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Journal articles on the topic 'Stand-up comedy'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 June 2025

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1

Putri, Maharani Widya, Erwin Oktoma, and Roni Nursyamsu. "FIGURATIVE LANGUAGE IN ENGLISH STAND-UP COMEDY." English Review: Journal of English Education 5, no. 1 (2016): 115. http://dx.doi.org/10.25134/erjee.v5i1.396.

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This descriptive qualitative research was about the analysis of figurative language in English stand-up comedy. The purposes of this study were to identify the types of figurative language and to describe the functions of figurative language found in the selected video of stand-up comedy show. The data source was taken from one of selected videos of Russell Peters stand-up comedy show. Russell Peters’s speech contained about figurative language in the video is observed. The data were collected through content analysis technique by collecting the verbal language used by Russell Peters. The firs
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2

Ilham, Ramadani, and Nuriyati Samatan. "Retorika Stand Up Comedy dan Public Speaking Komunitas Stand Up Indo Lampung." Jurnal PIKMA : Publikasi Ilmu Komunikasi Media Dan Cinema 4, no. 1 (2021): 17–24. http://dx.doi.org/10.24076/pikma.v4i1.583.

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Stand up comedy dikenal sebagai seni pertunjukan komedi yang prakteknya dilakukan oleh satu orang bermonolog dan disaksikan oleh audiens ramai. Stand up comedy umumnya dilakukan secara live (langsung) dan merupakan one man show. Penelitian ini dilakukan dengan tujuan untuk memperluas wawasan retorika dalam praktiknya ke dalam seni stand up comedy. Penelitian ini dilakukan dengan menggunakan 2 teori yaitu Teori Retorika Aristoteles dan Teori Public Speaking Stephen E. Lucas, dan metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif dengan teknik pengumpulan data yang digunakan
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3

Lockyer, Sharon, Brett Mills, and Louise Peacock. "Analysing stand-up comedy." Comedy Studies 2, no. 2 (2011): 99–100. http://dx.doi.org/10.1386/cost.2.2.99_2.

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4

Rufaidah, Dea. "Message Production Process in Stand Up Comedy: Ethnographic Study in Stand Up Community Indo Surabaya." Jurnal Media dan Komunikasi 1, no. 2 (2021): 107. http://dx.doi.org/10.20473/medkom.v1i2.26436.

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Proses produksi pesan dalam stand up comedy merupakan isu krusial yang masih jarang dibahas dalam riset akademik. Publik seringkali tidak menyadari bahwa pesan dalam stand up comedy pada dasarnya membutuhkan proses persiapan yang panjang dan rumit. Lebih jauh lagi para proses produksi ini semua pesan yang disampaikan dalam stand up comedy sejatinya disiapkan, termasuk dalam tema-tema besar seperti isu gender, diskriminasi rasial, dan juga kelas. Informan dalam penelitian ini merupakan para comedians, anggota komunitas Stand Up Indo Surabaya, individu yang mewakili berbagai macam isu pada konte
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Rufaidah, Dea. "Message Production Process in Stand Up Comedy: Ethnographic Study in Stand Up Community Indo Surabaya." Jurnal Media dan Komunikasi 2, no. 1 (2021): 40. http://dx.doi.org/10.20473/medkom.v2i1.26436.

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Proses produksi pesan dalam stand up comedy merupakan isu krusial yang masih jarang dibahas dalam riset akademik. Publik seringkali tidak menyadari bahwa pesan dalam stand up comedy pada dasarnya membutuhkan proses persiapan yang panjang dan rumit. Lebih jauh lagi para proses produksi ini semua pesan yang disampaikan dalam stand up comedy sejatinya disiapkan, termasuk dalam tema-tema besar seperti isu gender, diskriminasi rasial, dan juga kelas. Informan dalam penelitian ini merupakan para comedians, anggota komunitas Stand Up Indo Surabaya, individu yang mewakili berbagai macam isu pada konte
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6

Nicolaï, Jonas, and Pieter Maeseele. "Stand-up in the age of outrage." European Journal of Humour Research 12, no. 1 (2024): 56–72. http://dx.doi.org/10.7592/ejhr.2024.12.1.826.

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In the context of an expanding societal awareness of social injustice, and inequality, stand-up comedy is frequently caught in the crosshairs of discourses on free speech and political correctness. This study examines the evolving relationship between comedic critique and contemporary discourses on the boundaries of humour. Drawing on the thesis of the repoliticisation of humour, we analyse stand-up comedy’s reflexivity towards “wokeness” and “cancel culture” through the case of Flemish stand-up comedian Michael Van Peel. Our findings suggest that the complexity of the current political climat
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7

Carroll, Noël. "Timings: Notes on Stand-up Comedy." Philosophy of Humor Yearbook 1, no. 1 (2020): 3–16. http://dx.doi.org/10.1515/phhumyb-2020-0004.

