Dissertations / Theses: 'St Mary the Virgin (Church)'

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Morgan, Laura Bonnie Colleen. "Class and congregation : social relations in two St. John's, Newfoundland, Anglican parishes, 1877-1909 /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq23163.pdf.

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Rehatta, Gabriel. "The meaning of the Dormition of Virgin Mary." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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Morrow, Bethany. "Eve, the Virgin, and the Magdalene women and redemption in the early church /." Diss., Connect to the thesis, 2008. http://hdl.handle.net/10066/1416.

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Calloway, Donald H. M. I. C. "Purest of all lilies: the Virgin Mary in the spirituality of St. Maria Faustina Kowalska." IMRI - Marian Library / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431436028.

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Mills, Matthew. "Behold your mother : the Virgin Mary in English monasticism, c. 1050-c. 1200." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:c72df193-cdbe-4fc1-b59f-714015846599.

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This thesis examines the place of the Virgin Mary in the intellectual culture of Benedictine and Cistercian monasticism in medieval England, between c. 1050 and c. 1200. Drawing high profile thinkers, including Anselm of Canterbury (d. 1109), into dialogue with lesser known figures, it reveals the richness of monastic contributions to Marian doctrine and devotion, in many cases for the first time. The shape of the analysis is provided by five key 'moments' from Mary's life, unfolded consecutively across six chapters. Chapters 1 and 2, on Mary's conception, reveal a confident and pioneering monastic culture which drove the evolution of an obscure Anglo-Saxon feast into a theological doctrine, despite fierce opposition at home and abroad. Chapter 3 explains how Mary's virginity was adopted as a blueprint for the monastic life by Ælred of Rievaulx (d. 1167) and Baldwin of Forde (d. 1190), both of whom were inspired by its fruitfulness in the Incarnation of Christ. Chapter 4 brings to light the contributions made to exegesis of the Song of Songs as a poem about Mary's humility by the mysterious Honorius Augustodunensis (d. 1140) and John of Forde (d. 1214). Chapter 5, on the divine maternity, demonstrates how English monastic theologians gave new life to understanding of Mary as Theotokos ('God-bearer') by drawing out its significance for their own spiritual maternity as leaders of religious communities. Chapter 6 shows how Mary was believed to have entered into the pain of the Crucifixion through her own spiritual martyrdom, and how monks sought to share the experience with her by a communion of charity. These and other insights offer a compelling glimpse into the culture of English monasticism between the demise of the Anglo-Saxons and the advent of the friars. Inspired by a desire to understand and ultimately to know Mary, Benedictine and Cistercian monks produced theological and spiritual works which were imaginative, often intimate and occasionally pioneering. Most of all, they were profoundly pastoral, composed in the belief that Mary could inspire and support those who had embarked upon the monastic via perfectionis.

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Hearden, Maura E. "The Mother of Christ as a symbol of Christian unity a case study for ecumenical dialogue /." 24-page ProQuest preview, 2008. http://proquest.umi.com/pqdweb?did=1538430211&sid=2&Fmt=2&clientId=10355&RQT=309&VName=PQD.

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Parlby, Geri. "What can art tell us about the cult of the Virgin Mary in the early Roman Church? : a re-evaluation of the evidence for Marian images in Late Antiquity." Thesis, University of Roehampton, 2010. https://pure.roehampton.ac.uk/portal/en/studentthesis/what-can-art-tell-us-about-the-cult-of-the-virgin-mary-in-the-early-roman-church(5d8d4110-45a7-4da2-9d67-95a87c7b1f63).html.

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The purpose of this thesis is to re-evaluate the evidence of Marian images in Rome in late antiquity. It argues that centuries of misreading the iconography of Paleo-Christian art has produced unreliable evidence of an early Marian cult in the Roman Church. Surviving examples of images previously identified as Mary are compared with other forms of representation and personification alongside goddess images from around the Roman world. The conflicts present within the emergent Roman Church and the influence they may have had on the developing artistic traditions are re-considered, with particular emphasis on the iconography of the ‘Adoration of the Magi’. Powerful female figures such as martyr saints and widows are presented as more popular models of early Christian womanhood. In particular virgin martyrs, the eroticisation of whose cult with its sado-masochistic tendencies, catered for a Roman society still deeply influenced by its appetite for violent games and sports. The thesis also examines images identified as Mary, but much more probably originally intended as ecclesia and explores the role of Christ as the bridegroom to ecclesia, the martyrs and the consecrated virgins. It goes on to argue that the growing issue of anti-Judaism in the emergent Roman Church had a particular effect on how Mary was perceived by church leaders.

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Seeger, Mary Olivia. "Mary for Today: Renewing Catholic Marian Devotion After the Second Vatican Council Through St. Louis-Marie de Montfort's True Devotion to Mary." University of Dayton / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1565537822533763.

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Koperski, Andrew Robert. "Breaking with Tradition: Jerome, the Virgin Mary, and the Troublesome “Brethren” of Jesus." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1524837953738555.

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Beachum, Edwin P. "Francis and the feminine: a study of women and the Blessed Mother in the life of St. Francis." IMRI - Marian Library / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1417006966.

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Davies, Elaine Fitzback. "I came to guard you : the use of Marian icons for protection." Thesis, University of Wales Trinity Saint David, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683026.

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Ahn, Jung Han S. M. "A comparative study between the images of the Blessed Virgin Mary and Kwuan Eum in Korean Buddhism: for the inculturation of devotion to Mary in Korean Catholicism." IMRI - Marian Library / OhioLINK, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431422736.

