Academic literature on the topic 'Star Wars: Episode I: Racer'

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Journal articles on the topic "Star Wars: Episode I: Racer"

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Silva, Patrícia Nunes da, Monica Almeida Gama, and André Luiz Cordeiro dos Santos. "Star Wars - an episodes battle." International Journal for Innovation Education and Research 8, no. 6 (2020): 367–80. http://dx.doi.org/10.31686/ijier.vol8.iss6.2428.

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Mlodinow (2008) proposed a crazy market experiment: to release the same film under two titles: Star Wars: Episode A and Star Wars: Episode B. Their marketing campaigns and distribution schedule are identical except by their titles on trailers and ads. He looks at the first 20,000 moviegoers and record the film they choose to see. He claims it is most probable the lead never changes, and it is 88 times more likely that one of the two films will be int the lead through all 20,000 customers than it is that the lead continuously seesaw. We present a detailed mathematical explanation for Mlodinow c
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Shiga, David. "Star wars, latest episode: a new hope." New Scientist 207, no. 2768 (2010): 6–7. http://dx.doi.org/10.1016/s0262-4079(10)61650-8.

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Guirado, Natália Cipolaro. "Imagens científicas na semiótica e fotografias de Star Wars." Texto Livre: Linguagem e Tecnologia 11, no. 2 (2018): 290–303. http://dx.doi.org/10.17851/1983-3652.11.2.290-303.

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RESUMO:Neste trabalho faremos uma apresentação e revisão bibliográfica do percurso histórico da semiótica francesa, que possibilita abordagem da imagem científica. Ilustraremos com uma breve análise de imagens científicas apresentadas em dois filmes da franquia Star Wars: a primeira, fotografia de Star Wars Episódio I: A Ameaça Fantasma (1999), e a segunda, de Star Wars Episódio III: A Vingança dos Sith (2005), ambos dirigidos por George Lucas. Para isso, utilizaremos ferramentas do arcabouço teórico proposto pelos semioticistas Jean-François Bordron (2013), Jacques Fontanille (2007) e Maria G
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Gill, Glen Robert. "Re-envisioning Myth in Star Wars: Episode VII: The Force Awakens." Journal of Religion and Popular Culture 31, no. 1 (2019): 3–15. http://dx.doi.org/10.3138/jrpc.2017-0017.

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Kelsey, Penelope. "World(build)ing in Mohawk- and Seneca-Language Films." English Language Notes 58, no. 1 (2020): 214–25. http://dx.doi.org/10.1215/00138282-8237531.

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Abstract This essay brings Zayin Cabot’s concept of “ecologies of participation” into conversation with contemporary Mohawk- and Seneca-language films and language revitalization movements. For Indigenous peoples, these participatory events are often interactive storying of worlds, whether told in film, social media, or oral tradition. As a particularly salient example, the essay considers Mohawk director Karahkwenhawi Zoe Hopkins’s adaptation of Star Wars: A New Hope in Star Wars Tsyorì:wat IV—Yonhská:neks (2013) in a comparative analysis with both the Navajo-language Star Wars: Episode IV an
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Robertson, Benjamin J. "‘It’s just us now’: nostalgia and Star Wars Episode VII: The Force Awakens." Science Fiction Film & Television 9, no. 3 (2016): 479–88. http://dx.doi.org/10.3828/sfftv.2016.9.16.

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Guerrero, Anthony P. S., and Maria Jasmin Jamora. "Can Kylo Ren Be Redeemed? New Potential Lessons from Star Wars Episode VII." Academic Psychiatry 40, no. 4 (2016): 630–33. http://dx.doi.org/10.1007/s40596-016-0565-4.

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Marshall, Andrea. "Our stories, our selves: Star Wars fanfictions as feminist counterpublic discourses in digital imaginaria." Journal of Fandom Studies 8, no. 3 (2020): 277–88. http://dx.doi.org/10.1386/jfs_00024_1.