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Abstract This article attempts to provide a basic characterization of stand-up comedy-that is, a minimal portrait of what comes to mind when one learns that one is about to see a stand-up comic. To that end, the focus will be primarily on the relation of stand-up comedy in terms of themes of temporality, including the structure of stand-up comedy, its rhythm, its delivery, and its contemporaneity.
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8

Leonardo, Reynord, and Ahmad Junaidi. "Kritik Sosial dalam Stand Up Comedy (Analisis Semiotika Show “Pragiwaksono World Tour”)." Koneksi 4, no. 2 (2020): 185. http://dx.doi.org/10.24912/kn.v4i2.8077.

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This study discusses the stand up comedy that is popular among the people. Stand up comedy itself is a singular comedic art whose contents from ordinary jokes contain social criticism. Pandji Pragiwaksono is one example of a comic where he likes to bring stand up comedy material containing social criticism where there are some social problems that we are experiencing in the form of comedy. The theory used by researchers is the theory of mass communication, mass media, social criticism, stand up comedy. This study uses a qualitative approach with the semiotic analysis technique method Ferdinand
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9

Fitri, Fitri, Mahyuni Mahyuni, and Sudirman Sudirman. "SKEMATA WACANA HUMOR STAND UP COMEDY INDONESIA." LINGUA: Journal of Language, Literature and Teaching 16, no. 1 (2019): 65–76. http://dx.doi.org/10.30957/lingua.v16i1.575.

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This qualitative research design was conducted to describe the schema, cohesion, coherence, and context contained in the stand-up comedy performed by famous comics (performer of stand up comedy) in Indonesia. The data were in the form the text of stand up comedy performed by Raditya Dika, Ernest Prakarsa, and Pandji Pragiwaksono. The source of the data was video-audio stand up comedy on Youtube http://www.youtube.com. The data gathered and analyzed grounded in theory of schematic, cohesion, coherence, and humorous discourse. The results show that the schemata appear in the setup section and ea
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10

DEMARCO, TOBYN. "Improvisation and Stand‐Up Comedy." Journal of Aesthetics and Art Criticism 78, no. 4 (2020): 419–36. http://dx.doi.org/10.1111/jaac.12754.

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BRODIE, IAN. "Is Stand‐Up Comedy Art?" Journal of Aesthetics and Art Criticism 78, no. 4 (2020): 401–18. http://dx.doi.org/10.1111/jaac.12763.

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Filani, Ibukun. "Discourse types in stand-up comedy performances: An example of Nigerian stand-up comedy." European Journal of Humour Research 3, no. 1 (2015): 41–60. http://dx.doi.org/10.7592/ejhr2015.3.1.filani.

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Febe Cruisita Geralda Runtuwaliam. "Pengaruh Program Stand Up Comedy Indonesia Kompas TV terhadap Perilaku Komika di Komunitas Stand Up Indo Surabaya." Jurnal Spektrum Komunikasi 6, no. 1 (2018): 48–60. http://dx.doi.org/10.37826/spektrum.v6i1.48.

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Banyaknya program hiburan televise swasta di Indonesia membuat persaingan antar televisi semakin ketat. Kompas TV sebagai salah satu televisi swasta muncul dengan memberikan gebrakan baru program komedi yang dikemas berbentuk kompetisi yaitu Stand Up Comedy Indonesia. Dengan eksistensinya yang sudah berjalan selama 8 sesi, Stand Up Comedy Indonesia masih menjadi yang digemari oleh masyarakat Indonesia terbukti dari antusias dan minat masyarakat dalam mengikuti audisi. Rumusan masalah dalam penelitian ini adalah “Bagaimana pengaruh program Stand Up Comedy Indonesia terhadap perilaku komik di ko
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Rahmi, Elsya, and Tressyalina Tressyalina. "Implikatur dalam Lawakan Komika Abdur pada Acara Stand Up Comedy." Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya 10, no. 1 (2020): 83. http://dx.doi.org/10.26714/lensa.10.1.2020.83-93.

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ABSTRAK Lawakan komika Abdur pada acara Stand Up Comedy tersebut mengandung implikatur. Kajian pragmatik mengenai implikatur dalam lawakan komika Abdur pada acara Stand Up Comedy di dalam penelitian ini menggunakan teori Grice dengan adanya 2 jenis implikatur, yakni: (1) implikatur konvensional dan (2) implikatur nonkonvensional atau implikatur percakapan. Penelitian ini menggunakan metode deskriptif kualitatif. Sumber data pada penelitian ini adalah tuturan komika Abdur pada acara Stand Up Comedy yang diperoleh melalui Youtube. Tujuan penelitian ini adalah untuk mendeskripsikan implikatur yan
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15

Savina, Yuliia O. "MULTIMODALITY OF INCONGRUITY AS COGNITIVE MECHANISM OF CREATING HUMOUR: CASE STUDY OF POLITICAL STAND-UP COMEDY." Alfred Nobel University Journal of Philology 2, no. 26/2 (2023): 59–75. http://dx.doi.org/10.32342/2523-4463-2023-2-26/2-4.

