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Relevant bibliographies by topics / St. James's Palace. Chapel Royal

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Academic literature on the topic 'St. James's Palace. Chapel Royal'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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Journal articles on the topic "St. James's Palace. Chapel Royal"

1

String, Tatiana C. "A Neglected Henrician Decorative Ceiling." Antiquaries Journal 76 (March 1996): 139–51. http://dx.doi.org/10.1017/s0003581500047442.

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Surprisingly little attention has been paid by scholars of Henry VIII to the heraldic ceiling of the Chapel Royal in St James's Palace (fig. 1). Study of its decoration has fallen somewhere in between surveys of Tudor architecture and painting. In this article specific problems relating to the ceiling will be addressed: when it was made, the iconography, the reasons for the iconography, the visual source of the ceiling and how it was transmitted, and who made it. The ceiling warrants attention because its programme of Henrician heraldry is a key to the understanding of the political iconograph

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2

Astington, John H. "Staging at St James's Palace in the Seventeenth Century." Theatre Research International 11, no. 3 (1986): 199–213. http://dx.doi.org/10.1017/s0307883300012347.

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St James's Palace, which was perhaps planned by Henry VIII to be the court of the heir to the throne, came into far more regular use under the prolific Stuarts than it had enjoyed under the Tudors. Under James, the various members of the royal family were assigned particular palaces and royal residences for their own households, and St James's became the London court of the Prince of Wales.

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3

Gwynn, Robin. "III. THE FRENCH CHAPEL ROYAL IN THE PALACE OF ST JAMES, LONDON." Huguenot Society Journal 28, no. 2 (2004): 284–85. http://dx.doi.org/10.3828/huguenot.2004.28.02.284a.

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4

Hawkins, Alfred R. J. "The Peculiar Case of a Royal Peculiar: A Problem of Faculty at the Tower of London." Ecclesiastical Law Journal 24, no. 3 (2022): 345–63. http://dx.doi.org/10.1017/s0956618x22000345.

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Her Majesty's Royal Palace and Fortress the Tower of London, less formally known as the Tower of London or simply ‘the Tower’, was the seat of royal power in England for several centuries following its construction by William the Conqueror in 1078. While now a popular tourist attraction, it remains the home of the Crown Jewels, is a working barracks and maintains many ceremonial traditions of state. Two chapels are located within its walls. Foremost of these is the late eleventh-century chapel of St John the Evangelist (St John's), located within the White Tower, noted as a rare surviving exam

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5

Howe, Emily. "Divine Kingship and Dynastic Display: The Altar Wall Murals Of St Stephen's Chapel, Westminster." Antiquaries Journal 81 (September 2001): 259–303. http://dx.doi.org/10.1017/s0003581500072206.

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Destroyed by fire in 1834, St Stephen's Chapel at the Palace of Westminster was undoubtedly one of the most opulent and enduringly influential English building programmes of the late thirteenth and fourteenth centuries. Focusing on the programme of wall-painting which flanked its high altar, this paper seeks to clarify the royal chapel's importance not only in terms of its stylistic innovation, but as an arena for Edward Ill's kingly image-making. The study explores the ways in which the chapel space was used and the audiences for which its dynastically forward-looking images were intended. Sc

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6

Komisarenko, Serhii. "How We Started our Work in Not-So-Foggy Albion." Diplomatic Ukraine, no. XIX (2018): 186–213. http://dx.doi.org/10.37837/2707-7683-2018-9.

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The article describes separate and the most interesting episodes of work of its author Serhii Komisarenko during his service as the Ambassador Extraordinary and Plenipotentiary of Ukraine to the United Kingdom of Great Britain and Northern Ireland. Being the academician of the NAS and NAMS of Ukraine, Serhii Komisarenko was appointed Ambassador in London in 1992 and worked in this position for six years – until 1998.The article also describes the building of the Embassy, how it was established, reconstructed and designed, tells about authors of presented works of art. In his article, the autho

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7

Loomie, S.J., Albert J. "London's Spanish Chapel Before and After The Civil War." Recusant History 18, no. 4 (1987): 402–17. http://dx.doi.org/10.1017/s0268419500020687.

