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Relevant bibliographies by topics / St. Barbara Greek Catholic Church (Vienna, Austria)

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Academic literature on the topic 'St. Barbara Greek Catholic Church (Vienna, Austria)'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "St. Barbara Greek Catholic Church (Vienna, Austria)"

1

Kostenko, Yurii. "Ukrainians in Austria." Diplomatic Ukraine, no. XIX (2018): 767–91. http://dx.doi.org/10.37837/2707-7683-2018-48.

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Many Austrian citizens of Ukrainian origin actively helped diplomats of the young Ukraine to take the first steps in the development of bilateral relations with the Republic of Austria. The social and cultural life of Austrians of Ukrainian origin in the late 20 and early 21 centuries was concentrated around the Greek Catholic Church of St. Barbara in Vienna. With the restoration of Ukraine’s independence, their leading associations, in particular the Austrian Union of Ukrainian Philatelists, were reformatted, and the Ukrainian-Austrian Association was created, which implemented many interesti

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2

PASITSKA, Oksana. "METROPOLITAN A. SHEPTYTSKYI, F.M. T. VOINAROVSKYI AND THE UKRAINIAN DIASPORA IN VIENNA: COOPERATION IN THE INTERESTS OF THE CHURCH AND THE PEOPLE." Contemporary era 10 (2022): 81–96. http://dx.doi.org/10.33402/nd.2022-10-81-96.

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Based on archival materials from Vienna and Lviv, periodicals, and achievements of historiography, the article analyzes the relations and cooperation of Metropolitan Andrei Sheptytskyi, Father-Mitrat Tyt Voinarovskyi with the Ukrainian diaspora in Vienna. To start with, the Greek-Catholic bishops' activities in Vienna in behalf of the Church and the people, are investigated. The role of Metropolitan Andrei Sheptytskyi and Father-Mitrat Tyt Voinarovskyi in representing and defending the interests of Ukrainians in the Viennese Parliament is shown, in particular, in reforming the electoral, agrar

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3

Peno, Vesna. "On the multipart singing in the religious practice of orthodox Greeks and Serbs: The theological-culturological discourse." Muzikologija, no. 17 (2014): 129–54. http://dx.doi.org/10.2298/muz1417129p.

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In 1844, Serbian patriarch Josif Rajacic served two central annual Liturgies, at the feasts of Pasha and Penticost, in the Greek church of Holy Trinity in Vienna; these were accompanied by the four-part choral music. The appearance of new music in several orthodox temples in Habsburg Monarchy (including this one) during the first half of the nineteenth century, became an additional problem in a long chain of troubles that had disturbed the ever imperiled relations between the local churches in Balkans, especially the Greek and Serbian Orthodox. The official epistle that was sent from the ecome

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4

Михайло, Приймич. "Творчість Михайла Манковича як відображення нових мистецьких устремлінь на Закарпатті початку ХІХ ст." ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 22–38. https://doi.org/10.5281/zenodo.1313074.

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Many questions in the research of the Transcarpathia pictorial art remain not taken up and one of them is the uprise of the artists with academic education. In this work we present known and new facts of the life and work of Mykhailo Mankovych (1785–1853) – one of the first Transcarpathian artists who graduated from Vienna Academy of Arts. Among the researches that have promoted the artist's name we can mention those of S. Pap, O. Izvorin and H. Ostrovskyi. They hsve touched upon the artist's work analyzing the development of art in the region. Among recent researches it is

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5

Demian, Nicoleta. "Despre medaliile familiei Weifert din Pančevo / The Medals of the Weifert Family from Pančevo." Analele Banatului XXII 2014, January 1, 2014. http://dx.doi.org/10.55201/itwt7693.

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The numismatic collection of the Banat Museum in Timişoara includes two rare bronze medals dedicated to members of the well known Weifert family from Pančevo (Serbia). One is a medal dedicated to Ignaz Weifert on his 64th anniversary by his son Georg Weifert, crafted by the Austrian engraver Anton Schar (1845 – 1903). The second one is dedicated to Georg Weifert on his 44th anniversary, created by the Austrian engraver Franz Xaver Pawlik (1865 – 1906). They were purchased in 1907 by the Banat Museum from Fejér József, antiquarian in Budapest, for the sum of 22 crowns. The medals were given inv

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