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The problem of humour is complex and transcends aesthetic boundaries. Laughter is a product of interactions between individuals, social groups, cultures and epochs, with a far-reaching significance that attracts the attention of various scientific fields. When discussing humour, it is essential to consider the modality, which reflects the speaker’s attitude and subjective expressions. Regardless of genre or style, humour offers an aesthetic representation of the world, created by the author to convey his or her communicative intent and perspective. The core mechanism of humour is incongruity,
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Krissandi, Apri Damai Sagita, and Kelik Agung Cahya Setiawan. "Kritik Sosial Stand Up Comedy Indonesia Dalam Tinjauan Prakmatik." Pena : Jurnal Pendidikan Bahasa dan Sastra 7, no. 2 (2018): 46–59. http://dx.doi.org/10.22437/pena.v7i2.5316.

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Abstrak
 Tujuan penelitian ini untuk mendeskripsikan wujud kritik sosial yang terdapat dalam stand up comedy studi kasus comic Abdurrahum Arsyad dan mendeskripsikan penyimpangan prinsip kerja sama yang terdapat dalam stand up comedy studi kasus comic Abdurrahum Arsyad. Metode analisis menggunakan perspektif pragmatik. Berdasakan hasil analisis mengenai wujud penyimpangan prinsip kerja sama dan kritik sosial yang terdapat dalam stand up comedy yang disampaikan oleh Abdurrahum Arsyad maka dapat disimpulkan bahwa: (1) wujud penyimpangan prinsip kerja sama yang terdapat dalam stand up comedy
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Asiah, Nur, Julie Rostina, and Nanny Harmani. "Efektiftas Stand Up Comedy Sebagai Media Peningkatan Pengetahuan Perilaku Seksual Berisiko pada Remaja di RPTRA (Ruang Publik Terpadu Ramah Anak)." ARKESMAS (Arsip Kesehatan Masyarakat) 3, no. 1 (2018): 1–6. http://dx.doi.org/10.22236/arkesmas.v3i1.2517.

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Pengetahuan remaja tentang kesehatan reproduksi belum memadai. SDKI 2012 menyebutkan bahwahanya 35,3% remaja perempuan dan 31,2% remaja laki-laki usia 15 – 19 tahun yang mengetahui bahwaperempuan dapat hamil dengan satu kali berhubungan seksual. Stand Up Comedy merupakan bentuk senikomedi atau melawak yang disampaikan secara sederhana. Selain sebagai hiburan, Stand Up Comedy dapatdigunakan sebagai media informasi yang sangat komunikatif di masyarakat, dan dapat dipakai sebagaisarana untuk meningkatkan pengetahuan pada penontonnya. Penelitian ini bertujuan untuk mengetahuiefektiftas metode Stan
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18

Gustyawan, Tofan, and Koes Yuliadi. "IDENTITAS DAN KRITIK DALAM STAND UP COMEDY." Jurnal Cerano Seni : Pengkajian dan Penciptaan Seni Pertunjukan 1, no. 01 (2022): 47–57. http://dx.doi.org/10.22437/cs.v1i01.18416.

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Stand up comedy merupakan pertunjukan yang mengedepankan olah bahasa sering menjadi sarana dalam menyampaikan kritik. Kritik berfungsi sebagai alat untuk menganalisa, mengevaluasi sesuatu dengan tujuan memperluas apresiasi juga memperbaiki situasi. Indonesia sebagai negara yang menjamin kebebasan berpendapat, menjadi suatu peluang dalam menyampaikan berbagai macam kritik, terutama dalam stand up comedy. Stand up comedy bukan sekedar menciptakan olah bahasa dari berbagai kegelisahan yang dibuat menjadi sebuah joke tanpa dasar. Namun lebih mendalam yaitu menyadari identitas sebagai bagian dari k
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Puspita Maraji's, Maria Magdalintan Kalvari. "Transformasi Komunitas Stand Up Comedy Jogja di Era Digital." Suksma: Jurnal Psikologi Universitas Sanata Dharma 5, no. 1 (2024): 27–35. http://dx.doi.org/10.24071/suksma.v5i1.7667.

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This research aims to delve into the changes occurring within the stand-up comedy community in the face of the digital transformation that has permeated various aspects of life. Through in-depth interviews with comedians and observations on various social media platforms, this study demonstrates that digital technology has become a crucial space for the development of the stand-up comedy community. Additionally, utilizing a qualitative approach, the research explores the perspectives of performers and stand-up comedy practitioners on how digital technology affects interactive processes within
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Kurniati, Ifah Atur. "Stand Up Comedy, Retorika Generasi Milenial." EKSPRESI DAN PERSEPSI : JURNAL ILMU KOMUNIKASI 2, no. 02 (2019): 29. http://dx.doi.org/10.33822/jep.v1i02.955.

