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Dissertations / Theses on the topic 'Stanisawa'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Morton, Luise H. "Philosophical themes in works of Stanislaw Lem." Virtual Press, 1985. http://liblink.bsu.edu/uhtbin/catkey/424560.

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The purpose of this thesis was to examine two works of science fiction by the Polish writer and satirist, Stanislaw Lem, which exemplify two broad philosophical themes central to his writings; viz., cosmology and personhood. In "The New Cosmogony," Lem focuses on the central problem of the philosophy of scientific cosmology, namely, what kind of explanation is-applicable to that science. Lem synthesizes religious and scientific views of the creation of the universe in his model of the cosmos as a Game of Civilizations with advanced technologies. Central to this work is the philosophical notion of intentionality. In "The Mask," Lem raises questions about personhood, consciousness, freedom, determinism, and responsibility by embedding them in the autobiographical narrative of a conscious, female machine. Lem's views on cosmology and his views on personhood both involve intentionality - the intentions of civilizations, on the one hand, and the intentions of a King and of the machine he created, on the other. Both works challenge all preconceptions about philosophy through the use of paradox, irony, and sometimes ridicule. Lem provides no answers, however. He is interested in setting up futuristic technological situations that are capable of undermining our basic assumptions about the world.

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2

Butterwick, Richard J. "Stanislaw August Poniatowski, his circle and English political culture." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359487.

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3

Stanisak, Anna Katharina [Verfasser], and S. [Akademischer Betreuer] Dübel. "Neue Antikörperselektionsstrategien / Anna Katharina Stanisak ; Betreuer: S. Dübel." Braunschweig : Technische Universität Braunschweig, 2015. http://d-nb.info/1175820202/34.

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4

Kucharczyk, Lilianna Stanislawa [Verfasser], and Robert [Akademischer Betreuer] Bähring. "LTP in conventional and conditional Arc/Arg3.1 KO mice / Lilianna Stanislawa Kucharczyk ; Betreuer: Robert Bähring." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2020. http://d-nb.info/1215292473/34.

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Kucharczyk, Lilianna Stanislawa Verfasser], and Robert [Akademischer Betreuer] [Bähring. "LTP in conventional and conditional Arc/Arg3.1 KO mice / Lilianna Stanislawa Kucharczyk ; Betreuer: Robert Bähring." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2020. http://d-nb.info/1215292473/34.

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6

Grigorova, Stanislava [Verfasser], and Werner [Gutachter] Wegstein. "Studien zur Digitalisierung von Campes ‚Verdeutschungswörterbuch‘ / Stanislava Grigorova. Gutachter: Werner Wegstein." Würzburg : Universität Würzburg, 2016. http://d-nb.info/1112093303/34.

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7

Stanisak, Mareike [Verfasser]. "Molekulare Basis des antimikrobiellen Systems von Caenorhabditis elegans / Mareike Stanisak." Kiel : Universitätsbibliothek Kiel, 2008. http://d-nb.info/1019767499/34.

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8

Leszczyńska, Agnieszka Stanisława [Verfasser], and R. [Akademischer Betreuer] Engel. "Potential of the IceTop Enhancement with a Scintillation Detector Array / Agnieszka Stanisława Leszczyńska ; Betreuer: R. Engel." Karlsruhe : KIT-Bibliothek, 2021. http://d-nb.info/1231361468/34.

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9

Ritter, Rüdiger. "Polnisch, litauisch oder weißrussisch? Stanisław Moniuszko und das Problem der nationalen Musik." Gudrun Schröder, 2004. https://ul.qucosa.de/id/qucosa%3A21331.

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10

Kowalczyk, Andrzej Stanisław. "Kryzys świadomości europejskiej w eseistyce polskiej lat 1945-1977 (Vincenz-Stempowski-Miłosz)." Warszawa : [s.n.], 1990. http://books.google.com/books?id=SJ1hAAAAMAAJ.

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11

Schmidt, Anna [Verfasser]. "Form und Deformation : Zum kunsttheoretischen und dramatischen Werk von Stanisław Ignacy Witkiewicz / Anna Schmidt." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 1992. http://d-nb.info/1165480735/34.

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12

Fiałkiewicz-Saignes, Anna. "L'oeuvre romanesque de Stanisław Ignacy Witkiewicz dans le contexte des littératures européennes (1909-1939)." Paris 4, 1997. http://www.theses.fr/1997PA040138.

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Les romans de S. I. Witkiewicz (Les 622 chutes de Bungo, L'adieu à l'automne, L'inassouvissement, L'unique issue) ont bénéficié dans le discours critique polonais d'un statut ambigu : celui d'œuvres majeures mais imparfaites, à la fois modernes et anachroniques. Ce travail entreprend de montrer que les romans de Witkiewicz sont des œuvres cohérentes, dans lesquelles une forme originale traduit une expérience particulière du monde, expérience semblable à celle qui sous-tend les œuvres des romanciers européens qui ont, à la même époque, remis en cause une conception traditionnelle de la prose narrative (Proust, Musil, Mann, V. Woolf, Joyce. . . ) et que la critique de langue anglaise rassemble sous le label de "moderniste". L'approche comparatiste permet de montrer que les romans de Witkiewicz naissent d'une appréhension semblable des premières décennies du XXème siècle, comme époque charnière, emportée par une dynamique au sens inconnu qui balaie schémas de pensée et systèmes de valeurs ; il importe alors de retrouver ailleurs la cohérence qui a définitivement déserté l'expérience vécue. Pour les héros de Witkiewicz, la philosophie pourrait constituer ce dernier retranchement de l'unité et tous cherchent à transformer leur vécu confus en enchainement rigoureux de concepts, ce qui s'avère pourtant impossible car le langage n'est pas à la hauteur de la tâche. Dès lors la voie est ouverte aux jeux avec les mots et les concepts, autant de procédés qui assurent à l'écriture de Witkiewicz son originalité et garantissent ainsi la réussite de l'entreprise romanesque
The novels of S. I. Witkiewicz have received, in the polish critical tradition, an ambiguous status: that of major but imperfect, both modern and anachronic works. This works undertakes to show that Witkiewicz's novels are coherent works, in which an original form conveys a peculiar experience of the world, similar to the experience which underlies the works of European novelists who have, at the same time, challenged the traditional conception of narrative (Proust, Musil, Mann, V. Woolf, Joyce. . . ) and whom the English-language critics gather as "modernists". The comparatist approach makes it possible to show that Witkiewicz's novels spring from a similar apprehension of the first decades of the XXth century, seen as a turning point, carried by dynamics with a still unknown meaning, which sweep away thinking schemes and systems of values; it is then important to find elsewhere the coherence which has definitely deserted the reality. For Witkiewicz's heroes, philosophy might be that last entrenchment of unity, and all of them search for a way of turning their confused living into a rigorous chain of concepts, which is however impossible because the language is not sufficient for this task. A breach is therefore open for plays on words and concepts, which make the originality of Witkiewicz's writing and guarantee the success of his Romanesque enterprise

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13

Rothkoegel, Anna [Verfasser]. "Form und Deformation : Zum kunsttheoretischen und dramatischen Werk von Stanisław Ignacy Witkiewicz / Anna Schmidt." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 1992. http://d-nb.info/1165480735/34.

