Log in

Relevant bibliographies by topics / Stage realism / Journal articles

To see the other types of publications on this topic, follow the link: Stage realism.

Journal articles on the topic 'Stage realism'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Stage realism.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Anan, Nobuko. "Theatrical realism in manga: Performativity of gender in Minako Narita's Alien Street." Journal of Adaptation in Film & Performance 12, no. 3 (2019): 133–41. http://dx.doi.org/10.1386/jafp_00002_1.

Full text

Abstract:

Abstract This article examines different conceptions of realism in theatre and manga by focusing on gender performance in Minako Narita's manga, Alien Street (1980‐84). It depicts a male actor who plays female roles in realist theatre productions. I argue that the believability of this gender performance stems in part from the conventions of manga realism, where non-realistic signs are used to mark gender distinctions. However, in contrast to these conventions, this manga also highlights the performative nature of gender by revealing how a realist stage forces the performers to cite and repeat

APA, Harvard, Vancouver, ISO, and other styles

2

Stepanian, Karen. "Realism As the Concluding Stage of Postmodernism." Russian Studies in Literature 30, no. 2 (1994): 58–74. http://dx.doi.org/10.2753/rsl1061-1975300258.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Romantsova, Inga. "Stanislavski versus Evreinov: on stage realism and theatricality." Stanislavski Studies 8, no. 1 (2020): 59–69. http://dx.doi.org/10.1080/20567790.2020.1733221.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Bottrell, Connor, Maan H. Hani, Hossen Teimoorinia, et al. "Deep learning predictions of galaxy merger stage and the importance of observational realism." Monthly Notices of the Royal Astronomical Society 490, no. 4 (2019): 5390–413. http://dx.doi.org/10.1093/mnras/stz2934.

Full text

Abstract:

ABSTRACT Machine learning is becoming a popular tool to quantify galaxy morphologies and identify mergers. However, this technique relies on using an appropriate set of training data to be successful. By combining hydrodynamical simulations, synthetic observations, and convolutional neural networks (CNNs), we quantitatively assess how realistic simulated galaxy images must be in order to reliably classify mergers. Specifically, we compare the performance of CNNs trained with two types of galaxy images, stellar maps and dust-inclusive radiatively transferred images, each with three levels of ob

APA, Harvard, Vancouver, ISO, and other styles

5

Birdwell, Robert Z. "The Coherence of Mary Barton: Romance, Realism, and Utopia." Victoriographies 5, no. 3 (2015): 185–200. http://dx.doi.org/10.3366/vic.2015.0194.

Full text

Abstract:

Critics have argued that Elizabeth Gaskell's first novel, Mary Barton (1848), is split by a conflict between the modes of realism and romance. But the conflict does not render the novel incoherent, because Gaskell surpasses both modes through a utopian narrative that breaks with the conflict of form and gives coherence to the whole novel. Gaskell not only depicts what Thomas Carlyle called the ‘Condition of England’ in her work but also develops, through three stages, the utopia that will redeem this condition. The first stage is romantic nostalgia, a backward glance at Eden from the countrysi

APA, Harvard, Vancouver, ISO, and other styles

6

Beasley, David. "McKee Rankin: The Actor as Playwright." Theatre Research in Canada 10, no. 2 (1989): 115–31. http://dx.doi.org/10.3138/tric.10.2.115.

Full text

Abstract:

McKee Rankin (1844-1914), from Windsor, Ontario, became one of the greatest actors on the American stage for a half-century. He also earned a reputation as the best stage manager and the best teacher of acting. This article deals with his talent as a playwright within the context of the important plays of his day. His The Danites brought a new realism to the stage, and his Abraham Lincoln introduced historical realism as drama.

