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Journal articles on the topic 'St. Peter in Salzburg (Abbey)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Schmitz, Max. "The fish section in Engelbert of Admont’s Tractatus de naturis animalium (ca. 1250–1331)." Reinardus / Yearbook of the International Reynard Society 21 (December 17, 2009): 158–72. http://dx.doi.org/10.1075/rein.21.11sch.

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Engelbert’s unedited work on animals is delivered to posterity in a limited number of manuscripts. The second part of the treatise that is discussed here closely follows the structure of Isidore of Seville’s encyclopaedia. In order to illustrate Engelbert’s work method and the emphasis of this part, the article focuses on the fourth category (de piscibus) which is an interesting section for a number of reasons. The main sources are specified and the text is compared to similar writings. Finally the edition of ten chapters out of 53 from this section completes the study. Born in Styria in the m

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Brinzing, Armin. "A Mozart Library in National Socialist Germany." Fontes Artis Musicae 70, no. 4 (2023): 281–99. http://dx.doi.org/10.1353/fam.2023.a915317.

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Abstract: This article examines the development of the library of the International Mozarteum Foundation after Austria’s annexation by Nazi Germany, 1938 to 1945. Although the Mozarteum Foundation was under direct government control, it nominally remained a non-governmental institution even during the Nazi era. Therefore, although it was not directly involved in the National Socialist system of cultural property theft, it made intensive efforts to expand its holdings from collections expropriated by the National Socialists. The driving force behind this was the musicologist Erich Valentin, who

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3

Aringer, Klaus. "unbekanntes Orgeltabulatur-Fragment des 15. Jahrhunderts in der Erzabtei St. Peter (Salzburg)." Die Musikforschung 59, no. 4 (2021): 357–63. http://dx.doi.org/10.52412/mf.2006.h4.593.

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Die Tabulatur eines praktischen Orgelstücks aus dem 15. Jahrhundert ist ein Fragment aus dem Bestand der Salzburger Erzabtei St. Peter. Möglicherweise handelt es sich um ein Dokument für das Orgelspiel im Stift St. Peter selbst. bms online (Cornelia Schöntube)

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Wand, John. "The Romanesque Abbey of St Peter at Gloucester." Church Archaeology 20 (January 2021): 87. http://dx.doi.org/10.3828/churcharch.2021.20.87.

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5

Walton, Barry. "Briefing: St Nicholas Abbey historic railway project, St Peter, Barbados, West Indies." Proceedings of the Institution of Civil Engineers - Engineering History and Heritage 172, no. 4 (2019): 148–51. http://dx.doi.org/10.1680/jenhh.19.00014.

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6

Grier, James. "Editing Adémar de Chabannes' liturgy for the Feast of St Martial." Plainsong and Medieval Music 6, no. 2 (1997): 97–118. http://dx.doi.org/10.1017/s0961137100001303.

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On 3 August 1029, the monks of the abbey of St Martial in Limoges sought to inaugurate a new liturgy for their patron saint, a new liturgy that acknowledged and celebrated his status as an apostle, the younger cousin of Simon Peter, an intimate of Jesus himself, and St Peter's delegate to Gaul.

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7

Cambridge, Eric. "The Romanesque Abbey of St Peter at Gloucester (Gloucester Cathedral)." Journal of the British Archaeological Association 174, no. 1 (2021): 195–97. http://dx.doi.org/10.1080/00681288.2021.1965325.

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Conti, Aidan. "In Search of a Harrowing Tale: Manuscripts of the Latin Translation of 'De Christi passione'." Interfaces: A Journal of Medieval European Literatures, no. 12 (December 7, 2024): 41–54. https://doi.org/10.54103/interfaces-12-04.

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This paper examines the manuscripts of the Latin translation of Eusebius of Alexandria's sermo 17 as evidence for medieval text searches. This homily, which treats the apprehension of Jesus, his trial and subsequent descent into hell, is found in four manuscripts (Oxford, Bodleian Library, Bodley 343; Cambridge, St John’s College, C. 12; München, Bayerische Staatsbibliothek, Clm14540; Salzburg, Stiftsbibliothek St Peter, a VII 5), which evince two distinct searches for the homily. In the English manuscripts, the homily fills a lacuna in Easter season within the Homiliary of Angers. In the earl

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Šešelj, Barbara. "The Cartulary of the Benedictine Abbey of St. Peter of Gumay (Croatia) 1080-1187." Journal of Croatian Studies 27 (1986): 138–41. http://dx.doi.org/10.5840/jcroatstud19862711.

