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Journal articles on the topic 'Springsteen'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Dieser, Rodney. "Springsteen as Developmental Therapist: An Autoethnography." Biannual Online-Journal of Springsteen Studies 1, no. 1 (2014): 96–120. http://dx.doi.org/10.26443/boss.v1i1.18.

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Based on differing theories of moral development proposed by Lawrence Kohlberg, Martin Hoffman, and John Gibbs, this paper posits that listening to Bruce Springsteen’s music can increase moral growth. Scores of Springsteen songs parallel psychological techniques used to increase moral development, such as being exposed to two or more beliefs that are contradictory, social perspective-taking by listening to moral dilemmas, gaining empathy with the distress that another person experiences, hypothetical contemplation, and meta-ethical reflection. Through qualitative-based autoethnographical story

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2

Conniff, Brian. "Everyday People: Elvis Presley, Bruce Springsteen, and the Gospel Tradition." Biannual Online-Journal of Springsteen Studies 4 (February 26, 2021): 9–49. http://dx.doi.org/10.26443/boss.v4i1.53.

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Bruce Springsteen has often referred to Elvis Presley as the primary inspiration in his own vocational journey. This essay considers Elvis’ complex significance over the long course of Springsteen’s career. Elvis has been Springsteen’s most important point of entry into older populist traditions, including the blues, country, and gospel. He has also been, in his later isolation and self-destruction, Springsteen’s main cautionary tale. More recently, Springsteen has seen Elvis as the originator of a version of Rock and Roll that draws directly from gospel—particularly from the interactions betw

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3

Wolff, William. "Springsteen, Tradition, and the Purpose of the Artist." Biannual Online-Journal of Springsteen Studies 1, no. 1 (2014): 36–73. http://dx.doi.org/10.26443/boss.v1i1.16.

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In 2012, Bruce Springsteen delivered the keynote address at the South By Southwest Music Conference and Festival. His task was daunting: reconnect authenticity to a traditional approach to creating art. By bringing together ideas on authenticity, creativity, and culture, Springsteen’s talk joins a lineage of essays that defend poetry, creativity, and culture, including famous works by William Wordsworth and T.S. Eliot. In this article, I connect Springsteen’s ideas to the “folk process,” which leads to considering Wordsworth’s ideas on the voice of the common citizen and Eliot’s ideas on histo

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4

LIFSHEY, ADAM. "The Borderlands Poetics of Bruce Springsteen." Journal of the Society for American Music 3, no. 2 (2009): 221–41. http://dx.doi.org/10.1017/s1752196309090142.

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How does the music of Bruce Springsteen interrogate prevailing constructs of the U.S.-Mexico border region? In his folk masterpiece The Ghost of Tom Joad (1995) and other works that feature Spanish-speaking protagonists, Springsteen implicitly reconceptualizes the Americas as an unbordered and fluid space. His performances enact Mexico and the United States as transamerican ideations rather than discrete nations. Although the booming academic field of border studies reframes static images of both Latin America and the United States in favor of malleable transnational paradigms, it still tends

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5

McGinnis, Lee Phillip, and Brian C. Glibkowski. "Keeping it real with Bruce Springsteen." Qualitative Market Research: An International Journal 22, no. 3 (2019): 414–34. http://dx.doi.org/10.1108/qmr-01-2017-0028.

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Purpose Unlike artists using sartorial flair and flamboyant identities to shock and engage audiences, Bruce Springsteen is relatable, stable, consistent and authentic. Based on qualitative interviews of Springsteen fans of various levels, it is suggested that brands can sustain success through such tactics as existential authenticity, transparency and charity. His fans co-opt his music and co-create their own stories, which are enabled through Springsteen's use of universal themes and vivid details. In terms of a branding paradigm, he adapts to the post-postmodern era, where brands allow indiv

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6

Carpenter, Alexander, and Ian Skinner. "Signifying (and Psychoanalyzing) National Identity in Rock: Bruce Springsteen and The Tragically Hip." Biannual Online-Journal of Springsteen Studies 4 (February 26, 2021): 50–87. http://dx.doi.org/10.26443/boss.v4i1.54.

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This article addresses the broader issues of national identity in popular music, while focusing on Bruce Springsteen as an icon of "American- ness." Springsteen's ideas about American identity—and especially how identity is tied to place, and to abstract notions like the American Dream—are addressed through an analysis of the song "Born to Run.” This analysis examines how the elusiveness of American identity and the American Dream are embedded in the musical features of the song itself, including aspirational melodic structures and successions of non- resolving chords that signify a sort of ne

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7

Elliott, Richard. "BRILLIANT DISGUISES: PERSONA, AUTOBIOGRAPHY AND THE MAGIC OF RETROSPECTION IN BRUCE SPRINGSTEEN’S LATE CAREER." Persona Studies 5, no. 1 (2019): 17–32. http://dx.doi.org/10.21153/psj2019vol5no1art848.