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14

Tyszczuk, Renata. "In spem melioris aevi : the architecture and writings of Stanislaw Leszczynski, roi bienfaisant, 1737-1766." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413086.

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15

Zelianin, Stanislaw Alexander [Verfasser], Johannes [Gutachter] Kirchner, and Volkmar [Gutachter] Nikolas. "Aktueller Stellenwert der lumbalen Myelographie und postmyelographischen Computertomographie / Stanislaw Alexander Zelianin. Gutachter: Johannes Kirchner ; Volkmar Nikolas." Bochum : Ruhr-Universität Bochum, 2016. http://d-nb.info/1102524905/34.

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16

López, Chacón Alejandro. "La obra literaria y filosófica de Stanislaw Lem. Una Lemología Crítica desde la Escuela de Frankfurt." Doctoral thesis, Universitat Autònoma de Barcelona, 2021. http://hdl.handle.net/10803/672507.

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La recerca examina l'obra literària i filosòfica de Stanislaw Lem en correspondència amb la perspectiva teòrica de l'Escola de Frankfurt, per a evidenciar les diferents afinitats entre la literatura de Ciència-ficció (CF) proposta per l'autor i els postulats de la Teoria Crítica. Convergències no sols d'ordre temàtic, atès que en les principals troballes de l'estudi s'argumenta que comparteixen l'establiment d'un objectiu comú, la configuració d'una metodologia pròpia, el desenvolupament d'un contingut, un estil i una praxi determinada. Propostes que, d'acord, estan situades en el convuls context sociopolític d'Europa Central i Oriental enmig de la postguerra, en plena expansió del totalitarisme, característiques que en conjugar-se les fa úniques enfront d'altres models de pensament. D'aquesta manera, la ficció de Lem, igual que la Teoria Crítica, són enteses com un gènere en si mateixes, de caràcter especulatiu, per la seva naturalesa intrínseca que escapa a simples etiquetes. En primer lloc, quant a l'objectiu, van buscar consolidar una posició de provocació i desobediència enfront dels patrons de pensament modern, marcats per la tendència empírica, analítica i positivista del pensament occidental. Amb això van fundar una mirada heterogènia, interdisciplinària, crítica, oberta a contradiccions, de refutacions permanents, dinàmica, amb elements diferenciadors que les van posicionar com un gènere propi, singular enfront d'altres apostes teòriques. Són abans de res una crítica de la societat capitalista avançada, als motlles ideològics totalizantes, el seu propòsit és emancipador i aspiren a l'autorealització de l'home. En l'aspecte metodològic, són altament especulatives, aquest caràcter constitueix un element essencial de la seva raó pràctica i, en conseqüència, de la seva metodologia. D'aquesta manera, la Teoria Crítica i la CF de Stanislaw, es constitueixen com un esforç interdisciplinari per fundar dos projectes complementaris, la primera aspira a desenvolupar una teoria social integral que pot enfrontar-se als problemes socials i polítics resultants del capitalisme i la segona es converteix en una aposta estètica per a pensar aquests mateixos conflictes d'ordre sociopolític en diferents escenaris ficcionales, així es fa possible repensar la pròpia realitat a partir d'una natural extrapolació. Amb això es busca manifestar l'emergència d'una nova perspectiva per a estudiar l'aposta estètica de l'escriptor, innovadora en el context dels estudis literaris actuals, que s'enuncia en l'estudi com una Lemología Crítica. Així, la tesi doctoral és una aproximació a la configuració d'una nova Lemología i aconsegueix establir els primers fonaments en el seu estatus teòric i pràctic. Es va determinar, amb base en les exhaustives troballes documentals, que les tipologies lemológicas predominants sobre l'anàlisi de la narrativa i el projecte filosòfic de Stanislaw, desenvolupades entre 1965 i 2017, a saber: Lemología descriptiva, Lemología analítica, Lemología comparativa-predictiva, Lemología aplicada, no aconsegueixen dimensionar la seva proposta sociopolítica, és més defugen el projecte genuí i el plantejament original de l'escriptor, en eludir un aspecte clau que unifica i enriqueix les diferents mirades. Aquest es fonamenta en l'interès de l'autor per una literatura de CF interdisciplinària, amb vocació emancipadora, que dialoga amb el marxisme crític occidental, disposició anàloga de l'Escola de Frankfurt. Per a arribar a aquesta conclusió, va ser necessari analitzar la perspectiva teòrica d'aquesta Escola, que pel seu caràcter global i heterogeni es va delimitar a una aproximació -donada la complexitat i extensió que requereix el seu estudi- en cinc enfocaments qualitatius claus: sociopolític, psicosocial, sociocultural, antropològic i comunicatiu. En definitiva, s'estableix una nova perspectiva teòric pràctica per a estudiar l'obra de Stanislaw, enunciada com una Lemología Crítica, que serà desenvolupada per nous investigadors interessats en la proposta de l'autor polonès.
La investigación examina la obra literaria y filosófica de Stanislaw Lem en correspondencia con la perspectiva teórica de la Escuela de Frankfurt, para evidenciar las distintas afinidades entre la literatura de Ciencia Ficción (CF) propuesta por el autor y los postulados de la Teoría Crítica. Convergencias no solo de orden temático, dado que en los principales hallazgos del estudio se argumenta que comparten el establecimiento de un objetivo común, la configuración de una metodología propia, el desarrollo de un contenido, un estilo y una praxis determinada. Propuestas que, en consonancia, están ubicadas en el convulso contexto sociopolítico de Europa Central y Oriental en medio de la posguerra, en pleno auge del totalitarismo, características que al conjugarse las hace únicas frente a otros modelos de pensamiento. De esta manera, la ficción de Lem, al igual que la Teoría Crítica, son entendidas como un género en sí mismas, de carácter especulativo, por su naturaleza intrínseca que escapa a simples etiquetas. En primer lugar, en cuanto al objetivo, buscaron consolidar una posición de provocación y desobediencia frente a los patrones de pensamiento moderno, marcados por la tendencia empírica, analítica y positivista del pensamiento occidental. Con ello fundaron una mirada heterogénea, interdisciplinar, crítica, abierta a contradicciones, de refutaciones permanentes, dinámica, con elementos diferenciadores que las posicionaron como un género propio, singular frente a otras apuestas teóricas. Son ante todo una crítica de la sociedad capitalista avanzada, a los moldes ideológicos totalizantes, su propósito es emancipador y aspiran a la autorrealización del hombre. En el aspecto metodológico, son altamente especulativas, este carácter constituye un elemento esencial de su razón práctica y, en consecuencia, de su metodología. De esta manera, la Teoría Crítica y la CF de Stanislaw, se constituyen como un esfuerzo interdisciplinar por fundar dos proyectos complementarios, la primera aspira a desarrollar una teoría social integral que puede enfrentarse a los problemas sociales y políticos resultantes del capitalismo y la segunda se convierte en una apuesta estética para pensar estos mismos conflictos de orden sociopolítico en distintos escenarios ficcionales, así se hace posible repensar la propia realidad a partir de una natural extrapolación. Con ello se busca manifestar la emergencia de una nueva perspectiva para estudiar la apuesta estética del escritor, innovadora en el contexto de los estudios literarios actuales, que se enuncia en el estudio como una Lemología Crítica. Así, la tesis doctoral es una aproximación a la configuración de una nueva Lemología y logra establecer los primeros cimientos en su estatus teórico y práctico. Se determinó, con base en los exhaustivos hallazgos documentales, que las tipologías lemológicas predominantes sobre el análisis de la narrativa y el proyecto filosófico de Stanislaw, desarrolladas entre 1965 y 2017, a saber: Lemología descriptiva, Lemología analítica, Lemología comparativa-predictiva, Lemología aplicada, no logran dimensionar su propuesta sociopolítica, es más soslayan el proyecto genuino y el planteamiento original del escritor, al eludir un aspecto clave que unifica y enriquece las diferentes miradas. Este se fundamenta en el interés del autor por una literatura de CF interdisciplinar, con vocación emancipadora, que dialoga con el marxismo crítico occidental, disposición análoga de la Escuela de Frankfurt. Para llegar a esta conclusión, fue necesario analizar la perspectiva teórica de esta Escuela, que por su carácter global y heterogéneo se delimitó a una aproximación -dada la complejidad y extensión que requiere su estudio- en cinco enfoques cualitativos claves: sociopolítico, psicosocial, sociocultural, antropológico y comunicativo. En definitiva, se establece una nueva perspectiva teórico práctica para estudiar la obra de Stanislaw, enunciada como una Lemología Crítica, que será desarrollada por nuevos investigadores interesados en la propuesta del autor polaco.
The research examines the literary and philosophical work of Stanislaw Lem in correspondence with the theoretical perspective of the Frankfurt School, in order to evidence the different affinities between the Science Fiction (SF) literature proposed by the author and the postulates of Critical Theory. Convergences not only of thematic order, since in the main findings of the study it is argued that they share the establishment of a common objective, the configuration of their own methodology, the development of a content, a style and a certain praxis. Proposals that, accordingly, are located in the convulsive sociopolitical context of Central and Eastern Europe in the midst of the postwar period, at the height of totalitarianism, characteristics that, when combined, make them unique in comparison with other models of thought. In this way, Lem's fiction, as well as Critical Theory, are understood as a genre in themselves, of a speculative nature, due to their intrinsic nature that escapes simple labels. In the first place, in terms of objective, they sought to consolidate a position of provocation and disobedience against the patterns of modern thought, marked by the empirical, analytical and positivist tendency of Western thought. With this, they founded a heterogeneous, interdisciplinary, critical, open to contradictions, of permanent refutations, dynamic, with differentiating elements that positioned them as a genre of their own, singular against other theoretical bets. They are above all a critique of advanced capitalist society, of totalizing ideological molds, their purpose is emancipatory and they aspire to the self-realization of man. In the methodological aspect, they are highly speculative, this character constitutes an essential element of their practical reason and, consequently, of their methodology. In this way, Critical Theory and Stanislaw's CF, are constituted as an interdisciplinary effort to found two complementary projects, the first aspires to develop an integral social theory that can face the social and political problems resulting from capitalism and the second becomes an aesthetic bet to think these same conflicts of socio-political order in different fictional scenarios, thus making it possible to rethink reality itself from a natural extrapolation. With this, we seek to manifest the emergence of a new perspective to study the writer's aesthetic wager, innovative in the context of current literary studies, which is enunciated in the study as a Critical Lemology. Thus, the doctoral thesis is an approach to the configuration of a new Lemology and manages to establish the first foundations in its theoretical and practical status. It was determined, based on the exhaustive documentary findings, that the predominant Lemological typologies on the analysis of Stanislaw's narrative and philosophical project, developed between 1965 and 2017, namely: Descriptive Lemology, Analytical Lemology, Comparative-Predictive Lemology, Applied Lemology, fail to dimension his socio-political proposal, moreover they elude the genuine project and the original approach of the writer, by eluding a key aspect that unifies and enriches the different looks. This is based on the author's interest in an interdisciplinary CF literature, with an emancipatory vocation, in dialogue with Western critical Marxism, an analogous disposition of the Frankfurt School. To reach this conclusion, it was necessary to analyze the theoretical perspective of this School, which due to its global and heterogeneous character was delimited to an approach -given the complexity and extension that its study requires- in five key qualitative approaches: sociopolitical, psychosocial, sociocultural, anthropological and communicative. In short, a new theoretical and practical perspective is established to study Stanislaw's work, enunciated as a Critical Lemology, which will be developed by new researchers interested in the Polish author's proposal.
Universitat Autònoma de Barcelona. Programa de Doctorat en Teoria de la Literatura i Literatura Comparada