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Generasi milenial hadir dengan berbagai fenomena komunikasi baru. Generasi yang sarat ekspresi. Mengungkapkan kegelisahan dan kritik melalui media baru. Stand Up Comedy, merupakan gaya baru dalam berkomunikasi di ruang public. Mulai trend di Indonesia pada 10 tahun terakhir, Stand Up Comedy kini tengah menjadi sebuah hal yang awam dan diterima di kalangan milenial. Stand Up Comedy dapat dilihat dari sisi retorika, yakni adalah seni mengatur komposisi kata-kata dan kesan menarik yang ditujukan untuk mempengaruhi dan mengubah pendengar. Studi retorika sesungguhnya adalah bagian dari disiplin ilm
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Puri, Anindita Dewangga. "The Structure of Humor in Psycho Stand-Up Comedy by Margaret Cho." Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya 10, no. 1 (2020): 16. http://dx.doi.org/10.26714/lensa.10.1.2020.16-30.

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This research aims to analyze the structure of humor in Psycho stand-up comedy employed by Margaret Cho. It is qualitative descriptive research. The main source of this research is the oral data in Psycho stand-up comedy performed by Margaret Cho. There are three steps to find out the aim of this research: the data collection from stand-up comedy entitled Psycho, the analysis of the data, and the last is the display of the result. After all of the data is collected, the researcher tries to find out the structure of Psycho stand-up comedy by using the sequence of joke theory by Rutter and the s
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Finali, Ibukun, and Temitope Michael Ajayi. "Ideologies in Nigerian Stand-up Comedy." Linguistik Online 100, no. 7 (2019): 141–58. http://dx.doi.org/10.13092/lo.100.6023.

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The bond between language and ideology has caught the attention of discourse analysts. Investigating this bond, discourse analysts have further demonstrated that everyday interactions are embedded in and with different ideologies. Likewise, the performance of humour is motivated by the interlocutors’ ideological inclinations. On the strength of these propositions, this study attempts a critical analysis of the ideologies in selected Nigerian stand-up comedy routines (NSC), with particular reference to Fairclough and Wodak’s notions of ideology in discourse. Routines were purposively selected f
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Pereira, Ann Christina, and Sarika Tyagi. "Mental Health and Stand-up Comedy: ‘Unhappy’ Stand-up Comedy as a Reflection of Liquid Modernity." Studies in Media and Communication 10, no. 2 (2022): 279. http://dx.doi.org/10.11114/smc.v10i2.5785.

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Stand-up comedy reflects the dominant mood of a period with its philosophies, fears and prejudices. Today, an increasing number of stand-up comedians have started discussing their personal experiences regarding mental health issues, most commonly depression and anxiety. The aim of this type of comedy is seldom to elicit laughter. This paper aims to understand the climate that has led to the popularity of this type of comedy. The paper argues that ‘unhappy’ stand-up is a reflection of liquid modernity by studying the stand-up comedy of Daniel Fernandes, Neville Shah and Taylor Tomlinson. Zygmun
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Sihombing, Lambok Hermanto, and Maria Paskalia Aninda. "SHIFTING PHENOMENON: AN ANALYSIS OF STAND UP COMEDY INDONESIA." Jurnal Visi Komunikasi 22, no. 02 (2023): 180. http://dx.doi.org/10.22441/visikom.v22i02.17774.

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The lengthy road of Stand Up Comedy Indonesia has not been in vain, as it has become a popular event with many followers. Stand-Up comedy is today well-known not only due to the excitement of the show but also because the content delivered is of excellent quality and suited for all audiences. However, many comedians whose careers were launched by Stand-Up Comedy have since changed careers. This is, of course, a topic worthy of further investigation. This study tries to analyze the growth of stand-up comedy in Indonesia by examining the paths of comedians who left their comfort zones for new ca
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Mahadian, Adi Bayu. "REPRESENTASI ETNIS CINA DALAM STAND UP COMEDY." Jurnal Ilmiah LISKI (Lingkar Studi Komunikasi) 1, no. 1 (2017): 97. http://dx.doi.org/10.25124/liski.v1i1.816.

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Permasalahan tentang Etnis Cina di Indonesia tidak pernah benar-benar selesai hingga kini. Berbagai usaha yang dilakukan pemerintah atau pihak terkait lainnya banyak menemui kendala. Diantaranya disebabkan karena kurangnya pemahaman terhadap realitas tentang Etnis Cina di Indonesia. Dengan menggunakan metode analisis semiotik sosial yang dikemukakan oleh Theo Van Leeuwen, penelitian ini berupaya untuk memahami realitas tentang Etnis Cina yang terepresentasikan dalam pertunjukan stand up comedy oleh Ernest Prakasa. Dari hasil penelitian yang dilakukan diperoleh beberapa kesimpulan, yaitu: Perta
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Khairani, Cahya, and Muhammad Alfikri. "STAND UP COMEDY AS A COMMUNICATION MEDIA FOR WOMEN'S RESISTANCE TO THE PATRIARCHAL SYSTEM (CASE STUDY: STAND-UP COMEDY SAKDIYAH MARUF)." Jurnal Ilmu Komunikasi UHO : Jurnal Penelitian Kajian Ilmu Komunikasi dan Informasi 8, no. 2 (2023): 304–16. http://dx.doi.org/10.52423/jikuho.v8i2.49.

