Relevant bibliographies by topics / Stanhope family

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Academic literature on the topic 'Stanhope family'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Stanhope family"

1

Friedrichs, Rhoda L. "The Remarriage of Elite Widows in the Later Middle Ages." Florilegium 23, no. 1 (January 2006): 69–83. http://dx.doi.org/10.3138/flor.23.006.

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Although late medieval widows had considerable legal control over their own remarriages, in practice their freedom was limited by the constraints of family social strategies and, for the highly placed, by political manipulation by powerful men. Similar factors operated in many countries. The wealth and prestige which gave these women consequence also attracted men who wished to use those assets. This can be found at all levels of property and status, from widowed queens pressured by those seeking power, to widows on the margins of the aristocracy, who could be required to remarry to suit a patron. The freedom of widows to choose was almost always contingent on the greater social and political power of men. The article concludes with a case study of Maud Stanhope, Lady Willoughby.
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2

Gore, Clare Walker. "“THE ADDITIONAL ATTRACTION OF AFFLICTION”: DISABILITY, SEX, AND GENRE TROUBLE INBARCHESTER TOWERS." Victorian Literature and Culture 45, no. 3 (August 25, 2017): 629–43. http://dx.doi.org/10.1017/s1060150317000079.

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While there is neverany serious doubt that Mr. Arabin, clergyman hero of Anthony Trollope'sBarchester Towers(1857), is destined to marry our heroine, Eleanor Bold, there are moments in the novel when he is all but overcome by the charms of Signora Madeline Neroni, most beautiful and most amoral member of the rackety Stanhope family. Having spent her wicked youth in Italy, where her father has been taking an extended leave of absence from his clerical duties – curtailed only by a peremptory summons from the new Bishop – Madeline is entertaining herself during her enforced stay in Barchester by waging a concerted campaign of seduction, intending “to have parsons at her feet” (86–87; vol. 1, ch. 10). The fact that she never leaves her sofa does nothing to impede her success in this regard: although Madeline is described by the narrator as “a helpless, hopeless cripple” (270; vol. 1, ch. 27), every man she meets is shown to fall under her spell. In fact, when Arabin finds himself “mak[ing] comparisons between her and Eleanor Bold, not always in favour of the latter,” he reflects that Madeline is “the more lovely woman of the two, and had also the additional attraction of her affliction; for to him it was an attraction” (74; vol. 2, ch. 34). Far from diminishing her “loveliness,” Madeline's disability actually heightens her sexual appeal for Arabin.
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3

Birchmore, Terry. "Shame and group psychotherapy." Psychotherapy Section Review 1, no. 60 (2017): 30–58. http://dx.doi.org/10.53841/bpspsr.2017.1.60.30.

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This article will explore the nature of the shame experience and focus in particular on the experience of shame in the context of the psychotherapy group. I will discuss how and why shame appears in the group context and how it can be therapeutically managed to the benefit of group members.‘There is nothing that people bear more impatiently, or forgive less, than contempt: and an injury is much sooner forgotten than an insult.’(Philip Dormer Stanhope)‘The basis of shame is not some personal mistake of ours, but the ignominy, the humiliation we feel that we must be what we are without any choice in the matter, and that this humiliation is seen by everyone.’(Milan Kundera,Immortality, 1991)‘Whoever blushes is already guilty; true innocence is ashamed of nothing.’(Jean-Jacques Rousseau,Emile)‘The capacity to feel shame is built into human beings, and it has a civilising effect in adapting a child to his family and culture.’(F. English,Transactional Analysis Journal, 1975)‘Whilst shame keeps its watch, virtue is not wholly extinguished in the heart; nor will moderation be utterly exiled from the minds of tyrants.’(Edmund Burke,Reflection on the Revolution in France, 1790)‘Because impudence is a vice, it does not follow that modesty is a virtue; it is built upon shame, a passion in our nature, and may be either good or bad according to the actions performed from that motive.’(Bernard Mandeville,The Fable of the Bees, 1714) Terry Birchmore
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4

Tinoco Juárez, Mario Sinaí, and Martín Mata Rosas. "Adquisición de competencia para la micropagación de Stanhopea tigrina, Laelia anceps, Epidendrum veroscriptum y Cattleya x Esbetts (Orchidaceae)." Lankesteriana 7, no. 1-2 (June 17, 2015). http://dx.doi.org/10.15517/lank.v7i1-2.19612.

