Relevant bibliographies by topics / Star Wars fiction – Fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Star Wars fiction – Fiction'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Star Wars fiction – Fiction"

1

Brodecki, Zdzisław, and Małgorzata Polkowska. "Star Wars. Fiction or Near Reality?" Krytyka Prawa 10, no. 3 (2018): 211–25. http://dx.doi.org/10.7206/kp.2080-1084.238.

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Cornwall, Malcolm G. "Technology: Star Wars: fact or fiction?" Physics Bulletin 38, no. 4 (1987): 129. http://dx.doi.org/10.1088/0031-9112/38/4/010.

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Paché, Gilles. "Behind the Scenes: How Logistics Shape Space Fantasy Science Fiction Narratives." Technium Social Sciences Journal 62 (October 8, 2024): 159–69. http://dx.doi.org/10.47577/tssj.v62i1.11714.

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This research note explores how logistics, though often overlooked, is a central element in space fantasy science fiction narratives. In Frank Herbert’s Dune, the spice—essential for interstellar travel—demonstrates how logistics influences space geopolitics. Star Wars highlights the logistical challenges involved in managing an intergalactic empire, from constructing the Death Stars to coordinating rebel fleets. In Star Trek, space exploration depends on intricate logistics to sustain ships, space stations, and diplomatic relations. Finally, Isaac Asimov’s Foundation illustrates how the colla
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Geng, Zicheng. "The Constructed Past in a Galaxy Far, Far Away: Nostalgia in the Star Wars Films." Communications in Humanities Research 39, no. 1 (2024): None. http://dx.doi.org/10.54254/2753-7064/39/20242198.

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Star Wars (1977-2019), directed by George Lucas, is a science fiction (fiction based on imagined future scientific or technological advances and major social or environmental changes) saga that takes place in the outer space universe. The whole story is an intergalactic adventure surrounding the ongoing battle between the Jedi Order, which represents the bright side and the Sith Order, which represents the dark forces. Despite that were massive number of studies done on them as films of science fiction, few have looked at Star Wars from a perspective that would categorize them instead as nosta
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Brooks, Thomas, Cole Rehbein, Stephen Reysen, Courtney Plante, Sharon Roberts, and Andrew Tague. ""Don't be too proud of this technological terror you've constructed"." Journal of Digital Social Research 6, no. 3 (2024): 147–62. http://dx.doi.org/10.33621/jdsr.v6i3.33328.

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Transhumanism is a school of thought that promotes the enhancement of humanity through technological intervention (e.g., cloning, gene therapies, uploading one’s mind to a computer, nanotechnology). Due to its aims of altering evolutionary processes (Bostrom, 2005), transhumanism is highly controversial (Sinicki, 2015). The ideology finds support from younger men, as well as those engaged in science-fiction literature (Gangadharbatla, 2020; Koverola et al., 2022). The present study aimed to investigate the role of gender and specific science fiction fan identities as predictors of transhumanis
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Marshall, Andrea. "Our stories, our selves: Star Wars fanfictions as feminist counterpublic discourses in digital imaginaria." Journal of Fandom Studies 8, no. 3 (2020): 277–88. http://dx.doi.org/10.1386/jfs_00024_1.

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Fanfiction has a long and varied history in the Star Wars franchise since it began in 1977 with the debut of the first film, Star Wars Episode IV: A New Hope. The decade of the 1970s created new possibilities for science fiction multiverses and metanarratives; science fiction became an adaptive film genre that could be reimagined with seemingly infinite narrational results. The myriad of genre films that were released in the mid-to-late 1970s revealed dynamic syntheses with horror (e.g. Alien, Invasion of the Body Snatchers and Close Encounters of the Third Kind), franchises that previously ha
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Meneses, Allana Cristina Sales, and Margareth Torres de Alencar Costa. "The protagonism of Rey in Star Wars: the force awakens, a feminist reading." Acta Scientiarum. Language and Culture 45, no. 1 (2023): e64735. http://dx.doi.org/10.4025/actascilangcult.v45i1.64735.