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Braček, Tadej. "Fact, Myth and Legend in Matthew Arnold’s Westminster Abbey." ELOPE: English Language Overseas Perspectives and Enquiries 4, no. 1-2 (2007): 99–106. http://dx.doi.org/10.4312/elope.4.1-2.99-106.

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The paper deals with the multilayered elegy “Westminster Abbey;” which was not given a lot of attention by Matthew Arnold’s critics. The poem is dedicated to Arnold’s life-long friend Dean Stanley; who was; like Arnold himself; “a child of light.” The term refers to their common fight against Philistinism in the English society of the time. As the poem is about a real person; it contains real data; such as excerpts from Stanley’s life; described in the form of praise. However; the poem also introduces the old Saxon legend of consecration of the Abbey; namely the consecration by the light; perf

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Hayward, Paul Antony. "An absent father: Eadmer, Goscelin and the cult of St Peter, the first abbot of St Augustine’s Abbey, Canterbury." Journal of Medieval History 29, no. 3 (2003): 201–18. http://dx.doi.org/10.1016/s0304-4181(03)00030-7.

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12

Langbroek, Erika. "NÄHERE BETRACHTUNGEN ZU DEN GRIFFELGLOSSEN IN DER HANDSCHRIFT SALZBURG ST. PETER A VII 2: BERICHTIGUNGEN UND NEUE INTERPRETATIONEN." AMSTERDAMER BEITRÄGE ZUR ÄLTEREN GERMANISTIK 46, no. 1 (1996): 59–90. http://dx.doi.org/10.1163/18756719-046-01-90000006.

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13

Vince, Alan G., and Tony Wilmott. "A Lost Tile Pavement at Tewkesbury Abbey and an Early Fourteenth-Century Tile Factory." Antiquaries Journal 71 (September 1991): 138–73. http://dx.doi.org/10.1017/s0003581500086856.

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The products of a tilery working in the Welsh marches in the thirteenth and fourteenth centuries with a probable production centre at Hereford, can be identified at a number of sites through petrological analysis. The accuracy of the heraldic tiles allows careful analysis from which dates, and possible commissions may be identified.The tilery began the production of accurate heraldic designs c. 1260. These were augmented by Chertsey-Halesown copies around the turn of the thirteenth-fourteenth centuries. The production of heraldic tiles was stepped up in the 1320s, as a result of the filling of

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Mews, Constant J. "In Search of a Name and Its Significance: A Twelfth-Century Anecdote about Thierry and Peter Abaelard." Traditio 44 (1988): 171–200. http://dx.doi.org/10.1017/s0362152900007054.

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‘Abaelard,’ ‘Abelard,’ ‘Baiolard’ …? Twelfth-century scribes were as uncertain of the exact spelling and pronunciation of the famous philosopher's cognomen as scholars have been in more recent centuries. Trivial as it might seem, correct pronunciation provides the key to understanding a short anecdote copied onto the opening folio of a twelfth-century manuscript (MS Munich, Bayerische Staatsbibliothek Clm. 14160 = M), formerly belonging to the Benedictine abbey of St. Emmeran, Regensburg. It tells the reader that the peripatetic philosopher wanted to supplement his studies of the trivium by fo

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Sijka, Katarzyna. "Losy Sakramentarza Tynieckiego podczas II wojny światowej." Saeculum Christianum 25 (April 25, 2019): 327–40. http://dx.doi.org/10.21697/sc.2018.25.25.

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The SacramentoriumTynecensis was written in circa 1060-1070, probably in Cologne. It was located in the Benedictine Abbey in Tyniec from 11th century to 19th century. In 1814 the illuminated manuscript was bought by Stanisław Kostka Zamoyski, then in 1818 he located the codex in the Zamoyski Ordynacja Library in Warsaw. It stayed there to the end of World War II. Two formations of Nazi Germany were as follows: a military unit led by Professor of Archaeology, Peter Paulsen and a group led by art historian Kajetan Mühlman. Both were responsible for the plundering of Poland's cultural heritage. T

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Bieganowski, Lech, and Andrzej Grzybowski. "Thomas of Wroclaw (1297–1378) – Medieval bishop and scholar of English origin." Journal of Medical Biography 25, no. 4 (2016): 260–63. http://dx.doi.org/10.1177/0967772016662390.