APA, Harvard, Vancouver, ISO, and other styles

7

Senelick, Laurence, and Nick Worrall. "Modernism to Realism on the Soviet Stage: Tairov-Vakhtangov-Okhlopkov." Russian Review 49, no. 3 (1990): 333. http://dx.doi.org/10.2307/130165.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Hoover, Marjorie L., and Nick Worrall. "Modernism to Realism on the Soviet Stage: Tairov, Vakhtangov, Okhlopkov." World Literature Today 64, no. 2 (1990): 328. http://dx.doi.org/10.2307/40146528.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Marsh, Cynthia, and Nick Worrall. "Modernism to Realism on the Soviet Stage: Tairov, Vakhtangov, Okhlopkov." Modern Language Review 86, no. 3 (1991): 815. http://dx.doi.org/10.2307/3731147.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Hoover, Marjorie L., and Nick Worrall. "Modernism to Realism on the Soviet Stage: Tairov, Vakhtangov, Okhlopkov." Slavic and East European Journal 34, no. 1 (1990): 112. http://dx.doi.org/10.2307/309325.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Schlueter, June. "Domestic Realism: Is It Still Possible on the American Stage?" South Atlantic Review 64, no. 1 (1999): 11. http://dx.doi.org/10.2307/3201742.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Yahyanejad, Hani, and Ensieh Shabanirad. "Lukács and Reflection Theory." International Letters of Social and Humanistic Sciences 61 (October 2015): 145–54. http://dx.doi.org/10.18052/www.scipress.com/ilshs.61.145.

Full text

Abstract:

This essay claims that the rejection of Lukács’s realism is quite problematic, in the sense that his opponents such as Adorno and Althusser symbolically used the name of Lukács and perpetuated the suspicion of Lukács’s compromise with Stalinism. The essay argues that Lukács’s model of reflection is not couched in Stalin’s socialist realism, a theory that assumes the transparency between aesthetic forms and reality, but rather raises the essential problems of the condition of writers in capitalist society. Lukács’s realism aims at providing a practical strategy to overcome cultural reifica

APA, Harvard, Vancouver, ISO, and other styles

13

SUHANJOYO, SHIRLY NATHANIA. "KAJIAN RUANG DAN CAHAYA SEBAGAI TANDA PADA PERISTIWA TEATER REALIS." Serat Rupa Journal of Design 1, no. 2 (2018): 306. http://dx.doi.org/10.28932/srjd.v1i2.455.

Full text

Abstract:

Realism in theatre brings in reality of life through stage illusion accompanied with signs that can be applicated for event’s truth attainment. This make the aesthetics of art can be completely felt.Sign in space can be functioned as illustration that brings in act and atmosphere in theatre and it can be explained by arrangement of space and all of its elements. This arrangement is set as one unity such as forms, colors and materials, in order to make those elements support each other in its display. In a realist theatre show,lighting role important; lighting can show object and strengthen act

APA, Harvard, Vancouver, ISO, and other styles

14

Sica, Anna. "Chekhov's Poetic and Social Realism on the Italian Stage, 1924–1964." New Theatre Quarterly 24, no. 4 (2008): 363–78. http://dx.doi.org/10.1017/s0266464x0800050x.

Full text

Abstract:

This article explores the introduction of Chekhov's plays to Italy through émigré circles in the first decades of the twentieth century, and traces how they were appropriated to suit the ideological exigencies of the time during the fascist period. It concludes with observations about Luchino Visconti's celebrated productions of the 1950s, which stressed the idea that Chekhov was first and foremost a political writer, and suggests how this particular view of the dramatist evolved in the early 1960s as the theatre once again reflected social attitudes and values. Anna Sica is a lecturer at the

APA, Harvard, Vancouver, ISO, and other styles

15

Blomqvist, C. "Realism on Stage: Reflections on Language in Theodor Fontane's Theatre Reviews." Monatshefte 104, no. 3 (2012): 337–45. http://dx.doi.org/10.1353/mon.2012.0063.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

SHEPPARD, W. ANTHONY. "Cinematic realism, reflexivity and the American ‘Madame Butterfly’ narratives." Cambridge Opera Journal 17, no. 1 (2005): 59–93. http://dx.doi.org/10.1017/s0954586705001941.

