Relevant bibliographies by topics / Stage genre

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Stage genre'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Stage genre"

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Emily Morgan, Vinh To, and Angela Thomas. "Using Genre-based Pedagogy to Teach Structural Staging of Short Persuasive Essays in a Japanese University Context." English as a Foreign Language International Journal 2, no. 6 (2022): 49–79. http://dx.doi.org/10.56498/422262022.

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University students studying English as a Foreign Language (EFL) are required to read and write specialised academic genres. Genre-based pedagogy, developed from Systemic Functional Linguistics (SFL), teaches lexicogrammar and structure of these genres in context. The present study taught the structural staging of exposition and discussion genres to 17 students over a ten-week program, using the Gradual Release of Responsibility (GRR) framework. Pre- and post-instruction essays were collected. Results show that, post-intervention, students preferred the structurally complex discussion genre wh
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MIRZEYEVA, Gulnar. "AZERBAYCAN BESTECİLERİNİN ESERLERİNDE ETÜD TÜRÜ THE GENRE OF ETUDE IN THE WORKS OF AZERBAIJANI COMPOSERS." IEDSR Association 6, no. 12 (2021): 77–86. http://dx.doi.org/10.46872/pj.270.

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The etude genre is one of the examples characterized by the emergence of different types of music that develop at certain stages of musical art. Although the introduction of studies as an independent genre in musical literature dates back to the XVII-XVIII centuries, its main function in the development of piano art was already present in other musical genres. The next stage in the development of the study genre is related to the work of the Romantic Movement representatives F.Chopin, R.Schumann, F.List. The acquisition of new features of the genre is due to the work of Russian composers. Thus
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Tyukaeva, Nadezhda. "Principles of System Modeling of the Genre (Exemplified by Texts of Natural Written Speech)." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 2 (May 2022): 171–84. http://dx.doi.org/10.15688/jvolsu2.2022.2.14.

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The article determines the problems of modern speech genre modeling and proposes a method for solving them. The methodology for describing the speech genre in modern linguistics needs to work out principles that are focused on system design. In genre modeling, at the present stage, the main tendency towards the so-called "portraiture" (passportization) has formed. The logical result was the accumulation of many essay works, which introduce diverse descriptions of individual genres without revealing their system characteristics. As a productive technology for speech genre description, a univers
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Zhao, Zedong, and Chunyu Hu. "Generic structure and APPRAISAL resources in the editorial article Free money." Forum for Linguistic Studies 3, no. 1 (2021): 1. http://dx.doi.org/10.18063/fls.v3i1.1246.

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Editorial is one of news genres aiming for opinion making and persuading. These functions determine that there are abundant evaluative resources in this genre. Exploring evaluative resources in the editorial could be conducive to understanding editorial text better and providing sensible suggestions for English learners to produce effectively persuasive writings. In view of this, the present study sets out to analyze the generic structure of the editorial Free money, then examine usage patterns of APPRAISAL resources in this text, and finally explore variations of APPRAISAL resources at differ
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Dementyev, Vadim V. "Do genre studies need the concept of genre sphere?" International Journal “Speech Genres” 20, no. 1 (45) (2025): 24–33. https://doi.org/10.18500/2311-0740-2025-20-1-45-24-33.

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The article discusses the legitimacy and appropriateness of using the concept of genre sphere in modern genre studies, by analogy with other “spheres” used in many modern humanities, for example, in conceptology. The author concludes that the genre sphere objectively exists, but the use of the genre sphere as a concept in genre studies also has objective pros and cons. The paper analyzes the possible composition of the genre sphere: the totality of all speech genres/speechgenre space of a separate national culture in a given period and in dynamics; a separate intra-cultural subculture; a separ
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Segizbaeva, Gúldana, and Gúlmaryam Kamalova. "STAGE AND FILM MUSIC IN THE WORKS OF JAMIL CHARSHEMOV." MODERN SCIENCE AND RESEARCH 3, no. 1 (2024): 289–94. https://doi.org/10.5281/zenodo.10527683.