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Popular musicians with long careers provide rich source material for the study of persona, authenticity, endurance and the maintenance (and reinvention) of significant bodies of work. Successful artists’ songs create a soundtrack not only to their own lives, but also to those of their audiences, and to the times in which they were created and to which they bore witness. The work of singers who continue to perform after several decades can be heard in terms of their ‘late voice’ (Elliott 2015), a concept that has potentially useful insights for the study of musical persona. This article exploit

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8

Patrick West, Brad Warren and. "Whose Hometown? Reception of Bruce Springsteen as an Index of Australian National Identities." Biannual Online-Journal of Springsteen Studies 1, no. 1 (2014): 74–95. http://dx.doi.org/10.26443/boss.v1i1.17.

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Focusing on the cultural landscape of the mid-1980s, this paper explores the Australian experience of Bruce Springsteen. Australian author Peter Carey’s short story collection, The Fat Man in History, anticipates two phases of Australia’s relationship to the United States, phases expressed by responses to Springsteen’s Born in the U.S.A. (1984) and the 1986 blockbuster Crocodile Dundee. Springsteen’s album was received by an Australian audience who wanted to be like Americans; Crocodile Dundee, on the other hand, provided a representation of what Australians thought Americans wanted Australian

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9

Authors, Various. "Reviews." Biannual Online-Journal of Springsteen Studies 1, no. 1 (2014): 121–28. http://dx.doi.org/10.26443/boss.v1i1.19.

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10

Dowrick, Christopher. "Beethoven, Springsteen and the Music of Despair." Annals of Psychiatry and Mental Health 11, no. 2 (2023): 1–7. http://dx.doi.org/10.47739/2374-0124.psychiatry.1184.

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Using Ludwig van Beethoven and Bruce Springsteen as case studies, I argue that through a process of catharsis music can simultaneously express and transform severe psychosocial disability. Both musicians experienced an existential crisis around the age of 32, when already launched on successful musical careers. As well as providing written testaments to their distress, both expressed it in their contemporary musical compositions: La Malinconia and The Tempest; Born to Run, Darkness on the Edge of Town and Dancing in the Dark. Both were experiencing fundamental problems of identity: Beethoven’s

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11

Fea, John. "Springsteen: His Hometown." New Jersey Studies: An Interdisciplinary Journal 6, no. 2 (2020): 140–42. http://dx.doi.org/10.14713/njs.v6i2.219.

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12

Mahoney, Melissa H., Leah G. Mathews, and Audrey E. Thomas. "Springsteen-omics: contemplative pedagogy and Springsteen in undergraduate economics courses." Journal of Economic Education 53, no. 1 (2022): 52–68. http://dx.doi.org/10.1080/00220485.2021.2004274.

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13

Chattopadhyay, Shankhadeep. "Bruce Springsteen, Rock Poetry, and Spatial Politics of the Promised Land." Humanities 13, no. 3 (2024): 75. http://dx.doi.org/10.3390/h13030075.

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The humanistic-geographical associations of popular music foster the potential to articulate the production and reproduction of an activity-centered politicized ontology of space in the everyday social life of any creative communitarian framework where an alternative set of lifestyles, choices, and tastes engage in a constant play. A cursory glimpse at the (counter-)cultural artistic productions of the American 1970s shows that the lyrical construction of real and imaginary geographical locales has remained a distinguishing motif in the song-writing techniques of the celebrated rock poets. In

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14

Cullen, Jim. "Shades of Springsteen: Politics, Love, Sports, and Masculinity." New Jersey Studies: An Interdisciplinary Journal 8, no. 1 (2022): 359–61. http://dx.doi.org/10.14713/njs.v8i1.276.

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15

Ferrand, Laure. "Bruce Springsteen, sociologie d’un rocker." Articles 30, no. 2 (2011): 25–40. http://dx.doi.org/10.7202/1006376ar.

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Dans cet article, nous proposons d’étudier la place qu’occupe Bruce Springsteen dans la culture rock à la lumière d’une sociologie des amateurs et des représentations sociales. Professionnel du rock — en opposition à la figure du pionnier et du décadent — il incarne l’héritage et la poursuite du rock en étant messager et en perpétuant le mythe de l’origine sociale. Pour saisir la structuration de son imaginaire, les notions d’enracinement dynamique, d’authenticité, de présentéisme et de pacte fraternel serviront de fil conducteur à notre argumentation. Nous verrons que le rôle du rocker est no

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16

Gitz-Johansen, Thomas. "Bruce Springsteen as a Symbol." Jung Journal 12, no. 1 (2018): 29–41. http://dx.doi.org/10.1080/19342039.2018.1403254.