Full text

Abstract:

This article focuses on two cinematic versions of the ‘Madame Butterfly’ tale. Produced near the beginning of the sound era, the 1932 Madame Butterfly struggles to co-opt Puccini's opera and thereby create a fully cinematic Butterfly. My Geisha, created three decades later, aspires to subvert Orientalist representation by reflecting back upon Puccini's and Hollywood's Butterflies with hip sophistication. Both films work simultaneously with and against the Butterfly canon in intriguing ways and both are shaped by prevailing American perceptions of race and gender. In investigating the relations

APA, Harvard, Vancouver, ISO, and other styles

17

Biers, Katherine. "Clock-Watching: Melodrama, Realism, and the Dialectics of Time." Theatre Survey 59, no. 3 (2018): 318–39. http://dx.doi.org/10.1017/s0040557418000285.

Full text

Abstract:

As the conventions of theatre design would have it, a clock onstage is a distraction for the audience. This has not always been true. Late nineteenth-century popular plays were alive with the sights and sounds of working clocks, their pointing hands, swinging pendulums, and striking bells announcing the time of significant events and actions in the fictional stage world. Visible on the mantelpiece, or audible in the town square, stage clocks in this era lent verisimilitude while heightening suspense, mirroring the broader aesthetic conventions of popular fin-de-siècle productions, in which hig

APA, Harvard, Vancouver, ISO, and other styles

18

Klosi, Iris. "Translation and Theatre Performance of Arthur Miller’s Plays in Albania." European Journal of Language and Literature 4, no. 4 (2018): 10. http://dx.doi.org/10.26417/ejls.v4i4.p10-16.

Full text

Abstract:

This paper explores the challenges and difficulties faced by theatrical translators and stage directors during the process of acculturating and adapting foreign written plays to the target audience. More specifically, the focus is on the translation and performance of some of Arthur Miller’s plays such as “Death of a Salesman”, “The Crucible”, “A View from the Bridge”, “Incident at Vichy” in Albania during the socialist realism and in the democracy era. The paper contains translation and stylistic analysis of the above-referred plays as well as performance analysis in the target culture suppor

APA, Harvard, Vancouver, ISO, and other styles

19

Tagareva, Albena. "Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts." Theatralia, no. 2 (2018): 141–60. http://dx.doi.org/10.5817/ty2018-2-10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

West, Shearer. "Virtual Reality Avant la Lettre: Loutherbourg and the Origins of Urban Spectacle." Nineteenth Century Theatre and Film 46, no. 2 (2019): 119–35. http://dx.doi.org/10.1177/1748372719860374.

Full text

Abstract:

Michael Booth's essays and books on Victorian theatre provided a formative and comprehensive set of scholarly works examining the origins of realism on the Victorian stage. Using Booth's arguments about the evolution of theatrical realism, this essay probes the notion of virtual reality and its impact on the spectator to examine the Eidophusikon – an invention of the artist, scene designer and engineer, Philippe Jacques de Loutherbourg. This essay examines this phenomenon in terms of how the urban spectacle plays out within it, the fundamental role of technology and science in its success, and

APA, Harvard, Vancouver, ISO, and other styles

21

Lacey, Stephen. "Naturalism, Poetic Realism, Spectacle: Wesker's ‘The Kitchen’ in Performance." New Theatre Quarterly 12, no. 47 (1996): 237–48. http://dx.doi.org/10.1017/s0266464x0001023x.

Full text

Abstract:

When Stephen Daldry took over the artistic directorship of the Royal Court in 1994, the first play he chose to direct was a revival of one of the great successes of the theatre's early occupancy by the English Stage Company, Arnold Wesker's The Kitchen. In the following article, Stephen Lacey sees this as in part a defining statement of Daldry's own relationship to the theatre and its traditions, and he offers a detailed comparison between Daldry's production and John Dexter's original in 1959, as revived in 1961. Exploring in particular the directors' – and the designers' – differing percepti

APA, Harvard, Vancouver, ISO, and other styles

22

Ward-Griffin, Danielle. "Realism Redux: Staging ‘Billy Budd’ in the Age of Television." Music and Letters 100, no. 3 (2019): 447–80. http://dx.doi.org/10.1093/ml/gcz064.