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17

Schukajlow-Wasjutinski, Stanislaw [Verfasser]. "Schüler-Schwierigkeiten und Schüler-Strategien beim Bearbeiten von Modellierungsaufgaben als Bausteine einer lernprozessorientierten Didaktik / Stanislaw Schukajlow-Wasjutinski." Kassel : Universitätsbibliothek Kassel, 2010. http://d-nb.info/1007324619/34.

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18

Frank, Stanislava Verfasser], and Christiane [Akademischer Betreuer] [Bruns. "Prognosefaktoren und perioperative Morbidität bei Patienten mit operativ therapiertem lokal fortgeschrittenem Magenkarzinom / Stanislava Frank. Betreuer: Christiane Bruns." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2012. http://d-nb.info/1031379975/34.

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19

Knyazeva, Stanislava [Verfasser]. "Effects of different forms of engagement on the neuronal activity in the monkey's primary auditory cortex / Stanislava Knyazeva." Magdeburg : Universitätsbibliothek Otto-von-Guericke-Universität, 2018. http://d-nb.info/121996641X/34.

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20

Weise, Konstantin [Verfasser], Hannes [Akademischer Betreuer] Töpfer, Stanislaw [Gutachter] Gratkowski, and Ivo [Gutachter] Dolezel. "Advanced modeling in Lorentz force eddy current testing / Konstantin Weise ; Gutachter: Stanislaw Gratkowski, Ivo Dolezel ; Betreuer: Hannes Töpfer." Ilmenau : TU Ilmenau, 2016. http://d-nb.info/1178174875/34.

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21

Thiele, Stanislava [Verfasser], and Milde-Langosch [Akademischer Betreuer]. "Untersuchungen zur Rolle des Transkriptionsfaktors Fra-2 in der Mammakarzinom-Zelllinie MCF-7 / Stanislava Thiele ; Betreuer: Milde-Langosch." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2018. http://d-nb.info/1172415579/34.

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22

Krzysztoń, Rafał Stanisław Verfasser], and Joachim [Akademischer Betreuer] [Rädler. "Towards efficient siRNA delivery and gene silencing kinetics on the single cell level / Rafał Stanisław Krzysztoń ; Betreuer: Joachim Rädler." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2018. http://d-nb.info/1168590965/34.

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23

Wlodarczyk, Radoslaw Stanislaw Verfasser], Joachim [Akademischer Betreuer] Sauer, Marek [Akademischer Betreuer] Sierka, and Bernd [Akademischer Betreuer] [Hartke. "Surface structure predictions and development of global exploration tools / Radoslaw Stanislaw Wlodarczyk. Gutachter: Joachim Sauer ; Marek Sierka ; Bernd Hartke." Berlin : Mathematisch-Naturwissenschaftliche Fakultät, 2015. http://d-nb.info/1071596489/34.

