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Journal articles on the topic 'Stage genre'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Emily Morgan, Vinh To, and Angela Thomas. "Using Genre-based Pedagogy to Teach Structural Staging of Short Persuasive Essays in a Japanese University Context." English as a Foreign Language International Journal 2, no. 6 (2022): 49–79. http://dx.doi.org/10.56498/422262022.

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University students studying English as a Foreign Language (EFL) are required to read and write specialised academic genres. Genre-based pedagogy, developed from Systemic Functional Linguistics (SFL), teaches lexicogrammar and structure of these genres in context. The present study taught the structural staging of exposition and discussion genres to 17 students over a ten-week program, using the Gradual Release of Responsibility (GRR) framework. Pre- and post-instruction essays were collected. Results show that, post-intervention, students preferred the structurally complex discussion genre wh

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MIRZEYEVA, Gulnar. "AZERBAYCAN BESTECİLERİNİN ESERLERİNDE ETÜD TÜRÜ THE GENRE OF ETUDE IN THE WORKS OF AZERBAIJANI COMPOSERS." IEDSR Association 6, no. 12 (2021): 77–86. http://dx.doi.org/10.46872/pj.270.

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The etude genre is one of the examples characterized by the emergence of different types of music that develop at certain stages of musical art. Although the introduction of studies as an independent genre in musical literature dates back to the XVII-XVIII centuries, its main function in the development of piano art was already present in other musical genres. The next stage in the development of the study genre is related to the work of the Romantic Movement representatives F.Chopin, R.Schumann, F.List. The acquisition of new features of the genre is due to the work of Russian composers. Thus

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Tyukaeva, Nadezhda. "Principles of System Modeling of the Genre (Exemplified by Texts of Natural Written Speech)." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 2 (May 2022): 171–84. http://dx.doi.org/10.15688/jvolsu2.2022.2.14.

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The article determines the problems of modern speech genre modeling and proposes a method for solving them. The methodology for describing the speech genre in modern linguistics needs to work out principles that are focused on system design. In genre modeling, at the present stage, the main tendency towards the so-called "portraiture" (passportization) has formed. The logical result was the accumulation of many essay works, which introduce diverse descriptions of individual genres without revealing their system characteristics. As a productive technology for speech genre description, a univers

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Zhao, Zedong, and Chunyu Hu. "Generic structure and APPRAISAL resources in the editorial article Free money." Forum for Linguistic Studies 3, no. 1 (2021): 1. http://dx.doi.org/10.18063/fls.v3i1.1246.

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Editorial is one of news genres aiming for opinion making and persuading. These functions determine that there are abundant evaluative resources in this genre. Exploring evaluative resources in the editorial could be conducive to understanding editorial text better and providing sensible suggestions for English learners to produce effectively persuasive writings. In view of this, the present study sets out to analyze the generic structure of the editorial Free money, then examine usage patterns of APPRAISAL resources in this text, and finally explore variations of APPRAISAL resources at differ

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Dementyev, Vadim V. "Do genre studies need the concept of genre sphere?" International Journal “Speech Genres” 20, no. 1 (45) (2025): 24–33. https://doi.org/10.18500/2311-0740-2025-20-1-45-24-33.

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The article discusses the legitimacy and appropriateness of using the concept of genre sphere in modern genre studies, by analogy with other “spheres” used in many modern humanities, for example, in conceptology. The author concludes that the genre sphere objectively exists, but the use of the genre sphere as a concept in genre studies also has objective pros and cons. The paper analyzes the possible composition of the genre sphere: the totality of all speech genres/speechgenre space of a separate national culture in a given period and in dynamics; a separate intra-cultural subculture; a separ

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Segizbaeva, Gúldana, and Gúlmaryam Kamalova. "STAGE AND FILM MUSIC IN THE WORKS OF JAMIL CHARSHEMOV." MODERN SCIENCE AND RESEARCH 3, no. 1 (2024): 289–94. https://doi.org/10.5281/zenodo.10527683.

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<em>This article describes the stage genres and film music, their emergence and development in world music and in Uzbekistan. In addition, the article will highlight the works of the young and talented Karakalpak composer Jamil Charshemov, written in the genre of stage and film music.</em>

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Wang, Guifang. "Genre-Based Approach in Business Translation Teaching." Review of Educational Theory 4, no. 2 (2021): 16. http://dx.doi.org/10.30564/ret.v4i2.3019.

