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Journal articles on the topic 'Stanislaus Kostka'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Kućko, Wojciech. "Ways of shaping love for God and people and historical memory during the Year of St. Stanislaus Kostka." Kwartalnik Naukowy Fides et Ratio 49, no. 1 (2022): 31–40. http://dx.doi.org/10.34766/fetr.v49i1.1063.

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The aim of the article is to show the many various ways in which the Year of St. Stanislaus Kostka, announced in 2018 on the occasion of the 450th anniversary of his death, was celebrated, and how were the ways of shaping love for God and people during that time. The article presents a review of the most important facts about the main jubilee celebrations in Poland and abroad which were also possibilities to build the historical memory. The year of St. Stanislaus Kostka was part of a long tradition of celebrations marking the anniversaries of this patron saint of Poland, held since the year of

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2

Liškevičienė, Jolita. "The Artistic Designe of the Kražiai Jesuit Manuscript of 1695: From an Ornament to a Map." Senoji Lietuvos literatūra 39 (May 22, 2015): 81–113. https://doi.org/10.51554/sll.2015.29084.

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The paper deals with the artistic design of a well-preserved manuscript that was written in 1695 during a Jesuit course of rhetoric studies in Kražiai and is kept at the Czartoryski Library in Cracow. The author gives a concise description of the ornaments of the manuscript, the peculiarities of calligraphy, the process of the emblem design, and the sequence of the teaching of rhetoric. Emphasis is laid on the exaction of the teacher Petras Puzina, his attention to the style of both the word and the text, and the language of images. A brief review is made of the literature published in Lithuan

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3

Dzik, Janina. "Dekoracja okazjonalna (1715) w kościele Jezuitów w Lublinie. Ze studiów nad ikonografią św. Stanisława Kostki." Roczniki Humanistyczne 67, no. 4 (2019): 45. http://dx.doi.org/10.18290/rh.2019.67.4-2.

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Lublin, a city that is the seat of the Crown Tribunal, was one of the centers where St. Stanislaus Kostka was especially venerated. The main center of worship was the former Jesuit church of the St. John the Baptist and St. John the Evangelist (the present cathedral), where the miraculous image of the young man was kept.The discovery of the note in the hand-written chronicle of the Romanum Societatis Jesu Archives reminds us of the occasional decoration of the Jesuit church during ceremonies connected with the announcement of the canonization of Stanislaus Kostka in 1715. The expanded multifac

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4

Buszewicz, Elwira. "Ognista miłość. Oda Macieja Kazimierza Sarbiewskiego do Świętego Stanisława Kostki." Terminus 23, no. 1 (58) (2021): 55–80. http://dx.doi.org/10.4467/20843844te.21.003.13262.

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Fiery Love: Maciej Kazimierz Sarbiewski’s Ode to Saint Stanislaus Kostka The objective of the article is to provide background for the reading of a new annotated bilingual edition of Maciej Kazimierz Sarbiewski’s ode to Saint Stanislaus Kostka. Written in 1638, when Kostka had not yet been canonized, the ode was published posthumously, many years after the poet’s death. First, the origins of the poem are presented, including the suggestions advanced by Stanisław Łubieński, the bishop of Płock, that Sarbiewski should create odes worshipping Polish saints. Other texts devoted to the venerable yo

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5

Głębocki, Zdzisław. "Defending Polish Roman-Catholic Parishes in the Springfield, Massachusetts Diocese. Case study of two parishes: Stanislaus Kostka in Adams and Immaculate Conception in Indian Orchard." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 46, no. 1 (2020): 285–308. http://dx.doi.org/10.36770/bp.431.

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The article outlines the conflict between the Roman-Catholic hierarchy and parishioners of two Polish churches in the Diocese of Springfield, Massachusetts: St. Stanislaus Kostka in Adams (established in 1902) and Immaculate Conception in Indian Orchard (established in 1904) who have opposed the decisions of the Bishop and subsequently have overturned them. The article traces its phases, investigates the historical and social contexts of the controversy, and attempts to diagnose the future of Polish Roman-Catholic parishes in the United States.

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6

Pawlikowska-Piechotka, Anna, Anna Ostrowska-Tryzno, and Karolina Gołębieska. "Urban Pilgrims Tourism – Local Community And Visitors Perspective (St. Stanislaus Kostka Sanctuary In Warsaw)." Ekonomiczne Problemy Turystyki 40 (2017): 93–101. http://dx.doi.org/10.18276/ept.2017.4.40-08.

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7

Sosnowska, Joanna. "Dzieci porzucone w Miejskim Domu Wychowawczym dla Niemowląt w Łodzi w latach międzywojennych." Studia Historica Gedanensia 15, no. 1 (2024): 198–223. https://doi.org/10.4467/23916001hg.24.010.19525.