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Svendsen, Eric. "Who is my mother? : the role and status of the mother of Jesus in the New Testament and in Roman Catholicism / Eric Svendsen." Thesis, Potchefstroom University for Christian Higher Education, 2001. http://hdl.handle.net/10394/10309.

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This work begins by providing an historical overview of Mariology, tracing Marian issues from the early fathers, to the Mariology of the Middle Age, to the apex of Mariology during the time of the Reformation and beyond. A contrast is then noted between pre-Vatican II Mariology and post-Vatican II Mariology. Matthew 1:18-25 is our first treatment of the biblical text. Here the work surveys the various views of issues related to Mary, including the meaning of Joseph's "righteousness," the meaning of "before they came together" (v. 18) and the meaning of "until" (v. 25). An indepth study is provided on the use of the phrase ("until") in the NT to see whether there are any implications for the Roman Catholic teaching of Mary's perpetual virginity. The work continues its investigation of the phrase in the LXX and in the Hellenistic literature of the two centuries surrounding the birth of Christ to see whether any clear examples of this phrase can be adduced in support of the Roman Catholic understanding of Matt 1:25. Since much of the literature examined is not available in English translation, the author has done the primary translation work himself. Equally important in this regard is the identity of the "brothers" of Jesus in the NT. A survey is provided of the three major views on the identity of those called the brothers of Jesus in the NT, listing each one's strengths and weaknesses. The work also investigates the semantic range of the words in the LXX, the NT, and the surrounding Hellenistic literature. Again, Mary's perpetual virginity is at issue. Next, we begin our examination of the status of Mary in the New Testament, starting with the Synoptic Gospels. The work surveys the common Marian accounts found in the Synoptic Gospels, and examines their impact on our understanding of the relationship between Jesus and his mother vis-a-vis her status as mother. Special considerations are given to Luke's account, which includes Marian episodes not found in the other gospels. This intent is to determine whether Luke views Mary in a different way than the other Gospel writers, and what status he gives to Mary. The work also examines the evidence for seeing special Marian symbolism in Luke. It investigates the common understanding among Roman Catholic interpreters that Luke, in his Annunciation and Infancy narratives, intends for us to see in Mary OT allusions to the Ark of the Covenant, the daughter of Zion, the Ana win, and the like. Once our investigation of the Synoptics is over, we turn our attention to John's gospel, which contains two passages of particularly Marian significance. We first examine the issues surrounding the encounter between Jesus and his mother in John 2:1-6 to see what impact, if any, this passage has on our overall understanding of Mary's role and status in the church, particularly in regard to her role in Roman Catholicism as Mediat1:ix. Next, we examine the issues surrounding the encounter between Jesus and his mother in John 19:25- 27 (at the foot of the cross) to see what impact, if any, this passage has on our overall understanding of Mary's role and status in the church, particularly in regard to her role in Roman Catholicism as Mother of the church. Our inquiry reaches its conclusion with an investigation of the possible Marian significance in Revelation 12. Here we examine the meaning of the "woman clothed with the sun," to see whether there is an allusion to Mary, as well as to the Roman Catholic understanding of her Assumption. A survey of the various views is included, as well as a survey of views throughout the history of the church. Once finished, we propose a Mario logy that is at once biblical and honouring to the woman of whom it is said, "all generations will call [her] blessed."
Thesis (Ph.D. (New Testament))--Potchefstroom University for Christian Higher Education, 2002

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Walbel, Pauline Rose. "A history of the Sisters of St. Mary of Oregon's mission in Tamshiyacu, Peru 1966-1973." PDXScholar, 1990. https://pdxscholar.library.pdx.edu/open_access_etds/4132.

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On August 17, 1961, Pope John XXIII appealed to religious communities in the United States to send ten-percent of their personnel to assist the Church in Latin America. Thousands answered his call. This unprecedented effort drew four members of the Sisters of St. Mary of Oregon to the village of Tamshiyacu in the jungles of Peru from 1966 to 1973. The purpose of this thesis ls to examine the experience of the sisters within the context of the total missionary effort and the religious changes affecting the Catholic Church in the United States and Latin America during the 1960/s.

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Pangle, Teresa Marie. "Medjugorje's Effects: A History of Local, State and Church Response to the Medjugorje Phenomenon." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300755377.

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Adingra, Eugene. "La place et le role de Marie dans l'eglise-famille de Dieu en Afrique." IMRI - Marian Library / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1421762145.

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Foale, Marie Therese. "The Sisters of St. Joseph : their foundation and early history, 1866-1893." Title page, table of contents and abstract only, 1986. http://web4.library.adelaide.edu.au/theses/09PH/09phf649.pdf.

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Mello, Alexandre Awi. "Maria-Iglesia: Madre del Pueblo Misionero - Papa Francisco y la piedad popular mariana en el contexto teologico-pastoral latino-americano (Mary-Church: Mother of the Missionary People – Pope Francis and popular Marian piety)." IMRI - Marian Library / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1549794813187077.

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Genig, Joshua Dale. "The sacramentality of the Word : through the lens of the annunciation to Mary." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/2554.