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Peter of Tilleberi (Tilbury), later known as bishop Thomas of Wroclaw, after completing his studies (in Bologna or in Montpellier) worked as a physician in northern Italy and probably in Spain. Later through Germany and Bohemia, he came to Wroclaw in 1336 where he joined the Order of St. Dominic. In 1352, Thomas was made an auxiliary bishop of the diocese of Wroclaw. After the episcopal consecration, Thomas stopped living in the abbey, but all the time he was well known both as a priest and physician. He is known as an author of several treatises on medical sciences. His most important work en

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17

FALCONER, KEITH. "Stefan Engels. Das Antiphonar von St. Peter in Salzburg: Codex ÖNB Ser. Nov. 2700 (12. Jahrhundert). Beiträge zur Geschichte der Kirchenmusik 2. Paderborn: Ferdinand Schöningh, 1994. viii, 352 pp. ISBN 3 506 70622 5." Plainsong and Medieval Music 9, no. 2 (2000): 171–202. http://dx.doi.org/10.1017/s0961137100260099.

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Domański, Grzegorz. "Ze studiów nad dziejami klasztoru Kanoników Regularnych na górze Ślęży." Slavia Antiqua. Rocznik poświęcony starożytnościom słowiańskim, no. 60 (January 1, 2020): 239–54. http://dx.doi.org/10.14746/sa.2019.60.9.

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Fifteen years after my attempt at summing up the results of the historical, and above all archaeological research on Ślęża mountain (Domański 2002 ‒ research as of 2000) the time has come to make some minor corrections and important additions, mainly related to the early years of St. Augustine’s monastery in Ślęża, which from the 12th century to 1494 owned the majority of the massif, and after 1494 the entire mountain. The location of the monastery on Ślęża has been a matter of discussion since at least the 19th century. Written sources unambiguously speak of its location on the mountain. In 2

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Williams, Joseph C. "Carolyn Heighway and Richard Bryant, The Romanesque Abbey of St Peter at Gloucester. Oxford and Philadelphia: Oxbow Books, 2019. Paper. Pp. 128; many color and black-and-white figures. £24.99. ISBN: 978-1-7892-5414-3." Speculum 96, no. 4 (2021): 1180–81. http://dx.doi.org/10.1086/716532.

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20

Krekić, Bariša. "Edo Pivčević, Ed.; S. J. Tester, trans., The Cartulary of the Benedictine Abbey of St. Peter of Gumay (Croatia) 1080–1187. Bristol: David Arthur & Sons, 1984. Paper. Pp. 112; tables, maps, and black-and-white facsimile of manuscript." Speculum 61, no. 03 (1986): 742–43. http://dx.doi.org/10.1017/s0038713400121311.

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21

Gillin, Edward. "David Cannadine , ed. Westminster Abbey: A Church in History. New Haven: The Paul Mellon Centre for Studies in British Art, in association with the Dean and Chapter of the Collegiate Church of St. Peter Westminster, 2019. Pp. 456. $45.00 (cloth)." Journal of British Studies 59, no. 4 (2020): 890–92. http://dx.doi.org/10.1017/jbr.2020.87.

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22

Lejman, Beata. "O niebezpiecznych związkach sztuki i polityki na przykładzie „żywotów równoległych” Michaela Willmanna i Philipa Bentuma." Porta Aurea, no. 19 (December 22, 2020): 114–34. http://dx.doi.org/10.26881/porta.2020.19.05.

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Michael Lucas Leopold Willmann (1630–1706) was born in Königsberg (now Kalinin grad in Russia), where his first teacher was Christian Peter, a well -off guild painter. After years of journeys of apprenticeship and learning in the Netherlands, the young artist returned to his homeland, after Matthias Czwiczek’s death in 1654 probably hoping for the position of the painter at the court of Great Elector Frederick William (1620–1688).What served to draw the ruler’s attention to himself was probably the lost painting, described by Johann Joachim von Sandrart as follows: ‘the Vulcan with his cyclops