Full text

Abstract:

Abstract Although the term ‘realism’ is frequently deployed in discussing opera productions, its meanings are far from self-evident. Examining four stage and screen productions of Benjamin Britten’s Billy Budd (1951–66), this article traces how this mode was reworked through television in the mid-twentieth century. Linking theatrical and televisual developments in the UK and the USA, I demonstrate how television’s concerns for intimacy and immediacy guided both the 1951 premiere and the condensed 1952 NBC television version. I then show how challenges to the status quo, particularly the ‘angry

APA, Harvard, Vancouver, ISO, and other styles

23

Dudziński, Robert. "Jednostka, historia i kosmos. Obłok Magellana Stanisława Lema w kontekście przemian świadomości literackiej doby odwilży." Literatura i Kultura Popularna 25 (July 28, 2020): 283–304. http://dx.doi.org/10.19195/0867-7441.25.16.

Full text

Abstract:

The article is an attempt to read the novel of Stanisław Lem The Magellanic Cloud [Obłok Magellana] in the context of processes characteristic of the beginnings of the post-Stalinist thaw, associated with attempts to discuss with the dogmas of socialist realism. Three main aspects of the novel can be indicated in which there are traces of this discussion. Firstly, in placing the problems of the human individual in the center of the work’s interest — their psyche, feelings and reactions. Secondly, in the revision of Marxist philosophy. Thirdly, in reaching for the achievements of exis-tentialis

APA, Harvard, Vancouver, ISO, and other styles

24

Clover, Joshua, and Christopher Nealon. "Don't Ask, Don't Tell Me." Film Quarterly 60, no. 3 (2007): 62–67. http://dx.doi.org/10.1525/fq.2007.60.3.62.

Full text

Abstract:

ABSTRACT Brokeback Mountain insists on tragic realism. But Internet parodies of the film rework it to stage other emotions. And a 2001 Madonna video develops similar materials into a cowboy loneliness born of the ecstasy Brokeback Mountain forbids itself.

APA, Harvard, Vancouver, ISO, and other styles

25

Misiri, Laureta. "Myth and Antimyth in the Fictions of Socialist Realism in Albania." European Journal of Language and Literature 2, no. 1 (2015): 95. http://dx.doi.org/10.26417/ejls.v2i1.p95-98.

Full text

Abstract:

The process of formation of socialist realism in literary creativity goes hand in hand with the crystallization of social awareness "down", within the psychology of the masses and "up", with the strengthening ideological party institutes of state. Endless discourses among the circles of artists on this plane, so competent is the new artistic unity as "the soc-realistic method" that obtained the status of state doctrine. In 1936 the Soviet government undertook measures to implement the undisputed total soc-realistic method all the arts in the USSR. Socialist realism becomes the dominant term in

APA, Harvard, Vancouver, ISO, and other styles

26

Golub, Spencer. "The Curtainless Stage and the Procrustean Bed: Socialist Realism and Stalinist Theatrical Eminence." Theatre Survey 32, no. 1 (1991): 64–84. http://dx.doi.org/10.1017/s0040557400009467.

Full text

Abstract:

With the advent of the 1917 Revolution, “the whole of the Russian cultural world [became] an icon.” Soviet power retroactively encoded revolutionary imminence and immanence in history and fetishized the revolutionary historical moment as the pregnant body of past, present and future. Leon Trotsky wrote: “If the symbol is a concentrated image, then the revolution is the supreme maker of symbols, since it presents all phenomena and relations in concentrated form.” Lenin's belief that “a communist [proletarian] culture must embody the entire store of knowledge accumulated in the pre-revolutionary

APA, Harvard, Vancouver, ISO, and other styles

27

Schuler, Catherine. "Modernism to Realism on the Soviet Stage by Nick Worrall (review)." Modern Drama 34, no. 4 (1991): 575–77. http://dx.doi.org/10.1353/mdr.1991.0057.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Woodward, Ashley. "Dispositif, Matter, Affect, and the Real: Four Fundamental Concepts of Lyotard's Film-Philosophy." Film-Philosophy 23, no. 3 (2019): 303–23. http://dx.doi.org/10.3366/film.2019.0118.

