.2<br>Chapter 1.3 --- The Spring Festival Gala as a media event --- p.3<br>Chapter 1.4 --- Approaches to media events --- p.5<br>Chapter 1.5 --- The approach in present study --- p.7<br>Chapter Chapter 2 --- Literature Review --- p.11<br>Chapter 2.1 --- Studies on media events ---

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42

Huang, CHIH-LIN, and 黃芷琳. "Art of calligraphy applied to the Taiwan festivals by creation." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/3bk466.

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碩士<br>國立臺中科技大學<br>商業設計系碩士班<br>105<br>In recent years, the advancement of technology has brought changes to the field of art. As a symbol of Chinese culture, calligraphy has gone beyond tradition, adding variety to the art form. This also facilitates the development of the tourism industry, turning Taiwan into an international place, which attracts lots of tourists and new immigrants. With the introduction of western festivals, Taiwanese festivals have become less popular among the new generation of locals. Meanwhile, thanks to the promotion by the Tourism Bureau, we can see foreigners joining

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CHENG, YU-FEN, and 鄭玉芬. "A Study on the Festivals and Tourist Willingness of the Sihchongsi Hot Spring in Pingtung County." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/61083221597016200161.

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碩士<br>國立高雄應用科技大學<br>文化創意產業系<br>105<br>As the changing of national consumption patterns, along with the increasing demands of leisure and recreation, and the transforming structure of industrial activities, “festival and industrial tourism” is gradually reaching its center of attention. In the light of this, the Tourism Bureau, Ministry of Transportation and Communication has launched a series of hot spring season festivals since 2007 all over the island, in the hope of combining hot spring events with different domestic cultures to further promote local tourisms. The hundred-year-old Sihchon

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Hongbin, Sun. "Operation mode and commodity attributes of art festivals: the case of Tianfu Ancient Town Art Festival." Doctoral thesis, 2020. http://hdl.handle.net/10071/22612.

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Os governos necessitam de avaliar a forma como os recursos culturais locais podem ser valorizados no sentido de assegurar resultados económicos. Na China, existem mais de 1000 cidades antigas com uma história de cinco milénios. Estas cidades possuem recursos culturais e turísticos abundantes à espera de serem rentabilizados. Embora seja amplamente aceite que a realização de festivais de arte é uma estratégia possível para o desenvolvimento e valorização dos recursos culturais, persiste o problema de que a maioria destes festivais são muito semelhantes entre si.O presente estudo pro

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CHEN, YU-HAN, and 陳語涵. "The Influence of Globalization Festivals on Folk Art Circles：Jia-Jiang be an example." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/y9fts8.

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Huang, John-Li, and 黃中立. "A Study on the Traditional Festivals of Temples by Cultural Marketing- Take the "Orthodox Deer Door of the Virgin Mary Flower Spring Festival Spring Festival" as an example." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/ffpj3f.

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碩士<br>東方設計學院<br>文化創意設計研究所<br>105<br>The various countries recent years vigorously developed the union history, the religion and the festival celebrates the active subject type sightseeing, promoted this home to need the economy (to welcome to the world - Taiwan religion culture creativity fertile soil plan - Ministry of Interior, 102:3), however Taiwan temple marketing way evolution and development, whether conformed to populace's demand and the anticipation, was for this research key, the entity paper interrogated the volume idea to provide 168, on-line form questionnaire 34, amounted to 202.

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Wu, Pei-Ying, and 巫佩穎. "A Study of Paper Art Construction Creation: Auspicious Patterns Applied on Traditional Chinese Festivals." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/20136871804599694767.

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碩士<br>銘傳大學<br>商業設計學系碩士班<br>100<br>As grown up in the native Chinese culture, traditional art elements are applied all around in our daily life, for example, the carving and painting of beams and columns, the traditional patterns on tableware or even toys for kids. Furthermore, the Oriental culture gradually has effect on trends of Western country in recent years, therefore, we should value more of our traditional culture and arts. Paper art, Chinese auspicious patterns, and traditional festivals are regarded as important carriers of Chinese traditional culture. Firstly, the study will analyze

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CHIEN, YU-LIN, and 錢又琳. "An Exploratory Study of Local Art Festivals Development and Cultural Experience Strategy in Taiwan." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/np6j4x.

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碩士<br>國立臺灣藝術大學<br>藝術管理與文化政策研究所<br>106<br>This study uses qualitative research methods, its qualitative research strategy, based on the current development of Taiwan local art festivals, and uses semi-structured interviews and multiple case studies. Select a number of local art festivals in China, such as the Tua-Tiu-Tiann International Festival of Arts, the Taoyuan Art Festival, and the Lukang Arts Festival. As the main reference case, it also examine other small-scale art festivals, integrate multiple actual cases related to this research, and examine the process of implementing and planning

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Yang, Chun-Yao, and 楊竣耀. "Leisure impedes the influence of music festivals of Attractiveness and Willingness to Travel-Kenting Spring Music Festival as an Example." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/24534863613824676769.

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碩士<br>中國文化大學<br>觀光事業學系<br>102<br>ABSTRACT As the increasing demands in tourism, local governments play an important role in tourism marketing. Hosting festivals, for example, is currently one of the most common marketing strategies which local governments can adopt and is able to improve popularity and to set market orientation. This research mainly studies the Kenting Music Festival, which is the most magnificent musical carnival in Taiwan. The following issues had been investigated: how brilliant the festival is and the reasons why or why not people attend this festival? Convenience samplin

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Welthagen, Lisa Charmaine. "A service quality gap analysis of Innibos National Arts Festival." 2013. http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1001128.

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M. Tech. Tourism and Hospitality Management<br>Events, specifically festivals, have experienced significant growth in South Africa over the past ten years in size, numbers, diversity and popularity. There is a growing need in the broader social circles to embrace various forms of art and to create the opportunity to celebrate culture. For this reason Arts festivals have become a feature in the South African cultural landscape. The long term success and sustainability of these events rely on aggressive marketing and emphasis on service quality, thereby highlighting sustainability of festivals a

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