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Metcalf, Priscilla. "The New Bells's Cathedral Guides. 21.5 × 13.5 cm. Pp. 192, many ills. London: Bell & Hyman, now (1987) Unwin Hyman. £5.95 each p/b (also available in h/b £10.95 each). - Westminster Abbey. By Christopher Wilson, Pamela Tudor-Craig, John Physick and Richard Gem, photography by Malcolm Crowthers. 1986. ISBN 0-7135-2613-0 (p/b). - Canterbury Cathedral. By D. Ingram Hill, photography by Peter Burton and Harland Walshaw. 1986. ISBN 0-7135-2619-X (p/b). - St Paul's Cathedral. By Peter Burman, photography by Malcolm Crowthers. 1986. ISBN 0-7135-2617-3 (p/b). - Salisbury Cathedral. By Roy Spring, photographers various. 1987. ISBN 0-04-440013-6 (p/b). - Wells Cathedral. By L. S. Colchester, photography by George H. Hall. 1987. ISBN 0-04-440012-8 (p/b). - Coventry Cathedral. By John Thomas, photography by Peter Burton and Harland Walshaw. 1987. ISBN 0-04-440011-X (p/b)." Antiquaries Journal 67, no. 2 (1987): 442–44. http://dx.doi.org/10.1017/s0003581500026020.

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Mason, Cai. "The Romanesque Abbey of St Peter at Gloucester." Archaeological Journal, December 10, 2021, 1. http://dx.doi.org/10.1080/00665983.2021.2015132.

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25

"Hampshire." Camden Fourth Series 31 (July 1986): 247–61. http://dx.doi.org/10.1017/s0068690500005912.

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299 Gift in free alms by Reginald FitzPeter to Reading Abbey, for the health of the souls of, among others, himself, Peter FitzHerbert his father, and Herbert his brother, of the 40s annual rent which the abbot and monks of Waverley (Waverlegh') used to pay to him and to Herbert his brother for the land of Boyatt (Boveyate) on the feast of the Nativity of St Mary [8 Sept.]. Reading Abbey may distrain on the abbot and monks of Waverley at Boyatt in the event of non-payment of the rent. Warranty and sealing. Witnesses [omitted][c. May 1248]This rent was bequeathed to Reading in Herbert FitzPeter

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Moscone, Sara. "Peter Comestor’s Historia Scholastica: Pursuing the veritas historiae Through the Works of Josephus." Judaica. Neue digitale Folge 3 (December 12, 2022). http://dx.doi.org/10.36950/jndf.2022.19.

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Petrus Comestor’s Historia Scholastica is a broad biblical rewriting composed ca. 1160 in the milieu of the cathedral school of Paris and the abbey of St. Victor. Also known as the ‘popular Bible’, it was considered a pivotal biblical manual until the mid-16th century, as the over 800 extant manuscripts show. For his wide-raging work, Comestor uses a variegated pool of sources, among which one of the most important is Flavius Josephus, known to Comestor through its Latin translation. The use of Josephus in the Historia is unique in its extent and has received some scholarly attention, but furt

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"ii. John Pyel." Camden Fifth Series 2 (December 1993): 22–36. http://dx.doi.org/10.1017/s0960116300000208.

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John Pyel was a Northamptonshire man from the village of Irthling-borough, lying on the upper bank of the River Nene four miles northeast of Wellingborough. Situated on the principal trade route from Northampton to Peterborough, and indeed to the port of King's Lynn, the village was well-placed to transport commercial produce, which in the fourteenth century consisted principally of hides for the leather industry and wool. The surrounding area was also likely to have been rich in cereals and other arable crops. John Pyel inherited a plot of land in the village from his father, John senior, in

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"Heinrich Schmidinger, Patriarch im Abendland: Beiträge zur Geschichte des Papsttums, Roms, und Aquileias im Mittelalter. Ed. Heinz Dopsch, Heinrich Koller, and Peter F. Framml. Salzburg: St. Peter, 1986. Pp. xxiv, 464; frontispiece. DM 42." Speculum 62, no. 04 (1987): 1036–37. http://dx.doi.org/10.1017/s0038713400116501.

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"Buchbesprechungen." Zeitschrift für Historische Forschung: Volume 47, Issue 3 47, no. 3 (2020): 465–590. http://dx.doi.org/10.3790/zhf.47.3.465.

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Classen, Albrecht (Hrsg.), Travel, Time, and Space in the Middle Ages and Early Modern Time. Explorations of World Perceptions and Processes of Identity Formation (Fundamentals of Medieval and Early Modern Culture, 22), Boston / Berlin 2018, de Gruyter, XIX u. 704 S. / Abb., € 138,95. (Stefan Schröder, Helsinki) Orthmann, Eva / Anna Kollatz (Hrsg.), The Ceremonial of Audience. Transcultural Approaches (Macht und Herrschaft, 2), Göttingen 2019, V&amp;R unipress / Bonn University Press, 207 S. / Abb., € 40,00. (Benedikt Fausch, Münster) Bagge, Sverre H., State Formation in Europe, 843 – 1789

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30

Sampson, Peter. "Monastic Practices Countering a Culture of Consumption." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.881.