Full text

Abstract:

Jean-François Lyotard's work remains a largely untapped resource for film-philosophy. This article surveys four fundamental concepts which indicate the fecundity of this work for current studies and debates. While Lyotard was generally associated with the “theory” of the 1980s which privileged language, signs, and cultural representations, much of his work in fact resonates more strongly with the new materialisms and realisms currently taking centre stage. The concepts examined here indicate the relevance of Lyotard's work in four related contemporary contexts: the renewed interest in the disp

APA, Harvard, Vancouver, ISO, and other styles

29

Mwenda, Angela Nduta, Arnold K. Bregt, and Arend Ligtenberg. "How is Spatial Information Used in Environmental Impact Assessment in Kenya?" Journal of Environmental Assessment Policy and Management 17, no. 03 (2015): 1550031. http://dx.doi.org/10.1142/s1464333215500313.

Full text

Abstract:

Spatial information is being increasingly used worldwide within environmental impact assessment (EIA), although the extent of its use has not been exhaustively investigated. Using Kenya as a case study, EIA study reports submitted to the Environment Authority from 2002 to 2013 were investigated for the presence/absence of spatial presentations, levels of visual realism exhibited and content presented. Findings demonstrated a high popularity of spatial information, and preference for the combined use of spatial presentations with low and high levels of visual realism, with no clear preference f

APA, Harvard, Vancouver, ISO, and other styles

30

Zhang, De Fa. "The Internal Connection Study of Graphics, Image and Virtual Realism." Applied Mechanics and Materials 26-28 (June 2010): 728–31. http://dx.doi.org/10.4028/www.scientific.net/amm.26-28.728.

Full text

Abstract:

With the development of times, industry has been making great progress, which varies from primitive manual labor to machines in the age of steam. Then, machines and factories have taken the place of more and more manual labors with the development of mechanical design and relative theory. However, it still fails to reach the stage of full automation. Owing to the birth of computer and development of artificial intelligence, the robot factory is no longer a fresh topic. Undoubtedly, those are linked with graphic and computer’s development. There must be a more advanced theory and technology com

APA, Harvard, Vancouver, ISO, and other styles

31

Sehat, David. "Gender and Theatrical Realism: The Problem of Clyde Fitch." Journal of the Gilded Age and Progressive Era 7, no. 3 (2008): 325–52. http://dx.doi.org/10.1017/s1537781400000748.

Full text

Abstract:

Clyde Fitch was the most famous playwright of the early twentieth century, but today no one studies him. The disconnect between his fame in his lifetime and his obscurity after death points to a major historiographical problem, a problem that began in Fitch's own day. Fitch's numerous contemporary critics, many of whom were early proponents of theatrical realism, criticized his plays as effeminate, bound by the narrow conventions of the legitimate theater that relied on women as its predominant patrons. By contrast, realism, as the critics under-stood it, was masculine, bringing the gritty rea

APA, Harvard, Vancouver, ISO, and other styles

32

Fedorov, Alexey A. "INNOVATIVE CODES OF THE LANGUAGE OF STAGE ART OF EUGENIY BAGRATIONOVICH VAKHTANGOV ON THE MATERIAL OF PERFORMANCES OF THE BEGINNING OF THE XX CENTURY." Interexpo GEO-Siberia 5 (July 8, 2020): 11–18. http://dx.doi.org/10.33764/2618-981x-2020-5-11-18.

