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Relevant bibliographies by topics / Staro Nagoričino

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Academic literature on the topic 'Staro Nagoričino'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Staro Nagoričino"

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Piórecka, Agnieszka. "Stefan Uroš II Milutin – działalność fundacyjna serbskiego króla." Vox Patrum 66 (December 15, 2016): 459–76. http://dx.doi.org/10.31743/vp.3470.

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Biographer of Stefan Uroš II Milutin, Archbishop Danilo II, states in his book that about fifteen churches and monastery buildings, were erected under the auspices of the Serbian king. They were created in Serbia, Constantinople, Thessalonica, Athos, Jerusalem and Sinai. Similarly, as byzantine Emperor, the Serbian king not always founded new objects. Occasionally, as it was in the case of the church in Staro Nagoričino, he only resurrected run-down buildings. Probably, as the result of this activity there is such an architectural variety of his foundations. Since the moment of his marriage

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ΖΑΡΡΑΣ, Νεκτάριος. "Επιγραφές από το ναό του Αγίου Γεωργίου στο Staro Nagoričino". Δελτίον Χριστιανικής Αρχαιολογικής Εταιρείας 49 (23 листопада 2011): 115. http://dx.doi.org/10.12681/dchae.674.

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<p>Στη μελέτη παρουσιάζονται ελληνικές επιγραφές από τον κύκλο των Παθών και από τον κύκλο του αγίου Γεωργίου, καθώς και μικτές επιγραφές (παλαιοσερβικά-ελληνικά) από τον νάρθηκα του ναού του αγίου Γεωργίου στο <span lang="en-US">Staro</span> <span lang="en-US">Nagori</span>č<span lang="en-US">ino</span>, ο διάκοσμος του οποίου είναι έργο των γνωστών ζωγράφων Μιχαήλ Αστραπά και Ευτυχίου. Εξετάζονται δύο βασικά ζητήματα: πρώτον, η ανορθογραφία των επιγραφών και το συναφές με αυτή θέμα των γραμματικών γνώσεων των ζωγράφων και, δεύτερον η γλώσσα των επιγρ

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Ćirić, Jasmina S. "UNVEILING THE ‘TRUE LIGHT’: BRICK CRYPTOGRAMS AT ST. GEORGE CHURCH IN STARO NAGORIČINO." SCIENCE International Journal 2, no. 4 (2023): 119–23. http://dx.doi.org/10.35120/sciencej0204119c.

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This article delves into the intriguing ΦΧΦΠ cryptograms on the west facade of the St. George Church in Staro Nagoričino, shedding light on their connection to the era of King Milutin and their profound theological significance. It explores the convergence of architecture and symbolism, focusing on these cryptograms as a representation of the “True Light” within Christianity and its correlation to the concept of victory. The study delves into the influence of the Liturgy of the Presanctified Gifts. It investigates how placing these cryptograms above the church’s doorway resonates with architec

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KEIKO, Kono. "Notes on the Dancers in the Mocking of Christ at Staro Nagoričino." Δελτίον Χριστιανικής Αρχαιολογικής Εταιρείας 45 (July 6, 2011): 159. http://dx.doi.org/10.12681/dchae.479.

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<p>Η παρούσα μελέτη επιχειρεί να ερμηνεύσει την περίπλοκη χρήση ανατολικών στοιχείων στη βυζαντινή τέχνη, όπως το ένδυμα με τις μακριές στενές χειρίδες των παιδιών που χορεύουν στη σκηνή του Εμπαιγμού του Χριστού στο <span lang="en-US">Staro</span> <span lang="en-US">Nagori</span>č<span lang="en-US">ino</span>. Εξετάζεται η υποδηλούμενη αρνητική σημασία του ενδύματος με τις στενές μακριές χειρίδες στη βυζαντινή τέχνη και διατυπώνεται η άποψη ότι τα παιδιά εδώ δεν εικονίζονται απλώς για

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Rossi, Maria Alessia, and Alice Isabella Sullivan. "Rethinking the Medieval Visual Culture of Eastern Europe: Two Case Studies in Dialogue (Serbia and Wallachia)." Arts 12, no. 6 (2023): 233. http://dx.doi.org/10.3390/arts12060233.

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This article explores how the visual culture of Eastern Europe has been studied and often excluded from the grander narratives of art history and more specialized conversations due to political and cultural limitations, as well as bias in the field. The history and visual culture of Eastern Europe have been shaped by contacts with Byzantium, transforming, in local contexts, aspects of the rich legacy of the empire before and after the fall of Constantinople in 1453. This study expands and theorizes the eclectic visual cultures of Eastern Europe during the late medieval period by focusing on tw

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Pajić, Sanja. "The cycle of Saint Demetrius in the Patriarchate of Peć: Part II." Zbornik radova Filozofskog fakulteta u Pristini 51, no. 4 (2021): 305–26. http://dx.doi.org/10.5937/zrffp51-33114.

