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Journal articles on the topic 'Stanisław Lem'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Majewski, Paweł. "Stanisław Lem." Polish Review 68, no. 2 (2023): 142–57. http://dx.doi.org/10.5406/23300841.68.2.11.

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Abstract This article draws attention to some seemingly insignificant details in Stanisław Lem's works that can be understood on a closer reading as traces of his youthful traumatic experience of World War II and the Holocaust. Lem rarely spoke directly about these experiences, but the few such statements he did make testify to the strong and deep trace that this experience left on him. This trace is most often manifested in the form of macabre scenes and motifs. The analysis of these scenes and an attempt at their interpretation is the main focus of this article.

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Marcin Wołk. "Stanisław Lem, Holocaust Survivor." Science Fiction Studies 45, no. 2 (2018): 332. http://dx.doi.org/10.5621/sciefictstud.45.2.0332.

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Okołowski, Paweł. "Stanisław Lem: Lukrecjusz ze Lwowa." Edukacja Filozoficzna 65 (September 12, 2018): 33–43. http://dx.doi.org/10.14394/edufil.2018.0002.

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4

Lesz-Duk, Maria. "Neologisms in Creation of Stanisław Lem." Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Językoznawstwo 11 (2015): 141–51. http://dx.doi.org/10.16926/j.2015.11.10.

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5

Kindrazki, Paulo Henrique, Regina Maria De Lima Pimentel, and Fabiana Gramonski. "STANISŁAW LEM – FILOSOFIA, FICÇÃO E FUTUROLOGIA." Revista X 15, no. 6 (2020): 548. http://dx.doi.org/10.5380/rvx.v15i6.76836.

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O objetivo deste trabalho é apresentar a leitura de três das obras de Stanisław Lem do ponto de vista da filosofia. O polonês Lem, um dos mais populares e admirados escritores de ficção cientifica, cria em suas novelas futuristas circunstâncias destinadas a discutir, mais do que visões científicas ou tecnológicas, comportamentos humanos frente a situações inusitadas ou distópicas. As três obras aqui analisadas são O Incrível Congresso de Futurologia, Solaris e Memórias Encontradas numa Banheira. As ferramentas filosóficas aqui empregadas na análise são, respectivamente, a Filosofia da Tecnolog

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6

Liro, Joseph. "On computers, translation, and Stanisław Lem." Computers and Translation 2, no. 2-3 (1987): 89–104. http://dx.doi.org/10.1007/bf02274439.

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Jarzębski, Jerzy, and Benjamin Paloff. "The Cosmic Signals of Stanisław Lem." Polish Review 68, no. 2 (2023): 18–29. http://dx.doi.org/10.5406/23300841.68.2.03.

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Abstract Communicating productively with an alien intelligence, whether by traveling through space to another civilization or attempting to understand their messages received here on Earth, is so consistent a commonplace of cosmic science fiction that we might easily regard it as a defining feature of the genre. This essay argues, by contrast, that Stanisław Lem's fiction about space travel aims consistently to demonstrate the impossibility of such communication. Setting aside the obstacles that might prevent contact between alien intelligences, whether by positing a technological solution or

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8

Skowroński, Rafał. "Głos GoLema. Tożsamość superkomputera a kategoria wyzwania w Golemie XIV Stanisława Lema." Literaturoznawstwo 1, no. 13 (2020): 56–67. http://dx.doi.org/10.25312/2451-1595.13/2019__05rs.

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GoLem’s voice: The identity of a supercomputer and the challenge category in the Golem XIV by Stanisław Lem The article reflects on the topic of genology, autobiographism (autobiographic triangle, category of challenge) and cultural context (kabbalah and the legened of the golem) in a complex in the category of genre book Golem XIV written by Stanisław Lem. The analysis goal is to show the connection of Golem XIV words with the cultural context and the human author of his lectures and to deny the need to categorize literature by genre like in the structural methodology. The problem of the auth

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9

Tambor, Jolanta, and Maria Sztuka. "Stanisław Lem. Fantasta, który nazywał swoje marzenia." No Limits, no. 3 (April 7, 2021): 6–9. http://dx.doi.org/10.31261/no_limits.2021.3.02.