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<em>This article describes the stage genres and film music, their emergence and development in world music and in Uzbekistan. In addition, the article will highlight the works of the young and talented Karakalpak composer Jamil Charshemov, written in the genre of stage and film music.</em>
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Wang, Guifang. "Genre-Based Approach in Business Translation Teaching." Review of Educational Theory 4, no. 2 (2021): 16. http://dx.doi.org/10.30564/ret.v4i2.3019.

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Genre-based teaching approach is a pedagogy based on genre and genre analysis theory. Based on this teaching approach, the paper puts forward a three-stage model appropriate for the teaching of business English reading. It develops teaching activities focusing on the schematic structure of a discourse. Its purpose is to make students know that the discourses with different genres have different communicative purposes and discourse structures. Through a theoretical analysis and empirical study of the model, it is concluded that genre-based teaching approach can effectively help students improve
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Lázár, Helga. "Figuraszínház : Formálódó vizuális színházi műfaj a bábszínház, a performansz és a posztdramatikus színház keresztmetszetében." Theatron 15, no. 3 (2021): 133–43. http://dx.doi.org/10.55502/the.2021.3.133.

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The subject of my paper is figurative theatre, a genre of visual theatre of German origins, that is, as of now, little known in Hungary. My goal is to review the history of the genre, to examine its connections with related genres, such as performance, post-dramatic theatre and puppet theatre, and to analyse it stage techniques and phenomenological attachments.
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Щітова, С. А., та Г. О. Савонюк. "Scripture – source of composerʼs inspiration (to the 500year of Reformation)". Музикознавча думка Дніпропетровщини, № 13 (15 серпня 2018): 117–28. http://dx.doi.org/10.15421/221811.

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The aim of this article is retracing stage-by-stage development of passions and to argue actuality of genre on the modern stage, defining text biblical basis as invariable and significance. Bible became an uniting factor for all times, for believers of confessions and creations of different forms and genres, among that liturgies, masses, spiritual concerts, passions. The genre of passions has centuries-old history. The most ancient reminiscence about passions are related yet to the rituals of resurrection of Egyptian God Osiris. In the article the value of activity of М. Luther reveals not onl
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Rahm, Henrik, and Alexander Paulsson. "Corporate Elites on Stage." Fachsprache 46, no. 1-2 (2024): 62–75. http://dx.doi.org/10.24989/fs.v46i1-2.2001.

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Inspired by Austin’s work on the performativity of speech acts and Goffman’s notion of speaker positionings, this paper explores how annual general meetings are propelled by and interwoven with a corporate genre of professional communication. While observing more than thirty corporate annual general meetings for listed companies at Nasdaq Stockholm in Sweden over three years, we identified that the corporate elites populating the stages at these meetings act as meeting-professionals. Being meeting-professionals, the corporate elites have acquired knowledge of how to conduct a formal meeting by
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Dissertations / Theses on the topic "Stage genre"

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Pipinia, Ioulia. "Casting identities : French melodramas on the London stage, 1802-1822." Thesis, University of Bristol, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391177.

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Solga, Kimberly A. "Playing the woman, gender performance on the contemporary stage." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq24922.pdf.

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Garrouri, Sihem. "We princes are set on highest stage : performing and representing Elizabeth i's royal image." Caen, 2016. http://www.theses.fr/2016CAEN1030.

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Dans le présent travail j'ai cherché à analyser la représentation et la théâtralisation de l'image royale d'Elisabeth I. J'ai examiné comment la notion de représentation et de performance fut savamment utilisée par Elisabeth I pour construire l’image d'une reine puissante, honorable, vaillante et juste, auprès de ses sujets. Au cours de cette thèse, j'ai démontré comment la souveraine a utilisé la performance au sens théâtral afin de mettre en relief son héritage royal, de transgresser les tabous associés à la féminité et assoir son pouvoir ainsi qu'une image positive de sa personnalité publiq
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Elarem, Hajer. "A quest for selfhood : deconstructing and reconstructing female identity in Doris Lessing's early fiction." Thesis, Besançon, 2015. http://www.theses.fr/2015BESA1026/document.