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Genre-based teaching approach is a pedagogy based on genre and genre analysis theory. Based on this teaching approach, the paper puts forward a three-stage model appropriate for the teaching of business English reading. It develops teaching activities focusing on the schematic structure of a discourse. Its purpose is to make students know that the discourses with different genres have different communicative purposes and discourse structures. Through a theoretical analysis and empirical study of the model, it is concluded that genre-based teaching approach can effectively help students improve

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Lázár, Helga. "Figuraszínház : Formálódó vizuális színházi műfaj a bábszínház, a performansz és a posztdramatikus színház keresztmetszetében." Theatron 15, no. 3 (2021): 133–43. http://dx.doi.org/10.55502/the.2021.3.133.

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The subject of my paper is figurative theatre, a genre of visual theatre of German origins, that is, as of now, little known in Hungary. My goal is to review the history of the genre, to examine its connections with related genres, such as performance, post-dramatic theatre and puppet theatre, and to analyse it stage techniques and phenomenological attachments.

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Щітова, С. А., та Г. О. Савонюк. "Scripture – source of composerʼs inspiration (to the 500year of Reformation)". Музикознавча думка Дніпропетровщини, № 13 (15 серпня 2018): 117–28. http://dx.doi.org/10.15421/221811.

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The aim of this article is retracing stage-by-stage development of passions and to argue actuality of genre on the modern stage, defining text biblical basis as invariable and significance. Bible became an uniting factor for all times, for believers of confessions and creations of different forms and genres, among that liturgies, masses, spiritual concerts, passions. The genre of passions has centuries-old history. The most ancient reminiscence about passions are related yet to the rituals of resurrection of Egyptian God Osiris. In the article the value of activity of М. Luther reveals not onl

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Rahm, Henrik, and Alexander Paulsson. "Corporate Elites on Stage." Fachsprache 46, no. 1-2 (2024): 62–75. http://dx.doi.org/10.24989/fs.v46i1-2.2001.

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Inspired by Austin’s work on the performativity of speech acts and Goffman’s notion of speaker positionings, this paper explores how annual general meetings are propelled by and interwoven with a corporate genre of professional communication. While observing more than thirty corporate annual general meetings for listed companies at Nasdaq Stockholm in Sweden over three years, we identified that the corporate elites populating the stages at these meetings act as meeting-professionals. Being meeting-professionals, the corporate elites have acquired knowledge of how to conduct a formal meeting by

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Teplygina, I. M. "Structural and Content Characteristics of the Admissions Interview as a Genre of English-Language Academic Discourse." Discourse 11, no. 3 (2025): 117–30. https://doi.org/10.32603/2412-8562-2025-11-3-117-130.

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Introduction. The growing interest of linguistics in academic discourse, a pivotal communication type in contemporary society where science and higher education are central, underscores the relevance of this study. The admissions interview, a genre intersecting educational, pedagogical, and scientific communication, remains underresearched, highlighting the study's scientific novelty. This research aims to identify and delineate the linguacultural script of the English-language admissions interview as an academic discourse genre, specifying its stages and corresponding speech act types.Methodo

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Demenko, P. "EVOLUTION OF THE DYSTOPIAN GENRE." Writings in Romance-Germanic Philology, no. 1(52) (June 25, 2024): 23–30. http://dx.doi.org/10.18524/2307-4604.2024.1(52).310307.

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The article examines the stages of the formation of the genre of dystopia in the context of the world literary process. Dysutopia, which is a model of forecasting the future, reacts particularly acutely to the problems and challenges of modernity, projecting them onto imaginary societies of the future. Thanks to this, it gains special popularity in modern literary discourse, attracts the attention of more and more readers. As a result of the analysis, three stages of the development of the genre were established. The first stage covers the first half of the 20th century and is characterized by

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Zhang, Ling. "The genre of folk song arrangement at the present stage: cultural and historical aspect." Aspects of Historical Musicology 19, no. 19 (2020): 298–312. http://dx.doi.org/10.34064/khnum2-19.17.

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Logical reason for research. Folk song arrangement used to occupy and still occupies a prominent place in musical practice, both in the composing one and the performing one. It combines the best, time-tested features of the folk music tradition and professional musical art. Being a genre, which is synthetic in nature, the arrangement of a folk song carries a complex set of characteristics of different types of musical creativity, which, activating different genre indicators in different historical and cultural conditions, allows this genre to occupy a special place in musical culture. The focu

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Mehmonovna, Radjabova Nodira. "ALLA - AN ANCIENT MASTERPIECE OF SINGING ART (COMPARATIVE ANALYSIS)." CURRENT RESEARCH JOURNAL OF HISTORY 03, no. 01 (2022): 34–39. http://dx.doi.org/10.37547/history-crjh-03-01-08.