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This thesis seeks to demonstrate that, in failing to take the sacramentality of the Word seriously, the preaching of the Church has suffered negative consequences. In short, preaching has often become, at best, a form of instruction or, at worst, an incantation of sorts, rather than an integral part of deepening our relationship with Christ by functioning sacramentally to bring about divine participation with Jesus' corporeal humanity in his living Word. Moreover, this trouble has had a profoundly negative effect on my own Lutheran Church – Missouri Synod due, in part, to our Reformation heritage as Christians who believe, teach, and confess the sole authority and divine inspiration of Holy Scripture. Yet, what has been lost over the past 500 years since the Reformation began is the reality of Christ's ongoing corporeal presence in and for the Church, particularly as he is present in the viva vox of preaching. In order to recover that reality, I propose that one should consider the annunciation to Mary where, with a sermon of sorts, the corporeal Christ took up residence in the flesh of his hearer. In addition to granting Mary a son, however, this tangible presence of Jesus also delivered to her precisely what was contained within his own flesh: the fullness of the Godhead (Col 2:9). When understood as a biblical paradigm for the Church, it becomes clear that what happened to Mary can, indeed, happen to Christians of the present day. To that end, I propose that preaching today, when understood sacramentally, can deliver the fullness of the person of Christ, who continues to come in corporeality, with humanity and divinity, in the viva vox of preaching.

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Leist, Marnie. "The Virgin and Hell: An Anomalous Fifteenth-Century Italian Mural." Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1120757484.

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Myler, John T. "Mary, the U.S. Bishops and the decade of silence: the 1973 pastoral letter "Behold Your Mother Woman of Faith"." IMRI - Marian Library / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1509977485444077.

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Bruno, Emilie. "Psallendae Mariae: Marian Processional Chants of the Ambrosian Rite." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23567.

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This interdisciplinary study examines a collection of chants intrinsically connected to the larger body of Western Chant: the psallendae. These chants of the Ambrosian rite, the form of Christian worship proper to the archdiocese of Milan, were sung during religious processions. With over 700 psallendae assigned to the Church calendar, this study examines only those assigned to feast days of the Virgin Mary, and in doing so, reveals a rich history of devotion to her. The primary sources examined are thirteenth-century manuscripts and medieval liturgical manuals. The processional chants are subjected to a thorough literary and musical analysis. Rooted in François-Auguste Gevaert's thematic theory, and using tools of reticular and stemmatic analysis, the psallendae are grouped according to melodic profile. Each group is then reduced to a core melodic theme, which, when juxtaposed with the ancient practice of religious processions, makes a compelling argument for the psallendae as among the oldest Christian chants.

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Kimball, Virginia M. "Liturgical illuminations: Marian theology in the Eastern Orthros, Morning Hours: a contextual study of Orthros for feast days of the Theotokos, the perspective of liturgical theology." IMRI - Marian Library / OhioLINK, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431532210.

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Lott, Stefanie B. "Mary Magdalen, Franciscan ideal : a theological analysis of the frescoes in the Magdalen Chapel in the Basilica of St Francis of Assisi." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/13378.

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In the small town of Assisi in Italy, there is a chapel dedicated to Mary Magdalen. This well known figure from the New Testament Gospels is an anomaly. To many she is the prostitute turned disciple: to others she is a key witness to the resurrection. The frescoes show this Magdalen, but they also show her in strange scenes not found in the Bible. The Gospels tell us that Mary Magdalen was with Jesus in his ministry, at the crucifixion and at the resurrection. Early church fathers picked up on this and linked her with other unnamed women in the Gospels to develop an ideal model of discipleship. From there, legends developed this conflated Magdalen into the embodiment of chastity, penitence and devotion. As such, she became the focus of one of the greatest cult followings of the Middle Ages and her relics where at the heart of the fourth most visited pilgrimage site in Christendom. In the thirteenth century, a young man, Francis of Assisi helped to revolutionise and revive the life of the Church by his personal example of poverty, benevolence and pure devotion; virtues embodied by the Magdalen. It is then understandable that a chapel dedicated to her should be found in the basilica built to honour Francis. However, the reasons behind the chapel's existence and location also have a great deal to do with the power and influence of the secular (Angevin) and religious establishment of the time as well as the controversies burgeoning within the Franciscan Order including the roles of second order women and the influence of the two factions of Franciscanism, Spirituals and Conventuals. Finally, it must not be forgotten that the Magdalen chapel, a means of theological and political dogma, was also a very tangible and real visual sermon to the masses of pilgrims who flocked to visit the shrine of Francis. This project is an attempt to uncover the identity of the woman in and the meaning of the Magdalen Chapel in the Lower Church of the Basilica of St Francis in Assisi.

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Larocca, Grosso Antonio de Jesus S. M. C. "Magisterio y sentido de la fe: estudio de la relacion entre textos mariologicos del magisterio y la devocion mariana en: Latino America, Venezuela, y la Arquidiocesis de Barquisimeto." IMRI - Marian Library / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1432030143.

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Williams, Gregory Stacey. "Moving forward after death: an adaptation of Kubler-Ross’ five stages of grief with a biblical understanding at ST. Mary United Methodist church Hogansville, Georgia." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2007. http://digitalcommons.auctr.edu/dissertations/324.

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The issue of death and dying, despite its inevitableness, may be one of the most complex phenomena within the context of ministry. This paper addresses how mourning persons may move beyond grief through an adaptation of Kubler-Ross’ Five Stages of Grief paradigm while examining the construct of death and dying from a biblical and theological perspective. Kubler-Ross’ five stages provide the framework from which a model was designed to help empower grieving members of St. Mary United Methodist Church to overcome the loss of loved ones. The purpose of the model was to develop a mechanism that could be replicated in the church that equips congregants to cope with grief and move on to productive, spiritually whole lives.