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Stanisław Lem, który w swojej twórczości z nurtu science fiction tworzył niezwykłe światy, odznaczał się nie tylko wyjątkową wyobraźnią, ale i wyrafinowanym zmysłem słowotwórczym. Wytwory jego wyobraźni fascynowały i nadal fascynują badaczy wielu dyscyplin naukowych: literaturoznawców, filozofów, socjologów, astronomów, futurologów. W tym gronie nie mogło zabraknąć językoznawców – swoje genialne pomysły Lem przelewał na papier, wprzęgając w opisy wymyślonych światów nie tylko istniejące zasoby słowników języka polskiego, ale także zapożyczenia z języków obcych i własne neologizmy. Te neologizm

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10

Cordasco, Rachel. "Stanisław Lem: Against Illusion by Rachel Cordasco." Studies in the Fantastic 10, no. 1 (2020): 92–97. http://dx.doi.org/10.1353/sif.2020.0016.

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11

Jameson, Fredric. "Stanisław Lem and the Question of Aliens." Polish Review 68, no. 2 (2023): 14–17. http://dx.doi.org/10.5406/23300841.68.2.02.

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Abstract One of Stanisław Lem's fundamental themes is that even if there were alien life in outer space, we would never be able to understand it or communicate with it, a theme instantiated in Solaris. This paper argues that two dialectics of the alien encounter—aggressivity vs. non-aggressivity and comprehension vs. non-comprehension—define a schema within which Fiasco, Eden, Solaris and The Invincibles can be interpreted.

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12

Jarzebski, Jerzy. "Intertextualité et connaissance dans l'œuvre de Stanisław Lem." Revue des études slaves 63, no. 2 (1991): 561–76. http://dx.doi.org/10.3406/slave.1991.5994.

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13

Fonsaca, Adriano Luís. "ALTERIDADE E ARQUÉTIPOS EM SOLARIS DE STANISŁAW LEM." Revista X 15, no. 6 (2020): 532. http://dx.doi.org/10.5380/rvx.v15i6.76758.

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O tema da alteridade e dos arquétipos estão presentes no romance Solaris de Stanisław Lem. O dado artigo apresenta e discute a ficção científica Solaris com o auxílio dos pensamentos de Jung e das ideias de alteridade, sobretudo de autores como Goffman. Num primeiro momento, obteve-se, como resultado da observação, a percepção do modo como os arquétipos estão inseridos na obra e como o “eu” do protagonista é interpretado pelas demais mentes pensantes presentes na narrativa. Solaris é apresentado através de um olhar interpretativo enviesado pela psicologia junguiana, pensando em trazer novas id

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14

Kiecko, Emilia. "Stanisław Lem i architektura futurologiczna – casus Jana Głuszaka." Quart, no. 3–4(37–38) (December 1, 2015): 200–207. https://doi.org/10.19195/quart.2015.0.65459.

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Gomel, Elana. "Stanisław Lem i biologiczna wzniosłość. Biologia, technologia, fantastyka naukowa." Creatio Fantastica 59, no. 2 (2019): 57–68. https://doi.org/10.5281/zenodo.3311691.

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This article introduces the concept of the biological sublime and argues that it is central to Stanislaw Lem’s science-fictional poetics. The biological sublime is an aesthetic reaction to the monstrous body conceptualized in terms derived from the aesthetic theories of Burke, Kant, Lyotard, and Barthes. This reaction fuses attraction and repulsion, awe and horror. It transcends the moral calculus of good and evil but has profound ethical implications as it grapples with the concept of the “totally Other” beyond human understanding. The article discusses the visual poetics of

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Wołk, Marcin. "„Ukrywałem przez jakiś czas Żyda”. Stanisław Lem jako pisarz polsko-żydowski." Konteksty Kultury 19, no. 3 (2022): 353–73. http://dx.doi.org/10.4467/23531991kk.22.027.16541.

