Relevant bibliographies by topics / St. Nicholas (Church : Blakeney)

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Academic literature on the topic 'St. Nicholas (Church : Blakeney)'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "St. Nicholas (Church : Blakeney)"

1

Ross, Noel. "Memorial Inscriptions in St. Nicholas' Parish Church, Dundalk." Journal of the County Louth Archaeological and Historical Society 25, no. 4 (2004): 475. http://dx.doi.org/10.2307/27729951.

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Skop, Bartosz. "Organs at the church of St. Nicholas in Elbląg from the late 18th century until 1945." Masuro-⁠Warmian Bulletin 307, no. 1 (May 20, 2020): 4–40. http://dx.doi.org/10.51974/kmw-134781.

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The St. Nicholas parish church in Elbląg, currently the Elbląg diocese cathedral, is a unique building in every respect. Until today, it remains the most important element of the town and reflects its turbulent history. Since its erection, the church was an important centre of liturgical music. The paper discusses the changes in the organ instruments of the largest Elbląg church after the fire of 26 April 1777 until 1945. Their story has remained largely unknown until today. It is particularly surprising that no one analysed the issue of the instrument’s history in St. Nicholas’ church ever since it became a cathedral. The author of this paper intends to contribute to reviewing the history of the grand renovation of the church of St. Nicholas after the fire of 1777.
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Zivkovic, Milos. "Unknown and less known icons from Praskvica monastery: Works by painter Radul, Dimitrije Daskal and Maksim Tujkovic." Zograf, no. 36 (2012): 199–222. http://dx.doi.org/10.2298/zog1236199z.

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This paper deals with the attribution of several icons from the treasury of the Praskvica monastery in Pastrovici. The earliest is the icon of Great Deesis, painted in 1680 by the painter Radul, for the iconostasis of the monastery Church of the Holy Trinity. The works by his apprentice, Dimitrije of Risan - the Great Deesis, the Deesis icon, and the icon of St. Demetrius with an unknown holy woman - we repainted in 1693 and in tended for the earlier monastery church dedicated to St. Nicholas. The same painter was the author of the icon of the Mother of God with Christ and the Royal Deesis, in Praskvica to day, which were painted for the iconostasis of the Church of St. Nicholas in Podostrog. The monastery of Praskvica also houses the icons painted by Maksim Tujkovic in 1714, the Hospitality of Abraham and the Crucifixion, preserved in fragments, which were initially positioned on the iconostasis in the Church of St. Nicholas.
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Pejic, Svetlana. "Spolia from the Church of St. Nicholas in Nikoljac." Zograf, no. 36 (2012): 13–20. http://dx.doi.org/10.2298/zog1236013p.

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Two, so far unknown, spolia with carved interlace ornaments, built into the wall of the Church of St. Nicholas in Nikoljac are analyzed. These spolia are a part of the collection of fragments discovered earlier in the Church of St. Peter in Bijelo Polje. A comparative analysis was performed on a multitude of pre-Romanic material, in order to determine the time when they were made and whether they originated from any specific circle of stonemasons, and also to identify the initial position of the fragments in the liturgical church furniture for which they had been carved.
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R., N., and H. G. Tempest. "Notes on the Parish Church of St Nicholas, Dundalk." Journal of the County Louth Archaeological and Historical Society 21, no. 4 (1988): 455. http://dx.doi.org/10.2307/27729660.

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Tadic, Milutin, and Aleksandar Petrovic. "Mathematical-geographical intention in orienting mediaeval churches of the Serbian monastery Gradac." Glasnik Srpskog geografskog drustva 91, no. 4 (2011): 141–58. http://dx.doi.org/10.2298/gsgd1104141t.

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The subject of the paper is an exact analysis of the orientation of the Serbian monastery churches: the Church of the Virgin Mary (13th century), St. Nicholas' Church (13th century), and an early Christian church (6th century). The paper determines the azimuth of parallel axes in churches, and then the aberrations of those axes from the equinoctial east are interpreted. Under assumption that the axes were directed towards the rising sun, it was surmised that the early Christian church's patron saint could be St. John the Baptist, that the Church of the Virgin Mary was founded on Annunciation day to which it is dedicated, and that St. Nicholas' Church is oriented in accordance with the rule (?toward the sunrise?) even though its axis deviates from the equinoctial east by 41? degrees.
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Tadic, Milutin, and Sava Andjelic. "Solstice orientation of the St Nicholas’ Church monastery Studenica, Serbia." Journal of the Geographical Institute Jovan Cvijic, SASA 62, no. 1 (2012): 1–9. http://dx.doi.org/10.2298/ijgi1201001t.