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Willis, Sean. "In what sense is Mary a type of the Church? : using two models to illuminate some developments in twentieth century Roman Catholic Mario-ecclesiology." Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14431.

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This thesis has two aims. Firstly, in order to answer the question, ‘In what sense do people see Mary as a type of the Church?’, this thesis will set up original typological models of the relationship between Mary and the Church (chapter 1). It will then demonstrate how and why an eschatological element came to be present in these models (chapter 2).It will be a contention of this thesis that looking at the Mario-ecclesial discussions set out in chapters 3 and 4 through these typological models will allow a greater depth of analysis. The models allow one to discern differences between and nuances in various views of the relationship between Mary and the Church that would be impossible to discern if one were using just the language of ‘type’. Secondly the thesis will show how each Mario-ecclesial discussion has been affected by the socio-political context of the time. Specifically, the thesis will analyse the Mario-ecclesial discussions of the patristic, medieval and modern periods in the light of the typological models. In chapter 1, the patristic Mario-ecclesiologies of Irenaeus and Ambrose will be considered. In chapter 2, Bernard of Clairvaux will be used to analyse the eschatological nature of the Mario-ecclesiology in the medieval period. In chapter 3, the contrasting Mario-ecclesiologies of the Second Vatican Council and Hans Urs von Balthasar will be compared. In chapter 4, it will be suggested that John Paul’s model of the Mario-ecclesial relationship was based on his eschatological vision for the Church and the role that Mary plays in that future which is both imminent and already realised. This thesis will demonstrate that by using the typological models in these periods a greater depth of analysis can be achieved. This will be particularly true of the complex and nuanced discussions on Mary in the Roman Catholic Church in the twentieth century. This analysis will culminate in the particular Mariology of John Paul II.

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Frisk, Jean M. "Mary in catechesis: a comparative study on magisterial catechetical documents and religion textbooks for elementary schools in the United States from 1956-1998." IMRI - Marian Library / OhioLINK, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1431447113.

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Kryscynski, Kristina Gayle Heiss. "'Seek the Eyes of Mary': A Widow and a Virgin's Illuminating Invitation." BYU ScholarsArchive, 2020. https://scholarsarchive.byu.edu/etd/8416.

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A deep visual analysis of Ludovico Carracci’s 1588 Madonna and Child, Angels, and Saints Francis, Dominic, Mary Magdalene and the Donor Cecilia Bargellini Boncompagni with an emphasis on the role of the patron, the significance of the locality, and the visual semiotics of the Virgin Mary’s gaze in prompting conversion in the repentant prostitutes of the Carmelite convertite convent associated with Ss. Filippo and Giacomo in Bologna, Italy. Including a commentary on contemporary social expectations of modest behavior and the painting’s deliberate incorporation of inappropriate female behavior towards a religious purpose. A discussion of uniquely Carmelite iconography, the use of Ignatian mental prayer in convents, and self-determination in imagery by a Bolognese aristocratic woman.

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Banda, Rogers Hansini. "A missiological assessment of ethnicity in urban Anglican churches in Zambia :|ba case study of the establishment and growth of St Mary Magdalene's Church, Kabulonga /R.H. Banda." Thesis, North-West University, 2013. http://hdl.handle.net/10394/9494.

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This research examines present day urban Anglican churches in Zambia which are ethnically “homogeneous” in a heavily multi-ethnic environment. I give Attention to the understanding of the biblical, theological, and missiological background and seek to find a way to attract many ethnic groups into the churches. The research notes that the present scenario does not represent a healthy urban church. I argue that a biblical, theological and holistic Gospel proclamation, that is, in word and deeds, will attract other ethnic groups into the urban church and make it truly multi-ethnic and multi-cultural.
Thesis (MA (Missiology))--North-West University, Potchefstroom Campus, 2013.

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Nuttli, Emily E. "“Fixing the Italian Problem”: Archbishop of New Orleans John W. Shaw and the Oblates of Mary Immaculate, 1918-1933." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2178.

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In 1918, Archbishop Shaw invited the Texas Catholic religious order, Missionary Oblates of Mary Immaculate, to New Orleans to manage the St. Louis Cathedral and its filial parish for Southern Italians, St. Mary’s Church. This thesis will look at the personalities and preferentialism that affected this early 20th century transfer of religious power from secular priests to a religious order. Comparing the language used by Archbishop Shaw in correspondence with Oblate Fathers with the language he used with his secular priests will determine that Shaw displayed favoritism in his decision to invite the Oblates. This decision was affected by four primary factors: Shaw’s prior relationship with the Oblates as Bishop of San Antonio, his concerns with archdiocesan finances, his perceived threat of encroaching Protestantism, and politics of discontent amongst his secular clergy. Shaw’s distinct idealistic pragmatism shows the dynamic nature of the institution of the Catholic Church in Louisiana.

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Dittrich, Achim. "Mater Ecclesiae : Geschichte und Bedeutung eines umstrittenen Marientitels /." Würzburg Echter, 2009. http://d-nb.info/995404631/04.

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Farley, Elizabeth Marie. "The development of Marian doctrine as reflected in the commentaries on the wedding at Cana (John 2:1-5) by the Latin fathers and pastoral theologians of the Church from the fourth to the seventeenth century." IMRI - Marian Library / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430385116.