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W artykule, idącym tropem badań Agnieszki Gajewskiej, rozważana jest przynależność twórczości Stanisława Lema do literatury polsko-żydowskiej, rozumianej jako literacki zapis doświadczenia żydowskiego utrwalony w języku polskim. Autor artykułu analizuje korespondencję Lema z Michaelem Kandlem oraz wczesną prozę pisarza, w której na różne sposoby mierzył się on z doświadczeniem Zagłady, za każdym razem kamuflując autobiograficzny charakter opisanych przeżyć. Ich symbolizacja w prozie Lema bardzo przypomina kategorie inkorporacji i krypty, kluczowe dla psychoanalizy Nicolasa Abrahama i Márii Tör

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Ostrowska, Elżbieta. "“Exquisite cadaver” according to Stanisław Lem and Andrzej Wajda." Open Cultural Studies 2, no. 1 (2018): 103–13. http://dx.doi.org/10.1515/culture-2018-0010.

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Abstract The article examines Andrzej Wajda’s Roly Poly (Przekładaniec, 1968), a 35-minute film made for Polish public television, that is an expanded version of Stanisław Lem’s short grotesque play Do You Exist Mister Johns? (Czy Pan istnieje Panie Johns?) published in 1955. Roly Poly tells a story of a car race driver, Ryszard Fox. A victim of several car crashes, he gets so many transplants from other victims of these collisions, with his brother being a first donor, that eventually he becomes a mix of different organisms, including female and animal parts. Wajda presents the whole story in

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Oramus, Dominika. "The Uncanny Robots of Pilot Pirx: Stanisław Lem’s Tales." Interlitteraria 21, no. 1 (2016): 143. http://dx.doi.org/10.12697/il.2016.21.1.12.

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There was a time when Stanisław Lem was the best sold and read writer in Poland (though he was even bigger in the Soviet Union and East Germany). His popularity steadily grew from the time of his debut and reached its apogee in the late nineteen-sixties. For literary critics the death of Lem ten years ago, in 2006, is a closure of his rich and diverse oeuvre, and this has opened new perspectives on ‘lemology’, which at the Polish language departments of some universities is a minor branch of literary studies. Indeed, in different decades of the 20th century Polish academia discussed Lem from a

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19

Sobota, Jacek. "Stanisława Lema wizja człowieka przyszłości." Papers in Literature, `10 (July 30, 2022): 119–36. http://dx.doi.org/10.31648/pl.7859.

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In his works, Stanisław Lem not simply conveys his visions of technological changes of future civilizations – his central focus is on the question of man in the near and distant future. In addition to his anthropological explorations of changes in humanity, Lem adopts both axiological and sociological approaches to exploring questions regarding evil in human nature, the means of eliminatingit, and the functioning of future societies. Alienation to first contact is another recurring theme inLem; it can be seen in the scenes depicting contact with other civilizations. In Lem, alien speciesconsti

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20

Schütte, Uwe. "Negative Evolution. Zur Rezeption von Stanisław Lem bei W.G. Sebald." Papers in Literature, `10 (July 30, 2022): 23–48. http://dx.doi.org/10.31648/pl.7854.

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Mazurkiewicz, Adam. "O wyimku z prasowej dyskusji i autokomentarzu do „Astronautów" Stanisława Lema (z historii kształtowania się w Polsce teorii literatury fantastycznonaukowej po drugiej wojnie światowej)." Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica 9 (December 23, 2021): 19–37. http://dx.doi.org/10.24917/23534583.9.2.

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Artykuł poświęcony jest dwugłosowi o powieści Stanisława Lema „Astronauci" (1951), który został zamieszczony na łamach periodyku „Nowa Kultura”. Uczestnikami dyskusji byli: Zofia Woźnicka, Ludwik Grzeniewski i Stanisław Lem, będący zarazem polemistą krytyków, jak i komentatorem własnej powieści. Dyskusja ta jest jedną z najwcześniejszych po wojnie (a z pewnością najbardziej rozbudowaną) prób eksplikacji postulowanych wobec fantastyki naukowej zobowiązań – zarówno estetycznych, jak i pozaartystycznych. Werbalizacja oczekiwań w stosunku do opowieści o „świecie Jutra” pozwala na rekonstrukcję ówc

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22

Paloff, Benjamin. "Do You Exist, Mr. Lem?" Polish Review 68, no. 2 (2023): 127–41. http://dx.doi.org/10.5406/23300841.68.2.10.