Full text

Abstract:

The creative work presented at the International intramural and extramural festival competition of youth theater companies - “Prometheus of a Rukh” - “Spirit of Prometheus” became a threshold of the present article, devoted to the Year of theater in Russia and to the 100 anniversary from the date of the birth of the National poet of Bashkortostan, the playwright Mustaya Karim, and gained the diploma of the Winner of the First degree. In the present work, as part of the creative path, the practice and theorist of the field of art of Eugeniy Bagrationovich Vakhtangov, the language of fantastic r

APA, Harvard, Vancouver, ISO, and other styles

33

Carlson, Marvin. "The Eighteenth Century Pioneers in French Costume Reform." Theatre Survey 28, no. 1 (1987): 37–47. http://dx.doi.org/10.1017/s0040557400008966.

Full text

Abstract:

In the middle years of the eighteenth century a major shift took place in France concerning the idea of appropriate stage costume. The traditional dress of high classicism, with its helmets and high plumes for the men, large hoop skirts for the women, and elegant, symmetrical, and highly artificial dress for both began to be challenged by leading critics and artists, who sought—for greater realism, greater historical accuracy, or greater ease and beauty of movement on stage—a more relaxed and informal approach to stage dress.

APA, Harvard, Vancouver, ISO, and other styles

34

ALPAY, Orçun. "THE IRONY OF SOCIAL REALISM: SOTS-ART AS AN EARLY STAGE OF RUSSIAN POSTMODERNISM." Journal of International Social Research 10, no. 52 (2017): 14–18. http://dx.doi.org/10.17719/jisr.2017.1868.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Lucas, Terry. "Exploring the effect of realism at the cognitive stage of complex motor skill learning." E-Learning and Digital Media 16, no. 4 (2019): 242–66. http://dx.doi.org/10.1177/2042753019835893.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Lepschy, Anna Laura. "Realism, identity, and reality on stage: Italian drama from unification to the present day." Italianist 21, no. 1 (2001): 319–47. http://dx.doi.org/10.1179/ita.2001.21.1.319.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Lacey, Stephen. "‘Blood Red Roses’: John McGrath and Lukácsian Realism." New Theatre Quarterly 18, no. 4 (2002): 325–33. http://dx.doi.org/10.1017/s0266464x0200043x.

Full text

Abstract:

John McGrath spurned the easy road to television fame that seemed open to him early in his career, but remained concerned throughout his life to develop the creative potential of the medium, and to exploit what made it distinctive from the forms of film and theatre in which he was also engaged. Unlike many of his contemporaries, McGrath's work was thus underpinned by a strong sense of the differing qualities of the performing media, and nowhere is this more evident than in Blood Red Roses, which began its life as a stage play for 7:84 Scotland in 1980, was adapted into a three-part television

APA, Harvard, Vancouver, ISO, and other styles

38

Guynup, Steve. "The Design of Virtual Space." International Journal of Gaming and Computer-Mediated Simulations 2, no. 2 (2010): 57–76. http://dx.doi.org/10.4018/jgcms.2010040104.

Full text

Abstract:

Videogames are the starting point for the general understanding of virtual space. (Grove & Williams, 1998). Academics use videogames to describe virtual space (Murray, 1997; Nitsche, 2009). Others argue that there is no understanding of virtual space, only a loose collection of articles connected by the issue of realism in rendering or behavior (Manovich, 2001). These statements point to a lack of understanding of virtual space on its own terms and set the stage for this document. This is a design document, written by a designer of virtual spaces. Its purpose is to provocatively explore us

APA, Harvard, Vancouver, ISO, and other styles

39

Leiter, Brian. "LEGAL FORMALISM AND LEGAL REALISM: WHAT IS THE ISSUE?" Legal Theory 16, no. 2 (2010): 111–33. http://dx.doi.org/10.1017/s1352325210000121.

Full text

Abstract:

In teaching jurisprudence, I typically distinguish between two different families of theories of adjudication—theories of how judges do or should decide cases. “Formalist” theories claim that (1) the law is “rationally” determinate, that is, the class of legitimate legal reasons available for a judge to offer in support of his or her decision justifies one and only one outcome either in all cases or in some significant and contested range of cases (e.g., cases that reach the stage of appellate review); and (2) adjudication is thus “autonomous” from other kinds of reasoning, that is, the judge

APA, Harvard, Vancouver, ISO, and other styles

40

Tan, Wei-en. "State-Centric Realism Eclipsed: TNCs as the Rising Powerful Actors in the Age of Trade Liberalization." Journal of Politics and Law 8, no. 4 (2015): 223. http://dx.doi.org/10.5539/jpl.v8n4p223.