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This article examines the history of singing art with the birth of mankind, the influence of the song genre on the spiritual and moral state of peoples, the dynamics of the process of transferring singing art from generation to generation over the centuries. In addition, the genres of songs have a long history and have been passed down from generation to generation for centuries. The origins, stages of development and features of the song genre "Alla" are discussed. Many aspects are analyzed, such as the fact that the genre of Alla's singing is based on folklore, the uniqueness of this type of

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Yuhan, Nataliia. "About the genre specificity of the plays «Guests» («Gäste») by Oliver Bukowski and «The Ugly One» («Der Hässliche») by Marius von Mayenburg: from the author's definition to the reception of critics and viewers." InterConf, no. 32(151) (April 20, 2023): 392–10. http://dx.doi.org/10.51582/interconf.19-20.04.2023.033.

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The plays "Guests" ("Gäste") by Oliver Bukowski and Marius von Mayenburg's "The Ugly One" ("Der Hässliche") reflect the most important genre processes that are typical for the historical and world literary development of drama at the end of the 20th – beginning of the 21st century: the individualization of the genre of each individual play; active hybridization of genres of dramaturgy; the processes of genre transformation, genre convergence and genre diffusion, etc. Modern German drama at this stage of its development is becoming fundamentally dialogic, open to reader / audience interpretatio

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Virchenko, Tetiana, and Roman Kozlov. "Ukrainian Intellectual Drama of the 2000s." Revista Amazonia Investiga 10, no. 38 (2021): 39–50. http://dx.doi.org/10.34069/ai/2021.38.02.4.

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In spite of the presence in contemporary scientific works, the terms ‘intellectual drama’ and ‘intellectual theater’ have blurred boundaries. The aim of the article is to identify productive genres and methods of intellectualization in Ukrainian drama of the 2000s. The category of genre was taken as the basis for material structuring. Genre analysis is combined with a poetics analysis of a literary work and an analysis of theatrical techniques that promote intellectualization. Regardless of the genre determined by a writer for a work, no matter what generation an author identifies himself with

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Sunardi, Sunardi, M. Sri Samiati Tarjana, M. Sri Samiati Tarjana, et al. "English Curriculum Genre: Pedagogic Negotiation Patterns in the Indonesian EFL Classrooms." International Journal of Linguistics 8, no. 6 (2016): 94. http://dx.doi.org/10.5296/ijl.v8i6.10302.

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This study aims at finding the schematic structures of English curriculum genres in Indonesian university context and the patterns of pedagogic negotiation that enact the learning activities. The data of this study were video-taped EFL classrooms taught by non-native English lecturers at six universities in Semarang. The discourses were collected by video recording and transcription, non-participatory observation, and interview. The data were analyzed by referring to the analytical framework of curriculum genre and pedagogic exchanges under systemic functional linguistics (SFL). The findings s

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Dr., Ilham EL MAJDOUBI (UH2C FLSHM). "The Hybridization of Theater and Psychoanalysis." International Journal of Social Science and Human Research 07, no. 05 (2024): 3417–26. https://doi.org/10.5281/zenodo.11420723.

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This article examines the concept of hybridity in the context of interdisciplinary approaches and genre-mixing practices in the humanities. It specifically considers the fusion of theater and psychoanalysis, which share common themes essentially drawn from the human psyche and condition. As a hybrid genre, theater emerges from literary texts, with choreographers adapting the narratives into performances. Consequently, theater is seen as an art form that incorporates elements of drama and other genres to create a polyphonic stage oeuvre.

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Xi chun, Zhang, He Li, Wang Jing yi, and Liu Wei. "The Development Trend of Musicians’ Influence and Music Genres of Big Data." E3S Web of Conferences 253 (2021): 02085. http://dx.doi.org/10.1051/e3sconf/202125302085.

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This paper uses the data crawled from the AllMusic website to establish a directional network of followers and influences of music genre artists, analyzes the music influence influenced by genre. The Beatles had the greatest influence from 1950 to 2010, and promoted the development of Pop/Rock and Country music genres. In addition, it was found that “influencers” would actually influence the music created by followers. Based on the music feature data set of 91719 songs provided by Spotify’s API, drawing the correlation heat map and making the measurement of music similarity, it is found that t

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Isakova, Polina Aleksandrovna. "Old Vaudeville on the modern stage: towards the problem of genre relevance." Культура и искусство, no. 6 (June 2025): 212–26. https://doi.org/10.7256/2454-0625.2025.6.74701.