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Star Wars is a science fiction saga that for over thirty years has captivated fans and viewers all over the world. The saga reproduces the desires of the current society, decade by decade, and also produces new forms of representation regarding female characters. Although we know names like Princess Leia and Padmé, both had their narratives crossed by negative stereotypes about female representations. As it is a science fiction genre, we still notice a mostly male presence, despite new appearances of heroines. However, it was with the release of The force awakens (Foster, 2015), that the franc
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ERÇETİN, Arzu, and Tolga ERDEM. "1960-1970’LERDE BİLİMKURGU SİNEMASINDA MOBİLYA." Journal of Communication Science Researches 2, no. 2 (2022): 64–83. http://dx.doi.org/10.7456/100202100/001.

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Cınema is a unique means of expression. Pictures and sounds are the elements of the language of cinema. One of the elements that support these elements is furniture, which is one of the working areas of the design concept. The cinema genre that is most intertwined with the design discipline is science fiction. In this research, the relationship between cinema and space is examined on the science fiction movies and series of 1960-70, when the theme of Space in the context of furniture was at its peak. Within the scope of the study, the effects of the furniture used on the spatial narratives in
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Ardatürk, Ahmet Sadi. "Evaluation of Furniture Designs in Science Fiction Movies; Star Wars Example." Street Art & Urban Creativity 9, no. 2 (2023): 118–39. https://doi.org/10.25765/sauc.v9i2.785.

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Both the phenomena of watching and being watched and furniture design are as old as human history. Today, it can be easily stated that the most fundamental provider of the phenomena of watching and being watched is the field of cinema, and the most major form of the relationship established with the visual is the art of cinema. Furniture, on the other hand, appears as a basic equipment used in the field of cinema. In this context, it can be stated that furniture, as a basic equipment used in cinematic works, is a part of the integrity of cinema and is one of the paradigms that constitute this
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Spracklen, Karl. "Performing science-fiction fandom through debating controversy: Communicative leisure, collective memory and Rogue One: A Star Wars Story, below the line at The Guardian." Journal of Fandom Studies 8, no. 1 (2020): 103–17. http://dx.doi.org/10.1386/jfs_00012_1.

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Star Wars has become one of a handful of science-fiction franchises that have defined and shaped what Adorno calls the modern culture industry. The original trilogy challenged the way Hollywood financed and marketed its movies and made George Lucas incredibly rich. Star Wars fans bought tickets for re-releases, special editions and the notoriously egregious prequels, as well as a seemingly endless range of merchandise. When Lucas sold the franchise to Disney new movies were promised, including what became the stand-alone prequel Rogue One: A Star Wars Story. In this article, I am interested in
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Dissertations / Theses on the topic "Star Wars fiction – Fiction"

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Carpenter, Sarah Gerina. "Narratives of a Fall: Star Wars Fan Fiction Writers Interpret Anakin Skywalker's Story." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11989.

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viii, 94 p.<br>My thesis examines Star Wars fan fiction about Anakin Skywalker posted on the popular blogging platform LiveJournal. I investigate the folkloric qualities of such posts and analyze the ways in which fans through narrative generate systems of meaning, engage in performative expressions of gender identity, resistance, and festival, and create transformative works within the present cultural milieu. My method has been to follow the posts of several Star Wars fans on LiveJournal who are active in posting fan fiction and who frequently respond to one another's posts, thereby creating
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Hagan, Justice M. "Desert Enlightenment: Prophets and Prophecy in American Science Fiction." University of Dayton / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1366729757.

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Tedeman, Victor. "The Power of the Dark Side : Ondskans porträtterande i populärkultur." Thesis, Uppsala universitet, Teologiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-301082.

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Andersson, Josefin. ""Doctor, use the Force" : En fenomenografisk studie av individers berättelser angående sitt religiösa intresse gentemot Temple of the Jedi Order och Whovianism." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-45293.