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Écrivaine prolifique, anticonformiste, rebelle et provocatrice, Doris Lessing est considérée par la critique comme ayant été à l'avant-garde du féminisme, du communisme, de l'anticolonialisme et de la lutte contre l'apartheid. En lui accordant le prix Nobel de littérature en 2007, l'académie suédoise récompensait une « conteuse épique de l'expérience féminine, qui avec scepticisme, ardeur et une force visionnaire, scrute une civilisation divisée ». Cependant, ne retenir de Doris Lessing que des combats politiques d'ordre public, c'est oublier un thème essentiel et omniprésent dans ses écrits,
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Wibowo, Agung. "LUDRUK : Théâtre et société à Java Est (Indonésie). Étude d’un genre ancien dans ses usages contemporains." Electronic Thesis or Diss., La Rochelle, 2023. http://www.theses.fr/2023LAROF001.

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En prise constante sur l’actualité de la vie villageoise, des instances administratives régionales, des discours politiques et militants qui s’affrontent sur les médias nationaux, le ludruk, théâtre populaire de Java Est, démontre une capacité générique à corriger, réviser, rénover sans cesse ses contenus ludiques comme si sa survie en dépendait. De telles initiatives, potentiellement transgressives des discours dominants, ont depuis l’indépendance du pays, et auparavant durant l’occupation néerlandaise puis japonaise, convaincu les autorités des champs politiques et religieux d’imposer une su
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Goursolas, Marie-Hélène. "« La société des idolâtres ». L’idolâtrie dans la polémique contre le théâtre en France et en Angleterre, XVIe-XVIIe siècles." Thesis, Sorbonne université, 2020. http://www.theses.fr/2020SORUL108.

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Cette thèse rend compte du sens et de la portée de l’idolâtrie dans la polémique contre la scène au XVIe et au XVIIe siècles en France et en Angleterre. Parce que les condamnations des premiers Pères de l’Église visaient des spectacles étroitement liés au culte païen, l’argument de l’idolâtrie est discuté dans les débats sur le statut de ces autorités dans la controverse moderne. Il questionne l’évolution de la Comédie et la possibilité de sa « conversion » au christianisme. L’idolâtrie soutient aussi l’assimilation du théâtre à une « Église du diable », car elle a été comprise comme un dévoie
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Li, Xin. "Entre scène et hors scène : étude sur l’espace dans la tragédie française de l’âge classique." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040082.

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Le XVIIe siècle a connu l’épanouissement de la création des tragédies. Notre thèse propose une étude sur un composant moins étudié de ce théâtre, l’espace. Le premier chapitre de notre étude essaie d’abord de dessiner la géographie de la tragédie de l’âge classique et établir des liens éventuels entre les lieux et les thèmes, ensuite nous étudions les différents espaces représentés par la scène et leurs caractéristiques. Le deuxième chapitre quitte la scène pour s’intéresser à la topographie des espaces hors scène. Nous verrons les fonctions de ces espaces hors scène et leurs échanges avec la
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Ayache, Solange. "‘In-Yer-Head’ Theatre : Staging the Mind in Contemporary British Drama. Towards a Quantum Psychopoetics of the Stage." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040010.

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Cette étude s’intéresse à l’espace mental comme nouveau terrain d’exploration du drame britannique contemporain, et examine les manifestations d’un mouvement qui « met en pièces » les régions inexplorées des pensées inconscientes et les contrées impénétrables du traumatisme. Puisant dans les découvertes de la psychanalyse et des sciences cognitives, inspiré par le changement de paradigme de la mécanique quantique et ses interrogations sur le rôle et la nature de la conscience, ce théâtre non plus tant « in-yer-face » que « in-yer-head » s’éloigne de la sensibilité des années 1990. Les pièces d
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Fuller, Robert Allen. "State of Love and Love of State in Chaucer's Epic, Troilus and Criseyde." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5506.

