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Relevant bibliographies by topics / Standard Bank National Arts Festival

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Academic literature on the topic 'Standard Bank National Arts Festival'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "Standard Bank National Arts Festival"

1

Marlin-Curiel, Stephanie. "Standard Bank National Arts Festival." Theatre Journal 51, no. 1 (1999): 80–82. http://dx.doi.org/10.1353/tj.1999.0022.

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2

Bain, Keith. "The Standard Bank National Arts Festival." South African Theatre Journal 10, no. 2 (1996): 135–47. http://dx.doi.org/10.1080/10137548.1996.9688182.

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3

Alcock, David, and Michael Carklin. "Performance Review: Standard Bank National Arts Festival." Theatre Journal 49, no. 1 (1997): 53–56. http://dx.doi.org/10.1353/tj.1997.0022.

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Graver, David. "Performance Review: Standard Bank National Arts Festival." Theatre Journal 49, no. 1 (1997): 56–59. http://dx.doi.org/10.1353/tj.1997.0023.

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5

Larlham, Peter. "Journey to Grahamstown: the 1995 Standard Bank National Arts Festival." South African Theatre Journal 9, no. 2 (1995): 103–16. http://dx.doi.org/10.1080/10137548.1995.9688164.

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6

Bain, Keith. "Berkoff, boerewors and box-office betrayal Standard Bank National Arts Festival." South African Theatre Journal 11, no. 1 (1997): 239–58. http://dx.doi.org/10.1080/10137548.1997.9688208.

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7

Breitinger, Eckhard. "Farewell to the old Standard Bank National Arts Festival in Grahamstown?" South African Theatre Journal 15, no. 1 (2001): 178–91. http://dx.doi.org/10.1080/10137548.2001.9687732.

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8

Bain, Keith. "Make Believe: Standard Bank National Arts Festival Grahamstown, 2–12 July 1998." South African Theatre Journal 12, no. 1-2 (1998): 137–64. http://dx.doi.org/10.1080/10137548.1998.9687669.

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9

Lewis, Megan. "Standard Bank National Arts Festival, Grahamstown, South Africa, 3-13 July 1997 (review)." Theatre Journal 50, no. 1 (1998): 105–7. http://dx.doi.org/10.1353/tj.1998.0018.

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10

Lewis, Megan. "25th Anniversary Standard Bank National Arts Festival, Grahamstown, South Africa, 29 June-11 July 1999 (review)." Theatre Journal 52, no. 2 (2000): 280–83. http://dx.doi.org/10.1353/tj.2000.0050.

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Dissertations / Theses on the topic "Standard Bank National Arts Festival"

1

Snowball, Jen. "Towards more accurate measurement of the value of the arts to society: economic impact and willingness to pay studies at the Standard Bank National Arts Festival." Thesis, Rhodes University, 2001. http://hdl.handle.net/10962/d1002672.

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The accurate measurement of the value of the arts to society is becoming increasingly important in developing countries, like South Africa, where the arts must compete with housing, health, education and the like for public funds. Motivation for the public funding of arts events, like the Standard Bank National Arts Festival in Grahamstown, is usually based on the economic impact, that is, the financial benefits to the region, of such events. The argument is problematic, however, because the primary recipients of such economic benefits are often middle to upper income groups who also attend mo

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2

Arthur, Michael Dry. "Think differently : South Africa theatre of/in transition and the Standard Bank National Arts Festival 1992-1996 /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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3

Silva, Jane Susan. "The growth, development and impact of the Grahamstown Festival of the Arts with special reference to music." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002322.

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The Grahamstown Festival has become a huge and complex annual celebration of the arts, transforming the small Eastern Cape city for ten days every year. However this event had very modest beginnings, as did music and festivals in the city of Grahamstown. From its early days Grahamstown showed strong signs of becoming an important cultural centre, presenting numerous musical concerts from 1812, the festival tradition in the city beginning in 1887. The modern arts festival, initiated in 1971, had a chequered history during the early and mid 1970's, weathering economic recession, petrol restricti

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4

Bragge, Brent Reuben. "Economic impact studies and methodological bias : the case of the National Arts Festival in South Africa." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002702.

