Academic literature on the topic 'St. Alban's Church, Copenhagen'

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Journal articles on the topic "St. Alban's Church, Copenhagen"

1

Olsen, Jesper, Hanna Dahlström, and Bjørn Poulsen. "The Chronology of Medieval Copenhagen." Radiocarbon 61, no. 6 (December 2019): 1675–83. http://dx.doi.org/10.1017/rdc.2019.112.

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ABSTRACTHistorical sources reveals that Copenhagen was founded in the late 12th century AD by Bishop Absalon. However, during the excavation for the new metro in central Copenhagen a previously unknown early medieval cemetery was discovered and excavated at the Town Hall Square. Radiocarbon (14C) analysis was conducted on the 9 individuals found in situ, together with 11 individuals from the other early medieval cemetery in Copenhagen, belonging to the St Clemens church. The radiocarbon analysis places the onset of the cemeteries to the early 11th century AD and therefore questions the age of Copenhagen and hence the archaeological and historical perception of the Danish historical record. Here a detailed account of the radiocarbon-based Bayesian model is presented.
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Quilty, Patrick G., and Gillian Winter. "Robert Falcon Scott: a Tasmanian connection." Polar Record 48, no. 2 (July 12, 2011): 192–94. http://dx.doi.org/10.1017/s0032247411000283.

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ABSTRACTThe Edge Anglican church (originally St Alban's) in the northern Hobart suburb of Claremont has above its main altar a triptych stained glass window, a memorial to Robert Falcon Scott R.N. New information suggests that the designer/manufacturer was Auguste Fischer of Melbourne, a close associate of the church's architect, Alan Cameron Walker of Hobart. The window was promised by Mrs Edith Knight at the laying of the foundation stone of the church in July 1913, five months after Scott's death became known to the world. Lady Ellison-Macartney attended the ceremony. She was Scott's sister and wife of the recently appointed governor of Tasmania, Sir William Ellison-Macartney. Other members of Scott's family were also living in Hobart at the time. The Ellison-Macartneys and their daughter Esther attended the dedication of the window on 17 October 1915. Admiral E.R.G.R. Evans, second in command of Scott's expedition, spoke to The Royal Society of Tasmania on 29 March 1930, on the topic of Scott's last Antarctic venture.
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3

Zherdyev, Vitaliy V. "Images of St. Alexander Nevsky painted by I. N. Kramskoy for the Orthodox church in Copenhagen." Vestnik of Saint Petersburg University. Arts 7, no. 3 (2017): 331–41. http://dx.doi.org/10.21638/11701/spbu15.2017.304.

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Hill, Michael, and Peter Kohane. "Porticoes and churches: episodes in thematic decorum." Architectural Research Quarterly 15, no. 2 (June 2011): 149–63. http://dx.doi.org/10.1017/s1359135511000571.

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A classical church portico – say, St Paul's in London – implies a rite of passage and mediation between the city and the interior rituals of the institution; it beckons the street, while offering shelter to those who want to observe the crowd. In contrast, the spectacular interiors of Modernist churches are often entered without theatre – the plain outer door [1], for example, of Jørn Utzon's Bagsværd Church (Copenhagen, 1973), provides little hint of the magical cloud-like movement of vaulted space within. This is not simply a matter of the changing formal language of architecture (namely, interior space taking priority over exterior shell), but also how the church might be defined in wider civic and historical contexts. Here the Classical theory of decorum remains helpful, for Vitruvius proposed that identifying a building's theme (statione) – that is, the social and institutional destination of the building – was the first step in determining appropriate form, the prerequisite one before considering the related determinates of decor, namely stylistic coherence (consuetudine) and site (natura). The issue of thematic appropriateness is above all important for the front, which announces the building like a frontispiece does a text. Yet as the church portico demonstrates, a thematic motif was rarely the straightforward application of a code, for in the period when architectural decorum prevailed – loosely speaking the fifteenth to nineteenth century in Italy, France and England among other places – how a genre was defined and what constituted the repertoire of appropriate form were contested.
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Books on the topic "St. Alban's Church, Copenhagen"

1

Higgins, A. K. An index to the baptisms, marriages and burials registered by the chaplains to the British legation in Copenhagen, 1835-1899, comprising from 1887 the registers of St. Alban's Church, Copenhagen, with a list of ... inscriptions in St. Alban's Church. Copenhagen: (The Compiler), 1989.

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2

St. Alban's Cathedral (Toronto, Ont.). Statement regarding St. Alban's Cathedral, 1909. [Toronto?: s.n., 1997.

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3

Bedford-Jones, T. St. Alban's Parish, Ottawa: How St. Alban's Church and parish had their beginning under the first rector. Ottawa: Historical Society of Ottawa = Société historique d'Ottawa, 1995.

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4

Pyne, Smith. Sermon preached at the consecration of Saint Alban's church, D.C., May 24, 1855. Washington: G.S. Gideon, 1985.

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5

E, Williams Michael. St. Alban's College, Valladolid: Four centuries of English Catholic presence in Spain. London: C. Hurst, 1986.

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6

Bullington, Rachel McGill. The Alexis within the St. Alban's psalter: A look into the heart of the matter. Ann Arbor, MI: University Microfilms International, 1985.

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7

Blake, S. H. Letter to the Bishop of Algoma touching a sermon preached by him at St. Alban's on the 24th March, 1912 in the supposed interest of that church. [Toronto: s.n., 1995.

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8

The history of St. Alban's Church, Stella, Amherst Island, 1890-1990. [Stella, Ont: s.n., 1990.

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9

St. Alban's College, Valladolid: Four Centuries of English Catholic Presence in Spain. Palgrave Macmillan, 1986.

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10

1965-, Beyer Jürgen, Hansen Hans Munk, and Jensen Johannes, eds. Sankt Petri Kopenhagen, 1575-2000: 425 Jahre Geschichte deutsch-dänischer Begegnung in Biographien. Kopenhagen: C.A. Reitzel, 2000.

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