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The initial scenes of the hagiographic cycle of St. Demetrius on the north wall of the naos of the eponymous church in the complex of the Patriarchate of Peć, created in 1322-24, thanks to the atelier of the Greek painter Ioannes, are followed by frescoes painted during the restoration of 1619/20 by Georgije Mitrofanović, one of the most talented painters of his time. The episodes with Saint Nestor who kills the gladiator Lyaeus in a duel and the martyrdom of Saint Demetrius, preserved legends, have a source in the texts of the Passions of Saint Demetrius. They are separated from the other sce

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Čukovska, Lidija Robeva, Tena Šijakova Ivanova, and Živko Kokolanski. "Analytical study of the XIV century wall painting and lime mortars in the "St. George" church in Staro Nagoričane, Republic of Macedonia." Macedonian Journal of Chemistry and Chemical Engineering 36, no. 1 (2017). http://dx.doi.org/10.20450/mjcce.2017.1070.

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This work presents the first comprehensive study of the wall painting in the “St. George” church accomplished mainly by means of Fourier Transform Infrared Spectroscopy using Diffuse Reflectance and Micro-Infrared method (FTIR/DRS/Micro-IR) and the other analytical techniques Optical microscopy (OM), X-Ray Fluorescence (XRF), X-Ray Diffraction (XRD) and Inductively Coupled Plasma – Mass Spectrometry (ICP-MS). The main research objective was characterization of the artistic palette and painting technique, but also determination of the degradation products and observed alterations to the wall pa

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Books on the topic "Staro Nagoričino"

1

Đurovski, Sašo. Municipality Staro Nagoričane. Municipality Staro Nagoričane, 2009.

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Conference papers on the topic "Staro Nagoričino"

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Preradović, Dubravka. "THE CONTRIBUTION OF GABRIEL MILLET TO THE RESEARCH OF KING MILUTIN’S ENDOWMENTS." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.489p.

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Gabriel Millet was one of the first university-educated researchers that studied Serbian medieval monuments in the early 20th century. Thanks to this French Byzantinist, those monuments were included in broader overviews of Christian art early on. Millet’s work primarily set solid academic foundations for the research of Serbian medieval architecture. The endowments of King Milutin, above all Staro Nagoričino and Gračanica, had a prominent place in those studies both in terms of their painted program and architecture. This paper aims to present and valorize Gabriel Millet’s contribution to the

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Fedorov, Tatjana. "THE PASSION CYCLE OF ST. GEORGE IN STARO NAGORIČINO – A PARTICULAR ATTENTION ON THE ARTISTIC DESIGN ELEMENTS AND THE PARTICIPATION OF THE BEHOLDER." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.693f.

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The church of St. George in Staro Nagoričino, raised by King Milutin, has a rich treasure of Late Byzantine paintings depicting the Passion of Christ. Particularly appreciated are the fresco cycles, which fill the surfaces of the church in densely packed registers and the intelligent solutions to create clarity among the decoration. The present study is primarily approaching the profound analysis of the artistic design elements of the Passion cycle, combined with the participation of the beholder. Selected episodes are examined for the composition. In addition, the study deals with possible op

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Griza, Ana. "PORTRAITS OF UROŠ II MILUTIN AS А KING AND FOUNDER IN SERBIAN MONUMENTAL PAINTING OF 14TH CENTURY". У Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.649g.

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The present paper seeks to investigate the historical portraits of Milutin on mural paintings in Serbia, highlighting the changes of the ico- nography of royal portrait during the 13th century and the first decades of the 14th century. Due to his favorable political position, the ruler expanded his activity, both in political and artistical areas. It is useful then to touch upon some historical events and political relationship in the period under consideration. Without losing sight on different aspects, I have chosen to focus on the image of Serbian ruler from his childhood, represented on So

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Pajić, Sanja, and Roza G. Damiko. "UMETNIČKO – ISTORIJSKE VEZE KRAJEM 13. I POČETKOM 14. VEKA: ZAJEDNIČKE TEME U SRPSKOJ I ITALIJANSKOJ UMETNOSTI." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.581p.

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The paper considers the relations between art created on the territory of the Serbian medieval state and Italian painting from the end of the 13th and the first two decades of the 14th century in the context of contemporary historical events, as well as political and family ties between the Angevin, Nemanjić and Árpád dynasties. Representations of standardized forms of rare iconographic solutions appear in the monumental painting in the endowments of King Milutin (1282–1321), spread predominantly in the art at the territory of Serbia and Macedonia. The monumental Mother of God Pelagonitissa wa

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