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Chaucer scholars have long recognized the generic complexity of Troilus and Criseyde, but they have tended to read it primarily as a tragedy or romance or as a text whose genre is sui generis. The following essay attempts to read Troilus and Criseyde as an epic and to articulate how such a generic lens would reorient readings of the text. To do so, fresh definition is given to the term “epic,” and insights from genre theory are drawn upon. Ultimately, Troilus and Criseyde is an epic poem because it invests within the composite hero of two lovers the fact that societal stability depends in par
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Garnero, Sandra. "Le discours didascalique et ses enjeux dans le théâtre de F. G. Lorca." Thesis, Bordeaux 3, 2015. http://www.theses.fr/2015BOR30027/document.

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L’objet de notre étude est l’analyse du discours didascalique du poète et dramaturge espagnol, Federico García Lorca. Trois pièces constituent notre champ d’investigation : Bodas de sangre, Yerma et La casa de Bernarda Alba. Les didascalies, en tant que discours émanant de la voix auctoriale, ont fait l’objet de nombreuses recherches et publications depuis l’essor de la linguistique de l’énonciation et de l’analyse du discours dramatique. Ce travail propose une poétique singulière des didascalies et démontre qu’elles forment un code sémiotique particulier, stratégique et poétique au sein du di
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Books on the topic "Stage genre"

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Ralph, Yarrow, ed. Presence and pre-expressivity. Harwood Academic, 1998.

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Sarah, Scott, and Stapleton M. L. 1958-, eds. Christopher Marlowe the craftsman: Lives, stage and page. Ashgate, 2010.

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Mitra, Sunetra. The dawn of new entertainment genre: History of development of professional Bengali and Gujarati public stage 1870-1940. Towards Freedom, 2015.

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1730-1767, Baker David Erskine, ed. Biographia dramatica, or, A companion to the playhouse: Containing historical and critical memoirs, and original anecdotes, of British and Irish dramatic writers ... also an alphabetical account of their works, the dates when printed, together with an introductory view of the rise and progress of the British stage. Printed for Mess. Rivingtons, ... , T. Payne and Son, ... , [and 7 others], 1987.

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Heylen, Romy. Translation, poetics and the stage: Six French Hamlets. Routledge, 1993.

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1939-, Zimmerman Susan, ed. Erotic politics: Desire on the Renaissance stage. Routledge, 1992.

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Toor, David, ed. Twelfth Night by William Shakespeare: Stage Edition: Designed for use in stage productions of the play with an introduction by the editor. Kenilworth Press, 2000.

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Mahood, M. M. Playing Bit Parts in Shakespeare. Taylor & Francis Inc, 2002.

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Shin, Harada. Mura no genri, toshi no genri. No-san-gyoson Bunka Kyōkai, 1997.

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Fayolle, Caroline. La femme nouvelle: Genre, éducation, Révolution (1789-1830). Éditions du CTHS, 2017.

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Book chapters on the topic "Stage genre"

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Hooker, Lynn M. "Hungary and Hungarianism Old and New on the Operetta Stage." In Genre Beyond Borders. Routledge, 2023. http://dx.doi.org/10.4324/9781003254461-9.

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Gurr, Andrew. "“The stage is hung with black”: Genre and the Trappings of Stagecraft in Shakespearean Tragedy." In Shakespeare and Genre. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9781137010353_4.

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Vedder, Ulrike. "Poetological Lists: Writing-Scenes in Contemporary Literature." In Forms of List-Making: Epistemic, Literary, and Visual Enumeration. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-76970-3_10.