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Zec, Mladen [Verfasser], Hannes [Akademischer Betreuer] Töpfer, Oszkar [Gutachter] Biro, and Stanislaw [Gutachter] Gratkowski. "Theory and Numerical Modelling of Lorentz Force Eddy Current Testing / Mladen Zec ; Gutachter: Oszkar Biro, Stanislaw Gratkowski ; Betreuer: Hannes Töpfer." Ilmenau : TU Ilmenau, 2013. http://d-nb.info/1178184412/34.

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25

Swirski, Peter. "Poe, Lem, and the art and science of literature." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=40004.

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Transcending the boundaries of literature, the works of Edgar Allan Poe and Stanislaw Lem contribute to a dialogue between literary, philosophical, and scientific cultures. A critical approach to these writers that ignores the epistemic dimension in their works opens itself to the charge of misunderstanding their artistic goals and aspirations. In my dissertation I thus define, justify, and conduct an interdisciplinary study of Poe and Lem's works.
My project is underwritten by the epistemological assumption that literary works, and notably works of fiction, can make a contribution to knowledge that can be assessed in terms of interdisciplinary criteria. In the first chapter, where I discuss literature and knowledge within the interdisciplinary context, I examine various epistemological arguments in light of my central assertion. Next I examine the concepts involved in the discussion of literary works. Following the pragmatic re-orientation in literary and philosophical aesthetics, many fundamental concepts we take for granted--artworks, fictions, and texts among them--require exact re-examination and definition. Consequently, in Chapters Two and Three I review and refine the recent theories concerning the nature of works of art, the specificity of literary fictions, and the problem of literary interpretations.
My subsequent discussion of Poe and Lem is built on the theoretical base of (literary) epistemology and analytical aesthetics. I study Poe and Lem's literary fictions and theoretical essays, and the contributions they make to various fields of inquiry. In the process I critique, and sometimes refine, the explicit and implicit hypotheses articulated in their works. Specifically In Chapters Four and Five I discuss strategic and game theoretic models in the interpretation of fiction, including the concepts of communication and rationality. In Chapter Six, completing the epistemological circle inaugurated in Chapter One, I discuss the epistemological and cosmological theories proposed in Poe's "Eureka".

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Cambreleng, Guy. "Witkiewicz et le grotesque. L'exemple de son theatre." Paris 3, 1989. http://www.theses.fr/1990PA030001.

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Witkiewicz est l'auteur d'une oeuvre tres diversifiee, theatre, essais, romans, ouvrages philosophiques, peinture et meme photographies. Son oeuvre theatrale met en valeur de nombreux caracteres du genre "grotesque", mis au service d'une conception du monde essentiellement tragique. Contemporain de nombreux mouvements litteraires et artistiques apparus dans le premier tiers du vingtieme siecle, il manifeste envers eux une mefiance, en raison de l'intuitionnisme et de l'irrationnalisme qu'il y percoit. Les caracteres des personnages de ses pieces ainsi que les themes de sa dramaturgie sont souvent recurrents. La langue qu'il utilise fait appel aux registres les plus divers. Ses pieces comportent un grand nombre de personnages toujours decrits avec minutie, dans des didascalies-fleuve. Son theatre, tres souvent represente dans son pays possede un impact assez faible en occident. Quelles en sont les causes ? une analyse des representations de ses pieces en pologne, d'une part et dans les pays d'expression francaise, d'autre part doit permettre d'y repondre. Une pratique scenique de witkiewicz permet de preciser les conditions de reussite de ses drames. En annexe, un essai de mise-en-scene pour "une locomotive folle", la construction d' une piece "l'ile de satan" a partir de deux fragments publies, un exemple de lecture des "cordonniers" ainsi que l'analyse detaillee d'une scene de cette piece et enfin un expose des problemes engendres par la traduction d'une piece non encore publiee en france mais jouee a paris en 1986: "miss tootlie-pootlie" permettent, je l'espere, de cerner de plus pres cette oeuvre fondamentalement pessimiste
Witkiewicz is the author of a work very varied, theater, essays, novels, philosophical works, painting and even photography. His theatrical work set oo many features of grotesque style at the service of a world conception essentially tragic. Contemporary of several artistic and literary movements, loomed up on the horizon of the first third of twentieth century, he mistrusts them owing to intuitionnism and irrationalism that he detects in them. The dramatis personae of his plays as the themes of his dramatic art are often recurrents. The language employed refers to the most varied levels. His plys consist of many dramatis personae always describe meticulously in sizeable didascalies. His plays are very often performed in his country but they have an enough weak impact in occident. What are the reasons of that? an analysis of the performances of his plays in poland, on the one hand and in the countries of french expression, on the other hand can allow to answer. A theatrical practice of witkiewicz permits to specify the conditions of success of his dramas. In annex, an attempt to put on stage: "a crazy locomotive", the construction of a play: "the island of satan" from two published fragments, an example of reading about "the shoemakers" as a detailed analysis of of a scene of this play and at last the problems created by the translation of a play never published in france but performed in paris in 1986: "miss tootlie-pootlie", allow, i hope so, to delimit more closely, this work inherently pessimistic

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Kolková, Stanislava [Verfasser]. "Kontinuität oder Bruch? Eliten als Akteure bei der Konzeptualisierung von Nation und Staat in der Slowakei von 1938 bis 1948 / Stanislava Kolková." Gießen : Universitätsbibliothek, 2016. http://d-nb.info/1122017561/34.

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Żórawska-Witkowska, Alina. "Die Oper in Warschau in der zweiten Hälfte des 18. Jahrhunderts: vom Hoftheater Augusts III. zum öffentlichen Theater von Stanisław August Poniatowski." Musikgeschichte in Mittel- und Osteuropa ; 3 (1998), S. 78-93, 1998. https://ul.qucosa.de/id/qucosa%3A15454.

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Auch in Polen ist die zweite Hälfte des 18. Jahrhunderts eine Zeit, in der man – wie am Beispiel der Warschauer Bühne gezeigt werden soll - auf eine fast experimentelle Weise den Prozeß grundlegender Wandlungen verfolgen kann, die in der Organisation, in der Funktionsweise und im künstlerischen Profil des Operntheaters vor sich gehen.

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Lester, Mark Michael. "Readings of Leibniz : metaphysics in the writings of S.I. Witkiewicz, Ezra Pound and Wyndham Lewis /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/9516.

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Dicheva, Stanislava Dicheva [Verfasser], Gerd [Akademischer Betreuer] [Gutachter] Glaeske, and Guido [Gutachter] Schmiemann. "Theorie und Praxis der evidenzbasierten Medizin in der Antibiotikaverordnung : unkomplizierte Harnwegsinfektionen bei Frauen / Stanislava Dicheva Dicheva ; Gutachter: Gerd Glaeske, Guido Schmiemann ; Betreuer: Gerd Glaeske." Bremen : Staats- und Universitätsbibliothek Bremen, 2016. http://d-nb.info/1130762858/34.

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Peeters, Marc. "Discrépance et simulacre: la métaphysique de Kant dans la Critique de la raison pure et les systèmes logiques de Stanislaw Lesniewski (ontologie et méréologie)." Doctoral thesis, Universite Libre de Bruxelles, 1998. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212001.

