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Relevant bibliographies by topics / St. John's Co-Cathedral (Valletta, Malta)

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Academic literature on the topic 'St. John's Co-Cathedral (Valletta, Malta)'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2024

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Journal articles on the topic "St. John's Co-Cathedral (Valletta, Malta)"

1

Persico, Raffaele, Sebastiano D'Amico, Loredana Matera, Emanuele Colica, Cynthia Giorgio, Adriana Alescio, Charles Sammut, and Pauline Galea. "GPR Investigations at St John's Co‐Cathedral in Valletta." Near Surface Geophysics 17, no. 3 (May 17, 2019): 213–29. http://dx.doi.org/10.1002/nsg.12046.

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Privitelli, Giulia. "Reflections of the Real." Religion and the Arts 26, no. 3 (June 1, 2022): 355–69. http://dx.doi.org/10.1163/15685292-02603004.

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Abstract In this paper, Caravaggio’s painting of The Beheading of St John the Baptist located in the Oratory of the Co-Cathedral of St John the Baptist, in Valletta, Malta, will serve as a backdrop to qualify and analyze the religious and aesthetic experiential value that such an artwork could generate within the beholder, by considering its eschatological and soteriological implications and context, as well as the notion of ‘image as mirror’ and its effect on the viewer’s consciousness. This will primarily be discussed across two binaries: early seventeenth-century Hospitaller spirituality and the precarious condition of the artist, himself a novice of the Hospitaller Order of St John the Baptist. Guided by the changing artistic, didactic, and functional uses of the Oratory, and the theological implications of the painting, the Beheading will thus be analyzed in its affordance for both transcendental and self-reflective revelation, and as a turning point for the aspiring novice, the artist and, ultimately, the contemporary beholder.

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"ANTHONY HART writes:." Eighteenth Century Music 12, no. 2 (August 24, 2015): 259–60. http://dx.doi.org/10.1017/s1478570615000160.

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Early-music performances were a rarity in Malta until a few years ago. Slowly, over the years, harpsichords started to appear in concerts and a retired doctor began to build clavichords. During a series of fundraising concerts for the restoration of one of Valletta's oldest churches, a male-voice choir was formed to sing renaissance polyphony. This fervent activity led a local artist, Kenneth Zammit Tabona, to dream of a baroque music festival in the island's capital, Valletta. January 2013 saw the first Valletta International Baroque Festival, with concerts held in several of Valletta's baroque edifices, including the magnificent Manoel Theatre (built in 1731 and one of the oldest working theatres in Europe) and the awe-inspiring St John's Co-Cathedral, the church of the Knights of Malta. The first year was a resounding success and augured well for the future, as was confirmed in the second year of the festival.

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Buttigieg, Emanuel, and Franco Davies. "Santiago de Compostela: Aspects of a cult in Malta of the Knights of St John." Memoria y Civilización, June 16, 2021. http://dx.doi.org/10.15581/001.24.017.

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The cult of St James within the Order of St John was evident throughout its stay in Malta in the architectural fabric it left behind, particularly the fortified land-front of the city of Valletta, as well as in other notable buildings, namely the Auberge of Castile, León and Portugal, and its church of St James. While its architectural aspects have withstood the test of time, other social aspects of the cult of Santiago in Malta are evident through the religious art in the Conventual Church of the Order in Valletta, today St John’s co-cathedral, but also through religious rituals held on the island during the stay of the knights. This reflected a local cult which shows hints of being present also before the arrival of the Hospitaller Order to the Maltese shores.

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Books on the topic "St. John's Co-Cathedral (Valletta, Malta)"

1

1963-, Cilia Daniel, ed. St. John's Co-Cathedral: Valletta. Sta Venera, Malta: Heritage Books in association with the St. John's Co-Cathedral Foundation, 2007.

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2

Buttigieg, Paolo. Tagh̳rif dwar il-Konkatidral taʼ San Ġwann. Malta: Pubblikazzjoni tal-Mużew taʼ San Ġwann, 2000.

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3

Cutajar, Dominic. Malta: History and works of art of St. John's Church, Valletta. Valletta, Malta: M.J. Publications, 1989.

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4

Cutajar, Dominic. Malta: History and works of art of St. John's Church, Valletta. Valletta, Malta: M.J. Publications, 1992.

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5

Cutajar, Dominic. Malta: History and works of art of St. John's Church, Valletta. Valletta, Malta: M.J. Publications, 1989.

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6

The Conventual Church of the Knights of Malta: Splendour, history and art of St John's Co-Cathedral, Valletta. Valletta, Malta: Midsea Books, 2010.

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7

Woven splendour: The tapestries at the Conventual Church of the Knights of Malta. Valletta, Malta: Midsea Books, 2017.

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8

Cutajar, Dominic. Malta: Six modern artists : Josef Kalleya, Vincent Apap, Emvin Cremona, Esprit Barthet, Antoine Camilleri, Frank Portelli. Malta: Malta University Services, 1991.

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9

Munro, Dane. Memento mori: A companion to the most beautiful floor in the world. Valletta, Malta: MJ publications, 2005.

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10

1955-, Formica Enrico, ed. The Great Temple: The conventual church of the Knights of Malta, 360°. Sliema, Malta: Miranda, 2010.

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Book chapters on the topic "St. John's Co-Cathedral (Valletta, Malta)"

1

Munro, D. "The sublime darker heritage tourism aspects at St John's Co-Cathedral in Valletta, Malta." In Dark tourism and pilgrimage, 85–98. Wallingford: CABI, 2020. http://dx.doi.org/10.1079/9781789241877.0085.

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Conference papers on the topic "St. John's Co-Cathedral (Valletta, Malta)"

1

Persico, Raffaele, Sebastiano D'Amico, Loredana Matera, Emanuele Colica, Cynthia De Giorgio, Adriana Alescio, Charles Sammut, and Pauline Galea. "GPR prospecting in the chapel of Aragon within the Co-Cathedral of St. John (Valletta, Malta)." In 2018 17th International Conference on Ground Penetrating Radar (GPR). IEEE, 2018. http://dx.doi.org/10.1109/icgpr.2018.8441694.

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