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AbstractThe article focuses on literary lists the items of which demonstrate the practice of writing, that is, those which evoke a “writing-scene” (R. Campe). These poetological lists consolidate the self-reflexive potential of literary texts, gather elements of narration in list form, stage the conditions for a non-linear narrative in the list or even thematize the “genea-logic” of narrative and writing. Under consideration are four lists (all in the second half of the twentieth century) from the most disparate of genres: lyric poetry (Inger Christensen), the manifesto (Jack Kerouac), the nov
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Osborne, Deirdre. "Genre and its ‘Diss-contents’: Twenty-First-Century Black British Writing on Page and Stage." In Teaching 21st Century Genres. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55391-1_4.

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Yamada, Natsuki. "手塚修とグルメ漫画をつなぐもの ー 「あしたのジョー」の減 / Tezuka Osamu’s Gourmet Manga." In Studi e saggi. Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-506-6.06.

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I talk on change in the nature of the character in the cartoon through description of a food and the genre called a gourmet cartoon again. Specifically, the process until the character will be the existence which ‘mediates between a story with a reader’ is analyzed so that it may be seen in the gourmet cartoon. First I pay attention to Tezuka Osamu early stage work, Takamori Asao original work and Chiba Tetsuya taking pictures "Joe of tomorrow". And it is considered about the thing description about life and death there foreground propizes through a food. Further, it is confirmed that the effo
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Wearing, J. P. "Genre Index." In The London Stage 1950-1959. Rowman & Littlefield Publishers, 2014. https://doi.org/10.5771/9780810893085-725.

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Wearing, J. P. "Genre Index." In The London Stage 1910-1919. Rowman & Littlefield Publishers, 2013. https://doi.org/10.5771/9780810893009-567.

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Wearing, J. P. "Genre Index." In The London Stage 1890-1899. Rowman & Littlefield Publishers, 2013. https://doi.org/10.5771/9780810892828-461.

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Wearing, J. P. "Genre Index." In The London Stage 1900-1909. Rowman & Littlefield Publishers, 2013. https://doi.org/10.5771/9780810892941-529.

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"Disguise and Genre." In Disguise on the Early Modern English Stage. Routledge, 2016. http://dx.doi.org/10.4324/9781315577562-5.

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Conference papers on the topic "Stage genre"

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Sarkis, Miriam, Nilay Shah, and Maria M. Papathanasiou. "Integrating process and demand uncertainty in capacity planning for next-generation pharmaceutical supply chains." In The 35th European Symposium on Computer Aided Process Engineering. PSE Press, 2025. https://doi.org/10.69997/sct.162819.

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Emerging sectors within the biopharmaceutical industry are undergoing rapid scale-up due to the market boom of gene therapies and vaccine platform technologies. Manufacturers are pressured to orchestrate resources and plan investments under future demand uncertainty and, critically, an early-stage process uncertainty for platforms still under development. In this work, a multi-product multi-stage stochastic optimization problem integrating demand uncertainty is presented and augmented with a worst-case optimization approach with respect to process uncertainty. Results focus on a comparison bet
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Baldanmaksarova, Elizabeth. "MEDIEVAL MONGOLO-CHINESE LITERARY RELATIONSHIPS." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.32.

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The article is devoted to the study of Mongolian-Chinese literary relations during the Middle Ages. The literary process of medieval Mongolia is characterized by the development in a wide context of literary and cultural relationships with the literatures of Central Asia, South Siberia and the Far East, which was due to both the geographical location and the socio-political situation of the country, starting from the 13th century. When studying the problems of Mongolian-Chinese relations, it is important for us to consider the creative synthesis of two neighboring cultures, which stimulates th
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Hanganu, Dumitru. "Concerto for trumpet (in b) and orchestra by Alexander Mulear: interpretative aspects." In Cultura și arta: cercetare, valorificare, promovare. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/ca2024.03.

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The 60s of the 20th century constitute an important stage in the development of national musical art. A multitude of composers, through their prodigious activity, managed to create a solid foundation for the establishment of a school of composition in the Pruto-Nistrean area. The predominant interest was focused on instrumental music genres, especially the creation of valuable Concertos for different instruments. Among them is the Concerto for trumpet and orchestra signed by Alexander Mulear. The work is of interest for research, both from the point of view of the treatment of the genre and th
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Apostol, Snejana. "The appearance and development of classical stage dance: premises and particularities." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.27.