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Abstract Throughout his career, Stanisław Lem revisits the problem of “persistency of identity,” asking whether two instantiations of the same thing can ever be determined to be entirely the same or independent from each other. In this article, I consider several instances in which Lem sets up fictional or analytic thought experiments to probe the persistence of identity and our strategies for testing it, with particular attention to his novel Solaris and his early radio play “Do You Exist, Mr. Johns?” Reading these texts and Lem's commentaries, we find that Lem uses such thought experiments t

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23

Siewierski, Henryk. "Nas trilhas da escrita ensaística de Lem: anotações do tradutor." Cadernos de Literatura em Tradução, no. 17 (May 5, 2017): 38–53. http://dx.doi.org/10.11606/issn.2359-5388.v0i17p38-53.

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O artigo apresenta as anotações à margem do trabalho de seleção e tradução dos ensaios de Stanisław Lem para o português, iniciado em 2014. Resultantes da convivência com a obra do autor e seus contextos, da reflexão durante a leitura e tradução, as anotações apontam diversos temase ideias da obra ensaística deste clássico da Ficção Científica do século XX, considerado também inovador do ensaio científico pelo uso singular de recursos literários.

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Oramus, Dominika. "The Two Cultures Revisited. Stanisław Lem’s His Master’s Voice." Interlitteraria 24, no. 2 (2020): 463–78. http://dx.doi.org/10.12697/il.2019.24.2.15.

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I would like to take, as my starting point, the famous 1959 lecture of C. P. Snow, The Two Cultures, where science fiction is by and large ignored, and see how the consecutive points Snow is making are also discussed in the following decades of the 20th century by other philosophers of science, among them Stanisław Lem, Steven Weinberg, and Jonathan Gottschall. In 1959 Snow postulated re-uniting the two cultures through the reform of education. In the 1960s and 1970s Lem did not believe in any reform, but prophesied that science left alone would procure the final war and, probably, the self-in

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Mojsak, Kajetan. "W labiryncie. Cenzorskie recenzje "Pamiętnika znalezionego w wannie" Stanisława Lema [A censor in the labyrinth. The review of 'Memoirs Found in a Bathtub' by Stanisław Lem]." Napis XXI (2015) (December 27, 2015): 297–317. https://doi.org/10.18318/napis.2015.1.21.

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The article presents censorship reviews of <em>Memoirs Found in a Bathtub</em> by Stanisław Lem written in censorship offices in Cracow and Warsaw. As a result of the reservations expressed by censors, the author added a new preface to the novel which was accepted for the publication of the book without further interference. Numerous censorship documents dealing only with one novel clarify the circumstances of writing the foreword and also provide some insight to the censors’ way of thinking, illustrate the most important control mechanisms and present formal evaluation criteria –

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Potocka-Woźniak, Aleksandra. "Scenariusze komunikacji z Obcym na podstawie wybranych dzieł Stanisława Lema." Konteksty Kultury 19, no. 3 (2022): 407–20. http://dx.doi.org/10.4467/23531991kk.22.030.16544.

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W twórczości Stanisława Lema często podejmowanym tematem jest komunikacja międzyplanetarna. W zależności od przyjętej konwencji autor na różnorodne sposoby pokazuje Obcego. Celem artykułu jest omówienie trzech scenariuszy komunikacji na podstawie opowiadania Podrożosma z Dziennikow gwiazdowych oraz powieści Eden i Solaris. Punktem wyjścia porównania jest schemat Romana Jakobsona. Istotnym elementem publikacji są uwagi związane z zabiegami semantycznymi, które stosuje Lem (m.in. nacechowanie słownictwa, neologizmy), gdyż wpływają one na wydźwięk filozoficzny jego utworów. Na podstawie przeprowa

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Tambor, Agnieszka. "Pisarz, który nie cierpiał realizacji swoich książek." No Limits, no. 3 (April 7, 2021): 12–13. http://dx.doi.org/10.31261/no_limits.2021.3.04.