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This article discusses the use of stand-up comedy as a medium of communication against women's resistance to the patriarchal system. The case study used is the comic Sakdiyah Maruf, which uses stand-up comedy to voice issues of gender equality and resistance to the patriarchal system. Qualitative research methods were used to gain an in-depth understanding of stand-up comedy as a medium for women's resistance to the patriarchal system. Research data collection techniques were carried out through document analysis. The document being analyzed is a recording of Sakdiyah Maruf's stand-up comedy p
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Agustina, Agustina, Muhammad Saleh, Azis Azis, and Andi Nurindah Sari. "PRAANGGAPAN DALAM STAND UP COMEDY WANITA INDONESIA." Protasis: Jurnal Bahasa, Sastra, Budaya, dan Pengajarannya 1, no. 2 (2022): 70–80. http://dx.doi.org/10.55606/protasis.v1i2.49.

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Penelitian ini adalah penelitian kualitatif deskriptif yang bertujuan untuk 1) mengkaji jenis-jenis praanggapan yang muncul dari pernyataan humor di stand up comedy wanita Indonesia, 2) mengkaji relevasi praanggapan dalam menciptakan humor pada stand up comedy wanita Indonesia dalam pembelajaran teks anekdot bahasa Indonesia. Data dalam penelitian ini berupa pernyataan comic wanita yang mengandung praanggapan dalam membawakan stand up comedy. Sumber data dalam penelitian ini berupa video stand up comedy wanita Indonesia yang telah tayang di televisi kemudian diunggah ke Youtube. Data dikumpulk
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RAPPAPORT, JESSE, and JAKE QUILTY‐DUNN. "Stand‐Up Comedy, Authenticity, and Assertion." Journal of Aesthetics and Art Criticism 78, no. 4 (2020): 477–90. http://dx.doi.org/10.1111/jaac.12766.

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Yolandari, Nuzulul Fitri. "RHETORIC ANALYSIS ON STAND UP COMEDY." Jurnal Bahasa Lingua Scientia 13, no. 2 (2021): 215–31. http://dx.doi.org/10.21274/ls.2021.13.2.215-231.

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This kind of discourse has some specific characteristics in terms of its creation and language use. A qualitative study was conducted with the data source from stand-up comedy records. The data were reduced to obtain the funniest humor discourse. Furthermore, the data were analyzed based on the creation technique and the construction elements of humor discourse in terms of linguistic and non-linguistic context. The research findings showed that the creation technique and the construction elements of stand-up comedy humor discourse in local perspective in Indonesia were in line with the general
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Vishal, Raj, and Priya Himangi. "I am a Comedian, That’s My Job:." University of Bucharest Review Literary and Cultural Studies Series 13, no. 1 (2023): 66–80. http://dx.doi.org/10.31178/ubr.13.1.6.

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In an epoch characterized by rapid digitalization, the proliferation of disinformation, and the deepening schisms within society, the significance of stand-up comedy has assumed unprecedented prominence. Its popularity is burgeoning on a global scale, and concurrently, the Indian comedy landscape has witnessed a remarkable influx of talent over recent decades. Among this exceptional cohort of comedic voices, Vir Das emerges as a prominent figure. Known for his incisive humour, he ventures far beyond light-hearted humour, delving into the heart of pivotal societal issues. This article discusses
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Puri, Anindita Dewangga, and F. X. Risang Baskara. "The Function of Humor Applied in Margaret Cho�s Stand-Up Comedy: PsyCHO." Journal of Language and Literature 19, no. 1 (2019): 137–44. http://dx.doi.org/10.24071/joll.v19i1.1839.

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This article discusses the function of humor in Margaret Cho's Stand-Up Comedy entitled PsyCHO. The aims of this research are to explain the humor function applied by Margaret Cho in creating humor situation in her stand-up comedy. The data in this research are oral data which is transcribed into written form. This study uses a qualitative descriptive method. According to the research in the stand-up comedy entitled PsyCHO, the researchers found that Margaret Cho tends to use humor function to create solidarity with the audiences. This is dominated by sharing strategy which is often conveyed b
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Ma, Ye. "A comparative and acceptance study of women’s discourse in Chinese-American online stand-up comedy." SHS Web of Conferences 174 (2023): 02014. http://dx.doi.org/10.1051/shsconf/202317402014.

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As an emerging form of comedy, stand-up comedy has developed rapidly and attracted widespread attention in various countries today through the production and dissemination mode of new media. In order to better understand the cultural characteristics of stand-up comedy and provide methodological inspiration for contemporary feminist public expression, this essay focuses on online stand-up comedy in China and the United States. Drawing on relevant theories from feminism, gender sociology, reception aesthetics, and communication studies, this essay uses textual close reading and comparative analy
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Arlivia, Zitta, and Thomas Joko Priyo Sembodo. "Impoliteness Strategies in John Mulaney's Stand-Up Comedy." Lexicon 11, no. 1 (2024): 63. http://dx.doi.org/10.22146/lexicon.v11i1.87082.