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The appearence and development of the classical dance and, in particular, ballet was influenced by several internal and external factors and, first of all, by the evolution of popular choreographic art, ballet becoming the superior genre of choreographic art. In the present article, the stages of creation of the classical dance are analyzed at length, starting with the 14th century and ending with the contemporary era. The particularities of the development of the classical dance and ballet in the European countries, including the Republic of Moldova, are characterized. The dominant role of th
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Martinsone-Škapare, Katrīne. "The Cultural Heritage of Character Dance Genre in the Education of a Choreographer in Latvia." In 82nd International Scientific Conference of the University of Latvia. University of Latvia Press, 2021. http://dx.doi.org/10.22364/htqe.2024.36.

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Research in the fields of culture and arts is an important resource for the development of cultural and creative industries for the creation of new teaching methods, emphasizing the professional aspects of teaching. In professional dance education, teachers’ theoretical and practical skills, alongside their body language, are of utmost importance and are honed to perfection. The study courses are primarily based on the accepted knowledge of history and cultural heritage, preserving these values as a continuation of traditions in the dance industry. The author has chosen the genre of character
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Акилова, А. Д. "RUSSIAN PROVINCIAL PORTRAIT IN THE XIX CENTURY´S GENRE PAINTING." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.14.

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Русский провинциальный портрет — одно из ярких, но недооцененных явлений отечественной живописи второй половины XVIII — середины XIX в. Являясь важным этапом последовательного развития портретного жанра, он отражает взаимодействие старых и новых традиций в русской культуре. Провинциальный портрет оказывал влияние на столичное искусство и представлялся современникам важным атрибутом дореформенной эпохи. По этой причине на полотнах крупнейших русских мастеров жанровой картины XIX в., среди которых П. А. Федотов, Г. Г. Мясоедов, В. Г. Перов, Ф. С. Журавлев и др., обнаруживаются произведения прови
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Postolache, Inga. "Premises of the appearance of the Romanian musical: pages of history." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.13.

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The musical is a genre of the musical theater of non-academic orientation, which syncretically combines literature, theater, music, dance, scenography, light design, thus creating a show for audiences of all ages. The purpose of the article is to analyze the premises of the appearance of the musical on the Romanian stage, as well as to reveal the first attempts to create the national musical.
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Axinte, Serban. "G. Călinescu, theoretician of biography: negotiation and selection strategies." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.09.

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The present paper aims to reconstruct G. Călinescu’s conception of the biographical genre in general and of biography ‒ as a discursive narrative, in particular. The stage of this conception of the biographical genre are examined in relation to Călinescu’s aesthetic thinking in general, as reflected in his reference works, including "Principles of Aesthetics". Additionally, Călinescu’s models, from whom he adopted certain often antinomic ideas are also discussed. Sainte-Beuve, Gustave Lanson, Hippolyte Taine and Benedetto Croce are some of the figures who shaped the Romanian author’s conceptio
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Ghilas, Ana. "Dramaturgy of the 60s-70s generation in the director Alexandru Cozub’s vision." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.05.

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The article deals with the problem of the memory of the dramatic genre in the view of director Alexandru Cozub from “Mihai Eminescu” National Theater in Chisinau. The shows staged by the director based on the dramaturgical texts written in the 1960s-1970s and which were (and are) staged by this theater since 2010 serve as the object of the study. The purpose of the research lies in highlighting the new directorial visions on the texts by I. Druta and D. Matcovschi, depending on the social, theatrical, aesthetic context and the director’s artistic vision. The comparative historical method, that
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ROMAN, Diana. "The Actor, Between the Self from Theatre and the Other from Music." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0021.