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Khoshaba, Rebecca. "Österns Assyriska Kyrka : Historia och teologi, med inriktning på teologiska konflikter med den Syrisk Ortodoxa kyrkan, samt den Koptiska kyrkan (i dagens Sverige)." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-28175.

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The Purpose of this essay is to seek an answer to whether or not a conflict exists between priests of the Assyrian Church, the Syrian Orthodox Church and the Coptic Church in contemporary Swedish society, as well as to examine the environment between the three. The theological dissimilarities will be studied (from a historical standpoint), along with the interviewed participants views on the division in Christianity which will be presented also. I choose to interview six priests/chorbishops who live and work in Sweden, and the result was analyzed according to the senior professor of peace- and conflict, Peter Wallensteen’s theories on conflict and conflict resolution, where important issues are laid out to identify the core problem, and theological differences are discussed and compared from a union perspective. The result of the interviews illustrate a clear response that the participants experience a lack of functioning collaborations (from the Assyrians Church view, a collaboration is absent from the Syrian Orthodox Church and the Coptic Church, and vice versa) and most of the participants experience negative consequences from the divide in churches, as they strive for unity in Christianity as a whole. The theological differences between the churches proves not to be as significant as expected, the actual predicament lies partly in language-and phrase division along with a general rejection of each other’s interpretations. In many instances all the churches mean to express the same things, but it is the explanation of expressions that vary and cause misunderstandings. Consequently it is imperative for these churches to develop functional communication to (amongst other issues) solve their interpretations. If not to unify, then to develop an acceptance for each other and the different understandings.

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Kilinskienė, Vilma. "Veliuonos bažnyčios meno paveldas. Piligrimystės galimybės." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100608_104514-75593.

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Veliuonos Švč. Mergelės Marijos Ėmimo į dangų bažnyčioje sukaupta didelė dalis miestelio meno paveldo. Tai vertingi dailės, skulptūrinės plastikos, medžio drožybos, smulkiosios architektūros, auksakalystės kūriniai. Nepaisant to, iki šiol nebuvo atliktas nė vienas išsamus tyrimas, apimantis Veliuonos bažnyčios meno paveldą kaip visumą. Šiuo darbu siekiama sistemingai išanalizuoti bažnyčioje esančias meno vertybes ir jų pažinimo, pasitelkiant kultūrinį turizmą ir piligrimystę, galimybes. Magistro diplominis darbas papildo senosios dailės istorijos mokslą nauja medžiaga apie bažnyčios meno kūrinių raidą ir kaitą, datavimą, autorystę. Jame: a) išaiškinta bažnyčios pastatymo data; b) nustatytas didžiojo altoriaus ir atskirų jo sudedamųjų dalių datavimas; c) išaiškinta didžiojo altoriaus paveikslų, o taip pat šv. Jono Nepomuko paveikslo bei Rožinio Švč. Mergelės Marijos paveikslo aptaisų autorystė; d) nustatyti ankstyviausių bažnyčios altorių titulai; e) rekonstruotas ankstyvesnio, 1644 m. konsekruoto titulinio altoriaus vaizdas, atkurti ankstesni visų altorių paveikslų siužetai; f) remiantis šaltinių analize pateikta naujų faktografinių žinių apie XVIII-XIX a. bažnyčioje buvusius iliuzinius altorius; g) pirmą kartą ištirta bažnyčios dailės ikonologija ir apibendrinta ikonografinė programa; h) pirmą kartą atlikta epitafijos J. K. Bžostovskiui teksto semiotinė analizė; i) aptartos stilistinės ir meninės bažnyčios ypatybės; j) pasiūlytos bažnyčios meno paveldo sklaidos visuomenėje... [toliau žr. visą tekstą]
St. Blessed Virgin Mary of the Assumption Church of Veliuona in the town gained a large part of artistic heritage. This is a valuable art, sculpture, wood carving, fine architecture, farrier works. Nevertheless, so far none has been carried out a detailed survey, covering the artistic heritage church as a whole. This work aims to systematically analyze the church's values in art and knowledge through cultural tourism and pilgrimage, the possibilities. Master's thesis complements the old art history education in the new material on church art and the evolution of change, dating, authorship. There are: a) Church of the anniversary of the date; b) the great altar, and its individual components dating; c) the altar of the great paintings, and also St. John Nepomuk and the image of the Blessed Pink. Virgin Mary's picture authorship arch; d) the altar of the church's earliest titles; e) reconstructed earlier, in 1644, consecrated the altar of a cover image, the former altar paintings of scenes; f) based on an analysis of the sources of new knowledge about faktografinių XVIII-XIX centuries shadowy former church altar; g) Performed for the first time in church art iconographic analysis and summary program; h) first performed epitaphs J. K. Bzostovskis semiotic text analysis; i) discussed in stylistic, iconographic and artistic properties; j) artistic heritage of the Church of the proposed public dissemination possibilities: there are types of excursions and pilgrimage route... [to full text]

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McMullin, Julia Alice Jardine. "The Artistic and Architectural Patronage of Countess Urraca of Santa MarÃa de CaÃ±as: A Powerful Aristocrat, Abbess, and Advocate." BYU ScholarsArchive, 2005. https://scholarsarchive.byu.edu/etd/423.

