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Books on the topic 'Star Plots'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Consult the top 40 books for your research on the topic 'Star Plots.'

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1

Jim, Piazza, ed. Four-star movies: The 101 greatest films of all time. Black Dog & Leventhal Publishers, 2003.

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2

Voyages of imagination: The Star Trek fiction companion. Pocket Books, 2006.

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3

Packard, Edward. Roller Star: Choose Your Own Adventure #136. Bantam, 1993.

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4

Keep, Linda Lowery. The star snatchers. TSR, 1985.

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5

Les plats fricassés. Company's Coming Pub., 2000.

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6

Tracey, West. Star reporter. Grosset & Dunlap, 2009.

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7

McVey, R. Parker. The missing rock star caper. Troll Associates, 1985.

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8

Plot & structure: Techniques and exercises for crafting a plot that grips readers from start to finish. Writer's Digest Books, 2004.

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9

Götlind, Anna. Förbindelser: Fem Leksandskvinnor i Gamla stan : plats, arbete och resande under 200 år. Stockholmia förlag, 2013.

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10

Romani, Cinzia. Tainted goddesses: Female film stars of the Third Reich. Sarpedon, 1992.

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11

Romani, Cinzia. Tainted goddesses: Female film stars of the Third Reich. Gremese, 2001.

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12

Tracey, West. Star Wars: The Lost Legion: The Clone Wars: Decide Your Destiny. Grosset & Dunlap, 2009.

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13

Star Wars: The Way of the Jedi: Decide Your Destiny. Grosset & Dunlap, 2008.

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14

Romani, Cinzia. Tainted goddesses: Female film stars of the Thirs Reich. -2nd ed. Gremese, 2001.

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15

Ayers, Jeff. Voyages of Imagination: The Star Trek Fiction Companion (Star Trek). Star Trek, 2006.

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16

The Evil Plot (Near-Star Planets Series). High Noon Books, 1998.

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17

Schwadron, Hannah. Punk Porn Princess Joanna Angel and the Rise of Jewess Raunch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190624194.003.0006.

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This chapter transitions from mainstream film to the adult film industry, highlighting the punk porn and XXX parody of popular Jewish porn star and director Joanna Angel. As Angel leads an altporn phenomenon, she exemplifies the salability of the Sexy Jewess who sells sex outright. Her Burning Angel brand of Jewish joke-work builds on the emboldened platforms of neoburlesque striptease while nodding to the ironic suggestion of sex in mainstream comedy and its horrible sin when seen in Hollywood plots. Powered by their success as hard-core sex, Angel’s performances play with the liberatory pote

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18

Star Wars: Total Destruction: Missions #20. Scholastic, 1999.

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19

Pennington, Rod. The Star Wars Plot (Devon's Way, No 3). Critics Choice Paperbacks, 1989.

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20

Track Star. Chooseco, 2009.

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21

Star Trek: Phaser Fight (Which Way, No 24). Simon Spotlight Entertainment, 1986.

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22

Dk Publishing. LEGO Star Wars Choose Your Path. Dorling Kindersley Publishing, Incorporated, 2018.

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23

Wagnalls, Mabel. Stars of the Opera: A Description of Twelve Operas. Library Reprints, 2001.

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24

Rogue Squad to the Rescue (Star Wars Missions, Volume 18). Scholastic, 1999.

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25

(Editor), Linda K. Fuller, ed. Beyond the Stars II: Plot Conventions in American Popular Film (Beyond the Stars). Bowling Green State Univ Popular Pr, 1991.

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26

James, Karen. On Purpose: Why Great Leaders Start with the PLOT. Wiley & Sons, Incorporated, John, 2015.

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27

James, Karen. On Purpose: Why Great Leaders Start with the PLOT. Wiley & Sons, Incorporated, John, 2015.

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28

Wagnalls, Mabel. Stars Of The Opera: A Description Of Operas And A Series Of Personal Interviews. Kessinger Publishing, LLC, 2007.

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29

Wagnalls, Mabel. Stars Of The Opera: A Description Of Operas And A Series Of Personal Interviews. Kessinger Publishing, LLC, 2006.

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30

Loukides, Paul. Beyond the Stars Two: Plot Conventions in American Popular Film. Bowling Green University Popular Press, 1991.

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31

Denning, Troy. Combat Command: In the World of Keith Laumer's Star Colony, the Omega Rebellion. Ace Books, 1987.

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32

Smith, Jad. Parallel Worlds. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037337.003.0001.