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The origins of the Municipal Educational Home, opened in Łodź in 1920, date back to the period of World War I, when many social and charitable organizations, as well as private individuals, provided material and health‑related support to the youngest residents of Łodź. These efforts included the establishment of the Shelter for Foundlings, referred to as the “Nursery,” which provided care for babies and older children. It was founded at the end of 1914 by the St. Stanislaus Kostka Shelters Society (Towarzystwo Schronisk św. Stanisława Kostki), operating within one of the Roman Catholic parishe

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8

Porteman, Karel. "De “Eelsten der Polacken”. Op zoek naar Stanislas Kostka in de Zuid-Nederlandse literatuur van de zeventiende eeuw." Neerlandica Wratislaviensia 33 (November 17, 2022): 55–72. http://dx.doi.org/10.19195/0860-0716.33.5.

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This essay provides a first comprehensive overview of the presence of the Polish saint Stanislas Kostka (1550–1568) in the Dutch-language literature from the Southern Netherlands of the 17th century. The frequent stressing of his Polish origins serves to make the venerated Jesuit novice look like a miraculous denial of the patterns of thought of the time about the relationship between the location of countries and the nature of their inhabitants. Although the first biography of the young Jesuit hero in Dutch appeared rather late, many a song about him is included in catholic songbooks in Dutch

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9

Kvizikevičiūtė, Milda. "Reflections of the Age of Enlightenment in Eighteenth-Century Travel Writing of Lithuanian Jesuits." Senoji Lietuvos literatūra 49 (June 2, 2020): 174–96. https://doi.org/10.51554/sll.2020.28744.

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The history of travel is becoming increasingly attractive to cultural historians. Although the number of studies is growing, insufficient attention has so far been paid to travel writings within particular social groups. The aim of the paper is to present insufficiently researched examples of eighteenth-century travel writings by Lithuanian Jesuits, in which they relate of their journeys in Western Europe, and to discuss them against the overall context of travel writing of the Grand Duchy of Lithuania in the Age of Enlightenment. With his aim in mind, in this paper the author compares travel

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10

Wróbel-Lipowa, Krystyna. "Model wychowania w rodzinie ziemiańskiej w pierwszej połowie XIX wieku na przykładzie domu Stanisława Kostki Zamoyskiego i jego córki Celiny Działyńskiej." Biuletyn Historii Wychowania, no. 30 (February 8, 2019): 55–64. http://dx.doi.org/10.14746/bhw.2013.30.4.

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Upbringing of children in aristocratic families in the first half of the 19th century, based on Stanislaw Kostka Zamoyski and his daughter Celina DziałyńskiUpbringing and education was a matter of great importance among the Polish landed gentry. The education of male descendants was particularly essential, because they were expected to hold important office, increase the family’s wealth and possessions and become a source of pride to the family in the future. According to Stanislaw Kostka Zamoyski XII, Majoratsherr in Zamość, the family home set the best example of upbringing to the younger fa

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11

Levy, Evonne. "Reproduction in the "Cultic Era" of Art: Pierre Legros's Statue of Stanislas Kostka." Representations 58, no. 1 (1997): 88–114. http://dx.doi.org/10.1525/rep.1997.58.1.99p0008g.

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12

Levy, Evonne. "Reproduction in the "Cultic Era" of Art: Pierre Legros's Statue of Stanislas Kostka." Representations 58 (1997): 88–114. http://dx.doi.org/10.2307/2928824.

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13

Turek, Waldemar. "Le Lettere dei sovrani della Polonia ai Papi circa la canonizzazione del beato Stanislao Kostka." Studia Bobolanum 33, no. 2 (2021): 91–113. http://dx.doi.org/10.30439/2021.2.5.

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Autor prezentuje w języku oryginalnym łacińskim (z pierwszym tłumaczeniem na język włoski) bądź włoskim cztery listy, dotychczas nieznane, władców Polski z XVII w. – królowej Ludwiki Marii Gonzagi i królów Jana Kazimierza Wazy, Michała Korybuta Wiśniowieckiego i Jana III Sobieskiego – napisane do papieży, zgodnie ze zwyczajem tamtej epoki, w odniesieniu do upraszanej kanonizacji błogosławionego Stanisława Kostki, jezuity. Dokumenty te, odnalezione kilka lat temu w archiwum Kongregacji do Spraw Świętych, są analizowane na płaszczyźnie historycznej, filologicznej i doktrynalnej z uwzględnieniem

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14

Lisicka, Małgorzata. "Iluzja, wizje i maskarada w rozrywkach polskich oświeconych na przykładzie komedioopery Stanisława Kostki Potockiego i pamiętnika Anny Potockiej [Małgorzata Lisicka An Illusion, Visions, and a Masquerade in the Entertainments of Polish People of the Enlightenment on the Example of Comic Opera by Stanislaw Kostka Potocki and Anna Potocki's Diary]." Napis XX (2014) (December 31, 2014): 11–28. https://doi.org/10.18318/napis.2014.1.2.