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Countess Urraca Lope de Haro was the daughter of the noble Lord Diego Lope de Haro, friend and advisor to King Alfonso VIII of Castilla-León and granddaughter of Lord Lope Díaz de Haro and Lady Aldonza Ruiz de Castro, aristocratic courtiers as well as popular monastic patrons. As a young and wealthy widow, Countess Urraca took monastic vows at the Cistercian nunnery of Santa María de Cañas founded by her grandparents. Within a short time of uniting herself to this monastery, she was chosen as its fourth abbess in 1225, a position she held for thirty-seven years until her death in 1262. Following the tradition of monastic patronage established by her noble family members, Countess Urraca expanded the monastery's small real estate holdings, oversaw extensive building projects to create permanent structures for the nunnery, and patronized artistic projects including statuettes of the Virgin Mary and St. Peter in addition to her own decorative stone sarcophagus during her term as abbess. This thesis examines the artistic decoration and architectural patronage of this powerful woman and the influences she incorporated into the monastic structures at Cañas as she oversaw their construction. In dating the original buildings of the monastery at Cañas to the period of Countess Urraca's leadership, the predominant architectural features and decorative details of female Cistercian foundations in northern Spain are discussed. Comparisons with additional thirteenth-century Cistercian monasteries from the same region in northern Spain are offered to demonstrate the artistic connections with the structures Countess Urraca patronized. In addition, this thesis examines Countess Urraca's obvious devotion to the Virgin Mary and St. Peter by considering the medieval monastic world in which she lived and the strong emphasis the Cistercian Order placed on such worship practices. The potent spiritual connections Countess Urraca made by commissioning images of essential, holy intercessors testifies to her devotion to them and the powerful salvatory role she herself played in the lives of the nuns for whom she was responsible. As a nun and abbess, Countess Urraca was urged to emulate Mary's mothering, nurturing qualities, and, as she did so was simultaneously empowered by the Virgin's heavenly authority as administrator of mercy. Indeed, through studying her art it is clear that she saw herself as an intercessor on behalf of the nuns for whom she was responsible. Furthermore, discussion of the imagery displayed on Countess Urraca's decorative stone sarcophagus demonstrates not only a similar message of salvation through intercessors such as Peter and Mary, but also testifies of Abbess Urraca's aristocratic lineage. Through this artistic commission, the Abbess creates another direct, personal link between herself and the Virgin by including the symbol of the rosary throughout the iconography of her tomb. Such a symbol represents her devotion to Mary as Queen of Heaven and simultaneously empowers Countess Urraca as an intercessor herself. All of these architectural and artistic commissions confirm that she was a powerful woman who wielded a great deal of influence.

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Brébant, Emilie. "La Vierge, la guerre, la vérité: approche anthropologique et transnationale des apparitions mariales rwandaises." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209913.

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Depuis le début des années quatre-vingt, la petite localité de Kibeho - un hameau particulièrement difficile d’accès situé aux confins d’une région rurale du sud-ouest du Rwanda, à environ deux cents kilomètres de Kigali - s’est muée en une destination de pèlerinage prisée par de nombreux Catholiques rwandais et, désormais, étrangers. L’origine de ce changement de nature du lieu se confond avec les apparitions de la Vierge (mais aussi du Christ et d’autres personnages du « panthéon » catholique) dont ont été favorisées plusieurs jeunes filles scolarisées au collège catholique local au début des années quatre-vingt, puis un certain nombre d’adolescents des environs. De spontanés et irréguliers qu’ils étaient dans les premières années du phénomène, encore liés aux performances publiques des voyants qui bénéficiaient des apparitions à heures fixes sur un podium surélevé, les déplacements d’individus se sont graduellement organisés. Aujourd’hui, à Kibeho, les apparitions publiques ont pris fin. Les pèlerins, qu’ils appartiennent à l’un ou l’autre mouvement d’Action catholique ou à un groupe de prière et de pèlerinage né des apparitions, se regroupent dans différents centres urbains du pays pour rejoindre le sanctuaire de Notre-Dame des Douleurs, érigé suite à la reconnaissance des apparitions par l’Eglise catholique en 2001 et en perpétuelle expansion depuis lors.

En 2001, la déclaration de reconnaissance mentionne, parmi les signes de crédibilité des apparitions, « la journée du 15 août 1982 qui fut marquée notamment, contre toute attente, par des visions effroyables, qui dans la suite se sont avérées prophétiques au vu des drames humains vécus au Rwanda et dans l’ensemble des pays de notre région des Grands Lacs ». Cette lecture officielle qui confère un horizon de sens aux événements, instituant la prophétie en des termes choisis permettant d’y entrevoir le génocide comme l’hécatombe du choléra dans les camps de réfugiés du Congo, est diversement négociée par les acteurs locaux, même si la conviction de la réalisation d’une prophétie est quasi-unanime. Du point de vue des pèlerins, les apparitions demeurent relativement problématiques. Elles exigent de chacun qu’il négocie sa position en fonction d’une représentation de l’orthodoxie constamment réévaluée dans les limites de ce qui est expérimenté et affirmé comme une identité catholique. Cette difficulté est notamment due à la multiplicité des individus qui ont revendiqué ou revendiquent encore des visions ou apparitions, alors que seules trois jeunes filles ont été reconnues par l’Eglise catholique en 2001.