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Fanfiction has a long and varied history in the Star Wars franchise since it began in 1977 with the debut of the first film, Star Wars Episode IV: A New Hope. The decade of the 1970s created new possibilities for science fiction multiverses and metanarratives; science fiction became an adaptive film genre that could be reimagined with seemingly infinite narrational results. The myriad of genre films that were released in the mid-to-late 1970s revealed dynamic syntheses with horror (e.g. Alien, Invasion of the Body Snatchers and Close Encounters of the Third Kind), franchises that previously ha
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Brown, Stephen, Robert V. Kozinets, and John F. Sherry. "Teaching Old Brands New Tricks: Retro Branding and the Revival of Brand Meaning." Journal of Marketing 67, no. 3 (2003): 19–33. http://dx.doi.org/10.1509/jmkg.67.3.19.18657.

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Retro brands are relaunched historical brands with updated features. The authors conduct a “netnographic” analysis of two prominent retro brands, the Volkswagen New Beetle and Star Wars: Episode I—The Phantom Menace, that reveals the importance of Allegory (brand story), Aura (brand essence), Arcadia (idealized community), and Antinomy (brand paradox). Retro brand meanings are predicated on a utopian communal element and an enlivening paradoxical essence. Retro brand management involves an uneasy, cocreative, and occasionally clamorous alliance between producers and consumers.
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Davies, Brett. "EWOKS VERSUS DEAD HEROES: CREATIVE CONFLICT IN WRITING RETURN OF THE JEDI." Revista GEMInIS 12, no. 1 (2021): 102–15. http://dx.doi.org/10.53450/2179-1465.rg.2021v12i1p102-115.

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The original Star Wars trilogy established a storytelling model that still influences Hollywood filmmaking today. However, the third episode in the saga, Return of the Jedi (1983), was received less favorably than its predecessors by critics. This article will examine historical record and analyze aspects of syuzhet (‘plot’) and fabula (‘story’) (BORDWELL, 1985, pp. 49-50) in the screenplay in order to establish why Return of the Jedi works less successfully as a narrative than the first two films. The results of the investigation suggest that this was due to a fundamental philosophical confli
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Dissertations / Theses on the topic "Star Wars: Episode I: Racer"

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Rudervall, Mathias. "Oenigheten mellan fans och kritiker: The Last Jedi : En innehållsanalys av de kritiska positionerna kring Star Wars Episode VIII: The Last Jedi." Thesis, Högskolan Dalarna, Bildproduktion, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-33543.

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Detta är en kvalitativ innehållsanalys av de kritiska positionerna kring den kontroversiella filmen Star Wars Episode VIII: The Last Jedi. Den innehåller en omfattande överblick om hur Star Wars kritiserats förr och nu för att sätta perspektiv på ämnet, samt information om hur fans och så kallade ”fandoms” ibland fungerar som ett ”hivemind” när det kommer till tyckande och organisering på nätets sajter och forum.
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Böhme, Claudia. "Mediating Science Fiction Film through Translation and Commentary: The Star Wars Episode 'Attack of the Clones' in Kiswahili." 2018. https://ul.qucosa.de/id/qucosa%3A35329.

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The mediation of foreign films for Swahili audiences is an established cultural and linguistic practice in Tanzania that combines translation with commentary and story-telling. It helps audiences make sense of films whose original language and cultural background are unfamiliar to them. Today, an industry has grown around translated foreign films of all genres and from all regions. The practice also makes genres accessible that are still under-represented in Tanzanian film production, such as science fiction. The genre’s depiction of a futuristic, technically advanced and strange world present
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Books on the topic "Star Wars: Episode I: Racer"

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Neuse, Alex. Star wars: Episode I, Racer : Prima's official strategy guide. Prima Games, 2000.

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Alfonsi, Alice. Star wars, episode I, Anakin's race for freedom. Random House, 1999.

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ill, Alvin John, ed. Star Wars: Queen in Disguise: Episode I. Random House, 2000.

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ill, Vallejo Boris, ed. Star Wars, Episode I. Random House, 1999.

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ill, Morris Iain, ed. Star Wars episode I. Random House, 1999.

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Star Wars: Anakin to the Rescue: Episode I. Random House, 1999.

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Star wars, episode I. Random House, 1999.

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Lee, Edwards Tommy, ed. Star Wars, Episode I. Random House, 2000.

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Krulik, Nancy E. Star Wars, Episode I. Random House, 1999.