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17

Fischer, Paul D., and Bruce Springsteen. "The Ghost and Mr. Springsteen." Journal of American Folklore 110, no. 436 (1997): 208. http://dx.doi.org/10.2307/541815.

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18

Rozo Durán, Yina Paola, Laura Daniela Bernal Sandoval, Lina María Hernández Prieto, and Karol Stefany Correa Rojas. "¿Cómo podemos trabajar con la familia desde la profesión de enfermería?" Boletín Semillero de Investigación en Familia 1 (June 30, 2021): 7–10. http://dx.doi.org/10.22579/27448592.536.

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19

Journal, BOSS. "Reviews." Biannual Online-Journal of Springsteen Studies 4 (February 26, 2021): 129–33. http://dx.doi.org/10.26443/boss.v4i1.56.

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20

Womack, Kenneth. "Making the Scene in the Garden State: Popular Music in New Jersey from Edison to Springsteen and Beyond." New Jersey Studies: An Interdisciplinary Journal 7, no. 1 (2021): 404–6. http://dx.doi.org/10.14713/njs.v7i1.237.

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21

Cashman, David. "Bruce Springsteen, Cultural Studies, and the Runaway American Dream." IASPM Journal 3, no. 2 (2013): 115–17. http://dx.doi.org/10.5429/627.

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22

Hahn, Larry, Patrick Humphries, and Chris Hunt. "Bruce Springsteen: Blinded by the Light." Notes 43, no. 4 (1987): 794. http://dx.doi.org/10.2307/898167.

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23

Fanshel, Rosalie Zdzienicka. "Beyond blood brothers: queer Bruce Springsteen." Popular Music 32, no. 3 (2013): 359–83. http://dx.doi.org/10.1017/s0261143013000275.

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AbstractBruce Springsteen's body of work contains a striking number of songs with homoerotic or queerly suggestive content. Moreover, his live performances often push the limits of the homosocial, ‘queering’ onstage relationships through everything from lingering kisses with the late saxophonist Clarence Clemons to intimate microphone sharing with guitarist and real-life best friend Stevie Van Zandt. In this paper I trace Bruce Springsteen's consistent performative engagement with queer desire over the course of his 40-year career through a close reading of both lyrics and performance (includi

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24

Greeley, Andrew M. "The Catholic Imagination of Bruce Springsteen." Black Sacred Music 6, no. 1 (1992): 232–43. http://dx.doi.org/10.1215/10439455-6.1.232.

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25

Broekmans, Trix. "Evert Fokkema: ‘Springsteen mag gerust langskomen’." Skipr 5, no. 10 (2012): 58. http://dx.doi.org/10.1007/s12654-012-0209-6.

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26

Journal, BOSS. "Special Collections." Biannual Online-Journal of Springsteen Studies 1, no. 1 (2014): 129–32. http://dx.doi.org/10.26443/boss.v1i1.20.

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27

Edelman, Hope. "Bruce Springsteen and the Story of Us." Iowa Review 25, no. 3 (1995): 137–53. http://dx.doi.org/10.17077/0021-065x.4452.

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28

Gans, John A. "Did Bruce Springsteen Win the Cold War?" Survival 55, no. 6 (2013): 169–78. http://dx.doi.org/10.1080/00396338.2013.862952.

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29

Kissling, Mark T. "Backtalk." Phi Delta Kappan 100, no. 2 (2018): 72. http://dx.doi.org/10.1177/0031721718803579.

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Former social studies teacher and teacher educator Mark Kissling describes how he has used the Bruce Springsteen song “Born in the U.S.A.” to guide students to think more deeply about the meaning of patriotism and the various ways to understand a single text.

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30

Hamburger, Joseph V. "Standing at Dysfunction Junction: Bruce Springsteen as ACOA." Interdisciplinary Literary Studies 9, no. 1 (2007): 119–38. http://dx.doi.org/10.2307/41209981.

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31

Mackey‐Kallis, Susan, and Ian McDermott. "Bruce springsteen, ronald reagan and the american dream." Popular Music and Society 16, no. 4 (1992): 1–9. http://dx.doi.org/10.1080/03007769208591493.