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Dicheva, Stanislava Dicheva Verfasser], Gerd [Akademischer Betreuer] [Glaeske, and Guido [Gutachter] Schmiemann. "Theorie und Praxis der evidenzbasierten Medizin in der Antibiotikaverordnung : unkomplizierte Harnwegsinfektionen bei Frauen / Stanislava Dicheva Dicheva ; Gutachter: Gerd Glaeske, Guido Schmiemann ; Betreuer: Gerd Glaeske." Bremen : Staats- und Universitätsbibliothek Bremen, 2016. http://nbn-resolving.de/urn:nbn:de:gbv:46-00105811-19.

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Bielecki, Piotr Stanislaw [Verfasser], and Kenneth N. [Akademischer Betreuer] Timmis. "Towards Understanding Pseudomonas aeruginosa Infection through Global Expression Profiling: From Models to Real Infection Settings and Proposed Prevention Strategies / Piotr Stanislaw Bielecki ; Betreuer: Kenneth N. Timmis." Braunschweig : Technische Universität Braunschweig, 2008. http://d-nb.info/1175829595/34.

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Ryabets, Olga. "Teorie avantgardy jako základ divadelní praxe." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2012. http://www.nusl.cz/ntk/nusl-156004.

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Abstract The work outlines several key aspects of the theatrical avant garde - namely the work of Richard Foreman, Mary Overlie and Stanisław Ignacy Witkiewicz - in relation to the artistic development of the author over the past two years with detailed examples of practical work (The Water Hen, The Foreman Notebooks Workshop and Rotten Kid Dong Sells His Ma).

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Strohmaier, Anselm Robert [Verfasser], Kristina [Akademischer Betreuer] Reiss, Lieven [Gutachter] Verschaffel, Kristina [Gutachter] Reiss, and Stanislaw [Gutachter] Schukajlow-Wasjutinski. "When reading meets mathematics : Using eye movements to analyze complex word problem solving / Anselm Robert Strohmaier ; Gutachter: Lieven Verschaffel, Kristina Reiss, Stanislaw Schukajlow-Wasjutinski ; Betreuer: Kristina Reiss." München : Universitätsbibliothek der TU München, 2020. http://d-nb.info/1208831771/34.

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Vesper, Andreas Verfasser], Uwe [Gutachter] Plank-Wiedenbeck, Hans Wilhelm [Gutachter] [Alfen, and Stanislaw [Gutachter] Gaca. "Entwicklung eines Berechnungsverfahrens zur Ermittlung der Kapazität in lichtsignalgeregelten Zufahrten mit zusätzlichen Aufstellstreifen bei gleichzeitiger Freigabezeit / Andreas Vesper ; Gutachter: Uwe Plank-Wiedenbeck, Hans Wilhelm Alfen, Stanislaw Gaca." Weimar : Bauhaus-Universität, Professur Verkehrssystemplanung, 2018. http://d-nb.info/1175963151/34.

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Schmidt, Stanislaw [Verfasser], Rolf [Akademischer Betreuer] Marschalek, and Thomas [Akademischer Betreuer] Lehrnbecher. "Grundlagen zum potentiellen therapeutischen Einsatz humaner natürlicher Killer-Zellen und spezifischer T-Zellen zur Bekämpfung invasiver Mykosen bei Patienten nach allogener Stammzelltransplantation / Stanislaw Schmidt. Gutachter: Rolf Marschalek ; Thomas Lehrnbecher." Frankfurt am Main : Univ.-Bibliothek Frankfurt am Main, 2013. http://d-nb.info/104427624X/34.

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Lipinska, Katarzyna. "Le cinéma en République populaire de Pologne : le cas de l'ensemble filmique TOR (1967-1981) : analyse des discours d'auteur et idéologique." Thesis, Dijon, 2016. http://www.theses.fr/2016DIJOL029/document.

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L'objet de cette thèse est une étude de cas d'un ensemble de production cinématographique polonaise dans la période communiste des années 1970 - TOR (Kieslowski, Zanussi, Rozewicz). Cette recherche met en avant l'autonomie créatrice de l'auteur-cinéaste face aux bouleversements de la politique culturelle qui a déterminé la production cinématographique dans un pays non-démocratique, à savoir la Pologne populaire des années 1970. La filmographie de TOR est homogène et ses films communiquent un discours d’auteur sur les thématiques existentielles et morales où l’individu occupe une place centrale. Comment a-t-il été possible de produire des films mettant l’individu au centre dans un pays où régnait un discours officiel exaltant le collectif ?
The main subject of this thesis is a case study of Polish cinematographic production under the communist period in the 1970's called TOR (Kieslowski, Zanussi, Rozewicz). This research points out the author-filmmaker's creative autonomy confronted to the Cultural Policy upheavals which have determined film production in a non - democratic country : Polish People's Republic in the 1970s. The TOR filmography is homogeneous and its movies transmit the author-filmmaker's point of view about the existential and moral matters while the individual occupies the central place. How was it possible to produce films focused on the individual in a country where the political class and its collective policy occupied the central place?

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Polanowska, Beata. "Reading philosophy through literature : a study of Stanisław Ignacy Witkiewicz's novels "Farewell to autumn" and "Insatiability" and his metaphysical categories from a perspective of the philosophical work of Søren Kierkegaard." Thesis, University of Derby, 2002. http://hdl.handle.net/10545/208796.

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My thesis develops along several themes. I begin by looking at the relationship between literature and philosophy. I then study Stanislaw Ignacy Witkiewicz's novels Farewell to Autumn and Insatiability, and his metaphysical categories from the perspective ofthe philosophical writing of Soren Kierkegaard. The first theme explores the question of the fusion of literature and philosophy and establishes a theoretical background for the analysis of novels through a philosophical perspective. It also provides an explanation for my choice of the hermeneutic methodology for the analysis I undertake in my thesis. The main aim of my thesis is the analysis of Witkiewicz's novels through the application of Kierkegaardian concepts. Referring to Kierkegaard's philosophy places my analysis in the domain of existentialism. I explore his concept of irony, as introduced in The Concept of Irony, and treat it not merely as a rhetorical figure but as a particular existential stance which accepts that human existence extends beyond the `here and now'. I provide an elaboration ofthe philosophical nature of Kierkegaardian irony when I explore his understanding of existence as being a process of continuous becoming in the quest for knowledge, as portrayed in The Concept of Anxiety. Subsequently, I employ Kierkegaardian philosophical irony in the analysis of Witkiewicz's work. Initially, I refer Kierkegaard's concepts to Witkiewicz's metaphysical categories and by so doing emphasize their existential character. I then employ them in the analysis of Witkiewicz's novels as I treat his narratives as a realisation of existential themes. I study the way the existential nature of Farewell to Autumn and Insatiability is manifested. The model of Kierkegaardian irony enables me to treat Witkiewicz's playfulness as a particular expression of an ironical stance. I study the variety of forms his playfulness takes. I look at the way it has been expressed in the development of his fictional world and through the language and style of the narrative, which together create the overall impression that Witkiewicz's narratives constitute a particular playful communication between the author and reader. I also indicate that this playfulness accompanies, or is an expression of, deep concern for the most fundamental questions about human existence. I indicate the direct and indirect presence of existential reflections in the text. As a result I demonstrate that Witkiewicz's novels constitute a playful, ironical expression of profoundly existential reflections about human existence, and in this way, encompass his own quest for meaning.