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This introductory chapter discusses the metaphor of parallel worlds as it relates to the work of John Brunner. Brunner once observed that while we all inhabit the same world, we live in and among parallel worlds. He believed that a good science-fiction writer should cultivate awareness of parallel forms of experience and open up vistas onto the future that make readers more mindful of them. In keeping with this view, he developed plots with an eye toward the possible interplay of parallel worlds, imagining zones of contact as native to human experience as the tense friendship of the WASP and “

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33

Shannon, Lorelei, Alan M. Clark, and Stephen C. Merritt. The Blood of Father Time: The Mystic Clan's Grand Plot (Five Star Science Fiction and Fantasy Series) (Five Star Science Fiction and Fantasy Series) (Five Star Science Fiction and Fantasy Series). Five Star, 2007.

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34

Petersen, Christina. “The Most Assassinated Woman in the World”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037689.003.0005.

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This chapter examines the evocation of Pearl White's star persona by avant-garde theorists and filmmakers ranging from Sergei Eisenstein to surrealist Robert Desnos. The avant-garde's reactions to White fall largely along movement lines. At once the embodiment of a low-culture narrative mode and a spectacular star object who transcended any particular plot line, White's pejorative status as “the most assassinated woman in the world” may have been more revealing than Jean Epstein originally intended. Whereas Epstein decried White's constant near-death experiences and numerous last-minute escape

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35

Banfield, Stephen. English Musical Comedy, 1890–1924. Edited by Robert Gordon and Olaf Jubin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988747.013.4.

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Musical comedy in London’s West End theatres during and on either side of the Edwardian period is reassessed against the traditional narrative of period obsolescence and Americanization. This is done through close readings of audience capacity and demographics, musical economics, musical topics, script and lyric writing (including humour), standard plots, performance practice, and opulent production values. The genre’s celebration of modernity and investment not only in the British Empire but also in its own merchandise and afterlife of amateur productions is analysed. Special reference is mad

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36

Scott, Walter. Ivanhoe. Edited by Ian Duncan. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199538409.001.0001.

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More than a century after the Norman Conquest, England remains a colony of foreign warlords. The dissolute Prince John plots to seize his brother’s crown, his barons terrorize the country, and the mysterious outlaw Robin Hood haunts the ancient greenwood. The secret return of King Richard and the disinherited Saxon knight, Ivanhoe, heralds the start of a splendid and tumultuous romance, featuring the tournament at Ashby-de-la-Zouche, the siege of Torquilstone, and the clash of wills between the wicked Templar Bois-Guilbert and the sublime Jewess Rebecca. In Ivanhoe Scott fashioned an imperial

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37

Webber, Jonathan. Why Xavière is a Threat to Françoise. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198735908.003.0004.

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This chapter argues that Simone de Beauvoir’s first publication, the novel She Came To Stay, presents an existentialist metaphysics of human freedom that is opposed to Sartre’s idea of radical freedom. The novel’s central plot dramatizes Beauvoir’s idea that freedom consists in the ability to commit to a project that gains its own inertia and influence over one’s cognition through one’s repeated affirmation of it in thought and action. This is an existentialist theory because it agrees that the reasons one encounters in experience reflect the values at the heart of one’s chosen projects. It is

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38

Pageler, Elaine. Near-Star Planets : Trouble at the Space Station, the Evil Plot, Space Pirates, the Thought Lab of Planet Glise, the Bird People of Planet Ejie. Academic Therapy Publications, 1999.

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39

Magerstädt, Sylvie. TV antiquity. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781784995324.001.0001.

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TV antiquity explores representations of ancient Greece and Rome throughout television history. It is the first comprehensive overview of the genre in television. More specifically, the author argues that serial television set in antiquity offers a perspective on the ancient world quite distinct from their cinematic counterparts. The book traces the historic development of fictional representations of antiquity from the staged black-and-white shows of the 1950s and 60s to the most recent digital spectacles. A key argument explored throughout the book is that the structure of serial television

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40

Fitzsimmons, Rebekah, and Casey Alane Wilson, eds. Beyond the Blockbusters. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827135.001.0001.

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While the critical and popular attention afforded to twenty-first century young adult literature has exponentially increased in recent years, the texts selected for discussion in both classrooms and scholarship has remained static and small. Twilight, The Hunger Games, The Fault in Our Stars, and The Hate U Give dominate conversations among scholars and critics—but they are far from the only texts in need of analysis. Beyond the Blockbusters: Themes and Trends in Contemporary Young Adult Fiction offers a necessary remedy to this limited perspective by bringing together a series of essays about

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