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32

Smith, Martha Nell. "Sexual Mobilities in Bruce Springsteen: Performance as Commentary." South Atlantic Quarterly 90, no. 4 (1991): 833–54. http://dx.doi.org/10.1215/00382876-90-4-833.

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33

Cashman, David. "Bruce Springsteen, Cultural Studies, and the Runaway American Dream." IASPM@Journal 3, no. 2 (2013): 115–17. http://dx.doi.org/10.5429/2079-3871(2013)v3i2.11en.

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34

McParland, Robert P. "The Geography of Bruce Springsteen: Poetics and American Dreamscapes." Interdisciplinary Literary Studies 9, no. 1 (2007): 19–26. http://dx.doi.org/10.2307/41209973.

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35

Kloosterman, Robert C. "'My Hometown': Bruce Springsteen, chroniqueur van de Amerikaanse stad." AGORA Magazine 35, no. 1 (2019): 16–19. http://dx.doi.org/10.21825/agora.v35i1.15652.

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36

McParland, Robert. "Bruce Springsteen, Cultural Studies, and the Runaway American Dream." Popular Music and Society 36, no. 4 (2013): 542–44. http://dx.doi.org/10.1080/03007766.2012.741822.

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37

Meyer, David B. "Commentary: My best was never good enough, Bruce Springsteen." Journal of Thoracic and Cardiovascular Surgery 157, no. 4 (2019): 1590. http://dx.doi.org/10.1016/j.jtcvs.2018.12.024.

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38

Berger, Harris M., and Daniel Cavicchi. "Tramps like Us: Music and Meaning among Springsteen Fans." Ethnomusicology 45, no. 2 (2001): 357. http://dx.doi.org/10.2307/852681.

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39

Sandlin, Betsy A. "Queering the Badlands and the Darkness: Rane Arroyo’s Springsteen Poems." Popular Music and Society 39, no. 2 (2015): 175–85. http://dx.doi.org/10.1080/03007766.2015.1036633.

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40

Branscomb, H. Eric. "Literacy and a Popular Medium: The Lyrics of Bruce Springsteen." Journal of Popular Culture 27, no. 1 (1993): 29–42. http://dx.doi.org/10.1111/j.0022-3840.1993.26321452549.x.

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41

Blake, Casey, and Jim Cullen. "Born in the U.S.A.: Bruce Springsteen and the American Tradition." Journal of American History 84, no. 4 (1998): 1596. http://dx.doi.org/10.2307/2568240.

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42

Albert, Joe, and Larry C. Spears. "The Promised Land: Robert Greenleaf, Bruce Springsteen, and Servant-Leadership." International Journal of Servant-Leadership 8, no. 1 (2013): 453–73. http://dx.doi.org/10.33972/ijsl.154.

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43

Papke, David Ray. "Crime, Lawbreaking, and Counterhegemonic Humanism in the Songs of Bruce Springsteen." Interdisciplinary Literary Studies 9, no. 1 (2007): 95–104. http://dx.doi.org/10.2307/41209979.

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44

Harde, Roxanne. "“Living in your American skin”: Bruce Springsteen and the Possibility of Politics." Canadian Review of American Studies 43, no. 1 (2013): 125–44. http://dx.doi.org/10.3138/cras.2013.006.

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45

Garman, Bryan. "The ghost of history Bruce Springsteen, Woody Guthrie, and the hurt song." Popular Music and Society 20, no. 2 (1996): 69–120. http://dx.doi.org/10.1080/03007769608591623.

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46

Stow, Simon. "American Skin: Bruce Springsteen, Danielle Allen, and the Politics of Interracial Friendship." American Political Thought 6, no. 2 (2017): 294–316. http://dx.doi.org/10.1086/691174.

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47

John Clark. "Bruce Springsteen Road Trip, 40 Years Of The Boss (review)." Notes 66, no. 3 (2010): 653–54. http://dx.doi.org/10.1353/not.0.0269.

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48

Fortunato, John A. "Dancing in the Dark: Ticketmaster's response to its Bruce Springsteen ticket crisis." Public Relations Review 37, no. 1 (2011): 77–79. http://dx.doi.org/10.1016/j.pubrev.2010.09.006.

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49

Kloosterman, Robert C. "The Wayfarer: Visions of the urban in the songs of Bruce Springsteen." City, Culture and Society 21 (June 2020): 100340. http://dx.doi.org/10.1016/j.ccs.2020.100340.

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50

Baxter-Moore, Nick. "“The Ties That Bind”: Springsteen Fans Reflect on the Live Concert Experience." Rock Music Studies 3, no. 1 (2016): 80–104. http://dx.doi.org/10.1080/19401159.2015.1129831.

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