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Regeneration protocols were established from the in vitro culture of protocormos of Stanhopea tigrina, Epidendrum veroscriptum, Laelia anceps and Cattleya x esbetts using the Murashige and Skoog culture medium added with different concentrations of N6-benzyladenine (BA) (0, 1, 3, y 5 mg/l) y 2,4 dichlorofenoxiacetic acid (2,4-D). The regeneration and formation of new plantlets was achieved by multiple shoot and also through protocorm like bodies (PLBs). For each species the best concentration of growth regulator, as well as the time of acquisition of competence for the highest shoot formation and/or PLBs were deter- mined. As far as we know there are no reports with reference to the acquisition of competence within the Orchidaceae family that allow the production of many individuals within the shortest time and reducing the financial cost. This could form the base that covers their commercial demand and also contribute to the con- servation and sustainable use of mainly wild species.
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Books on the topic "Stanhope family"

1

Kinsale, Laura. The dream hunter. New York: Berkley Sensation, 2006.

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2

Chevening: A Seat of Diplomacy. Holberton Publishing, Paul, 2017.

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3

The Stanhope Trilogy, Book Two: Where America's Day Begins: The further adventures and misadventures of two very misplaced southern girls (The Stanhope Trilogy). AuthorHouse, 2007.

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4

Digging up mother: A love story. 2016.

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5

Stanhope, Doug, and Johnny Depp. Digging up Mother: A Love Story. Hachette Books, 2016.

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6

Stanhope, Doug. Digging Up Mother: A Love Story. Da Capo Press, 2017.

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Book chapters on the topic "Stanhope family"

1

Trollope, Anthony. "The Stanhope Family." In Barchester Towers. Oxford University Press, 2014. http://dx.doi.org/10.1093/owc/9780199665860.003.0010.

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It is now three months* since Dr Proudie began his reign, and changes have already been effected in the diocese which show at least the energy of an active mind. Among other things absentee clergymen have been favoured with hints much too...
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2

Trollope, Anthony. "Barchester by Moonlight." In Barchester Towers. Oxford University Press, 2014. http://dx.doi.org/10.1093/owc/9780199665860.003.0020.

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There was much cause for grief and occasional perturbation of spirits in the Stanhope family, but yet they rarely seemed to be grieved or to be disturbed. It was the peculiar gift of each of them that each was able to bear his or...
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3

Michie, Helena, and Robyn Warhol. "Reading for success: the professional plot." In Love Among the Archives, 169–218. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9781474406635.003.0004.

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In the last two chapters we have read some key moments in Scharf’s life with and against two dominant cultural narratives: the romance plot and the differentiation plot. These plots are intimately but complexly related to literary genres– the marriage-plot novel and the Bildungsroman. This chapter focuses not so much on a single plot as on a culturally privileged place that has generated a variety of literary plots. By telling the story of Scharf’s relationship with two great country houses only seven miles apart, we cannot help invoking the frisson-inducing spectre of the Gothic and sensation novel and the linked cultural and literary plot of inheritance. Scharf’s relationships with Knole, the home of the Sackville family, and Chevening, the seat of the earls of Stanhope (both located in Sevenoaks, Kent), brought up for us some of the central questions of Gothic and sensation novels: who belongs to the house, and who does not? Who is absorbable into the household, and who, finally, is foreign to it and must be thrust out into a different space, whether that be a prison, an asylum or another country?1
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