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An analytical study on comedy provides significant insight into comedy as a complex and pervasive medium of expression penetrating everyday life. This study investigates the impoliteness strategies in John Mulaney’s stand-up comedy and how the most frequently used strategy entertains the audience through five sources of pleasure. The data gathered are the utterances containing impoliteness strategies from John Mulaney’s stand-up comedy specials: New in Town (2012), The Comeback Kid (2015), Kid Gorgeous (2018), and Baby J (2023). The impoliteness strategies found in the stand-up comedy were the
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Brown, Stephanie. "Open Mic?" Feminist Media Histories 6, no. 4 (2020): 42–67. http://dx.doi.org/10.1525/fmh.2020.6.4.42.

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This article draws on ethnographic interviews conducted between May 2016 and May 2017 with stand-up comics in Chicago and Urbana-Champaign, Illinois, all of whom described the experience of being marked as, or associated with, women within the historically masculine comedic space. Drawing on feminist comedy studies, production studies, and fan studies, the article explores the cultural logics of comedic authenticity and their material effects on embodied performances of marked comics in local live comedy. It argues that marked bodies are rarely able to achieve the ideal performance of “authent
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Emmanuel Ogheneakpobor, Emama, and Macaulay Mowarin. "The language of Nigerian stand-up comedy." European Journal of Humour Research 12, no. 2 (2024): 36–52. http://dx.doi.org/10.7592/ejhr.2024.12.2.756.

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Nigeria is complexly multilingual. Arising from this, Nigerian stand–up comedians employ a variety of linguistic strategies to communicate with the audience. This research investigates the peculiarities of language use in Nigerian stand-up comedy by analysing patterns of code choices in the comic performances of four comedians. Because the stand-up comedy industry is predominant in the Southern part of Nigeria, the comedians chosen for this study are representative of the three geopolitical zones of southern Nigeria. The analysis of the data indicates that (1) although Nigerian stand-up comedi
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Rullyanti, Merry, and Nurdianto Nurdianto. "LANGUAGE STYLE OF HUMOR ON STAND-UP COMEDY VIDEO." JOALL (Journal of Applied Linguistics & Literature) 4, no. 1 (2019): 60–68. http://dx.doi.org/10.33369/joall.v4i1.6886.

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This research explained about language styles which used in stand-up comedy script brought by Chris Rock. Chris Rock owns famous joke material that is affected by the black comedy pioneers like Richard Pryor and Redd. He attacked the subject of much avoided by comics such as politics, race and celebrity. Openness and honesty witch extremely bold that what makes Chris Rock as one of the most successful and a famous comic in modern comedy. Chris Rock is known for his insulting comedian, he is also known for using satire and surreal in his joke. Language style has several functions in its uses. S
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Sriyanka Basak. "Multilingualism and Subversion: Articulating Plural Identities in Stand-up Comedy in India." Creative Launcher 5, no. 4 (2020): 72–78. http://dx.doi.org/10.53032/tcl.2020.5.4.13.

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Laughter has become a serious business in India now. Over the last decade, the growth of stand-up comedy has been phenomenal in India. From having late-night comedy shows on televisions that employed the same stream of jokes repetitively, the comedy scene in India has evolved into an entire industry of stand-up comedians performing in pubs, clubs, auditoriums, and digital platforms like YouTube channels and other streaming platforms. The huge popularity of stand-up comedy hints at the license given to the stand-up comedians by the audience to discuss the current socio-political issues of the c
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Wijaya, Ginanjar Arif, Sarwaji Surwandi, and Sumarwati Sumarwati. "Stand Up Comedy Indonesia as Anecdote Text Learning Media in Senior High School: Study of Critical Discourse Analysis." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 2, no. 2 (2019): 171–77. http://dx.doi.org/10.33258/birci.v2i2.248.

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This research is a descriptive qualitative study that examines the relevance of social criticism on Stand Up Comedy Indonesia towards anecdotal text learning in high school. Stand Up Comedy is a form of comedy or comedy that is delivered monologically to the audience. Stand Up comedy is not only an entertaining spectacle, but every material that is aired is criticized or the message delivered. The purpose of this study was to identify the relevance of social criticism on Stand Up Comedy Indonesia towards anecdotal text learning in high school. The data in this study are in the form of a Stand
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Ilmiyah, Zumrotul. "KEKOHESIAN WACANA STAND UP COMEDY DI KOMPAS TV." EDU-KATA 5, no. 1 (2017): 55–62. http://dx.doi.org/10.52166/kata.v4i1.1005.