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Olucha, Bien Małgorzata. "L'Église et le nationalisme polonais : la fusion ou l'interaction." Paris 8, 2011. http://www.theses.fr/2011PA084103.

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Les relations entre l’Église et le nationalisme sont l'objet des études présentées dans cette thèse. Il s'agit de l’Église catholique dans sa dimension polonaise pas globale. Le nationalisme concerne l'ensemble des sentiments patriotiques et nationaux qui permettent à une nation de se définir ainsi que de se différencier des autres nations. L’Église catholique était présente dans la nation polonaise depuis son baptême en 966 et pendant des siècles la corrélation entre les deux changeait, se transformait en devenant finalement la coexistence spécifique et unique dans son genre. L’Église et la nation polonaise étaient parfois très proches, en se manifestant par la même voix, la même opinion. Parfois cette fusion n'était pas complète, les intérêts mutuels n'étaient pas les mêmes et le nationalisme dans la nation prenait la direction différente de l'avis de l’Église. La thèse a été divisée en trois principales parties. La première partie concerne la naissance du nationalisme polonais contemporain. La renaissance de l’État polonais après la première guerre mondiale en 1918 a complètement changé la façon de voir le nationalisme comme l'idéologie et le nationalisme comme les sentiments formant la nation. Il était nécessaire d'évoquer les principaux représentants du nationalisme polonais ainsi que leur participation à la création de la nation polonaise. Les noms de Roman Dmowski et Józef Piłsudski ont été mentionnés plusieurs fois car ces deux personnages ont fortement influencé le nationalisme et la nation elle-même. La partie concernant la formation de l'idée nationale avant et après la première guerre mondiale était importante car elle expliquait comment la nation privée de son indépendance pendant des décennies a réussi à créer son propre nationalisme qui a laissé les traces dans les esprits intellectuels des Polonais et qui s'est révélé après 1989. Le nom de l'un des nationalistes principaux en Pologne-Roman Dmowski a été comparé également avec l'autre esprit brillant de l'époque- Charles Maurras. La comparaison était nécessaire pour deux raisons: prouver les conditions différentes du nationalisme polonais par rapport au mouvement nationaliste en Europe de l'époque ainsi que montrer les similitudes de deux personnages différents mais souvent très proches. Les personnes qui ont donné aux idées nationalistes de leurs pays une nouvelle voie qui marquera ces pays, chacun à sa manière, pour plusieurs générations. L'étude sur l’Église et le nationalisme polonais ne peut pas être complète sans une large réflexion sur la période socialiste en Pologne entre 1945-1989. Cette époque montre le plus la relation extraordinaire entre les Polonais et le catholicisme. Le socialisme réel en Pologne était pour l’Église et pour la nation, l'épreuve du caractère, de l'identité et de la responsabilité morale. L’Église et derrière elle l'épiscopat, était l'un des personnages principaux des événements qui ont marqué les années 1945-1989. Le caractère du catholicisme polonais ainsi que le rôle qu'il joue dans la société polonaise ont été définis. Les Polonais étaient confrontés à une situation difficile, périlleuse même et ils ont trouvé le moyen pour s'en sortir- leur foi, profondément enracinée dans la culture et dans la tradition du pays. C'est grâce aux personnalités comme le cardinal primat Stefan Wyszyński ou le cardinal Karol Wojtyła (prochain Jean Paul II ) que l’Église polonaise a gardé sa place dans la réalité socialiste, en préservant le fondement moral de la nation. Cependant, l’Église et la Pologne entière ont subit beaucoup de transformations à la suite du changement du système après 1989. Les deux devaient s'accommoder dans le monde nouveau, dans le monde de la démocratie libérale. L’Église et la nation étaient obligées de « se refaire » dans le nouveau système politique, leurs relations devaient être revissées et reconstituées afin de garder l'union qui reliaient les deux. Les difficultés liées avec la transformation du système, le chaos des premières années de la démocratie en Pologne ainsi que les modifications de la mentalité polonaise sont le sujet de la troisième partie de cette thèse. L’Église avant et après 1989 n'est plus la même, la nation n'est plus la même, tout a changé même si, de l'extérieur, rien n'a changé dans le comportement des Polonais à l'égard de l’Église catholique. La religiosité polonaise reste l'une des plus intenses dans le monde mais le rôle de l’Église et du catholicisme a considérablement changé durant vingt dernières années. C'est surtout dans la vie quotidienne des Polonais que les changements sont les plus remarquables. Il ne suffit pas de chercher ce qui a évolué en suivant du près les statistiques concernant la religiosité mais il faut observer ce qui se passe dans la culture, dans les médias pour pouvoir répondre à la question où est-elle aujourd'hui l'union entre l’Église catholique et le nationalisme qui est le reflet de la vie intérieure de la nation. Le travail ici évoqué contient également les statistiques qui ne montrent pas seulement les transformations au sein de la société polonaise mais aussi les facteurs qui influencent les changements dans la perception de la religion chez les Polonais, comme par exemple le métier, l'âge, le lieu d'habitation, etc. Il était souhaitable, selon l'auteur, d'ajouter quelques tableaux historiques représentant de façon évidente la liaison entre les Polonais et leur foi. Ces ouvres ne sont qu'une toute petite partie de l'héritage culturelle de la Pologne, l'héritage où le catholicisme a remarquablement établi sa place. Il y a cependant quelques sujets qui n'ont pas été abordés dans le texte. Il s'agit surtout de problème d'antisémitisme en Pologne avant la deuxième guerre mondiale ainsi que de l'étude approfondie sur le travail de Jean Paul II dans l'établissement de la démocratie en Pologne. En ce qui concerne l'antisémitisme polonais la question est très complexe et très délicate, assez pour pouvoir constituer le sujet principal de la thèse doctorale. Étudier ce problème risquerait de s'éloigner du sujet général de la thèse sans parvenir à l'essentiel de la discussion. Une partie des arguments évoqués ci-dessus concerne aussi la question sur Jean Paul II. De plus, étudier la vie et le travail de quelqu'un comme lui ne serait pas suffisant sans analyse de ses textes ecclésiastiques. Les recherches sous cet angle n'étaient pas essentiels pour le sujet principal de cette thèse et pourraient éventuellement embrumer l'objet autour duquel le texte a été concentré- l’Église et le nationalisme polonais, la relation entre les deux qui oscille entre la fusion et l'interaction
The relationships between Church and Nationalism are the subject of the studies presented in the thesis. We talk about the Roman Catholic Church in its particular dimension. The Nationalism concerns all the patriotic and national feelings which allow a nation to define and distinguish itself from other nations. Roman Catholic Church was part of the Polish nation since its baptism in 966 and, during centuries, the correlation between both evolved to become a specific and unique coexistence. The Church and the Polish nation were sometimes very close, talking with one voice. Sometimes this merger was not complete, the mutual interests were different and the nationalism in the nation took a different direction from that wanted by the Church. The thesis was divided in three main parts: The first part relates to the birth of the contemporary Polish Nation. The revival of Poland after the First World War in 1918 completely modified the way of seeing the nationalism as an ideology and the nationalism as the feelings fashioning the nation. It was necessary to evoke the main representatives of the Polish nationalism as well as their commitment in the creation of the Polish nation. The names of Roman Dmowski and Joseph Pilsudski were mentioned several times as these two characters strongly influenced the nationalism and the nation itself. The part relating to the development of the national idea before and after the first World War was very important because it explains how the nation deprived of its independence during decades succeeded in creating its proper nationalism that left a deep impression behind Polish intellectual minds after 1989. The name of one of the main nationalists in Poland - Roman Dmowski - was compared to the other spirit glittering with the time - Charles Maurras. The comparison was evident for two reasons : point out the differences between the nationalism in Poland compared to the nationalist movement in Europe and insist on the likeness of the two very close characters : people who showed a new way to nationalist ideas in their countries for decades. The study on the Church and the Nationalism may not be completed without a wide reflexion on the socialist era in Poland between 1945 and1989. The Poles and the Catholicism had a very close relationship at that time. For the Church and for the Nation, Socialism in Poland was considered as mind trial, identity and moral responsibility. The Church and behind her the Episcopate was one of the main characters of the events over the years 1945-1989. The character of the polish catholicism together with its role in polish society were defined. At that time Poleswere facing a precarious way of living. However, they found in their faith deeply rooted in the culture and the traditions the way to get out of it. Thanks to Cardinal Stefan Wyszyński or Cardinal Karol Wojtyła (John Paul II ) the Polish Church strengthened its position in the socialist reality by preserving the moral foundation of the nation. However both the Church and the Nation were subject to major transformations following changes in the system after 1989. They had to get together and face the new liberal democracy system while preserving their union. The difficulties bound with the transformation of the system, the chaos of the first years of the democracy in Poland as well as the modifications of the Polish mentality are the subject of the third part of this thesis. The Church before and after 1989 is no more the same. The nation is no more the same. A lot changes occured event if, from the outside, the behavior of the Poles towards the Roman Catholic Church remains the same. The Polish religion is one of the most fervent in the world but the role of the Church and the Catholicism considerably changed during the last twenty years. The changes are more remarkable in the Polish way of life. It is not enough to look at what evolved by following the statistics concerning religiosity but it is necessary to observe what happens in the culture, in the media to be able to answer the question: where is the union between the Roman Catholic Church and the Nationalism today? The Thesis also contains statistics that show not only the processing within the Polish society but also the factors which influence the changes in the perception of the religion at the Poles, as for example, the job, the age, the place of living, etc… According to the author, it was preferable to add some historic boards representing in an evident way the connection between the Poles and their faith. These works only represent a small part of the inheritance of Poland, inheritance where the Catholicism outstandingly established its position. Some subjects were not approached in the text. It concerns problems of antisemitism in Poland before the Second World War and the study of the role of John- Paul II in the establishment of democracy in Poland. For what concerns the Polish anti-semitism, the question is somehow complex and very tough, far enough not to constitute the main subject of the doctoral thesis. To carry out the study would risk to go away from the general subject of the thesis and fail to reach the heart of the discussion. Some of the arguments mentioned above concern John-Paul II. Studying the life and the work of such a character is useful if you don’t make an analysis of his ecclesiastical texts. The researches were not essential for the main subject of the thesis and could have cloud the object over which the text was concentrated – the Church and the Polish Nationalism, the relation between both which oscillates between merger and interaction