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The study of the historical fate of different genres, including vaudeville, allows for an analysis of the movements of theatrical thought. Even a general look at the Russian theater bill of recent decades indicates that classic vaudeville remains quite in demand, including in the major theaters of the country. The main problem of the old vaudeville on the modern stage is its relevance, not in the sense of the relevance of a particular play, but of the genre as a whole. When staging vaudeville, the director must answer the question: what is vaudeville today? Thus, the search for the modern with

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Kopieikina, Alina. "GENRE DIVERSITY OF THE LULLABY IN MUSIC." Doxa, no. 1(41) (June 27, 2024): 79–86. https://doi.org/10.18524/2410-2601.2024.1(41).316161.

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A lullaby is a genre that has been known since ancient times. Humanity has always had the need to lull a child and induce sleep. Based on the folklore tradition, the lullaby genre attracts the attention of professional composers. From the simplest songs to part of the complex synthetic genre of opera – such a wide genre inclusion of the lullaby. Songs, choral works, instrumental works of solos and various ensembles, operas – lullabies appear in various musical genres. Koliskova is manifested in poetry and children’s literature, stage art and art of animation. It is known that the lullaby was e

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Zuliani, Siti. "Transformasi Nilai Moderasi Melalui Seni Lagu Qur'any." Urwatul Wutsqo: Jurnal Studi Kependidikan dan Keislaman 13, no. 2 (2024): 230–41. http://dx.doi.org/10.54437/urwatulwutsqo.v13i2.1454.

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There are two aims of this research, namely to describe moderate values through Qur'any songs and to describe the process of forming moderate attitudes through the Qur'any by KH. M. Qoyim Ya'qub (late). The moderate values contained in the song Qur'any by KH. M. Qoyim Ya'qub namely: a. National Commitment, an example of song title: Choose a Leader with the sholawat song genre entitled Addiinulana. b. Tolerance. Examples of song titles: 1). Hai Kafir with the sholawat song genre entitled Thola'al Badru. 2). Forgive the Lay People with the sholawat song genre entitled An Nabi Sholuu Alaihi. 3).

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Mekh, Nataliia. "Genre Sphere of Modern Ukrainian Research Communication." Terminological Bulletin, no. 4 (2017): 92–97. http://dx.doi.org/10.37919/2221-8807-2017-4-92-97.

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The article deals with the problem of studying and understanding the Ukrainian scientific communication, its genre sphere in modern globalized high-tech society. Various social and cultural challenges caused the appearance of computer communication or net-communication, quantative growth of which attracts scientists of different fields. The modern form of social life are called global, network, information society. Information society – this is a knowledge society where mass produced, distributed and used various means of information. Exchange of scientific information, ideas and knowledge bet

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Beznisko, Oksana N., and Diana S. Karbulyan. "Modern Trends in Scenic Genres as the Subject of Study in the Course of History of Variety and Jazz Music (Using the Example of the Rock Opera “The Legend of Xentaron”)." Musical Art and Education 7, no. 2 (2019): 96–108. http://dx.doi.org/10.31862/2309-1428-2019-7-2-96-108.

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The work explores the interaction of the structure and content of the modern musical and scenic genre, rock opera. On the basis of the rock opera “The Legend of Xentaron” staged by “Epidemic”, a Russian power metal group, authors show characteristics of the rock opera of the 21st century, performing and instrumental structure, other components of the new musical and scenic action influencing the listener, the trend of influence of a genre of a fantasy on characteristic stylistic features of a genre of a rock opera is considered. The authors pay special attention to the analysis of dramaturgy i

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Mesenyashina, Lyudmila, and Ksenya Valeeva. "THE INITIAL STAGE OF MASTERING THE COMMUNICATIVE SYNTAX AND GENRE SYSTEM OF THE NATIVE LANGUAGE." Bulletin of Chelyabinsk State University 475, no. 5 (2023): 88–99. http://dx.doi.org/10.47475/1994-2796-2023-475-5-88-99.

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In this article, using the method of observation, the initial stages of mastering the communicative syntax and the genre system of the native language are analyzed. The material of observation is the speech of the child at the beginning of the third year of life. An analysis of the material made it possible to establish that at the age of two years and two months, the child’s speech competence enables them to form an idea of the presence of a certain number of speech genres opposed to each other by illocution, the past factor, the future factor and the type of discourse. Genres with expressive

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Varakuta, Maryna. "Genre Evolution of the Psalm and Ecclesiastical Miniature." Studia Universitatis Babeş-Bolyai Musica 67, Special Issue 1 (2022): 115–26. http://dx.doi.org/10.24193/subbmusica.2022.spiss1.08.