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Vojvodic, Dragan. "The icon of the Theotokos from the Church of St. Nicholas (Rajko’s Church) and the question of painting workshops in medieval Prizren." Zograf, no. 40 (2016): 95–116. http://dx.doi.org/10.2298/zog1640095v.

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Based on stylistic and paleographical analysis, it can be safely concluded that the icon of the Theotokos from the Church of St. Nicholas (Rajko?s Church) in Prizren was not created in the 14th century as previously believed. It was painted in the last third of the 16th century by an icon painter close to the circle of Serbian painters formed in Pec. The suggestion of stylistic ties between this icon and the first fresco layer at the Church of the Holy Savior in Prizren and the wall paintings in the Church of St. Nicholas (the Tutic Church) is not acceptable. Furthermore, comparison of wall paintings in these and other contemporaneous churches in the area of Prizren, as well as the local icon paintings, does not substantiate the suggestion that an urban painting workshop operated in 14th-century Prizren.
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Smirnov, Georgy. "RETURNING TO LUIGI RUSCA’S PROJECT FOR ST NICHOLAS CHURCH IN TALLINN." Baltic Journal of Art History 17 (May 15, 2019): 81–84. http://dx.doi.org/10.12697/bjah.2019.17.04.

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Cvetkovski, Saso. "The royal doors from the Church of St. Nicholas in the village Prisovjani." Zbornik radova Vizantoloskog instituta, no. 44 (2007): 567–73. http://dx.doi.org/10.2298/zrvi0744567c.

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In this paper for the first time the Royal Doors from the church of St Nicholas at Prisovjani are published. According to style, the selected woodcarving motifs, and the iconography of the Annunciation these doors belong to the group of Royal Doors that are linked to Ohrid and its existing artistic workshops from the mid 16th century. Namely, the Royal Doors from the church of St. Clement in Ohrid (now housed in the National Museum in Ohrid), from the church of St. George in the Vlach district of the city, from an unidentified church in Ohrid or its surrounding (now kept in the National Museum in Belgrade) from St. Panteleimon in Nerezi, and the those from the church of St. Nicholas at Korenica. The Royal Doors from Prisovjani bear two key features from the above mentioned works, the carving and the painting. The carving is distinct by the concept of the tablets, and the motifs: the interlacing ornament, known as 'Solomon's seal', the running meander, and the ornament resembling a maggoty effect. The style of the icon painting, and the manner in which the depiction of Archangel Michael and the Holy Virgin were achieved had led previous scholars to believe that these works were accomplished under the influence of the Cretan painting of this period. The Royal Doors from Prisovjani are dated to the mid 16th century, the period of the Ohrid Archbishop Prochor, a period of great prosperity in all arts moreover since the archbishop himself was one of the great patrons.
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Dissertations / Theses on the topic "St. Nicholas (Church : Blakeney)"

1

Saraç, Dinç. "Site management and cultural tourism in Turkey : a case study on the Church of St Nicholas, Perge, Aspendos and Alanya Castle." Thesis, University of Newcastle upon Tyne, 2015. http://hdl.handle.net/10443/3050.

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This research investigates the site management initiatives that were introduced as a result of the changes made in 2004 to the Law for the Conservation of Cultural and Natural Properties, the main law dealing with all heritage sites in Turkey. These initiatives, which were put forth via a regulation that came into force in 2005, primarily aim at ensuring the safeguarding of certain archaeological sites and conservation areas within the scope of sustainable management plans and in co-ordination with actors other than the state. The main determinants that shaped the formulation of site management initiatives in Turkey are the management plan criteria developed by UNESCO for the World Heritage List and the state’s patent intention of enhancing cultural tourism, which the Ministry of Culture and Tourism expects will function as a supplement to the mass tourism industry. As a case study, this piece of policy research provides an analysis of the aforementioned site management initiatives in order to shed light on their implementation process and their contribution to the development of cultural tourism. The four case studies from the province of Antalya – one of the loci for ongoing and future site management projects in Turkey – are used to fulfil the research aims and objectives. The findings from the case studies are triangulated with analyses of the wider literature on heritage management and tourism, and on prior policies concerning archaeological sites and tourism in Turkey. The major findings of this study indicate that the site management initiatives in question have promising potential in furnishing solutions to several long-standing management problems related to heritage sites in Turkey. In this regard, they should be approached independently of any WHL-related concerns, and should be supported with strong criteria of enforcement and punitive sanctions. This study also illustrates that the future of cultural tourism in Turkey is uncertain due to the entrenched influence of mass tourism policies as well as the governance, planning, and research problems stemming from these policies.
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Véghová, Jana. "Kostel svatého Mikuláše v Benešově." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-338566.