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Baquerizo, Barrios Deborah. "Bruno Schulz y Stanislav Witkiewicz : influencias en el teatro de Tadeusz Kantor." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2020. http://hdl.handle.net/20.500.12404/17482.

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El tema de esta tesis aborda el estudio de las influencias plásticas y literarias de Bruno Schulz y Stanislav Witkiewicz en el teatro de Tadeusz Kantor, específicamente utilizando la obra Wielopole Wielopole como ejemplo de estas. Se concluye en la imagen de Kantor como paradigma de creador escénico en tanto que repotencia las influencias para crear un lenguaje propio y autónomo. Los puntos que se analizarán son el abordaje del happening como medio de creación de la obra teatral, el lenguaje que propone Kantor a partir de la pintura y su búsqueda por la creación de objetos y personajes autónomos; la Teoría de la Forma Pura que plantea Witkiewicz para la desvinculación del naturalismo en las obras plásticas y dramáticas junto con su carga metafísica y la mitificación de la infancia que propone Schulz, por medio de sus cuentos, como herramienta creadora. Varios de los estudios sobre el director han sido abordados desde campos de la semiótica, filosofía y filología, por lo que esta investigación se ubica desde una nueva perspectiva para mostrar un análisis a partir de la postura de una actriz formada. Así es que esta investigación resulta ser una reflexión sobre la creación de un lenguaje en particular, en tanto que es un ejemplo para los jóvenes artistas responsables del crecimiento del campo teatral limeño en la actualidad.
Tesis

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42

Grajciar, Marek. "Tri podoby Solarisu." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-264782.

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Diploma thesis deals with three forms of Solaris. Specifically with novel by Stanislaw Lem, a film adaptation of Andrei Tarkovsky and the second film adaptation of Steven Soderbergh. The aim of this work is comparison of individual authors practices that led to different semantic tone. Thesis analyzes six basic aspects of individual works: basis, genre, semantic structure, syntactic structure - a dramatic structure, characters and space-time.

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Leach, Martin. ""Even the thing I am ..." : Tadeusz Kantor and the poetics of being." Thesis, De Montfort University, 2012. http://hdl.handle.net/2086/7332.

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This thesis explores ways in which the reality of Kantor’s existence at a key moment in occupied Kraków may be read as directly informing the genesis and development of his artistic strategies. It argues for a particular ontological understanding of human being that resonates strongly with that implied by Kantor in his work and writings. Most approaches to Kantor have either operated from within a native perspective that assumes familiarity with Polish culture and its influences, or, from an Anglo-American theatre-history perspective that has tended to focus on his larger-scale performance work. This has meant that contextual factors informing Kantor’s work as a whole, including his happenings, paintings, and writings, as well as his theatrical works, have remained under-explored. The thesis takes a Heideggerian-hermeneutic approach that foregrounds biographical, cultural and aesthetic contexts specific to Kantor, but seemingly alien to Anglo-American experience. Kantor’s work is approached from Heideggerian and post-Heideggerian perspectives that read the work as a world-forming response to these contexts. Read in this way, key writings, art and performance works by Kantor are revealed to be explorations of existence and human being. Traditional ontological distinctions between process and product, painting and performance, are problematised through the critique of representation that these works and working practices propose. Kantor is revealed as a metaphysical artist whose work stands as a testament to a Heideggerian view of human being as a ‘positive negative’: a ‘placeholder of nothing’, but a ‘nothing’ that yet ‘is’ …

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Picot, Jean-Pierre. "Contribution à une étude de l'imaginaire chez quelques écrivains des XIXe et XXe siècles." Clermont-Ferrand 2, 1988. http://www.theses.fr/1988CLF20012.