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Over time, many groups have sought to offer alternatives to the dominant culture of the day; for example, the civil-rights movements, antiwar protests, and environmental activism of the 1960s and 1970s. Not all groupings however can be considered countercultural. Roberts makes a distinction between group culture where cultural patterns only influence part of one’s life, or for a limited period of time; and countercultures that are more wholistic, affecting all of life. An essential element in defining a counterculture is that it has a value-conflict with the dominant society (Yinger), and that

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"Buchbesprechungen." Zeitschrift für Historische Forschung 45, no. 3 (2018): 495–650. http://dx.doi.org/10.3790/zhf.45.3.495.

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Füssel, Marian / Antje Kuhle / Michael Stolz (Hrsg.), Höfe und Experten. Relationen von Macht und Wissen in Mittelalter und Früher Neuzeit, Göttingen 2018, Vandenhoeck &amp; Ruprecht, 228 S. / Abb., € 55,00. (Alexander Querengässer, Leipzig) Fertig, Christine / Margareth Lanzinger (Hrsg.), Beziehungen – Vernetzungen – Konflikte. Perspektiven Historischer Verwandtschaftsforschung, Köln / Weimar / Wien 2016, Böhlau, 286 S. / Abb., € 35,00. (Simon Teuscher, Zürich) Geest, Paul van/ Marcel Poorthuis / Els Rose (Hrsg.), Sanctifying Texts, Transforming Rituals. Encounters in Liturgical Studies.

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"Buchbesprechungen." Zeitschrift für Historische Forschung 46, no. 4 (2019): 641–754. http://dx.doi.org/10.3790/zhf.46.4.641.

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Rexroth, Frank / Teresa Schröder-Stapper (Hrsg.), Experten, Wissen, Symbole. Performanz und Medialität vormoderner Wissenskulturen (Historische Zeitschrift. Beihefte (Neue Folge), 71), Berlin / Boston 2018, de Gruyter Oldenbourg, 336 S. / Abb., € 89,95. (Lisa Dannenberg-Markel, Aachen) Enenkel, Karl A. E. / Christine Göttler (Hrsg.), Solitudo. Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures (Intersections, 56), Leiden / Boston 2018, Brill, XXXIV u. 568 S. / Abb., € 165,00. (Mirko Breitenstein, Dresden / Leipzig) Tracy, Larissa (Hg.), Medieval and Early Modern M

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"Buchbesprechungen." Zeitschrift für Historische Forschung: Volume 46, Issue 2 46, no. 2 (2019): 289–406. http://dx.doi.org/10.3790/zhf.46.2.289.

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Cremer, Annette C. / Martin Mulsow (Hrsg.), Objekte als Quellen der historischen Kulturwissenschaften. Stand und Perspektiven der Forschung (Ding, Materialität, Geschichte, 2), Köln / Weimar / Wien 2017, Böhlau, 352 S. / Abb., € 50,00. (Alexander Georg Durben, Münster) Pfister, Ulrich (Hrsg.), Kulturen des Entscheidens. Narrative – Praktiken – Ressourcen (Kulturen des Entscheidens, 1), Göttingen 2019, Vandenhoeck &amp; Ruprecht, 409 S. / Abb., € 70,00. (Wolfgang Reinhard, Freiburg i. Br.) Krischer, André (Hrsg.), Verräter. Geschichte eines Deutungsmusters, Wien / Köln / Weimar 2019, Böhlau

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Cashman, Dorothy Ann. "“This receipt is as safe as the Bank”: Reading Irish Culinary Manuscripts." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.616.

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Introduction Ireland did not have a tradition of printed cookbooks prior to the 20th century. As a consequence, Irish culinary manuscripts from before this period are an important primary source for historians. This paper makes the case that the manuscripts are a unique way of accessing voices that have quotidian concerns seldom heard above the dominant narratives of conquest, colonisation and famine (Higgins; Dawson). Three manuscripts are examined to see how they contribute to an understanding of Irish social and culinary history. The Irish banking crisis of 2008 is a reminder that comments

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