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Stanisław Lem chronicznie nie znosił filmów opartych na jego tekstach, a każdą adaptację, która kiedykolwiek powstała, traktował jak świętokradztwo. Pisarz mimo wielkiego zainteresowania jego dzieła przez przemysł filmowy, nigdy nie był zachwycony ekranizacjami. Okropny to jedno z łagodniejszych słów, których używał w stosunku do „swoich” filmów. Czy to charakter pisarza nie dopuszczał jakichkolwiek zmian w napisanych przez niego tekstach, czy nie dostrzegał Lem prawideł rządzących językiem filmu i nie dopuszczał do siebie ram procesu tłumaczenia audiowizualnego i niezbędnych czasem ingerencji

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Goreva, Nadezhda Aleksandrovna, and Marina Yurievna Kotova. "Reception of the creative work of the Polish science fiction writer Stanisław Lem in German-speaking countries." Philology. Issues of Theory and Practice 16, no. 10 (2023): 3540–45. http://dx.doi.org/10.30853/phil20230545.

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The paper aims to identify the chronology and specifics of translations and studies of the creative work of the Polish science fiction writer, futurist and philosopher Stanisław Lem (1921-2006) in Germany in the aspect of imagology. Until now, the problems associated with the translation of his works into German have rarely attracted the attention of Russian scholars. The study is original in that it is the first in Russian philological science to trace the history of translations of Stanisław Lem’s works into German and their reception in German-speaking countries. Stanisław Lem’s place in th

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Düring, Michael. "Motyw obcego w Podróży ósmej Stanisława Lema." Poznańskie Studia Polonistyczne. Seria Literacka, no. 28 (February 19, 2017): 155–66. http://dx.doi.org/10.14746/pspsl.2016.28.8.

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The article contains a reconstruction of the theme of the alien in The Star Diaries by Stanisław Lem, with special emphasis on The Eighth Voyage. The Author treats this theme as a starting point for existential considerations, and - by reference to the work of Bernard Waldenfels - also for cultural and civilizational considerations.

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Jarosz, Andrzej. "„Too sophisticated”. Stanisław Lem krytycznie i parodystycznie o modernistycznych tekstach i obrazach." Quart, no. 3–4(37–38) (December 1, 2015): 54–65. https://doi.org/10.19195/quart.2015.0.65435.

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Di Bartolomeo, Lisa. "Holocaust and the Stars: The Past in the Prose of Stanisław Lem." Polish Review 69, no. 4 (2024): 124–26. http://dx.doi.org/10.5406/23300841.69.4.22.

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Boruszewski, Jarosław. "Investigations of an anti-semiote: Stanisław Lem’s semiotic ideas in light of semiotic functionalism of Jerzy Pelc." Semiotica 2021, no. 240 (2021): 41–56. http://dx.doi.org/10.1515/sem-2021-0015.

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Abstract At the turn of 1960s and 1970s, Stanisław Lem devoted some of his non-fiction writing to a discussion and considerations of semiotics. Most of them were expressions of a critical approach mainly directed against structuralism. However, Lem also formulated some positive statements although they were not developed systematically. The article offers an analysis of Lem’s semiotic ideas from the perspective of semiotic functionalism of Jerzy Pelc, mainly considering its two main components: contextualism and typological approach. Special attention is paid to the latter because both Pelc an

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Kobiela, Filip. "Can Sport Exist Without Aggression? On a Certain Thought Experiment by Stanisław Lem." Studies in Sport Humanities 29 (December 31, 2021): 19–25. http://dx.doi.org/10.5604/01.3001.0015.4458.

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The main objective of the paper is to present and analyse a thought experiment concerning the existence and specifi city of sport in a society completely devoid of aggression. The experiment comes from the novel Return from the Stars by Stanisław Lem, Polish writer and thinker. The article provides an explanation why sports, and boxing in particular, were included in Lem’s refl ections on the problem of evil and attempts to “improve the world”. Lem’s vision of sport in a society subjected to betrization – a procedure that eliminates aggression – is presented and commented on from the perspecti

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Brzostek, Dariusz. "Gdzie kończy się literatura? Głos Pana i Golem XIV — Stanisława Lema „resztki po powieści”." Literatura i Kultura Popularna 23 (May 31, 2018): 39–50. http://dx.doi.org/10.19195/0867-7441.23.3.