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The article presents the use of illusion and vision in the literature and culture of the Enlightenment on the example of the play <em>Umarły żyjący, czyli Diabeł Włoski</em> [‘Living Dead or the Italian Devil’] by Stanislaw Kostka Potocki, and the first volume of the <em>Diary</em> by Anna Potocka from Tyszkiewicz family. It analyses special effects used in the theatre and described in these texts, as well as their motives present in the character of an astrologer and illuminatus inspired by the person of Alessandro Cagliostro. The phenomena of the masquerade and mystification show

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15

Druzdiev, Oleg. "Sources for the history of Saints Peter and Paul Garrison Church (the former Jesuit Church) discovered in the funds of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv." NaUKMA Research Papers. History 4 (December 1, 2021): 91–95. http://dx.doi.org/10.18523/2617-3417.2021.4.91-95.

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   The article analyzes the sources on the history of Saints Peter and Paul Garrison Church (the former Jesuit Church) discovered in the funds of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv. In particular, the documents that are of practical importance for the process of church revitalization as the building remained closed from 1946 until 2011 are distinguished. The significant corpus of sources concerning the church history is the archive of Vasyl Stefanyk National Scientific Library of Ukraine in Lviv, the depository of which was located in the church unt

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16

Kulig, Jacek. "Niezrealizowane organy Józefa Sitarskiego w katedrze na Wawelu." Pro Musica Sacra 9 (December 14, 2011): 77–88. https://doi.org/10.15633/pms.906.

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L’articolo parla di un piccolo episodio nella storia della Cattedrale di Wawel, quando nella meta del XVIII secolo, gli amministratori della cattedrale e gli architetti Hanno cercato di arricchire l’interno della chiesa secondo lo stile del tardo barocco di quel tempo. A questi investimenti era favorevole il vescovo ordinario di Cracovia, Stanislaw Kostka Załuski. La supervisione dei lavori e stata affidata al sacerdote, canonico dott. Jacek Łopacki, che per molti anni ha vissuto a Roma, e ha avuto l’opportunita di ammirare le grandi opere di famosi artisti dell’eta barocca. Nell’ambito dei pr

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17

Tomić, Radoslav. "Petar Mattei." Ars Adriatica 13 (February 20, 2024): 129–40. http://dx.doi.org/10.15291/ars.4341.

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Autor istražuje djelatnost dubrovačkog slikara Petra Matteija (Dubrovnik, 1670. – 1726.) koji je u prvim desetljećima 18. stoljeća ostvario važan opus u katedrali Uznesenja Blažene Djevice Marije i crkvi Sv. Vlaha. Pokušavaju se prepoznati utjecaji koje su na slikara ostavili talijanski majstori poput Guida Renija, Carla Marattija i Luke Giordana te prepoznati neuočena slikarova djela na području Dubrovačke Republike. Temeljeći svoje prijedloge na morelijanskim motivima i stilskoj analizi, autor predlaže da se u Matteijev katalog uključe sljedeće slike: 1. Poklonstvo kraljeva, Dubrovnik, Bisku

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18

Petrash, Andrii. "Missionary activities of the Society of Jesus in Stanyslaviv (1883-1914)." Scientific Papers of the Kamianets-Podilskyi National Ivan Ohiienko University. History, no. 38 (January 12, 2023): 125–37. http://dx.doi.org/10.32626/2309-2254.2022-38.125-137.

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The purpose of the research is to highlight, on the basis of documents from the archives of the Society of Jesus and periodicals of the time, the missionary activity of the order in Stanyslaviv from 1883 until the beginning of the First World War. In addition, to analyze the social work of the Society of Jesus, particularly the latter’s establishment of religious societies and Marian sodalities. Th e research methodology. Th e article uses general scientifi c methods, particularly the analysis, and synthesis of various sources, induction, and deduction. Th e principles of historicism, objectiv

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19

Vasic, Aleksandar. "Serbian Literary Magazine and avant-garde music." Muzikologija, no. 5 (2005): 289–306. http://dx.doi.org/10.2298/muz0505289v.

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One of the most excellent periodicals in the history of Serbian literature Serbian Literary Magazine (1901-1914, 1920-1941), also played an exceptionally important part in the history of Serbian music criticism and essay literature. During the period of 35 years, SLM had released nearly 800 articles about music. Majority of that number belongs to the music criticism, but there are also studies and essays about music ethno musicological treatises, polemics, obituary notices, as well as many ample and diverse notes. SLM was published during the time when Serbian society, culture and art were inf

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20

Vasic, Aleksandar. "'The Music Herald' 1922: A esthetical and ideological aspects." Muzikologija, no. 9 (2009): 97–111. http://dx.doi.org/10.2298/muz0909097v.