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The research method in this research is descriptive qualitative. The research object is the cohesion discourse in Stand up Comedy performed by Dodit Mulyanto on Kompas TV. The technique used to collect the research data is by listening, SBLC, recording, noting, and taking transcription technique. The data then analyzed by using descriptive qualitative method. The result shows that the cohesion aspects give much contribution in improving the whole Stand up Comedy discourse. The cohesion aspect in Stand up Comedy are grammatical cohesion (Pronominal, substitution, ellipsis, and conjunction) and
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Lutfi, Raden Ai, Rananda Septanta, Chaeru Syahru Ramdhani, and Adi Sofyana Latif. "The Effect of NPWP Ownership Obligations, Tax Audits and Tax Collection on Tax Revenue." Journal of Social Science 4, no. 4 (2023): 922–35. http://dx.doi.org/10.46799/jss.v4i4.652.

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 Stand up comedy Indonesia is a talent search event held by Kompas TV. This type of verbal humor is more dominant than nonverbal. The language used in humor is different from the language used in serious communication. This study aims to analyze the humorous discourse in stand up comedy "Beni Siregar" on youtube. This research is a research with a qualitative descriptive approach, and discourse analysis method. The theory used is Wilson's theory of humor in (Emy 2015) which is the theory of liberation, conflict and misalignment. The data of this study is a recording of the
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Roosyidah, Ismiana, and Adi Bayu Mahadian. "Perempuan Muslim dalam Stand Up Comedy Sakdiyah Ma’ruf." Jurnal Komunikasi Global 9, no. 1 (2020): 1–19. http://dx.doi.org/10.24815/jkg.v9i1.16547.

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Dalam pandangan masyarakat, kultur dan tafsiran agama perempuan masih lekat dengan isu ketidakadilan gender. Khususnya bagi kaum feminisme, pandangan budaya dan keagamaan yang bersifat patriarkis menjadi tantangan untuk kebebasan perempuan dan kesetaraan gender. Dengan menggunakan metode Analisis Wacana Sara Mills, penelitian ini bertujuan untuk mengetahui bagaimana konstruksi wacana perempuan dan Islam dalam stand up comedy Komika Santri oleh Sakdiyah Ma’ruf. Peneliti menganalisis stand up comedy Komika Santri yang dibawakan oleh Sakdiyah Ma’ruf melalui tiga tahapan level analisis yaitu level
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Wessels, W. "Stand-up preaching." Acta Theologica 43, no. 1 (2023): 243–45. http://dx.doi.org/10.38140/at.v43i1.7397.

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Stand-Up Preaching, as per the subject line, promises homiletic insights from contemporary comedians. I must admit that Myers engages with contemporary comedians and the theory of comedy, as far as I can discern, in the most thorough manner possible in a single book. The list of comedians he contemplates is exceptionally comprehensive, and it seems that every well-known comedian who has set foot on American soil has at least been mentioned. I found myself, throughout the book, researching the comedians he introduced for further context on these personalities and backgrounds. In that respect, t
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Mardliyah, Siti Ainul. "Pelanggaran Praanggapan dan Implikatur Dalam Stand Up Comedy Indra Frimawan." JURNAL SYNTAX IMPERATIF : Jurnal Ilmu Sosial dan Pendidikan 2, no. 5 (2021): 405. http://dx.doi.org/10.36418/syntax-imperatif.v2i5.116.

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Penelitian ini bertujuan untuk memberikan penjelasan mengenai pelanggaran atau pematahan anggapan-anggapan yang sudah terbentuk dalam benak publik dan apa implikatur yang terdapat di dalam wacana stand up comedy. Data penelitian ini diperoleh melalui observasi non-partisipan pada materi humor absurd stand up comedy Indra Frimawan. Data yang diambil berfokus pada penampilan Indra Frimawan dalam acara SUPER Kompas TV. Jenis praanggapan yang paling sering muncul adalah praanggapan faktif, sedangkan yang paling sedikit muncul adalah praanggapan nonfaktif. Secara keseluruhan, praanggapan-praanggapa
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Yudhi, Lim, and Teguh Priyo Sadono. "KOMODIFIKASI NILAI NASIONALISME SEBAGAI IDENTITAS SOSIAL MELALUI TETRALOGI STAND UP COMEDY PANDJI PRAGIWAKSONO." Bricolage : Jurnal Magister Ilmu Komunikasi 4, no. 02 (2018): 095. http://dx.doi.org/10.30813/bricolage.v4i02.1655.

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<p>ABSTRACT<br />Pandji Pragiwaksono during his career in stand up comedy has held four stand up comedy shows, each titled "Bhinneka Tunggal Tawa", "Merdeka Dalam Bercanda", "Mesakke Bangsaku", and "Juru Bicara". All material presented by Pandji is about the social issues that are present in the life of the Indonesian nation. Pandji hopes to provide a new perspective to the nation of Indonesia to maintain the spirit of nationalism in each stand up special. The stand up comedy material displayed by Pandji is always loaded with politics. It is also seen through some of his writings o
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Prahastiwi, Adventyna. "Political Humor in Abdur Arsyad's Stand-up Comedy." LITE: Jurnal Bahasa, Sastra, dan Budaya 18, no. 2 (2022): 97–109. http://dx.doi.org/10.33633/lite.v18i2.6185.

