Log in

Relevant bibliographies by topics / St. Mary's (Church : Ambleside)

Contents

Journal articles
Dissertations / Theses
Books
Book chapters

Academic literature on the topic 'St. Mary's (Church : Ambleside)'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'St. Mary's (Church : Ambleside).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "St. Mary's (Church : Ambleside)"

1

Franklin, M. J. "The Cartulary of St Mary's Collegiate Church, Warwick." English Historical Review CXXI, no. 490 (February 1, 2006): 196–97. http://dx.doi.org/10.1093/ehr/cej011.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Boucher, Andrew R., and Richard K. Morriss. "The Bell Tower of St Mary's Church, Pembridge, Herefordshire." Vernacular Architecture 42, no. 1 (October 2011): 22–35. http://dx.doi.org/10.1179/174962911x13159065475428.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Gem, Richard, Emily Howe, and Richard Bryant. "The Ninth-Century Polychrome Decoration at St Mary's Church, Deerhurst." Antiquaries Journal 88 (September 2008): 109–64. http://dx.doi.org/10.1017/s0003581500001360.

Full text

Abstract:

This paper presents the results of a detailed analysis of surviving paintwork on the chancel arch, the carved animal heads and the figurative panel in the west porch at the Anglo-Saxon church of St Mary, Deerhurst, Gloucestershire, UK. The context of the polychromy in relation to the ninth-century fabric of the church is assessed. The detailed results of the technical analysis are presented. The original scheme of painted decoration is described, including the newly discovered plant scroll painted on the arch. The results of the examination are evaluated, setting the polychrome decoration of the ninth-century church into its contemporary context in England and on the Continent, with special regard to both the technical and the artistic aspects.

APA, Harvard, Vancouver, ISO, and other styles

4

Smith, Ryan K. "The Cross: Church Symbol and Contest in Nineteenth-Century America." Church History 70, no. 4 (December 2001): 705–34. http://dx.doi.org/10.2307/3654546.

Full text

Abstract:

In 1834 the rector of St. Mary's Episcopal Church in Burlington, New Jersey desired to place a cross atop his newly-refurbished sanctuary. No ordinary rector, George Washington Doane also served as the Episcopal bishop of New Jersey. Shortly after taking charge of St. Mary's in 1833, he and his vestry had decided to renovate their old church, and their ambitious new design featured a cruciform plan with Greek details, including a pediment adorned with lotus leaves and a tower “derived from that built at Athens… commonly called the Tower of the Winds.” But when Doane carried out the plans for “an enriched Greek Cross” to be mounted on the roof, the community stood aghast. A local Presbyterian minister chronicled the confrontation, and he began by asserting that most of St. Mary's vestrymen had originally approved the designs without “noticing the Cross at the time.” The project was thus completed, and to the vestry's “great surprise, as well as that of many in the community, of all ‘denominations’—lo! a Cross made quite a Catholic appearance on the apex of the pediment!” Controversy arose, “both in the Vestry and out of it,” and “after a very warm meeting, one of the Vestry shortly after declared that unless the Cross was taken down very soon, it should be pulled down.”

APA, Harvard, Vancouver, ISO, and other styles

5

Standing, Giles, and Catherine Hassall. "Red-and-Black Painted Medieval Architecture: St Mary's Church, New Shoreham, Sussex." Archaeological Journal 163, no. 1 (January 2006): 92–121. http://dx.doi.org/10.1080/00665983.2006.11020670.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Bagshaw, Steve, Richard Bryant, and Michael Hare. "The Discovery of an Anglo-Saxon Painted Figure at St Mary's Church, Deerhurst, Gloucestershire." Antiquaries Journal 86 (September 2006): 66–109. http://dx.doi.org/10.1017/s0003581500000068.