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Autour des voyages extraordinaires de jules verne, cette contribution envisage un corpus dont la coherence se veut d'ordre psycho-thematique : le voyage comme exploration de la mort, et l'ecriture comme voyage fantasmatique. Des lors, le voyage n'est plus seulement le reve d'epuiser les ressources de la mappemonde, mais aussi un reve d'utopies : utopies de l'ailleurs, de l'amour, du futur, d'un accord nature-societe-utopies qui se voient contraintes, devant les ingerences du siecle, a l'exorcisme paradoxal que constituent les diverses contre-utopies : mal moral explore par le recit policier ou le recit fantastique, souvent associes ; mal politique envisage tant en fonction des blocages imposes au desir, que des trop reelles oppressions d'une histoire titubant a l'aveuglette- tandis que la science-fiction tente d'y voir clair dans la stochastique du futur. D'ou la dilection de notre travail pour les differentes formes de la litterature des limites, celle qui, sachant que le monde n'est que notre representation, se soucie peu des normes d'un pseudo-realisme reducteur. Merveilleux, fantastique, science-fiction, utopie et contre-utopie, poesie et exploration du mal sont donc autant de manieres de dire, non pas l'absurdite, mais le sens infini du monde. Que la transcendance debute par l'ecrit, tel fut peut-etre, du premier au dernier de ces textes, notre fil conducteur
This thesis is a corpus centred round jules verne's voyages extraordinaires and its coherence is meant to be psychothematic : travelling is seen as an exploration of death, and writing as an imaginary journey. Thus, travelling is not merely a dream of exhausting what a map of the world may offer, but also a dream of utopias : the utopias of the extraneous, of love, of the future, of a harmony between nature and society - such utopias are forced into the para- doxical exorcism which the various counter-utopias have formed: a moral evil explored by detective of fantastic narratives, a political evil seen as a repre- hension of desires and as the oppression inflicted by history- meanwhile science-fiction tries to see through a hazardous future. Hence our preference for the various aspects of the literature of limits, which, aware that the world is only our weltanschaaumg, is quite heedless of the rules of a reducing pseudo-realism. Therefore, the wonderful, the fantastic, science-fiction, utopias and counter-utopias, poetry and the exploration of death are as many ways of expressing not the preposterousness but the infinite significance of the world. Let transcendency begin with writing, such was, perhaps, our clew, from the first to the last of these texts

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Jonáková, Ivana. "Dekorativní plastika Stanislava Suchardy." Master's thesis, 2006. http://www.nusl.cz/ntk/nusl-269589.

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The Czech Art Nouveau sculpture is represented by several1eading tigures, most of them graduates from the Specialist School of Figural Sculpture of .Josef Václav Myslbek, among wmch Stanislav Sucharda ranks. He is well known mainly thanks torus monument of the Czech historian František Palacký in Prague and to a large nuruber oť plaques aM medals. Ris works from the sphere of architectural sculpture wruch are decoratíng many newly-constructed prague buildings remain unnoticed. He specialized in the decorative sculpture since he wasa student andall his works were immediately favourably received. He collaborated with many renowned architects during Ws life.The mostintensiveand inspiring was ms partnership wiw the architect Jan Kotěra in hlseatly Art Nouveau period. This study dea1s with the questions concemlng decorative sculpture and Hs role in the period buildlng practice, as wen as the intluence of The Sch001 of Applled Aru and its teachers on architects and sculptotSand the approa,ch of publle anderitique including the arehiteets and sculptors themselves to this theme. The mam task is to make up a listot Sucharda's decorative sculptures created for new public buí1díngs, private villas, bridges, fountaines, temporary exhibition pavilions and others. Stanislav Sucharda (1866-1916) wasbornin Nová Paka in a...

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BUCEK, Jakub. "Pedagogické působení Stanislava Libenského na pozadí jeho tvůrčí činnosti." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-381085.

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This practical-theoretic diploma thesis deals with a glass artist and a schoolmaster Stanislav Libenský. He taught students in every grade of glass education however the subject matter of this thesis is his work in tertiary education at Academy of Arts, Architecture & Design in Prague according to the historical context. The practical part of the thesis comprises a melted and cut glass sculpture called Kontakty (Touches) which is realized according to findings in theoretical part of the thesis.

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Květina, Jan. "Republikánský mýtus polské aristokracie: Raně novověké pojetí politické identity Stanisława Orzechowského a Andrzeje Frycze Modrzewského." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-374920.

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As the main research interest of this study one is able to highlight the issue of early- modern political thought, whose patterns have been analysed as protomodern grounds within the formative process of national identity. The thesis is based on the assumption that the political discourse of Polish aristocracy can be read as a specific part of European republicanism. Republican attributes are thus supposed to have stood for an essential core of Polish political culture at that time; core that was widely accepted by different political writers irrespective of their ideological distinctions. Hence, the study aims to prove that one is able to find the grounds of Polish "national" self-identification neither in ethnical nor in strict class traits, because concerning the question of identity, there was a crucial concept of a republic, closely linked to the peculiar values of liberty, equality and common good, which played a decisive role. In this regard, the thesis contradicts the traditional categories of Sarmatism or Sonderweg and instead of them, it introduces the concept of republican triangle as the hypothesis that is able to identify interdependence between political thought of that time and the image of Polish noble identity. Regarding methodological approaches, the study is based on the...

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Gąsiorek, Stanisława [Verfasser]. "Solid phase epitaxial regrowth of alkali ion irradiated α-quartz [alpha-quartz] / vorgelegt von Stanisława Ga̧siorek." 2004. http://d-nb.info/970906064/34.

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Fröhlich, Marceli Stanislaw [Verfasser]. "Funktionen molekularer Chaperone in der Qualitätskontrolle zytosolischer Proteine / vorgelegt von Marceli Stanislaw Fröhlich." 2005. http://d-nb.info/976539926/34.

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Van, der Linde G. P. L. (Gerhardus Philippus Leonardus). "Cognitive rationality and indeterminism in the contemporary detective novel, with special reference to the work of Umberto Eco, Carlo Emilio Gadda and Stanislaw Lem." Thesis, 1994. http://hdl.handle.net/10500/16256.

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The study examines cognitive rationality as to()l for problemsolving within the context of a movement from determinism and monolithic universal Reason towards indeterminism and plurality. It is contended that theories of literature do not provide an adequate conceptual framework, and therefore, extensive use is made of pluralist fallibilism (Popper, Helmut Spinner) and chaos theory. The philosophy of Friedrich Nietzsche is viewed as a decisive influence in the shift towards plurality and scepticism. In chapter 2, Conan Doyle's Sherlock Holmes stories, a novel by Agatha Christie and Gaston Leroux's Le mystere de Ia chambre jaune are discussed as examples of optimistic rationalism. Chapter 3 indicates that Eco's II nome della rosa emphasizes the conjectural nature of truth and objective knowledge, underpinned by a 'soft' rationalism which amounts to monopolistic pluralism. Chapter 4 analyses the defeat of cognitive rationality by the complex interaction of a multiplicity of independent causal series. The detectives' relationship with the feminine exemplifies the interpenetration of rationality and the instinctual, while the mystery of the feminine is a metaphor for impenetrable complexity. Chapter 5 shows that hypotheses concerning random complex systems remain inconclusive. However, as the trajectory of a complex system can be regulated, so reason can be viewed as the underlying regulative pattern (strange attractorl for an infinite proliferation of hypotheses. Thus, despite .shifting conceptions of rationality and order, all the detectives in the study accept objective truth as regulative principle and are involved in a search for objective knowledge
Afrikaans & Theory of Literature
D.Litt. et Phil. (Theory of literature)

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