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IN THE mid-seventeenth century the chapel of the Spanish embassy caused considerable concern to the authorities at Whitehall since they were frustrated in preventing scores of Londoners from attending it for masses and other Catholic devotions. This was a distinct issue from the traditional right of a Catholic diplomat in England to provide mass for his household or other compatriots,’ and from the custom of Sephardic Jews to gather in the embassy for Sabbath worship when they desired. While the practice of Londoners to attend mass secretly at the residences of various Catholic diplomats had d

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8

Tamás, Horogszegi. "Egy elfeledett Szent István király-falképciklus. •." Művészettörténeti Értesítő 69, no. 1 (2020): 71–102. http://dx.doi.org/10.1556/080.2020.00005.

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Tradition had it that the rectangular Romanesque hall with a central column in the royal and later archiepiscopal palace on Castle Hill in Esztergom was the birthplace of King Saint Stephen, although it was already clear in the 19th century that this part of the building dated from after the 11th century. Nevertheless, in view of the salient role of the castle in the cult of Saint Stephen, the prince primate and archbishop of Esztergom (1867–1891) János Simor (1813–1891) had the Romanesque room converted into a chapel in 1873–74, a thousand years after the birth of the state and church founder

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9

Tamás, Horogszegi. "Egy elfeledett Szent István király-falképciklus. •." Művészettörténeti Értesítő 69, no. 1 (2020): 71–102. http://dx.doi.org/10.1556/080.2020.00005.

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Tradition had it that the rectangular Romanesque hall with a central column in the royal and later archiepiscopal palace on Castle Hill in Esztergom was the birthplace of King Saint Stephen, although it was already clear in the 19th century that this part of the building dated from after the 11th century. Nevertheless, in view of the salient role of the castle in the cult of Saint Stephen, the prince primate and archbishop of Esztergom (1867–1891) János Simor (1813–1891) had the Romanesque room converted into a chapel in 1873–74, a thousand years after the birth of the state and church founder

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10

Horogszegi, Tamás. "Az esztergomi főszékesegyház és egyházkormányzati központ építészeti koncepciójának kialakulása és változásai •." Művészettörténeti Értesítő 71, no. 1 (2023): 1–26. http://dx.doi.org/10.1556/080.2022.00001.

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With the advance of the Ottoman Empire the Archiepiscopate of Esztergom was forced to leave its seat and move to Nagyszombat. The buildings of mediaeval origin on Castle Hill, first housing royalties and later the archbishop, were appropriated by the military forces and suffered considerable damage from sieges and the Ottoman domination. The rule of the Turks ceased in Esztergom in 1683, but the archbishopric did not return before 1820. Nonetheless, the archbishops of the 18th century were also preoccupied with the fate and future of the buildings on Castle Hill.Archbishop Ferenc Barkóczy (176

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Books on the topic "St. James's Palace. Chapel Royal"

1

Burrows, Donald. Handel and the English Chapel Royal. Church Music Society, 1985.

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2

William, Lovegrove, Alford Marmaduke d. 1715, Ashbee Andrew, Harley John 1928-, and Great Britain Chapel Royal, eds. The cheque books of the Chapel Royal: With additional material from the manuscripts of William Lovegrove and Marmaduke Alford. Ashgate, 2000.

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3

Ashbee, Andrew, John Harley, William Lovegrove, and Marmaduke Alford. Cheque Books of the Chapel Royal. Taylor & Francis Group, 2019.

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4

Hear the church: A sermon preached at the Chapel Royal, in St. James's Palace, on the first Sunday after Trinity, June XVII, MDCCCXXXVIII. s.n.], 1985.