Full text

Abstract:

The church of St Mary at Deerhurst in Gloucestershire is well known for its Anglo-Saxon fabric and sculpture. In 1993 a painting of an Anglo-Saxon figure was discovered, and in 2002 it became possible for the authors to study the painting in detail.The painting is on one of a pair of triangular-headed stone panels set high in the internal east wall of the church. The discovery provides a significant addition to the tiny corpus of known Anglo-Saxon wall paintings. The identity of the standing, nimbed figure remains elusive, but the figure can be tentatively dated on art historical grounds to the middle to late tenth century.The authors also explore the structural context of the painting. It is suggested that in the first half of the ninth century the church had an upper floor over the central space (the present east end), and that this floor possibly extended over the whole church. At the east end, there were internal openings from this upper floor into a high-level space in the polygonal apse. At a later date two of these openings were blocked and covered by stone panels, one of which is the subject of this paper. It is possible that the panels flanked a high-level altar or an opening through which a shrine, set on a high-level floor in the apse, could be viewed.

APA, Harvard, Vancouver, ISO, and other styles

7

Allen, Joanne. "The Choir Stalls of Lincoln Cathedral, Chester Cathedral and St Mary's Church, Nantwich." Journal of the British Archaeological Association 161, no. 1 (September 2008): 104–30. http://dx.doi.org/10.1179/174767008x330554.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Standing, Giles. "A Saxo-Norman Oyster Colour-Dish from St Mary's Church, New Shoreham, Sussex." Journal of the British Archaeological Association 163, no. 1 (September 2010): 16–23. http://dx.doi.org/10.1179/174767010x12747977920967.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Willoughby, James. "Inhabited Sacristies in Medieval England: the Case of St Mary's, Warwick." Antiquaries Journal 92 (May 11, 2012): 331–45. http://dx.doi.org/10.1017/s0003581512000042.

Full text

Abstract:

A transcript survives of the oath sworn in 1465 by the lay sacristan of the collegiate church of St Mary at Warwick on the occasion of his taking office. His duties are spelled out in detail, and include the striking requirement that he spend each night in the sacristy for the better security of the treasures. This paper prints the oath and aims to place it in its institutional context. The medieval sacristy at Warwick survives and details of the oath illuminate details of the architecture. Similar first-floor vestries are known elsewhere, and the suggestion is made that some other churches might also have had inhabited sacristies.

APA, Harvard, Vancouver, ISO, and other styles

10

McCurdy, Harold. "Return of the Virgin to an Episcopal Church in Iowa Once Called St. Mary's." Theology Today 51, no. 2 (July 1994): 294. http://dx.doi.org/10.1177/004057369405100212.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "St. Mary's (Church : Ambleside)"

1

Story, Mark D. "Leveraging change using family systems theory to nurture togetherness and a common commitment to ministry between St. Mary's Episcopal Church and St. Mary's Episcopal School /." Theological Research Exchange Network (TREN), 2005. http://www.tren.com/search.cfm?p100-0130.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Fonge, Charles Richard. "An edition of the cartulary of St. Mary's Collegiate Church, Warwick." Thesis, University of York, 1999. http://etheses.whiterose.ac.uk/2498/.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Macdonell, Cameron. "Haunted by the gothic: deconstructing the new St. Mary's Anglican church, Walkerville, Ontario." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=114416.

Full text

Abstract:

Ralph Adams Cram (1863–1942) was among the rare Gothicists who practiced both Gothic architecture and literature. He designed several Gothic-Revival churches and campuses across North America, and he wrote a book of Gothic ghost stories in 1895, calling the collection Black Spirits and White. Traditionally, scholars have assumed that the discourses of modern, Anglo-Gothic architecture and literature parted company after the 1830s. Scholars have based that assumption on two interrelated arguments. First, the Victorian Gothic novel evolved beyond the distinctly medieval; whereas, Victorian Gothic architects became rigorously attentive to structural and cultural principles of the Middle Ages. Second, and more importantly, even though architecture has been thematic for Gothic literature, scholars of the genre have concentrated on the domesticity of haunted houses. This has not been as problematic for scholars of Georgian Gothic architecture, where Gothic details plastered over domestic architecture; Victorian Gothic architects, however, expressed their principles most effectively through church building. The modern Gothic church, as the true house of God, is supposed to have exorcized any confusion with the domestic architecture of man, providing sanctuary from the haunting conditions of a secular, urban-industrial, modern world.Ralph Adams Cram complicates that assumption. In the darkest moments of his despair, Cram designed churches that were not resurrected Gothic beauties, but spectral remnants of a murdered past beyond his powers to avenge. His Gothic literature expressed that impotent horror, addressing several houses that modernity, having murdered the medieval past, haunted. So did the new St. Mary's Anglican Church of Walkerville, Ontario. Using the hauntological strategies of Jacques Derrida, this project deconstructs the Walkerville church to solicit the withered horror of a spectral hand haunting the Anglican house of God. Cram designed the Walkerville church for Edward Chandler Walker, de facto king of Walkerville, who was secretly dying of syphilis. Cram encrypted Edward's illness in the Walkerville church through the withered limb of a biblical leper. Edward's withered "hand" was then visualized through the spreading fingers of the letter "k," its grammatological mark silently concealed and revealed in the Gothick moniker that its structural, spatial, social, and semiotic languages declare to the modern world. Ultimately, the Walkerville church calls for a Grail Knight's arrival, one whose holy hand can end the suffering of the Fisher King, Edward Walker—and, by extension, a knight who might end the dark night of decadent modernity. Yet will the Grail Knight ever arrive?
Ralph Adams Cram (1863–1942) a été un des rares adeptes du gothique à s'adonner à la fois à l'architecture et à la littérature. Surtout connu comme concepteur de plusieurs églises et campus universitaires en Amérique du Nord, il a aussi publié en 1895 un recueil de contes gothiques qu'il intitula Black Spirits and White. Il est pourtant généralement convenu, qu'après 1830, l'architecture néo-gothique et le roman gothique ont suivi des routes divergentes, opinion fondée sur deux arguments interdépendants: 1- les romanciers gothiques de l'époque victorienne ont généralement cessé de cadrer leur récit dans un contexte historique strictement médiéval alors qu'au contraire les architectes néo-gothiques de la même période se sont attachés à faire revivre le moyen âge le plus scrupuleusement possible; 2- quand les romanciers gothiques victoriens mettent en scène un cadre architectural, il se concentre généralement sur l'espace domestique, telle la maison hantée, alors que chez les architectes, ce sera l'église qui sera l'objet principal de la passion gothique. Envisagée comme la « maison » de Dieu, l'église était conçue en opposition au monde domestique, offrant ainsi un refuge contre les hantises d'un monde séculier, urbain et industriel.Le cas de Ralph Adams Cram remet en question cette idée d'une étanchéité entre littérature et architecture gothique après 1830. À l'instar de ses contes gothiques où il met en scène de vieilles maisons assaillies par une modernité destructrice du passé, Cram conçoit ses églises non pas comme une résurrection mais comme le retour spectral d'un passé à jamais disparu et qu'il n'a pas le pouvoir de faire revivre. C'est le cas, en particulier, de l'église anglicane de Ste. Marie de Walkerville en Ontario construite entre 1902 et 1904 sur les dessins de Cram. Ayant recours aux strategies hantologiques élaborées par le philosophe français Jacques Derrida, la thèse tente une déconstruction de l'église anglicane de Walkerville en faisant ressortir l'horreur de ce spectre qui hante la maison de Dieu telle que conçue par Cram. L'église de Walkerville était une commande de Edward Chandler Walker, puissant chef d'entreprise qui contrôlait comme un monarque la ville de Walkerville. Cet homme de pouvoir était atteint d'une maladie honteuse et fatale: la syphilis. Le programme iconographique de l'église de Walkerville encrypte cette maladie dégénérative sous la figure biblique d'un lépreux au membre atrophié apparaissant dans un des vitraux du bas-côté. C'est cette figure qui permet d'initier une analyse « déconstructive », la « main » rognée du lépreux étant lu comme les doigts écartés de la lettre « k », marque grammatologique dissimulée dans le terme anglais « gothic » mais révélée dans sa forme archaïque « gothick ». La thèse démontre comment, de par sa configuration structurale, spatiale, sociale et iconographique, l'église St-Mary de Walkerville propose une sémiotique de l'abjection face au monde moderne. Elle prépare ainsi l'arrivée du Chevalier du Saint-Graal, dont seule la main sainte peut mettre fin aux souffrances du Roi Pêcheur, Edward Walker, et, par extension, terminer la nuit sombre de notre modernité décadente. Mais le Chevalier du Saint-Graal arrivera-t-il jamais?