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"The article deals with the evolutionary processes of development of psalm and ecclesiastical miniature genres in choral music from the Renaissance to the present. It has been found that the wide possibilities of creating liturgical and non-church, concert and stage spiritual works gave the way to the enrichment of canonical канонічних principles of such traditional genre models as psalm and ecclesiastical miniature with individual stylistic features. Accordingly, gaining more and more popularity in church and secular music practice, psalms and ecclesiastical (prayer) miniatures have acquired

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Farhad Jafari Basmenj. "Genre-based Rubric for Peer Feedback." Modern Journal of Studies in English Language Teaching and Literature 2, no. 1 (2020): 1–9. http://dx.doi.org/10.56498/21202092.

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Peer feedback in writing is considered an important stage of pedagogy. Peer feedback in L2 writing has been investigated through different lenses. Although a genre-based rubric for writing assessment is offered in the literature of feedback, a well-defined, principled and expert-like rubric with genre specifications is missing from peer feedback literature. This study offers a literature review of peer feedback literature, pinpoints the gaps, and provides a new, student-friendly 3x3 rubric for argumentative genre in writing through the amalgamation of frameworks in the literature. The pedagogi

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Fauzi, Fakhri, and Harni Kartika-Ningsih. "IMPLEMENTASI PENDEKATAN BERBASIS GENRE PADA PEMBELAJARAN BIPA DARING." Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia 10, no. 1 (2023): 17–38. http://dx.doi.org/10.15408/dialektika.v10i1.31449.

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Genre-based Approach (GBA) is a teaching method that has long been implemented in the English learning context as well as other foreign language learning contexts. In this study, we examined the application of GBA in an online BIPA (Bahasa Indonesia bagi Penutur Asing or Indonesian for Foreign Language Speakers) class by observing the classroom interaction patterns. The objective of this research is twofold. It is to investigate the extent to which the genre-based approach is applied and to discover the application of genre-based stages Building Knowledge of Field and Modelling in one online B

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Hlatshwayo, Primrose, and Lettiah Gumbo. "Texts Classification and Sustainability: A Case of Facebook Sub Genres." Randwick International of Social Science Journal 2, no. 2 (2021): 67–74. http://dx.doi.org/10.47175/rissj.v2i2.216.

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Facebook is one of the latest genres of internet social networks which have attained widespread popularity, yet its defining characteristics have not been systematically described. It has been labeled by some as a genre of possibilities implying that you can come across, new, interesting, unacceptable and controversial texts on FB. Again, it has been labeled a genre of possibilities since it is dynamic, complex and it uses multiple types of sources. FB has emerged as an effective tool for communicating social ties, keeping family and friends updated on latest issues and events, creating new af

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BROAD, LEAH. "Scaramouche, Scaramouche: Sibelius on Stage." Journal of the Royal Musical Association 145, no. 2 (2020): 417–56. http://dx.doi.org/10.1017/rma.2020.15.

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AbstractSibelius’s only balletic pantomime, Scaramouche, composed in 1913, remains one of his least-known works, even though it is one of his longest dramatic scores and belongs to his period of compositional re-evaluation. This article explores the pantomime in the context of its first production, performed in 1922 in Denmark and 1924 in Sweden. It argues that the pantomime’s reception both illuminates the importance of dance as a formative ‘modern’ genre within the Nordic countries during this period, and demonstrates that the score is defined by stylistic plurality, which was key to its the

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Meimei, Huang. "POEMS OF KYIV PERIOD OF TEOPHAN PROKOPOVYCH: IDEAS, TOPICS AND GENRES." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 2(34) (2023): 134–39. http://dx.doi.org/10.17721/1728-2659.2023.34.26.

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This paper explores the specificities of Theophan Prokopovich's poetic legacy during his time in Kyiv, focusing on its ideological, thematic, and genre foundations. The article outlines the chronological boundaries of Prokopovich's Kyiv period, analyzing their connection to the writer's biography, and for the first time, identifies two distinct stages within this period. The first stage is characterized by the author's staunch defense of Ukrainian values and interests. The second stage reflects the evolution of Prokopovich's poetics towards imperial positions under Peter I. The article analyze

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Santosa, Riyadi, Djatmika Djatmika, and Dyah Ayu Nila Khrisna. "Genre and Attitude to Support Character Development in Children Stories." Register Journal 14, no. 1 (2021): 83–98. http://dx.doi.org/10.18326/rgt.v14i1.83-98.