Après avoir soigneusement défini le cadre socio-historique des apparitions rwandaises, en abordant la question depuis le point de vue de voyants non reconnus - dont l’une expatriée en Belgique - et de ceux qui leur sont proches, la thèse propose une analyse des discours par lesquels ceux-ci se définissent et négocient la légitimité de leur pratique religieuse. Une attention particulière a été portée aux outils stéréotypés de la critique (sexualité, politique, vénalité…), mobilisés dans le cadre des tensions et conflits qui opposent différents acteurs individuels et collectifs. Par ailleurs, les mécanismes qui président aux rhétoriques de la construction de soi ont été mis en lumière, notamment par le biais des récits de guerre qui fondent une identité de survivant liée à la conviction d’une intervention mariale. Ce processus se confond souvent avec ceux qui président à la construction du pouvoir de la Vierge, et donc des voyants. Finalement, au travers de l’analyse des représentations touchant notamment à la prophétie du génocide et de la guerre civile, les nouveaux rapports au national se font jour, les violences des années nonante étant intégrées dans un schéma biblique qui opère un basculement significatif :parce que le Rwanda serait touché de plein fouet par la Mal, il a été choisi par Dieu et par la Vierge comme noyau de la Nouvelle Evangélisation. À travers l’analyse du rapport au divin, à l’autorité, aux représentations de la modernité que les mots des acteurs reflètent, c’est le catholicisme vécu qui s’éclaire à l’ombre du sanctuaire et de son appareil médiatique foisonnant, ce catholicisme empirique dont la richesse se renouvelle à chaque « enculturation » comme au passage des générations successives et dont il importe, pour l’anthropologie comme pour l’histoire du christianisme, d’approcher l’infinie variété.

Doctorat en Philosophie
info:eu-repo/semantics/nonPublished

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Šleichrtová, Andrea. "Sochařství krásného slohu ve Vratislavi." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-404718.

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This thesis is divided into two main parts. The First cultural-historical part is dedicated to introduction of cultural-historical context between Bohemian kingdom and Silesia. Historical development of Silesia and its joining into the union of Lands of Bohemian crown is also shortly discussed. The second art-historical chapter in first part brings the resume of literature dedicated to phenomenon of beautiful style. The second part brings resume of literature dedicated particularly to the Silesian centre of beautiful style. And the last part of this chapter consists of a catalogue of chosen works of beautiful style from Wroclaw. Those are Pietà of St. Elisabeth in Wroclaw, Pietà of Virgin Mary on Sand church in Wroclaw, Man of sorrows from Goldsmith's altar, Pietà from St. Stanislaw and Wenzel church in Sweidnitz, Pietà from St. Matthew church. For each of these works a detailed formal analysis is made and existing research outputs are summarized. As a conclusion of researches mentioned above an attempt is made to improve accuracy of dating and to answer some questions related to those works of art.

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McGee, Kimberly B. "Geertgen tot Sint Jans's Night Nativity: A Study in Female Spirituality Practices." 2015. http://scholarworks.gsu.edu/art_design_theses/190.

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The Night Nativity by Geertgen tot Sint Jans depicts the birth of Christ in a manner that emphasizes the role of the Virgin as mother and Christ as the enlightener of the world. In this paper, I will argue that the Night Nativity was directed primarily toward meeting the devotional needs and interests of the nuns of the Convent of Our Lady of the Visitation near Haarlem. This convent is of particular interest because it is associated with the Windesheim Congregation of the Modern Devotion, which was a religious movement that privileged certain forms of lay spirituality. In particular, the adherents of the Modern Devotion seemed to have preferred various forms of affective devotion often associated with “women’s spirituality.” Geertgen’s image, I believe, appealed to the women in the convent because it focuses on the role of the Virgin and, in doing so, activated well-known tropes of female spirituality.

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Inman-Bamber, Sally. "An investigation into the images of the Virgin Mary held by select Anglican women clerics in KwaZulu-Natal, South Africa, with respect to selected historical developments in Mariology." Thesis, 2012. http://hdl.handle.net/10413/8074.

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This exploratory study examines the question of Mariology in the Anglican Church in KwaZulu-Natal, South Africa. It focuses on how Anglican women priests relate to the Virgin Mary within the patriarchal structures and African context of the Anglican Diocese of Natal. It aims to ascertain the perceptions of the Virgin Mary held by a sample group of ordained, doctrinally informed, Anglican women. The premise is that because the Anglican Church is closer to Roman Catholicism than other Protestant churches, these clerics might be more open to the dogmas of Mariology as proclaimed by the Magisterium of the Roman Catholic Church. The depths of the subjects‘ knowledge of Marian dogma are ascertained, as well as the extent to which their spirituality and devotions are affected by this. An attempt is made to establish the potential advantages of an enhanced Marian presence in The Anglican Church in KwaZulu-Natal, South Africa. This study is intended not merely to establish the dogmatic similarities in the Anglican and Roman Catholic traditions and underscore those issues which inhibit Marian veneration among local ordained Anglican women. Its intention is to elicit the effects of dogma on spirituality and worship, and to discern whether the subjects feel an affinity with Catholic Marian dogma and see any possibility of ecumenical progress between the two Churches. Roman Catholic Marian dogma is elucidated and examined. The four main dogmas are presented: the Theotokos, her Perpetual Virginity, her Immaculate Conception and her Assumption into Heaven. The Protestant and Anglican reservations regarding these dogmas are examined, and ecumenical dialogue between the Roman Catholic Church and Protestant Churches is discussed, including the bilateral ARCIC discussions with the Anglican Communion. Nine Anglican priests are interviewed, and the data and its implications for Anglican-Roman Catholic ecumenism are examined. The findings indicate that the subjects do not subscribe to Roman Catholic dogma and praxis on Mary. It is proposed that Marian dogma per se is not a hindrance to ecumenism, but the fact of the dogmas reflecting the teachings on more fundamental theological issues such as the nature of sacraments, the trinity, the nature of grace and eschatology in the Anglican and Roman Catholic Churches.
Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2012.