APA, Harvard, Vancouver, ISO, and other styles

4

Ho, Sum-yee May. "The body of christ in Chinese clothes understanding the heritage significance of Hong Kong's Chinese-style church architecture through St. Mary's Church in Tai Hang /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B4218289X.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

何心怡 and Sum-yee May Ho. "The body of christ in Chinese clothes: understanding the heritage significance of Hong Kong's Chinese-stylechurch architecture through St. Mary's Church in Tai Hang." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B4218289X.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Nuttli, Emily E. "“Fixing the Italian Problem”: Archbishop of New Orleans John W. Shaw and the Oblates of Mary Immaculate, 1918-1933." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2178.

Full text

Abstract:

In 1918, Archbishop Shaw invited the Texas Catholic religious order, Missionary Oblates of Mary Immaculate, to New Orleans to manage the St. Louis Cathedral and its filial parish for Southern Italians, St. Mary’s Church. This thesis will look at the personalities and preferentialism that affected this early 20th century transfer of religious power from secular priests to a religious order. Comparing the language used by Archbishop Shaw in correspondence with Oblate Fathers with the language he used with his secular priests will determine that Shaw displayed favoritism in his decision to invite the Oblates. This decision was affected by four primary factors: Shaw’s prior relationship with the Oblates as Bishop of San Antonio, his concerns with archdiocesan finances, his perceived threat of encroaching Protestantism, and politics of discontent amongst his secular clergy. Shaw’s distinct idealistic pragmatism shows the dynamic nature of the institution of the Catholic Church in Louisiana.

APA, Harvard, Vancouver, ISO, and other styles

7

Rawson, Helen C. "Treasures of the University : an examination of the identification, presentation and responses to artefacts of significance at the University of St Andrews, from 1410 to the mid-19th century, with an additional consideration of the development of the portrait collection to the early 21st century." Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/990.

Full text

Abstract:

Since its foundation between 1410 and 1414 the University of St Andrews has acquired what can be considered to be ‘artefacts of significance’. This somewhat nebulous phrase is used to denote items that have, for a variety of reasons, been deemed to have some special import by the University, and have been displayed or otherwise presented in a context in which this status has been made apparent. The types of artefacts in which particular meaning has been vested during the centuries under consideration include items of silver and gold (including the maces, sacramental vessels of the Collegiate Church of St Salvator, collegiate plate and relics of the Silver Arrow archery competition); church and college furnishings; artworks (particularly portraits); sculpture; and ethnographic specimens and other items described in University records as ‘curiosities’ held in the University Library from c. 1700-1838. The identification of particular artefacts as significant for certain reasons in certain periods, and their presentation and display, may to some extent reflect the University's values, preoccupations and aspirations in these periods, and, to some degree, its identity. Consciously or subconsciously, the objects can be employed or operate as signifiers of meaning, representing or reflecting matters such as the status, authority and history of the University, its breadth of learning and its interest and influence in spheres from science, art and world cultures to national affairs. This thesis provides a comprehensive examination of the growth and development of the University's holdings of 'artefacts of significance' from its foundation to the mid-19th century, and in some cases (especially portraits) beyond this date. It also offers insights into how the University viewed and presented these items and what this reveals about the University of St Andrews, its identity, which changed and developed as the living institution evolved, and the impressions that it wished to project.

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "St. Mary's (Church : Ambleside)"

1

Hibbs, Mary. St. Mary's Church trail. Portsmouth: Environmental Education Project, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Murray, Ian. St Mary's church Hornsey. [London]: Friends of Hornsey Church Tower, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Beaton, Josephine. St. Mary's church of Mabou. Sydney[Nova Scotia]: St Mary's book committee, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Cotten, Simon. St Mary's Church, Moulton, Norfolk. London (St. Andrew-by-the-Wardrobe, Queen Victoria St., EC4V 5DE): Redundant Churches Fund, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Brandwood, Geoffrey K. St Mary's church, Garthorpe, Leicestershire. London: The Churches Conservation Trust, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Samek, Jan. St. Mary's Church in Cracow. Warsaw: Interpress Publishers, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Hibbs, Mary. St. Mary's Church trail, Portsmouth. Portsmouth: Environmental Education Project, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Harrison, Pat. History of St. Mary's Church, Rothwell. Rothwell: The Church, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Bujak, Adam. St. Mary's Basilica, Cracow. Kraków: "Biały Kruk", 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Witte, Patricia Kelly. St. Mary's, mother church of St. Cloud: 150 years. Edited by Witte Robert. Saint Cloud, Minn: Parish of St. Mary's Cathedral, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "St. Mary's (Church : Ambleside)"