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This paper examines how character development is analyzed through attitude, genre’s stages, and phases in children's stories. Relying on ten children's stories purposively selected from two children's storybooks, the results show that all ten stories are written as narratives with a number of absences of attitude, stages, and phases of the narrative genre. most stories succeed to fulfill the obligatory stages of narrative: orientation, complication, evaluation, and resolution, even others add the optional stage, coda. However, a number of stories fail to satisfy the presence of evaluation. in

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Mehlenbacher, Ashley Rose. "Registered Reports: Genre Evolution and the Research Article." Written Communication 36, no. 1 (2018): 38–67. http://dx.doi.org/10.1177/0741088318804534.

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The research article is a staple genre in the economy of scientific research, and although research articles have received considerable treatment in genre scholarship, little attention has been given to the important development of Registered Reports. Registered Reports are an emerging, hybrid genre that proceeds through a two-stage model of peer review. This article charts the emergence of Registered Reports and explores how this new form intervenes in the evolution of the research article genre by replacing the central topoi of novelty with methodological rigor. Specifically, I investigate t

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Ershova, Irina, and Anastasia Mikhailovna Dyachenko. "Genre-thematic features of Russian video game journalism (using the example of StopGame You-Tube channels)." Филология: научные исследования, no. 9 (September 2023): 33–46. http://dx.doi.org/10.7256/2454-0749.2023.9.40966.

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In this paper, the subject of consideration is the YouTube content of the Russian Internet gaming portal StopGame. The purpose of the study is to identify genre-thematic features of Russian video game journalism. The work is based on the method of analysis, which is used in the study of StopGame content from the point of view of the subject and genre; a typological approach that allows to convey the characteristics of different groups of video materials; comparison, which was used to highlight the most popular genres among viewers. As a result of the analysis, it was found that the genres most

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Mykolaienko, Alla. "Genre forms of modern Ukrainian media criticism." Synopsis: Text Context Media 27, no. 1 (2021): 32–38. http://dx.doi.org/10.28925/2311-259x.2021.1.5.

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The research of the media criticism segment of Ukraine is relevant in the framework of the modern information space and the need to regulate the media. Important for the research are its genre forms, that allow to systematize and diversify critical materials. The subject of the research are media-critical editions “Telecritica”, “Detector Media”, “Media Sapiens”, “Media Lab” and “Mediacritica”. The purpose of the article is to analyze informational, analytical and artistic-journalistic genres of media-critical publications of Ukraine. The system method, methods of comparison, analysis and synt

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Drozhzhina, Marina Nikolaevna. "Tajik National Composer School: The Stage of Restoration and Identification of Development Paths." Pan-Art 3, no. 1 (2023): 21–31. http://dx.doi.org/10.30853/pa20230004.

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The aim of the research is to comprehend the cause-and-effect relationships and formulate conclusions about the prospects for the development of the Tajik national composer school. The paper presents the most difficult stage in the history of the Tajik national composer school, which was mainly due to the circumstances external to it, i.e. getting into the epicenter of the upheavals that engulfed the post-Soviet cultural space in the late XX century. It is determined that a balance of two types of musical professionalism – oral (traditional) and written (a composer’s) – is necessary for the de

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Щітова, С. А., and Т. О. Швець. "MULTIDIMENSIONALITY OF GENRE SYNTHESIS IN CONTEMPORARY MUSICAL ART." Музикознавча думка Дніпропетровщини, no. 15 (November 4, 2019): 118–26. http://dx.doi.org/10.33287/22199.

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The purpose of the article is to reveal the peculiarities of the phenomenon of polygranism (genre synthesis) and its varieties in contemporary musical art. The methods of the study are based on a combination of historical and theoretical approaches of scientific knowledge. The historical method allows us to trace the origin, flourishing, complication and improvement of the phenomenon of genre synthesis in musical art, first of all, during the postmodern day (the last third of the twentieth century – the beginning of the XXI century). Dialectic, comparative, empirical (observation and generaliz

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Perrett, Gillian. "Discourse and rank." Australian Review of Applied Linguistics 20, no. 1 (1997): 1–20. http://dx.doi.org/10.1075/aral.20.1.01per.