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BOUŠKOVÁ, Veronika. "Zpracování gotické nástěnné malby jako kompenzační haptické pomůcky pro zrakově postižené." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-375895.

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The theoretical and practical part is dealing with the detail of a czech wall painting with the motif of the Virgin Mary from the peak era of the Middle Ages. The theoretical part introduces the marian theme. It describes its iconography, meaning in art and closely specifies the division of images according to devotional themes. The next part is focused on the description and analysis of the motif of the Virgin Mary the Protector, which is depicted on wall painting in a cloister of the Church of Presentation of the Blessed Virgin Mary in České Budějovice. In the practical part is fundamental creation of the relief as a haptic aid for the visually impaired. Created reliefs are polychrome reconstruction of the wall paintings of the above-mentioned motif. The work is supplemented by other materials, implementation procedure, sketches and photo documentation.

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HRABÁNKOVÁ, Tereza. "Panna Marie Klasová kompenzační haptická pomůcka." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-381455.

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The thesis called Virgin Mary Klasová - the compensatory haptic aid is divided into two parts. The theoretical part is devoted to the history of Gothic painting in the Czech territory. The work focuses on the history of the city České Budějovice and maps the development of the monastery Church of the Presentation of the Blessed Virgin Mary. She discusses the Gothic painting of Virgin Mary Klasová, taking into account its iconographic and historical significance. The theoretical part further describes the characteristics of visual impairments and gives information about its problems. The practical part aims to transform the image of the Virgin Mary on a compensatory tactile aid in the form of a relief.

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Burgrová, Vendula. "Svatá Hora u Příbrami v meziválečném období "Mariánský hrad" bránící katolickou víru v Čechách? Rozbor svatohorského časopisu z let 1922 - 1932." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-336397.

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In my work I deal with the place of pilgrimage of the Virgin Mary on the Holy Mountain in Příbram in the interwar period. In the newly established Republic of Czechoslovakia, tense relations between Church and State has prevailed. Even iconoclastic acts are documented from that time. My assumption is that the Holy Mountain functioned as a place that helped to bring together believers, unite Catholics, and restore the faith. A catholic group called Matice Svatohorská was founded to focus on repairing extensive grounds and spreading the awareness of the Holy Mountain and the cult of the Virgin Mary through a published journal. Through an analysis of this journal I want to capture the resources that Catholic leaders used in consolidating and expanding the Catholic Faith in Bohemia. Through the analysis of the journal I want to know how the magazine reflected the relationship between church and state and what additional information reflects. Powered by TCPDF (www.tcpdf.org)

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RONOVSKÁ, Tereza. "Reliéf sv. Kryštofa haptická pomůcka pro nevidomé." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-381447.

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Theoretical part of the thesis, regarding the purpose of practical output (haptic aid), deals in its first sections with special pedagogy ophthalmopedies and typhlography. The second section of the thesis theoretical part analyses the theme of St. Christopher, which appears in the form of wall painting in the monastery temple of the Sacrifice of the Virgin Mary in České Budějovice. In connection with the place of occurrence, the history of the monastery is outlined. Practical part of the thesis is intended for various solutions of creating a specific haptic aid for the blind. That one is used to "view the image" through a relief which thanks to its plastic properties provides a visual impression of a flat surface.

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Kaufman, Cheryl Lynn. "The Augustinian canons of St. Ursus : reform, identity, and the practice of place in Medieval Aosta." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3273.

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This dissertation studies a local manifestation of ecclesiastical reform in the medieval county of Savoy: the twelfth-century transformation of secular canons into Augustinian regular canons at the church of Sts. Peter and Ursus in the alpine town of Aosta (now Italy). I argue that textual sources, material culture, and the practice of place together express how the newly reformed canons established their identity, shaped their material environment, and managed their relationship with the unreformed secular canons at the cathedral. The pattern of regularization in Aosta—instigated by a new bishop influenced by ideas of canonical reform—is only one among several models for implementing reform in medieval Savoy. This study asserts the importance of this medieval county as a center for reforming efforts among a regional network of churchmen, laymen, and noblemen, including the count of Savoy, Amadeus III (d. 1148). After a prologue and introduction, chapter 1 draws on traditional textual evidence to recount the history of reform in medieval Savoy. Chapters 2 through 4 focus on the twelfth-century sculpted capitals in the cloister built to accommodate the common life of the new regular canons. Several of the historiated capitals portray the biblical siblings, Martha and Mary, and Leah and Rachel, as material metaphors that reflect and reinforce the active and contemplative lives of the Augustinian canons. Other capitals represent the regular canons’ assertion of their precedence over the cathedral canons and suggest tensions between the two communities. The final chapter examines thirteenth-century conflicts over bell-ringing and ecclesiastical processions in the urban topography of Aosta to illustrate how the regular and secular canons continued to negotiate their relationship. Appendices include an English translation of a vita of St. Ursus (BHL 8453). The dissertation as a whole reconstructs the places and material culture of medieval Aosta to convey the complexities of religious and institutional life during a time of reform and beyond.
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Dissertations / Theses on the topic 'St Mary the Virgin (Church)'

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