1

Newman, John Henry. "The Church and Miscellaneous Sermons at St Mary's and Littlemore: 1828-1842." In John Henry Newman: Sermons 1824-1843, Vol. 4: The Church and Miscellaneous Sermons at St Mary's and Littlemore: 1828–1842, edited by Francis J. McGrath, 1–2. Oxford University Press, 2011. http://dx.doi.org/10.1093/oseo/instance.00190483.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Newman, John Henry. "Sermon 1, No. 42." In John Henry Newman: Sermons 1824-1843, Vol. 4: The Church and Miscellaneous Sermons at St Mary's and Littlemore: 1828–1842, edited by Francis J. McGrath, 3–12. Oxford University Press, 2011. http://dx.doi.org/10.1093/oseo/instance.00190484.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Newman, John Henry. "Sermon 2, No. 120." In John Henry Newman: Sermons 1824-1843, Vol. 4: The Church and Miscellaneous Sermons at St Mary's and Littlemore: 1828–1842, edited by Francis J. McGrath, 13–27. Oxford University Press, 2011. http://dx.doi.org/10.1093/oseo/instance.00190485.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Newman, John Henry. "Sermon 3, No. 121." In John Henry Newman: Sermons 1824-1843, Vol. 4: The Church and Miscellaneous Sermons at St Mary's and Littlemore: 1828–1842, edited by Francis J. McGrath, 28–34. Oxford University Press, 2011. http://dx.doi.org/10.1093/oseo/instance.00190486.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Newman, John Henry. "Sermon 4, No. 122." In John Henry Newman: Sermons 1824-1843, Vol. 4: The Church and Miscellaneous Sermons at St Mary's and Littlemore: 1828–1842, edited by Francis J. McGrath, 35–41. Oxford University Press, 2011. http://dx.doi.org/10.1093/oseo/instance.00190487.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Newman, John Henry. "Sermon 5, No. 157." In John Henry Newman: Sermons 1824-1843, Vol. 4: The Church and Miscellaneous Sermons at St Mary's and Littlemore: 1828–1842, edited by Francis J. McGrath, 42–54. Oxford University Press, 2011. http://dx.doi.org/10.1093/oseo/instance.00190488.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Newman, John Henry. "Sermon 6, No. 216." In John Henry Newman: Sermons 1824-1843, Vol. 4: The Church and Miscellaneous Sermons at St Mary's and Littlemore: 1828–1842, edited by Francis J. McGrath, 55–66. Oxford University Press, 2011. http://dx.doi.org/10.1093/oseo/instance.00190489.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Newman, John Henry. "Sermon 7, No. 270." In John Henry Newman: Sermons 1824-1843, Vol. 4: The Church and Miscellaneous Sermons at St Mary's and Littlemore: 1828–1842, edited by Francis J. McGrath, 67–77. Oxford University Press, 2011. http://dx.doi.org/10.1093/oseo/instance.00190490.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Newman, John Henry. "Sermon 8, No. 323." In John Henry Newman: Sermons 1824-1843, Vol. 4: The Church and Miscellaneous Sermons at St Mary's and Littlemore: 1828–1842, edited by Francis J. McGrath, 78–86. Oxford University Press, 2011. http://dx.doi.org/10.1093/oseo/instance.00190491.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Newman, John Henry. "Sermon 9, No. 388." In John Henry Newman: Sermons 1824-1843, Vol. 4: The Church and Miscellaneous Sermons at St Mary's and Littlemore: 1828–1842, edited by Francis J. McGrath, 87–97. Oxford University Press, 2011. http://dx.doi.org/10.1093/oseo/instance.00190492.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!