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Where the literature ends? His Master’s Voice and Golem XIV — Stanisław Lem’s “relics of a novel”The paper discusses the literary works of Polish science fiction writer — Stanisław Lem, particulary two of his late novels: His Master’s Voice 1968 and Golem XIV 1981. The essay focuses on the relics of a novel in these non-narrative works, including the lectures of an artificial intelligence Golem XIV and scientific essays on the first contact between humans and alien life form His Master’s Voice. A subject of the paper is the psychoanalysis of the creative process and the reading of the relics o

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Sobota, Jacek. "STRATEGIE ONTOLOGICZNE W WYBRANYCH UTWORACH LITERACKICH I FILMOWYCH." Humanistyka i Przyrodoznawstwo, no. 27 (January 24, 2022): 185–202. http://dx.doi.org/10.31648/hip.7487.

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Artykuł jest próbą nakreślenia różnych sposobów konstruowania światów w wybranych utworach literackich i filmowych. Roger Caillois i – nieco później – Stanisław Lem dokonali dość szczegółowego rozróżnienia metod kreowania literackich światów, ze względu na ich gatunkowe zróżnicowanie. Inaczej konstruowane są zasady rządzące rzeczywistością w utworach kryminalnych, inaczej w literaturze grozy, inaczej w science fiction. Owe „strategie ontologiczne” mogą być podyktowane również innego rodzaju – niż zróżnicowanie gatunkowe – przyczynami (tu szerzej będzie omówiona tzw. ontologia praktyczna)

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Nesterov, Alexander Yu, and Anna I. Demina. "Lem Readings: A Summary of the Regular International Scientific Conference on Science Fiction." Russian Journal of Philosophical Sciences 65, no. 2 (2022): 141–50. http://dx.doi.org/10.30727/0235-1188-2022-65-2-141-150.

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The article reviews the regular international scientific conference on science fiction – Stanisław Lem Readings. The conference is held since 2007 by the Department of Philosophy in collaboration with the Department of Russian and Foreign Literature and Public Relations of the Samara National Research University. The summary shows the history of the conference, formulates the main definitions of the category of science fiction, proposed by its participants, demonstrates the topics, genres, and key approaches that make up the problem field, lists its most eminent speakers. Lem Readings are curr

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Martynov, D. E. "The Worlds of Limited-Edition Books (Arthur Clarke, Robert Heinlein, Wojciech Kajtoch, Stanisław Lem)." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 162, no. 5 (2020): 281–92. http://dx.doi.org/10.26907/2541-7738.2020.5.281-292.

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This paper reviews four books, all dedicated to the study of the science fiction genre and the biography of science-fiction writers. They were published in Russian in an extremely limited number. These books include a collection of articles by Wojciech Kaitoch, biographies of Arthur Clarke and Robert Heinlein written by Neil Mcaleer and William H. Patterson, respectively, as well as a biography of Stanisław Lem compiled by his son Tomasz. The authors of all biographies come from fundamentally important circumstances in the lives of the writers. The main approach to exploring the biographies un

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Brzostek, Dariusz. "Constructing African future: Africa and African people in Polish science fiction of the socialist era." Przegląd Kulturoznawczy, no. 3 (49) (2021): 479–95. http://dx.doi.org/10.4467/20843860pk.21.033.14353.

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The paper’s main objective is to analyse the visions of an African future in the Polish Socialist Era science fiction. Speculative fiction played an important part in the cultural landscape of socialist Poland, being integral to the popular culture as well as to communist propaganda. The image of a communist future was a major motif in the early Socialist Era science fiction narratives and also the impressive political forecast of the final worldwide triumph of the Communist Party. These narratives also included some interesting examples of the African future and the African people in the futu

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Trześniewska-Nowak, Agnieszka. "Kilka odsłon polskiej literatury najnowszej." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 61, no. 4 (2024): 365–70. http://dx.doi.org/10.36770/bp.867.

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The presented article is a review of the book edited by Dariusz Kulesza Polish Prose at the Turn of the 20th and 21st Centuries. The authors of the individual chapters engage with contemporary Polish literature, while also revisiting classics like Stanisław Lem. The editor’s perspective encourages a closer examination of women’s prose in the context of male-authored literature. The range of topics covered and the monograph’s diversity make it an intriguing source of inspiration for further research into contemporary literature.

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Mazurkiewicz, Adam. "Doodle, czyli Lem cyfrowo odczytywany w poszerzonym polu literackim." Papers in Literature, `10 (July 30, 2022): 49–71. http://dx.doi.org/10.31648/pl.7855.