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ill, Morris Iain, ed. Star Wars, episode I. Random House, 2000.

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Book chapters on the topic "Star Wars: Episode I: Racer"

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Lucas, George. "Star Wars (Star Wars Episode IV: A New Hope)." In 100 Science Fiction Films. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6_73.

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Jackson, Nicole M. "Myth of a multicultural England in BBC’s Luther." In Adjusting the Contrast. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526100986.003.0008.

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This chapter critiques the representation of Black and Minority Ethnic (BAME) characters on Luther in the historical context of racism within the British police forces, particularly the Metropolitan Police Service (Met). Using social and cultural historical methodologies informed by British cultural and media studies, the chapter argues that, even though Luther has been lauded for positive representations of race, the show actually conforms to a multicultural paradigm, which has matured from the 1980s, that privileges assimilation, the tokenization of racialized ‘others’ and masks the continued marginalization of Black Britons. On 4 May 2010, Luther premiered on BBC One to mixed reviews. Anchored by Elba playing the titular John Luther, the show was a new twist on a comfortable English television standard: the detective series. In the Telegraph review of the first episode, Serena Davies praises Elba’s acting, but highlight’s Luther’s lack of originality. ‘It is formulaic… Its ‘big idea’ is that we know the killer from the start of each episode – something Columbo did for decades... His team think he’s unreliable but keep him on because of his brilliant criminal intuition (see also Wallander, Cracker, and Prime Suspect).’
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Conference papers on the topic "Star Wars: Episode I: Racer"

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Coleman, Rob, Ned Gorman, Christian Rouet, Scott Squires, and John Knoll. "Star Wars Episode 1." In ACM SIGGRAPH 99 Conference abstracts and applications. ACM Press, 1999. http://dx.doi.org/10.1145/311625.311953.

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Metraux, Yves. "Star Wars Episode 1." In ACM SIGGRAPH 99 Electronic art and animation catalog. ACM Press, 1999. http://dx.doi.org/10.1145/312379.313085.

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Rouet, Christian. "Star Wars Episode 1." In ACM SIGGRAPH 99 Electronic art and animation catalog. ACM Press, 1999. http://dx.doi.org/10.1145/312379.313087.

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McLaughlin, Tim, and John Anderson. "Cloth animation for Star Wars: Episode I “The Phantom Menace”." In ACM SIGGRAPH 99 Conference abstracts and applications. ACM Press, 1999. http://dx.doi.org/10.1145/311625.311999.

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Bolte, Jean, and David Benson. "Viewpainting models for Star Wars: (Episode I “The Phantom Menace”)." In ACM SIGGRAPH 99 Conference abstracts and applications. ACM Press, 1999. http://dx.doi.org/10.1145/311625.312021.

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Tremblay, Marjolaine. "Multiple creatures choreography on Star Wars: (Episode I “The Phantom Menance”)." In ACM SIGGRAPH 99 Conference abstracts and applications. ACM Press, 1999. http://dx.doi.org/10.1145/311625.312018.

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McLaughlin, Tim, and Cary Phillips. "Creature wrangling and enveloping for Star Wars: Episode I “The Phantom Menace”." In ACM SIGGRAPH 99 Conference abstracts and applications. ACM Press, 1999. http://dx.doi.org/10.1145/311625.312001.

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Campbell, Geoff, and Cary Phillips. "Creature modeling and facial animation on Star Wars: Episode I “The Phantom Menace”." In ACM SIGGRAPH 99 Conference abstracts and applications. ACM Press, 1999. http://dx.doi.org/10.1145/311625.312007.

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Schnuelle, David L. "Image compression evaluation for digital cinema: the case of Star Wars: Episode II." In Electronic Imaging 2003, edited by Bhaskaran Vasudev, T. Russell Hsing, Andrew G. Tescher, and Touradj Ebrahimi. SPIE, 2003. http://dx.doi.org/10.1117/12.484321.

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Taylor, James, and Jim Hourihan. "Technical animation issues for the battle droids of Star Wars: (Episode I “The Phantom Menace”)." In ACM SIGGRAPH 99 Conference abstracts and applications. ACM Press, 1999. http://dx.doi.org/10.1145/311625.312019.

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