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The worlds of music and theatre have been brought together under the sign of scenic creation since the origins of the appearance of the theatre, the interdisciplinary artistic dialogue between the two arts sharing common aesthetic, psychological, psycho-social landmarks. The interactions between these worlds gave birth, finally, going through different forms and long searches, to the most original and popular theatre genre, the Musical. At the same time with technology and the digital revolution, live music, the orchestra, the musicians present on the stage of the theatre, were replaced with r
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Reports on the topic "Stage genre"

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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary cri
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Suriyaphol, Gunnaporn. Study the gene expression of E-cadherin, syndecan1, matrix metalloproteinases-2, -7, -9, -14 and tissue inhibitors of metalloproteinases-1 and -2 in canine oral melanoma. Chulalongkorn University, 2015. https://doi.org/10.58837/chula.res.2015.80.

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The objectives of this study were to 1.) select the suitable reference genes for quantitative real-time polymerse chain reaction in the most common canine oral cancers: oral melanoma (OM) and oral squamous cell carcinoma (OSCC), 2.) study the gene expression of E-cadherin (CDH1), syndecan 1 (SDC1), matrix metalloproteinases-2, -7, -9, -14 (MMP2, MMP7, MMP9, MMP14) and tissue inhibitors of metalloproteinases-1 and -2 (TIMP1, TIMP2) in canine OM at the mRNA level and study the CDH1, SDC1 and Ki-67 protein expression by immunohistochemistry, and 3.) study the association of gene expression and th
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Romova, Zina, and Martin Andrew. Embedding Learning for Future and Imagined Communities in Portfolio Assessment. Unitec ePress, 2015. http://dx.doi.org/10.34074/rsrp.42015.

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In tertiary contexts where adults study writing for future academic purposes, teaching and learning via portfolio provides them with multiple opportunities to create and recreate texts characteristic of their future and imagined discourse communities. This paper discusses the value of portfolios as vehicles for rehearsing membership of what Benedict Anderson (1983) called “imagined communities”, a concept applied by such scholars as Yasuko Kanno and Bonny Norton (2003). Portfolios can achieve this process of apprenticeship to a specialist discourse through reproducing texts similar to the auth
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Peterson, Scott N. Anthrax: Gene Expression Analysis of the Early Stages of Infection. Defense Technical Information Center, 2004. http://dx.doi.org/10.21236/ada428329.

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Gootwine, Elisha, David Thomas, Ruth Braw-Tal, Amir Bor, and P. J. Dziuk. Improvement of Prolificacy of Israeli and U.S. Sheep Breeds through Inclusion of the F Gene of the Booroola Merino-Stage II. United States Department of Agriculture, 1995. http://dx.doi.org/10.32747/1995.7604931.bard.

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The purposes of this project were: 1) to introduce the FecB gene to the Awassi and Assaf breeds in Israel and the Rambouillet breed in the U.S.A. aiming in the long run to establish Awassi, Assaf and Rambouillet nucclei breeding flocks homozygous for the F gene in which the contribution of the Booroola Merino genetic background will be less than 10%; (In the U.S., Booroola crosses with Suffolk and Targhee were also studied. 2) to evaluate the effect of the FecB gene and different proportions of Booroola Merino genetic background on lamb survival, growth, milk production and wool production in
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Cohen, Jerry D., and Ephraim Epstein. Metabolism of Auxins during Fruit Development and Ripening. United States Department of Agriculture, 1995. http://dx.doi.org/10.32747/1995.7573064.bard.

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We had proposed to look at several aspects of auxin metabolism in fruit tissues: 1) IAA biosynthesis from tryptophan and IAA biosynthesis via the non-tryptophan pathway; 2) changes in the capacity to form conjugates and catabolites of auxin at different times during fruit development and; 3) the effects of modifying auxin metabolism in fruit tissues. The latter work focused primarily on the maize iaglu gene, with initial studies also using a bacterial gene for hydrolysis of IAA-aspartate. These metabolic and molecular studies were necessary to define potential benefits of auxin metabolism modi
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Newton, Ronald, Joseph Riov, and John Cairney. Isolation and Functional Analysis of Drought-Induced Genes in Pinus. United States Department of Agriculture, 1993. http://dx.doi.org/10.32747/1993.7568752.bard.