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The article analyses how Stanisław Lem’s writing is used in the doodle meant to honour the 60th anniversary of the publication of The Astronauts by this author (1951–2011). Nevertheless, it is the heroes of The Cyberiad that are employed in the game. The grotesque character of these stories corresponds to the aesthetics of the game, viewed not only in terms of a literary adaptation, but also as an illustration of the manner in which digital culture reaches for literary works. What can be seen is the lack of linguistic invention typical of Lem’s stories: it is impossible to translate the writer

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Zięba, Jan. "Między podniebieniem i otchłanią. Wokół pokarmowego szyfru w Szpitalu Przemienienia Stanisława Lema." Konteksty Kultury 19, no. 3 (2022): 374–92. http://dx.doi.org/10.4467/23531991kk.22.028.16542.

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Artykuł jest próbą zinterpretowania pojawiających się często w powieściach, wywiadach i korespondencji Stanisława Lema, wątków pokarmowych. Najwięcej uwagi poświęcone zostało Szpitalowi Przemienienia, powieści, która była pierwszą próbą literackiego rozliczenia się autora z doświadczeniem II wojny światowej. Wiedza o losach Lema w okupowanym przez Niemców Lwowie, poszerzona znacząco za sprawą badań biograficznych z ostatnich lat (zwłaszcza za sprawą książek Agnieszki Gajewskiej i Wojciecha Orlińskiego), pozwoliła na powiązanie dostrzeżonego w tej powieści „pokarmowego szyfru” z najbardziej doj

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Piekutowski, Piotr F. "Przyszłość przeszłości. Retrotopia w narracjach sztucznej inteligencji Stanisława Lema i Łukasza Zawady." Przegląd Kulturoznawczy, no. 3 (49) (2021): 539–53. http://dx.doi.org/10.4467/20843860pk.21.037.14357.

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The Future Past. Retrotopia in the Narratives of an Artificial Intelligence by Stanisław Lem and Łukasz Zawada In Retrotopia, Zygmunt Bauman derives the title phenomenon from the double negation of Thomas More’s utopia and uses it to describe the returns of the imaginary past, whose resurrected potentials make it possible to return to forgotten ideas. This paper examines the relationship between futuristic technology projections and the retrotopian shift taking place in liquid modernity. To this end, the author’s research focuses on the literary narratives of the artificial intelligence in Sta

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Zielińska-Elliott, Anna. "Does the Sheep Man Hail from Solaris?" Polish Review 68, no. 2 (2023): 90–101. http://dx.doi.org/10.5406/23300841.68.2.08.

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Abstract Starting from Roland Barthes's assertion that “the text is a tissue of quotations drawn from the innumerable centers of culture,” the article considers the possibility of the influence of Stanisław Lem upon Japanese writer Haruki Murakami, focusing on a comparison of Solaris (1961) and A Wild Sheep Chase [Hitsuji o meguru bōken, 1982]. Through a close reading of crucial scenes in both books, the essay points out similarities that may indicate that Murakami was familiar with Lem's work and might have been consciously or unconsciously inspired by it. The article develops the idea of int

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Perat, Katja. "Strategic Masochism." Qui Parle 32, no. 2 (2023): 341–67. http://dx.doi.org/10.1215/10418385-10832206.

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Abstract This essay examines how Stanisław Lem mobilizes the genre of science fiction to portray regional Central European concerns as structural conditions of semiperiphery. The essay centers on Lem’s interest in illegibility, which defines him as a novelist and a critic, showing how his argument against the US monopoly within the genre of science fiction is reflected in his novels. Focusing on Lem’s paralleling of female masochism and epistemological critique, the essay reads Solaris as a novel invested in inspecting the interrelatedness of systems of oppression.

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Mao, Yinhui, та Yan Sun. "斯坦尼斯瓦夫·莱姆作品《泥人十四》中的后人类主义哲学思考 [Filozoficzne refleksje nad posthumanizmem w utworze Stanisława Lema Golem XIV]". Postscriptum Polonistyczne 30, № 2 (2022): 1–12. http://dx.doi.org/10.31261/ps_p.2022.30.11.