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Over the course of the last three decades, it has become popular practice to evaluate tourism events like cultural festivals in financial terms, through the use of economic impact studies. This can be attributed at least in part to the notable growth in the number of festivals being held globally and, as such, a higher level of competition between festivals for the limited funding which is available. Economic impact studies, and the resultant findings, have thus become powerful tools for the lobbying of sponsorship, and it has become increasingly important that the impact calculations be as ac

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5

Reeve, Zoë Rose Louise Patricia. "Staged authenticities an exploration of the representations of AmaXhosa culture within the main programme of the National Arts Festival, 2009." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002378.

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This thesis investigates the presentation of AmaXhosa traditional dancing and music on the stages of the National Arts Festival (NAF), Main Programme, of South Africa in 2009. Four productions featuring AmaXhosa traditional dancing and music, as well as a fine art exhibition, are analysed to determine how the AmaXhosa culture is being portrayed, what is considered authentic and how these productions may affect the memory of the AmaXhosa nation. In an attempt to understand the position of these productions within the NAF the South African cultural context as well as the NAF is examined. The pos

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6

Antrobus, Richard Roy. "The advent of the 'Festivore' an exploration of South African audience attendance in the performing arts at the National Arts Festival." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002362.

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In South Africa, the performing arts have contributed to enhancing national identity and distinctiveness despite coming up against weak legislation, policy and infrastructure to support their growth and proliferation (Fredericks, 2005: 9). Coupled with a decline in both government and consumer support and the contradictory disparity between valuing the arts and the funding of the arts, theatre companies can no longer rely on the comfort of external subsidies and financial support. In order to be economically viable and sustainable to ensure their survival, there is an increasing demand for the

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7

Snowball, Jen. "The economic valuation of cultural events in developing countries: combining market and non-market valuation techniques at the South African National Arts Festival." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1002703.

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The arts in many countries, but particularly in developing ones, are coming under increasing financial pressure and finding it difficult to justify the increases in government funding needed to maintain and grow the cultural sector. The trend in cultural economics, as well as in other areas, appears to be towards including qualitative valuations, as well as the more traditional quantitative ones. This thesis argues that the value of cultural events should include long term historical qualitative analysis, financial or economic impact and a valuation of the positive externalities provided by cu

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8

Snowball, Jeanette Dalziel. "The economic valuation of cultural events in developing countries : combining market and non-market valuation techniques at the South African National Arts Festival /." 2005. http://eprints.ru.ac.za/896/.

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Books on the topic "Standard Bank National Arts Festival"

1

Grundy, Kenneth W. The politics of the National Arts Festival. Institute of Social and Economic Research, 1993.

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2

Davies, William J. Fest-quest '89: A survey of visitors to the 1989 Standard Bank National Arts Festival. Institute of Social and Economic Research, Rhodes University, 1990.

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3

Davies, Wiliam J. Fest-quest '88: A survey of visitors to the 1988 Standard Bank Festival of the Arts. Institute of Social and Economic Research, Rhodes University, 1989.

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4

Shilakoe, Cyprian. Cyprian Shilakoe, 1946-1972: Third Guest Artist Award 1990 : Standard Bank National Arts Festival 1990, a project of the 1820 Foundation. Standard Bank National Arts Festival, 1990.

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5

Standard Bank National Arts Festival., ed. The Zulu vision in art: An exhibition on view at the Standard Bank National Arts Festival. Hirt & Carter, 1988.

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6

Gallery, South African National, and Stigting vir die Skeppende Kunste (Cape Town, South Africa), eds. Picturing our world: Contemporary images of the Western Cape : Dakawa Art & Craft Project, Grahamstown (Standard Bank National Arts Festival) 1.7.1993-11.7.1993, Standard Bank Centre Gallery, Johannesburg, 3.8.1993-26.8.1993, South African National Gallery, Cape Town, 23.9.1993-31.10.1993. South African National Gallery, 1993.

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