Full text

Abstract:

<p>This essay argues that the global trade liberalization, particularly since 1995, strengthens some transnational corporations (TNCs) to become more powerful. In this sense, some statements argued by state-centric realism have to be revised; however, doing that does not mean that realism is fully out-of-date. The case studies suggest that mother country, such as the U.S., is a critical agent for TNCs to project their power and/or to protect their vital interest in the global market. In other word, sovereign state, especially the stronger one, is still important under some specific condi

APA, Harvard, Vancouver, ISO, and other styles

41

Fotheringham, Richard. "The Doubling of Roles on the Jacobean Stage." Theatre Research International 10, no. 1 (1985): 18–32. http://dx.doi.org/10.1017/s0307883300010464.

Full text

Abstract:

A decade ago the analysis of the structure of the plays performed by the Elizabethan, Jacobean, and Caroline professional theatre companies, in order to discover patterns of doubling of the roles, seemed to hold considerable promise for further inquiry. D. M. Bevington's pioneering From ‘Mankind’ to Marlowe and W. A. Ringler's article ‘The Number of Actors in Shakespeare's Early Plays’ offered direct evidence and tools for structural analysis, and were followed by important studies by Scott McMillin, Irwin Smith, and others. Nevertheless, since then interest in this area – and particularly in

APA, Harvard, Vancouver, ISO, and other styles

42

Fabiszak, Jacek. "Sex-speare vs. Shake-speare: On Nudity and Sexuality in Some Screen and Stage Versions of Shakespeare’s Plays." Text Matters, no. 3 (November 1, 2013): 203–18. http://dx.doi.org/10.2478/texmat-2013-0035.

Full text

Abstract:

The article attempts to address the issue of nudity and eroticism in stage and screen versions of Shakespeare’s plays. Elizabethan theatrical conventions and moral and political censorship of the English Renaissance did not allow for an explicit presentation of naked bodies and sexual interactions on stage; rather, these were relegated to the verbal plane, hence the bawdy language Shakespeare employed on many occasions. Conventions play a significant role also in the present-day, post-1960s and post-sexual revolution era, whereby human sexuality in Western culture is not just alluded to, but d

APA, Harvard, Vancouver, ISO, and other styles

43

Raik, Kristi. "Renaissance of realism, a new stage of Europeanization, or both? Estonia, Finland and EU foreign policy." Cooperation and Conflict 50, no. 4 (2014): 440–56. http://dx.doi.org/10.1177/0010836714560033.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Snell, Darryn, David Schmitt, Audra Glavas, and Larissa Bamberry. "Worker stress and the prospect of job loss in a fragmented organisation." Qualitative Research in Organizations and Management: An International Journal 10, no. 1 (2015): 61–81. http://dx.doi.org/10.1108/qrom-03-2014-1210.

Full text

Abstract:

Purpose – The purpose of this paper is to advance research on job loss-related stress through a critical realism framework which considers the interplay between organisational context and personal agency and its implications for worker stress in the pre-lay-off stage. Design/methodology/approach – The paper adopts a qualitative case study approach and considers two groups of workers confronted with the prospects of job loss in Australia’s power generation industry – permanent employees working for power stations and workers employed by associated contractors. Field research and semi-structured

APA, Harvard, Vancouver, ISO, and other styles

45

Zharikova, Vera V. "Representation of Youth in Soviet Cinema of the 1950s." Journal of Flm Arts and Film Studies 7, no. 3 (2015): 40–49. http://dx.doi.org/10.17816/vgik7340-49.

Full text

Abstract:

The 1950s in the history of our cinema became a transitory stage from the grand style aesthetics to humanistic realism of the Thaw period. One of the most significant traits of this transition was the appearance of young characters on screen (school pupils, students) who were striving to fulfill themselves and find their own way in life. The article analyzes the images of the young people as they were represented in films of that period.