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Drought is a common factor limiting timber production in the U.S. and Israel. Loblolly (Pinus taeda) and alleppo pine (Pinus halepensis) seedling survival is reduced when out planted, and growth and reproduction are often hindered by periodic droughts during later stages of tree development. Molecular and gene responses to drought stress have not been characterized. The objectives were to characterize drought-induced gene clones from these pines, to determine the effects of a growth regulator on drought tolerance, ABA levels, and drought-induced gene expression in alleppo pine, and to develop
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Wilson, Thomas E., Avraham A. Levy, and Tzvi Tzfira. Controlling Early Stages of DNA Repair for Gene-targeting Enhancement in Plants. United States Department of Agriculture, 2012. http://dx.doi.org/10.32747/2012.7697124.bard.

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Gene targeting (GT) is a much needed technology as a tool for plant research and for the precise engineering of crop species. Recent advances in this field have shown that the presence of a DNA double-strand break (DSB) in a genomic locus is critical for the integration of an exogenous DNA molecule introduced into this locus. This integration can occur via either non-homologous end joining (NHEJ) into the break or homologous recombination (HR) between the broken genomic DNA and the introduced vector. A bottleneck for DNA integration via HR is the machinery responsible for homology search and s
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อิศรเสนา ณ อยุธยา, นิพัญจน์, та ศักนัน พงศ์พันธุ์ผู้ภักดี. โครงการ การเปลี่ยนเซลล์ร่างกายปกติเป็นเซลล์ประสาทชนิดจำเพาะโดยจรงด้วยโปรตีนและ RNA : รายงานประจำปี 2555. คณะแพทยศาสตร์ จุฬาลงกรณ์มหาวิทยาลัย, 2013. https://doi.org/10.58837/chula.res.2013.13.

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โรคที่เกิดจากความผิดปกติของระบบประสารทเป็นหนึ่งในปัญหาทางสาธารณสุขที่สำคัญ มีประชากรทั่วโลกกว่าหนึ่งร้อยล้านคนที่ประสบปัญหาและส่วนใหญ่ก็ไม่สามารถรักษาให้หายขาดได้ การปลูกถ่ายเซลล์ประสารทเป็นความหวังหนึ่งที่จะสามารถนำมารักษาผู้ป่วยได้ เช่นในผู้ป่วยที่เป็นโรคพาร์กินสัน การสร้างเซลล์ประสาทชนิดโดพามิเนอร์จิก (dopaminergic neuron) ที่มีความจำเพาะต่อผู้ป่วยนั้นมีศักยภาพที่จะเป็นแหล่งของเซลล์เพื่อนำมาใช้รักษาผู้ป่วยได้ ในการศึกษาครั้งนี้ ทางกลุ่มวิจัยมีวัตถุประสงค์เพื่อสร้างเซลล์ประสาทชนิดโดพามิเนอร์จิกโดยตรงจากเซลล์ dermal fibroblasts และ patient specific induced pluripotent stem cells (psiPSCs) ของ
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STROYKOV, S., and I. NIKITINA. THE CURRENT STATE OF THE PROBLEM OF HYPERTEXT IN LINGUISTIC LITERATURE. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2022-14-2-3-50-73.

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In this paper it’s the first time the authors have reviewed linguistic literature (2008-2022) devoted to the problem of literary and electronic hypertext. The purpose of the paper is to review linguistic literature and identify the current state of the problem of literary and electronic hypertext. Materials and methods. On the basis of this purpose we reviewed 42 scientific papers published in 2008-2022 and representing the results of linguistic research of literary and electronic hypertext. For our study we used an analytical and descriptive method, which is traditional for linguistics and al
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