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The study aimed to identify types of political humor in Abdur Arsyad’s stand-up comedy by applying the Script-Based Semantic Theory of Humor (SSTH) and describing the language games to support humor. This research is a qualitative descriptive study. The data consisted of Abdur Arsyad’s stand-up comedy video published on Youtube. The data method collection used listening and note-taking techniques. The result showed that political humor in Abdur Arsyad’s stand-up comedy can be classified into (1) humor to criticize political figures and political groups, and (2) humor that describes bad conditi
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Filani, Ibukun. "A discourse analysis of national identity in Nigerian stand-up humour." Discourse Studies 22, no. 3 (2020): 319–38. http://dx.doi.org/10.1177/1461445620906035.

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This article explores the comedic construction of national identity in Nigerian stand-up comedy. By national identity, I mean collective perspectives on the sociopolitical and cultural realities of postcolonial Nigeria. While critical discourse analysis provided the framework for interpretation, data was derived from purposively sampled recorded videos of Nigerian stand-up comedians. Such collective perspectives are constructed when a comedian indexes cultural/political events and situations in a monologue. The investigation reveals four identity mapping strategies: performing (non)theatrical
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Triandana, Anggi, and Rengki Afria. "Pelanggaran Maksim Kerjasama dalam Stand-Up Comedy Chris Rock." Titian: Jurnal Ilmu Humaniora 7, no. 1 (2023): 91–104. http://dx.doi.org/10.22437/titian.v7i1.25436.

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Stand-up comedy adalah salah satu humor yang cukup menyita perhatian masyarakat dewasa ini. Berbagai hal dilakukan komika untuk menciptakan humor yang segar dan menggelitik lewat permainan kata-kata salah satunya dengan melanggar prinsip kerjasama dalam kajian pragmatik. Penelitian ini bertujuan untuk mendeskripsikan jenis-jenis pelanggaran prinsip kerjasama yang terdapat pada stand-up comedy ‘Kill the Messenger’ Chris Rock. Penelitian ini menggunakan pendekatan descriptive kualitatif. Data yang diperoleh berasal dari tuturan Chris Rock dalam stand-up comedy yang berjudul Kill the Messenger. T
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Azizah, Rana, Juju Juandi, and Andri Noviadi. "KRITIK SOSIAL DALAM STAND UP COMEDY KAK ONYOT (PENGEMBANGAN BAHAN AJAR TEKS TANGGAPAN PADA KELAS IX)." Diksatrasia : Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia 8, no. 1 (2024): 179. http://dx.doi.org/10.25157/diksatrasia.v8i1.11667.

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ABSTRAKPenelitian ini dilatarbelakangi dengan adanya permasalahan dalam kehidupan sosial di masyarakat, sehingga kritik sosial sering terjadi akibat dari permasalahan tersebut. Salah satu diantara kritik sosial pada saat ini terbentuk dalam sebuah komedi yang ditayangkan di dalam media sosial yaitu Stand Up Comedy termasuk yang dibawakan oleh komika yang bernama Kak Onyot. Oleh karena itu penulis angkat teks materi comika tersebut di dalam penelitian yang penulis teliti saat ini. Dengan latar belakang tersebut diharapkan agar dijadikan bahan ajar dalam kompetensi dasar 3.8 yaitu teks tanggapan
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Olawale, Chris Lekan. "An Analysis of Rhetorical Strategies in the Gendered Performances of Nigerian Male Stand-up Comedians." Traduction et Langues 16, no. 1 (2017): 46–61. http://dx.doi.org/10.52919/translang.v16i1.625.

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Gender relations are enacted in the day-to-day lived experiences of men and women. Mundane practices such as talks and jokes may not only reflect the prevailing gender relations in society, but may also offer opportunities to contest them. Stand-up comedy, as a genre of comedy, is especially suitable in this regard because it is discursive in nature. Stand-up comedians achieve their aim of entertaining and exciting laughter often through gendered manipulations of language — hence, the genre of stand-up comedy offers a veritable site for investigating dominant gender representations in Nigeria.
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Adekunle, Idowu James. "Gender conflict resolution in Nigerian and African American standup performances." International Journal of Visual and Performing Arts 5, no. 2 (2023): 167–77. http://dx.doi.org/10.31763/viperarts.v5i2.1213.

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Stand-up comedy, a prominent facet of live theatrical entertainment, occupies a unique position in the entertainment industry, embodying a key element of popular culture. This comedic form reflects the sociological dynamics of both historical and contemporary societies, influencing and engaging both local and international audiences. Beyond providing psycho-physical therapy for performers, stand-up comedy plays a pivotal role in shaping societal perceptions. This article focuses on a gender-focused analysis of stand-up comedy, exploring its implications for domestic growth, marriage unity, and
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