APA, Harvard, Vancouver, ISO, and other styles

46

CHATTERJEE, PARTHA. "Theatre and the Publics of Democracy: Between Melodrama and Rational Realism." Theatre Research International 41, no. 3 (2016): 202–17. http://dx.doi.org/10.1017/s0307883316000419.

Full text

Abstract:

The theatre that developed in late nineteenth-century India, especially in the Bengal and Maharashtra regions, catered to an audience that was much wider than the new educated middle-class males who introduced the European stage form in Kolkata, Mumbai and Pune. Driven by private capital, the new Indian theatre adopted the melodrama as its main dramatic form. When performance capital shifted to the more lucrative field of cinema in the middle of the twentieth century, the melodramatic form again became the chief narrative mode. Such is its power that it has become the principal rhetorical form

APA, Harvard, Vancouver, ISO, and other styles

47

SUGIERA, MAŁGORZATA. "Contemporary drama as a challenge for Polish theatre." European Review 9, no. 3 (2001): 339–45. http://dx.doi.org/10.1017/s106279870100031x.

Full text

Abstract:

The aim of the paper is to show the impact contemporary drama has had on Polish theatre during the last 50 years. In this period, there were two innovative phases in Polish drama, both having a different impact on the theatre. After 1956, political changes allowed for noticeable transformations in the dramatic and stage conventions, which up to then were dominated by socialist realism. After 1989, political changes brought a few promising debuts, as well as new topics and means of expression, which had been almost completely absent from the Polish stage. At the same time, this paper tries to s

APA, Harvard, Vancouver, ISO, and other styles

48

Bird, Graham. "McDowell's Kant: Mind and World." Philosophy 71, no. 276 (1996): 219–43. http://dx.doi.org/10.1017/s0031819100041450.

Full text

Abstract:

McDowell's Mind and World is a commentary on a traditional, dualist, epistemology which puzzles over, and offers accounts of, a fundamental division between mental, subjective items, and nonmental, objective items in experience. The principal responses to that tradition which McDowell considers are those of Davidson's coherentism, Evans's form of realism, and Kant; but it is Kant's famous B75 text which occupies centre stage:‘Gedanken ohne Inhalt sind leer; Anschauungen ohne Begriffe sind blind’. (Thoughts without content are empty; intuitions without concepts are blind).

APA, Harvard, Vancouver, ISO, and other styles

49

Staniskyte, Jurgita. "Treading the Borderline." Nordic Theatre Studies 26, no. 1 (2018): 32–43. http://dx.doi.org/10.7146/nts.v26i1.109732.

Full text

Abstract:

Duringthesecond decadeof theIndependence, i.e. at thebeginningof thetwenty-first centurythe increasing number of performances trying to escape the tradition of anti-mimeticrepresentation and to re-engage with reality appeared on the Lithuanian theatre stage.Fragments of everyday reality, ?real?personalities onstage, autobiographic narratives, historicdocuments, authentic spaces were becoming increasingly popular, allowing some critics toproclaim theeagerly awaited ?return to realism?. However, acloser analysisof thistendency ofcontemporary Lithuanian theatre can lead one to believe that such p

APA, Harvard, Vancouver, ISO, and other styles

50

Xian, Rachel. "Conditioning Constructs: A Psychological Theory of International Negotiated Cooperation." International Negotiation 26, no. 2 (2021): 319–56. http://dx.doi.org/10.1163/15718069-bja10025.

Full text

Abstract:

Abstract Political psychology and social constructivism exist in an “ideational alliance” against realism; however, both have overlooked behavioral conditioning, the basis of animal learning. Through six stages situated in international negotiation behaviors, the theory of Conditioning Constructs shows how behavioral conditioning can take parties from specific to diffuse reciprocity, rationalist to constructivist cooperation, and crisis to durable peace. In stages 1, 2 and 3, parties use negotiated agreements to exit prisoner’s dilemmas, continuously reinforce cooperation during agreement impl

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!