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The number of ranks required for an adequate discourse analysis may vary between genres and can be explained with reference to the social purpose of that genre. Stages of generic structure were attributed to eight language testing interviews on the basis of apparent interviewer purpose, and this attribution was subsequently justified by the distribution of speech function types and mood choices between them. A problem in analysing the major section of the interview was whether to model it as a group of recurring elements at the level of stage, at the level of exchange, or at an intermediate le

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Havryliuk, Inna. "Sketch in the contemporary social-communication space: development trends." Obraz 44, no. 1 (2024): 100–109. http://dx.doi.org/10.21272/obraz.2024.1(44)-100-109.

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Introduction. The contemporary stage of mass media development is marked by a change in the genre system. One of the genres that has almost disappeared from traditional media, but actively reacted to the emergence of the network space and became part of it, is undergoing transformational processes, is the sketch. Relevance and goal. Understanding the trends in the development of sketches at the current stage is relevant, as it provides an opportunity to look at the place and role of this genre in the social and communication space in a new way. The purpose of the study is to outline the trends

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Gaganova, Anna Anatolievna. "Artistic dominant of the image of character of occupational novel." Филология: научные исследования, no. 1 (January 2020): 93–103. http://dx.doi.org/10.7256/2454-0749.2020.1.32017.

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The object of this research is the genre of occupational novel. The subject is the image of character of occupational novel. The goal consists in determination of artistic specificity of the image of character in the process of development of the genre. Russian literary works for the period of 1920&rsquo;s &ndash; 1970&rsquo;s united by the image of a man of labor became the material for this study. The evolution of the image of character is viewed on the sampling of representational works. The conclusions are made that at the stage of formation of the genre of occupational novel (

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Zhuravleva, O. A. "THE PROBLEM OF GENRE IDENTIFICATION OF THE CLOSET DRAMA OF 18TH-19TH CENTURIES." Culture and Text, no. 46 (2021): 226–38. http://dx.doi.org/10.37386/2305-4077-2021-3-226-238.

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The article analyzes the genre features and preconditions for the development of non-stage drama in romantic literature at the turn of the 18th-19th centuries. Closet drama is understood as a persistent literary form that inherits dramatic and epic generic features and is a kind of dramatic genre that is not intended to be staged. The author also analyzes the literary and non-literary factors that influenced the formation of the genre, and raises the question of its legitimacy. The author assigns a decisive role in the liberalization of the dramatic form and transformation of its understanding

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LOKTІONOVA-OITSIUS, OLEKSANDRA, TETIANA MEDVID, NATALIA TERESHENKO, LIUDMYLA ANDROSHCHUK, and SVITLANA TOCHKOVA. "UKRAINIAN VOCAL STAGE: PERFORMING ASPECT." AD ALTA: Journal of Interdisciplinary Research 12, no. 1 (2022): 256–60. http://dx.doi.org/10.33543/120125256260.

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The article is devoted to the development and role of the stage in forming the cultural background of the modern era and establishing a dialogue between art, society, and the state. The main tendencies of development and functional preferences of the stage in the contemporary information and communication space are revealed, its structural and genre modifications are traced. With the receipt of the status of an "independent" country, the Ukrainian stage begins to institutionalize. If, until that time, it played the role of compensation for the oppressed complex of ethnic underestimation, then

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Biliatska, Valentyna. "The Ukrainian novel in verse at the present stage: state and prospects of development." Philological Review, no. 1 (May 31, 2023): 136–48. http://dx.doi.org/10.31499/2415-8828.1.2023.281373.

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The level of literary research on the geneological characteristics of the 21st century, marked by the expansion of the traditional genre system, has noticeably intensified. The purpose of the article is to consider the Ukrainian novel in the poems of the 21st century, to determine its genre originality (author’s and reader’s) as an important regulator of aesthetic communication. The object of research is the texts of novels in verse, prefaces to them, comments of authors and critics regarding the creation of texts and genre modification. Ukrainian novel in poems of the 21st c. is charact

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Apriliani, Putri, and Ahmad Sampurna. "Manajemen Kegiatan Keagamaan Generasi Remaja (Genre) dalam Pencegahan Stunting di Kota Binjai." Jurnal Indonesia : Manajemen Informatika dan Komunikasi 5, no. 2 (2024): 1170–78. http://dx.doi.org/10.35870/jimik.v5i2.692.