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5

Hear the Church [microform]: A Sermon Preached at the Chapel Royal, in St. James's Palace, on the First Sunday after Trinity, June XVII, MDCCCXXXVIII. Creative Media Partners, LLC, 2021.

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6

"Hear the Church": A sermon preached in Chapel Royal, St. James' Palace, on the first Sunday after Trinity, June 17, 1838. s.n.], 1985.

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7

Sermons Preached Chiefly at the Chapel Royal, St. James's. Creative Media Partners, LLC, 2023.

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8

Sermons Preached Chiefly at the Chapel Royal, St. James's. Creative Media Partners, LLC, 2023.

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9

HRH The Prince of Wales, Simon Thurley, Michael Turner, and Rufus Bird. St James's Palace: From Leper Hospital to Royal Court. Yale University Press, 2022.

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10

Thurley, Simon, and Rufus Bird. St James's Palace: From Leper Hospital to Royal Court. Royal Collection Enterprises Limited, 2020.

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Book chapters on the topic "St. James's Palace. Chapel Royal"

1

Goldie, Mark. "The Nature of the Kingdom, or Church, of CHRIST. A SERMON Preach'd before the KING, AT THE Royal Chapel at St. James's, On Sunday March 31, 1717." In The Reception of Locke's Politics Vol 5. Routledge, 2024. http://dx.doi.org/10.4324/9781003552697-6.

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2

McCarthy, Kerry. "The Chapel Royal (1543–85), II." In Tallis. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190635213.003.0006.

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The life of a sixteenth-century Chapel Royal musician was highly itinerant. Tudor kings and queens did not live in one place; they moved freely among their many residences, bringing their musicians and other staff with them. The most important royal residences in Tallis’s day were located along the River Thames within easy reach of London. This chapter is a tour of these Tudor palaces and their chapels, with notes on the daily routine and working conditions of the Chapel Royal singers. Some of the chapels (at Hampton Court Palace, St. James’s Palace, and the Tower of London) are still intact t

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3

Spink, Ian. "The Older Generation: Lawes, Cooke, and Locke." In Restoration Cathedral Music 1660-1714. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198161493.003.0006.

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Abstract Strictly speaking, the Chapel Royal was not a building, but a body of men and boys whose job was originally to sing the daily service wherever the king happened to be. Whitehall being the usual royal residence, the chapel was there too, but following a fire in January 1698, it moved briefly to St James’s Palace, then back again at the end of the year to Whitehall after the Banqueting House had been converted for use as a chapel. In 1703 Queen Anne decided that the Chapel Royal should return to St James’s, where it has remained ever since.1

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4

Burrows, Donald. "Anthems for Other Royal Family Occasions: Two Weddings and a Funeral." In Handel and the English Chapel Royal. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780198162285.003.0013.

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Abstract Frederick, Prince of Wales, had been born and brought up at Hanover, where he remained as the family’s representative when his parents came to London in 1714. Following his father’s accession to the British throne in 1727 it was inevitable that he too would move to London, but the King showed no impatience for his company: he eventually arrived at St James’s Palace early in December 1728, never to return to Hanover again.

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5

Cooper, J. P. D. "St Stephen’s under the Tudors: From Royal Chapel to Commons Chamber." In St Stephen's Chapel and the Palace of Westminster. Boydell and Brewer, 2024. http://dx.doi.org/10.1515/9781805434153-015.

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6

Spink, Ian. "London." In Restoration Cathedral Music 1660-1714. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198161493.003.0025.

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Abstract London’s cathedral was St Paul’s·····a great medieval secular foundation and in 1660 the largest Gothic church in Europe. Just over a mile up-river was Westminster, where the abbey church of St Peter, dissolved at the Reformation, had been re-established in I 560 as a ‘Royal Peculiar’ with Dean and Chapter and a lavish choral and educational foundation. A few hundred yards to the north was the palace of Westminster, where the king had his court and Chapel Royal.

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