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In this paper I have studied the two new religious phenomena, Temple of the Jedi Order and Whovianism, based on the cognitive concept of man dominated by schemas that characterize the outcome of adequate response to new situations. This principle is about how man faces new situations through old knowledge and experience of similar events. For this study, I analyzed selected stories in which individuals describe their religious interest and involvement in the Star Wars movies, and the related religious community Temple of the Jedi Order, as well as the television series Doctor Who, with the ass
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Beth, Marc. "We Are Not Alone." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1237768652.

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Wälivaara, Josefine. "Dreams of a subversive future : sexuality, (hetero)normativity, and queer potential in science fiction film and television." Doctoral thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-62893.

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The aim of the thesis is to explore depictions of sexuality in popular science fiction film and television through a focus on storytelling, narrative, characters and genre. The thesis analyses science fiction as a film and television genre with a focus on the conventions, interpretations, and definitions of genre as part of larger contexts. Central to the argumentation is films and television series, from Star Wars and Star Trek, to Firefly and Torchwood. The approach allows a consideration of how the storytelling conventions of science fiction are, and have been, affected by its contexts. Thr
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Peyron, David. "La construction sociale d'une sous-culture : l'exemple de la culture geek." Thesis, Lyon 3, 2012. http://www.theses.fr/2012LYO30089.

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Cette étude porte sur la « culture geek » et son émergence en tant que sous-culture et identité culturelle revendiquée en France depuis le milieu des années 2000. En effet, ce mouvement d’abord américain a fait une entrée remarquée dans l’espace public qui incite à s’interroger sur sa réalité sociologique. Les geeks sont abordés ici comme fans de mondes imaginaires fantastiques (science-fiction, fantasy…), passionnés de nouvelles technologies et en tant que public premier et fondateur du processus de convergence culturelle théorisé par Henry Jenkins. La montée en visibilité du phénomène geek e
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Pontén, Joon. "The final final final cut : Fan edits och hur de samverkar med filmindustrin." Thesis, Stockholms universitet, Institutionen för mediestudier, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77200.

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Begreppet ”fan edits” betecknar filmer som klipps om av fans, vilka är missnöjda med hur en adaption för vita duken som gjorts. I min uppsats vill jag påvisa dels hur samspelet mellan fans och filmmakare/filmbolag sett och ser ut, dels försöka klargöra varför copyright/fair use är så knepigt att applicera på området.
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Bigelow, Christopher Kimball. "Sun, Moon, and Star." BYU ScholarsArchive, 1998. https://scholarsarchive.byu.edu/etd/4530.

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This fictional novella takes place during the narrator Smoot's two-year mission to Melbourne, Australia. It chronicles the intertwining of the lives and destinies of three main characters: Smoot, a Utah native who struggles with carnality and lack of conversion and spirituality; Babakian, an Australian convert who used to be a punk rocker and has become frustrated with Mormonism's blandness and conformity; and Samantha, a nonmember part-Tongan Utahn with whom Smoot was involved before his mission. Speaking generally, the novella is about how Babakian misuses his creative powers of art and sexu
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Cloutier, Caroline. "Le discours sur la ville dans les films d'anticipation." Master's thesis, Université Laval, 2003. http://hdl.handle.net/20.500.11794/28613.

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Books on the topic "Star Wars fiction – Fiction"

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Zahn, Theodor. Star Wars. Del Rey/Ballantine Books, 2004.

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Windham, Ryder. Star wars. Scholastic, 2004.

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Reaves, Michael. Star wars: Death Star. LucasBooks/Del Rey/Ballantine Books, 2007.

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Reaves, Michael. Star Wars: Death Star. LucasBooks/Del Rey/Ballantine Books, 2007.

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Zahn, Theodor. Star wars. s.n.], 1992.

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Zahn, Theodor. Star Wars. Del Rey/Ballentine Books, 2005.

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Kahn, James. Star wars. Ballantine Books, 1995.

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Zahn, Theodor. Star wars. Del Rey, 2007.