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This research discusses the Religious Activities of the Youth Generation (GenRe) in Stunting Prevention. The purpose of this research is to determine the Management of Religious Activities of the Youth Generation (GenRe) in Stunting Prevention. This research uses a descriptive method with a qualitative approach to field research. The data source in this research is direct information using interview, observation, and documentation data collection techniques. The results of this research show that in efforts to prevent stunting the Generation Youth (GenRe) community uses. The management functio

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Herulambang, Wiwiet, and Rifki Fahrial Zainal. "Realtime Portable Music's Genre Classificator with The Kohonen (SOM) Methods Using Raspberry PI." JEECS (Journal of Electrical Engineering and Computer Sciences) 3, no. 2 (2018): 439–44. http://dx.doi.org/10.54732/jeecs.v3i2.131.

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Music genre is one of the digital music data that is determined to classify music based on all the characterequations of each type. The characteristics in question are usually seen from the frequency of music, rhythmicstructure, instrumentation structure, and harmony content that the music has. Classification of music genres inrealtime (automatic / not manual), giving effect to the classification is no longer relative / subjective, because itis done based on predetermined parameters. In this study Raspberry Pi microcomputer is used, which is quiteconcisely used as a portable media and is quite

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Yoshioka, Shiro. "The Essence of 2.5-Dimensional Musicals? Sakura Wars and Theater Adaptations of Anime." Arts 7, no. 4 (2018): 52. http://dx.doi.org/10.3390/arts7040052.

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This paper examines 2.5-Dimensional musicals, or theater adaptations of anime/manga/videogames. As the genre has been gaining popularity in Japan since around 2007, criticism on the genre began to appear. What they uncritically assume is that the pioneer of the genre was the theater adaptation of Prince of Tennis first produced in 2003, and the unique mise-en-scène that attempts to recreate the “world” of the original, including the characters, setting, and the characters’ extreme skills of tennis, is a hallmark of the genre. However, such a view fails to consider the fact that these are actua

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Dementyev, Vadim Viktorovich. "Transformation of scientific genres in the context of scientometric strategies." Communication Studies 7, no. 2 (2020): 272–82. http://dx.doi.org/10.24147/2413-6182.2020.7(2).272-282.

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The transformation of scientific genres in the context of the general digitalization of modern culture is considered. It is shown that the speech genre content of this process is based on the mechanisms of generation and transformation of the text of two types, the interpretation of which can be useful in order to better understand the nature, tasks and tools of scientometry at this stage, and in order to better understand the speech genre structure of scientific speech. Firstly, the structural requirements for articles and monographs indexed in scientometric syst

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Horodenko, Lesya, and Yevhen Tsymbalenko. "Multimedianess as a Technology of Genre Diffusion Within Transformation of Media Industry." Scientific notes of the Institute of Journalism, no. 1 (82) (2023): 11–32. http://dx.doi.org/10.17721/2522-1272.2023.82.1.

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The article is devoted to consideration of transformations and changes of a number of journalistic genres that occur under the influence of multimedia interactive technologies. In particular, the genre diffusion in the media materials on the Internet and the trends of genre transformation under the influence of multimedia technologies are analyzed. The main features of multimedia genres in comparison with traditional ones are tracked and the reasons for combination of some genres are analyzed. The objective of the article is to systematize and to describe the genre transformations under the in

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Каноєва, М.Г., та М. В. Бутиріна. "Інтерв'ю: трансформації жанру на сучасному етапі". Mass communication in global and national dimensions, № 13 (27 травня 2020): 52–56. https://doi.org/10.5281/zenodo.3860038.

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<strong>Kanoieva M., Butyrina M. Interview: Current genre transformation </strong> One of the positive trends in the development of contemporary journalism is the promotion of dialogues both in print media and on television, radio and the Internet. Interview, as a genre, plays a key role in building today’s media model. The study was conducted using general scientific methods: descriptive, analysis and synthesis. With the help of these methods, the process of transformation of the interview genre at the present stage was analyzed and modern types of interviews were considered. The interv

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Poznin, Vitaly F. "The Formation of Russian Genre Cinema at the Beginning of the 21st Century." Vestnik of Saint Petersburg University. Arts 13, no. 3 (2023): 535–56. http://dx.doi.org/10.21638/spbu15.2023.308.

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The problem of genre formation in cinema constantly causes controversy and discrepancies among art historians, since this type of creativity is synthetic, using the creative possibilities of other types of art. Сommon in the definition of the term “genre” is only the provision that a genre is a way of embodying a certain concept of reality in a work, creating an artistic picture or an artistic model of the world, perceived from a certain angle, which implies a limitation in the choice of means of artistic embodiment of the theme of the work. Like any complex concept, a genre should be consider

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