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The Diploma thesis deals with the church of St. Nicholas. Thesis is about church monographically, focusing on the period of creation, the buiding itself and artistic value of the church and its equipment. Thesis processes architecture of the church, not just a description, but it also looks for possible patterns and analogie. Whereas the predecessor of the church can be dated to the 11. century is very interesting to see how the church was created in connection with the foundation of the city. Equipment of the church is at first sight rather baroque, but we will find such a sights as the valuable work of the main altar, the image Assumpta from 15. century Among important baroque monuments includes the cykle of the life of St. Clement by Ignác Viktorín Raab and statues of the St. Aldabert and Prokop from the workshop of Matyas Bernar Braun. The church is an interestin unification of various styles.
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Véghová, Jana. "Kostel svatého Mikuláše v Benešově s důrazem na kult svatého Klimenta." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-335234.

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The aim of my work is the church of St. Nicholas in Benesov in terms of one of the monuments, which is the cycle of St. Clement Baroque painter Ignaz Raab. At the beginning shortly focus on the period of the formation and history of the church. Church on this site can be dated back to the 11th century already. It is very interesting to observe how the church was created in connection with the founding of the city. In the next part, I will study the cult of St. Clement and his association with the Czech environment. In the next chapter I will deal with the author cycle Ignaz Raab. I will be interested in what the creative period of a cycle of St. Clement, which Czech and foreign influences acting upon it, and how this inspiration reflected in his work. The last part will include individual images of the cycle, which will discuss the iconography and by comparison.
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Kučerová, Mariana. "K. I. Dientzenhofer ve službách Tovaryšstva Ježíšova." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-408862.

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K. I. Dientzenhofer in the service of Society of Jesus Abstract The Diploma Thesis aims to map the famous Jesuit religious buildings arising in the Czech kingdom by the hands of Kilian Ignac Dientzenhofer, as well as some smaller foundations or now-defunct constructions. Firstly it is the rural residences in Liběšice and the completion of the construction in Tuchoměřice or the dispensary in Smíchov, which has been demolished in 1930. Furthermore, the Holy Mountain Steps, which were only partially implemented according to the Dientzenhofer proposal. The Thesis also includes constructions where the architect's authorship is not proven, such as the Chapel of Sts. Archangel Michael in Kozinec and Chapel of Sts. Cross in Středokluky. An important part is also the effort to put these buildings into the context of the work of the younger Dientzenhofer and to get a closer look at the perception of their clients, including the typology of the architectural order within the function. Keywords The Church of St. Francis Xavier, the Church of St. Clement, the Church of St. Nicholas, the Church of St. Bartholomew, Prague, Opařany, Odolena Voda, Lesser Town, Tuchoměřice, Liběšice, radical Baroque, K. I. Dientzenhofer, Jesuits, architecture, rural residences, chapel
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Bartuňková, Kateřina. "Znojemský oltář. Vizuální kultura v Podunají." Master's thesis, 2021. http://www.nusl.cz/ntk/nusl-448755.

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Keywords The Znojmo altarpiece, Znojmo, Church of St. Michael, Dutch realism, Jakob Kaschauer Abstract This diploma thesis deals with the Znojmo Altarpiece, dated from 1430-1440 and now being exhibited in the Austrian Gallery Belvedere. Thesis is intentionally devided into two topics. The first one is the critical evaluation of the present literature, the second topic interprets the Znojmo Altarpiece itself. This evaluation is based on a specific fine art and visual value of the altarpiece connected to its sociocultural environment for which it was made for: the Church of St. Nicolas in Znojmo city. The complexity of the theologial program of the piece is also analysed, as well as its connection to a supposed donor, Duke Albrecht II. of Germany of the House of Habsurg. Thesis deals with the motives of duke's order including the choice of the carving workshop originated in the artistic environment of Bavaria, which was completed by the domestic Viennese painting workshop. In terms of its artistic style, both the painting and carving style of the alterpiece are putting into context of the Bavarian and Viennese contemporary production. The relationship between the origins of the Znojmo Altarpiece and the painting work of the Master of the Fridrich Altarpiece and the sculptural work of Jakob Kaschauer are also...
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Čížkovská, Zdeňka. "Dušičkové kaple v umění řádu Tovaryšstva Ježíšova." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-434232.