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Stanisław Lem był wielkim pisarzem, futurystą i krytykiem literackim, ale chińskie przekłady większości jego dzieł zostały wydane w Chinach dopiero z okazji setnej rocznicy urodzin autora w 2021 roku. Z tej przyczyny prowadzone w Chinach badania naukowe na temat Lema i jego twórczości są nieliczne. Wielu czytelników nie do końca rozumie też idee zawarte w książkach Stanisława Lema. Istnieje zatem potrzeba znalezienia odpowiednich metod analizy i badania twórczości pisarza. W niniejszym artykule wykazano, że perspektywa posthumanistyczna może dostarczyć wiarygodnego wzoru dla studiów nad Lemem.

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Kukulak, Szymon. "O trzech zegarach. Relatywistyczne fabuły w polskiej fantastyce naukowej (Lem — Huberath — Snerg)." Creatio Fantastica 59, no. 2 (2019): 39–56. https://doi.org/10.5281/zenodo.3311646.

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The article compares three science-fiction novels written by Polish writers representing three successive generations — Stanisław Lem’s Return from the Stars (1959), Adam Wiśniewski-Snerg’s Robot (1973), and Marek S. Huberath’s Nest of Worlds (1998)—that utilize the time dilation phenomenon as a basis for the plot. In each novel, time dilation serves also as a building block for a higher layer of meaning. In Lem’s—as a grim prediction about the fate of real-world astronautics at its birth; in Snerg’s—as association with his ‘theory of

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Mao, Rui. "Reception of works of Stanisław Lem in China and (un)translatability of Cyberiad into Chinese." Studia Językoznawcze : synchroniczne i diachroniczne aspekty badań polszczyzny 21 (2022): 65–73. http://dx.doi.org/10.18276/sj.2022.21-05.

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Piekutowski, Piotr F. "Usłyszeć Innego." No Limits, no. 3 (April 7, 2021): 10–11. http://dx.doi.org/10.31261/no_limits.2021.3.03.

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Światy znane z literatury czy filmów science fiction przyzwyczaiły nas do przerażających kontaktów z Innym: czy to przez inwazje pozaziemskich cywilizacji, czy bezduszną sztuczną inteligencję. W swoich powieściach Stanisław Lem często zastanawia się, jak mogłaby się wyglądać rzeczywista konfrontacja z obcą formą życia i czy w ogóle bylibyśmy zdolni ją usłyszeć. W Golemie XIV Inny – superkomputer –ma odpowiedź na prawdopodobnie każde pytanie gnębiące ludzkość. Bariera komunikacyjna zdaje się nie istnieć, oczywiście Golem nie ma biologicznego ciała czy zmysłów, jest doskonałą maszyną, czystym Ro

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Brzostek, Dariusz. "Fikcja antropologiczna czy antropologia spekulatywna? O funkcjach poznawczych narracji fantastycznonaukowych." Prace Kulturoznawcze 23, no. 2 (2019): 41–58. http://dx.doi.org/10.19195/0860-6668.23.2-3.4.

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Speculative anthropology or anthropological fiction? On the referential function of science-fiction narrativesThe article focuses on the referential function of science fiction and its relations to speculative anthropology and anthropological fiction. The methodological context for this analysis consists of Andrzej Stoff’s concept of literary images in science-fiction novels, Fredric Jameson’s archaeology of the future, and Roman Jakobson’s theory of the referential function of language. The texts analyzed herein are two novels: by Stanisław Lem Solaris and Peter Watts Blindsight. These works

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Przytuła, Piotr. "Krytycznie o gatunku – Lema i Dukaja poglądy na fantastykę naukową." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 52, no. 3 (2021): 125–40. http://dx.doi.org/10.36770/bp.626.

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In the essay Science fiction: a hopeless case - with exceptions, Stanisław Lem spoke negatively about science fiction (but also about its authors and fans), proving its secondary nature and entanglement in market laws, pointing out the lack of reliable criticism from outside the fandom and flattering the tastes of recipients who only seek entertainment in literature. The author of Solaris included science fiction in the “lower kingdom” of literature, contrasting it with mainstream (“upper kingdom”). Thus, he symbolically strengthened the division into the fantastic “ghetto” and mainstream lite

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