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The Music Herald was the first music magazine to appear in Belgrade after WWI. It was published monthly, for a year (January - December 1922). Its editor-in-chief was Petar Krstic, a composer. Other members of the editorial staff were Bozidar Joksimovic, Stevan Hristic, Kosta Manojlovic (composers) Vladimir R. Djordjevic (an ethnomusicologist) and Jovan Zorko (a violinist). Over 200 articles were published in the magazine. It dealt with different genres of music writings, such as articles, treatises, documents on the history of Serbian / Yugoslav music, music criticism, polemics, necrologies a

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21

Ruiz, Jiménez Juan. "Misa en la catedral y procesión general en la fiesta de la canonización de San Luis Gonzaga y San Estanislao Kostka en Salamanca (1727)." Paisajes sonoros históricos (c.1200-c.1800), December 15, 2023. https://doi.org/10.5281/zenodo.10393086.

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El día 6 de julio de 1727, se iniciaron los festejos para celebrar la canonización de San Luis Gonzaga y San Estanislao Kostka en Salamanca. Tras el traslado matutino de los santos jesuitas a la catedral, se oficio una misa solemne y, por la tarde, tuvo lugar una procesión general con la que esos santos se devolvían a la iglesia de la Compañía de Jesús. On July 6, 1727, the festivities began to celebrate the canonization of St. Aloysius Gonzaga and San Stanislaus Kostka in Salamanca. After the morning transfer of the Jesuit saints to the cathedral, a solemn mass was held and, in the afternoon,

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22

Janonienė, Rūta. "New Findings about the History of the Church of Riešė." Menotyra 1, no. 29 (2022). http://dx.doi.org/10.6001/menotyra.v1i29.4690.

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The present church of St Stanislaus the Bishop in Riešė (Pol., Rzesza) was built in the first half of the twentieth century, but its history reaches the fifteenth century. In those years, there were several wooden Catholic churches or chapels in the area of Riešė. The article describes the history of the Church of the Name of the Blessed Virgin Mary, which was built in 1790 in the territory of the manor of Didžioji Riešė. Only some details have been mentioned in scholarly literature so far. The church, which was built on private property, actually belonged to the parish of the Dominicans of Ve

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23

Ruiz, Jiménez Juan. "Preparación de la fiesta de canonización de San Luis Gonzaga y San Estanislao de Kostka en Salamanca (1727)." Paisajes sonoros históricos (c.1200-c.1800), December 15, 2023. https://doi.org/10.5281/zenodo.10393088.

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En diciembre de 1726, el papa Benedicto XIII elevaba a los altares a los jesuitas Luis Gonzaga y Estanislao Kostka. En Salamanca, la Compañía de Jesús preparó minuciosamente los festejos con el adorno de la iglesia, el colegio y los santos. Para la procesión general, diferentes agentes se encargaron de la elaboración de los altares efímeros en la calle y de la ornamentación del recorrido. Las procesiones de traslado de los santos y la vocación desde las torres de la iglesia de la Compañía y desde la catedral preludiaron el inicio de los festejos. In December 1726, Pope Benedict XIII raised the

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24

Turek, Waldemar. "Le Lettere dei sovrani della Polonia ai Papi circa la canonizzazione del beato Stanislao Kostka." December 31, 2021. https://doi.org/10.30439/2021.2.5.

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Autor prezentuje w języku oryginalnym łacińskim (z pierwszym tłumaczeniem na język włoski) bądź włoskim cztery listy, dotychczas nieznane, władców Polski z XVII w. – królowej Ludwiki Marii Gonzagi i królów Jana Kazimierza Wazy, Michała Korybuta Wiśniowieckiego i Jana III Sobieskiego – napisane do papieży, zgodnie ze zwyczajem tamtej epoki, w odniesieniu do upraszanej kanonizacji błogosławionego Stanisława Kostki, jezuity. Dokumenty te, odnalezione kilka lat temu w archiwum Kongregacji do Spraw Świętych, są analizowane na płaszczyźnie historycznej, filologicznej i doktrynalnej z uwzględnieniem

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25

"LIFE - DEATH CONTRAST IN FICTIONAL "BODY-SUBJECT APPROACH" AND OTHER VIRTUAL REALITY." Ulakbilge Dergisi 7, no. 35 (2019). http://dx.doi.org/10.7816/ulakbilge-08-35-03.

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This study explains the life-death contrast and other virtual reality concepts through art works in two fundamental problems. In the first stage, a descriptive analysis of the arts of Baroque, Performance and Media, expression of the works included in the study, as well as the life – death contrast was made and interpreted. In the second stage, the other virtual reality approach has been described as an artistic expression of the feminist art, place of women in the history of art and women artists who want to bring down the male-dominant sense of art. Within the context of this description, th

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