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Art of Jesuit Chapels of the Deceased The theme of this work is presentation of Jesuit Chapel of the Deceased in Bohemia in the Baroque period. The main idea of these chapels are the last idea of man and reminder to purgatory. The presence of purgatory was unquestionable for Baroque society and very often presentation in art. Purgatory was place, which gives hope to the Catholics for salvation and it was great occasional for using special symbols and emblems, it is a way how the remind a believer to the idea of the Last Judgment.
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Hule, Jan. "Annín, Kašperské Hory a Strakonice jako modelové příklady stylové orientace a kulturně historických okolností vzniku nástěnných maleb před polovinou 14. století na Prácheňsku." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-332016.

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The subject of this diploma thesis are medieval murals from the first half of the 14th century in Annin, Kasperske Hory and Strakonice. The thesis is focused primarily on detailed analysis of wall paintings, iconographic and stylistic evaluation in national context and context of neighboring countries. then the summary of the cultural and historical circumstances of origin of the paintings in a defined region together with a partial evaluation of period significance of the Prachen region. Cultural and historical circumstances are also put into context with regional patronage. Another objective of these thesis is to identify issues that require further research, especially in the field of iconographic identification of the particular scenes, and setting the paintings in the broader European context. The conclusion then revise relations of the paintings to Germany and Austria and evaluation of the importance of these areas as intermediary regions in the transfer of stylistic incentives.
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Books on the topic "St. Nicholas (Church : Blakeney)"

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Society, Buckinghamshire Family History. Cublington: St Nicholas. Aylesbury, Bucks: Buckinghamshire Family History Society, 2009.

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Hill, Norma. St. Nicholas Church, Whitchurch, Bristol. [Bristol]: [N. Hill], 1988.

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Mauropoulou-Tsioumē, Chrysanthē. The Church of St Nicholas Orphanos. Thessaloniki: Institute for Balkan Studies, 1986.

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Mauropoulou-Tsioumē, Chrysanthē. The Church of St. Nicholas Orphanos. Thessaloniki: Institute for Balkan Studies, 1986.

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Korhun, Michael. St. Nicholas Ukrainian Orthodox Church (commemorative book). Winnipeg, Manitoba, Canada: "Eclessia" Publishing Corp., 2002.

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Lumiste, Mai. The Church of St. Nicholas: An architectural history. Tallinn: Perioodika, 1985.

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Morris, G. A. A history of St. Nicholas, Tooting Parish Church. London (Church Lane, Tooting SW17): The Church, 1987.

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Thornber, Craig W. The registers of St. Nicholas: Newchurch-in-Rossendale. [Bristol?]: The Lancashire Parish Register Society, 2010.

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Rose, Martial. The seven sacrament font in St Nicholas Church, East Dereham. [Dereham]: East Dereham Parochial Church Council, 1997.

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James, Rosenthal, ed. St. Nicholas: A closer look at Christmas. Nashville, Tenn: Nelson Reference & Electronic, 2005.

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Book chapters on the topic "St. Nicholas (Church : Blakeney)"

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Johnson, Ian. "What Nicholas Love Did in his Proheme with St Augustine and Why." In Medieval Church Studies, 375–91. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.mcs-eb.1.101699.

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Gaskell, Elizabeth. "Chapter III." In Ruth. Oxford University Press, 2011. http://dx.doi.org/10.1093/owc/9780199581955.003.0005.

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Mr. Bellingham attended afternoon service at St Nicholas’ church the next Sunday. His thoughts had been far more occupied by Ruth than hers by him, although his appearance upon the scene of her life was more an event to her than it was to...
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Conference papers on the topic "St. Nicholas (Church : Blakeney)"

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Apostolopoulos, G., J. A. Dourakopoulos, G. Amolochitis, P. Pavlopoulou, and V. K. Karastathis. "Integrated Geophysical Survey around the 12th Century Byzantine Church of St. Nicholas, Platani Achaias, Greece." In Near Surface Geoscience 2016 - 22nd European Meeting of Environmental and Engineering Geophysics. Netherlands: EAGE Publications BV, 2016. http://dx.doi.org/10.3997/2214-4609.201602044.

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Acosta, A., J. Pacheco, E. J. García, M. Sifuentes, and J. M. Rodríguez. "St. Nicholas of Tolentino monastery and church in Actopan, Hidalgo: preservation, surveying and reuse of a heritage building in Mexico." In STREMAH 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/str110141.

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