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Mason, Jane B. Star wars. Golden Books Pub. Co., 1998.

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Whitman, John. Star Wars. Chronicle Books, 1997.

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Book chapters on the topic "Star Wars fiction – Fiction"

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Lucas, George. "Star Wars (Star Wars Episode IV: A New Hope)." In 100 Science Fiction Films. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6_73.

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Peebles, Stacey. "Twenty-first-century Star Wars." In Contemporary American Science Fiction Film. Routledge, 2022. http://dx.doi.org/10.4324/9781003189961-8.

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Belluomini, Lance. "Star Wars, Emotions, and the Paradox of Fiction." In The Ultimate Star Wars and Philosophy. John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119038092.ch24.

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Covino, Ralph. "Star Wars, Limb Loss, and What It Means to Be Human." In Disability in Science Fiction. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137343437_8.

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Guimont, Edward. "“To Ensure the Safety of the Republic, We Must Deregulate the Banks”: A Social Democratic Reading of Star Wars: The Clone Wars." In American Science Fiction Television and Space. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-10528-9_7.

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Andrén, Ella. "The Dark Past of Our Bright Future: Concurrent Histories of Star Trek: Voyager." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_9.

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AbstractThe Star Trek franchise is frequently described as utopian, the bright future of humanity, Earth, and the universe. The time and society of the Starfleet explorers is said to have overcome issues of inequality, racism, sexism, hunger, war, capitalism, greed, and environmental problems. This is at the same time a radical fantasy of the future and an artistic and commercial product of our own time. In their travels across the galaxy, the Starfleet explorers also encounter different civilizations, often depicted or even described as reminiscent of various time periods of Earth’s history.
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Heffner, Kathryn. "Fan Fiction." In The Routledge Handbook of Star Trek. Routledge, 2022. http://dx.doi.org/10.4324/9780429347917-38.

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Carpenter, John. "Dark Star." In 100 Science Fiction Films. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6_20.

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Meade, L. T., and Robert Eustace. "‘The Star-Shaped Marks’." In Nineteenth Century Science Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9781003056355-18.

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Wise, Robert. "Star Trek: The Motion Picture." In 100 Science Fiction Films. British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6_72.

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Conference papers on the topic "Star Wars fiction – Fiction"

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Pozhidaeva, Marina, and Ilya Makarov. "Information Extraction for Modeling Screenplay Evolution of Star Wars Fiction." In 2022 IEEE 20th Jubilee World Symposium on Applied Machine Intelligence and Informatics (SAMI). IEEE, 2022. http://dx.doi.org/10.1109/sami54271.2022.9780686.

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Matos, Tonatiuh. "Wormholes, Star-trek: Reality and Science Fiction." In ADVANCED SUMMER SCHOOL IN PHYSICS 2006: Frontiers in Contemporary Physics: EAV06. AIP, 2007. http://dx.doi.org/10.1063/1.2563176.

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Hawkinson, Eric. "Star Trek and the Metaverse: An Analysis of Foresight for Augmented Reality in Science Fiction." In The IAFOR International Conference on Arts and Humanities – Hawaii 2022. The International Academic Forum(IAFOR), 2022. http://dx.doi.org/10.22492/issn.2432-4604.2022.7.

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Ritzi-Lehnert, Marion. "Entering a New Era of Diagnosis." In ASME 2010 8th International Conference on Nanochannels, Microchannels, and Minichannels collocated with 3rd Joint US-European Fluids Engineering Summer Meeting. ASMEDC, 2010. http://dx.doi.org/10.1115/fedsm-icnmm2010-30174.

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Looking at the development of diagnostics from prehistorical days up to know and even further visioning into the future the shamans of the old days were slowly replaced by the early “all-round” doctor having first simple diagnostical and surgery possibilities, changing to nowadays specialized physicians doing the diagnoses based on analytical results provided by decentralized specialized labs. Future visions present doctors offices harboring small instruments that allow the physicians to do analyses directly as fast and as minimally or even non-invasive as possible advantageously combined with
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